SHORT STORY: John Boden

Anyone who has ever asked me for a horror book recommendation can tell you that somewhere in the list is something by John Boden. He is not only one of my favorite people (when we met at a con, he actually KNEW who I was – I will never get over how important that made me feel) but one of my favorite authors. Everything he has written has been… perfect. He writes characters that could be any one of us and puts them in stories that you feel like you’re experiencing along with the people on the pages. I absolutely can’t get enough. So when he reached out and offered to write a story for this year’s Halloween Extravaganza, there was NO WAY I was going to turn him down. He took this a bit further by telling me to select a few tropes he could choose from to create this bit of flash fiction. I was super excited… and also drew the BIGGEST blank EVER haha. What could I say? I asked the people in the Halloween Extravaganza 2022 Facebook group if they had any ideas and got a few things, but the only thing I could think about was how much I absolutely ADORE Carnival Horror and if anyone could write something to satisfy that need, it would be him. So… here we go. Let me know what you think?

The Pretender

The slight young man just stared at the faded and mildew dotted banner that sagged between the wooden poles at the edge of the old carnival grounds. He had walked there slowly and alone, without even paying attention to how much the town had changed in the few years since the last time he had made that trek.

Hometowns don’t change.They age but always manage to open their arms.

Cadamn was just such a town. A mile and a half along either side of the two lane paved road, with two alleys running behind the main street buildings and the back street, some of those having a small splinter off or access road but mostly beyond the houses that lined the alleys were just woods or derelict fields of high grass and weeds. The Friend family had lived in the house that squatted atop the hill as you came into the town’s west end. A large brick troll that stared down on the burg with window eyes and a bricked porch that jutted like a belly to the waiting earth. It had been the a great house for the family until things cracked and broke away.

A family can be just like a precious dish, that first drop can sometimes cause it to shatter, or just leave a single deep crack that will spawn others to join it over time. When dad left to start a new life with a new woman, that was the crack. When Mom stopped talking as much and began to take long walks alone in her head, when meals were forgotten and he had to step up to assure he was fed, that his clothes were clean and in decent repair, that was another. By the time he had managed to limp through school and see graduation within his reach, Jamie Friend had kicked the surname to the curb. He found it vile in the juxtaposition of the behavior of the man who branded tethered them to it and the terms definition.

“Just Jamie” was the answer whenever he was asked his name. Never any more or less. 

Jamie pulled his mind back to the present and focused tired eyes on the banner once more, CARNIVAL in large block letters, dimmed by time and sunlight. Generic. Punctuating the one word declaration was a cartoonish rendering of a man. A bearded man with a large open mouth, black as an eye socket but lined with tiny points under a porcine nose and flat eyes that were painted a bright red, the only real color on the cracked vinyl. Jamie took a step towards the entrance, which was anywhere, not like the hole in the rolled snow fence as when he was a kid. There was no barrier, nothing but the banner strung between the poles. Frayed rope ends batting against the wood in the slight breeze. Jamie took a step and stopped at the implied threshold. The high grass hadn’t even been cut down and there were no paths or bare spots from foot traffic. He felt a flutter in his chest as he scanned the grounds. The bingo pavilion was empty, The wooden tables and benches bowed by time and elements. A canvas for the art of bird shit. No old folks beneath a cloud of cigarette smoke gossiping as they waited for the elusive letter number combination that would land them a new electric skillet or  forty bucks.

The concrete building where the fire company had always sold their fundraising food during that one week in the death wheeze of summer was shuttered and silent. No waft of vinegar and hot grease. No odor of french fries and hamburgers. No one hollering and laughing. Just brittle abandonment and quiet. Jamie looked at the spot near the corner of the building where old man Stuckey used to sit with a bucket at his feet and his harmonica to his mouth and play and sing until the ride were stopped and the lights winked out. He would then lift the bucket of change and crumpled dollars and go to the fireman’s building window and hand it to the folks inside, always saying the same thing.

“If I ever catch fire, this is so you’ll put me out.” He’d chuckle and that one tooth he had would shine in the light. Then he’d walk out of the grounds and across the street to the little trailer he shared with his blind cat, Missa.

He died in that trailer the summer Jamie turned seventeen. By the time anyone missed him and they got into the dwelling, Missa had eaten his eyes.

Jamie walked through the weed-choked grass and looked at the buildings and the barren spots where once trucks of strangers would arrive and assemble metal monsters to care for the children of the town for the evening while the parents laughed and talked and ate and gossiped. Pied pipers with jailhouse tattoos. Magicians with Zippos and body odor. The laughter of the children was a thick ribbon that swirled around the carnival grounds for that one week every year. Until the year Jamie ran away. That year, the ribbon became a noose, the scrawny neck of Cadamn awaiting its embrace.

 Jamie had been in the Ghost Gallery…or whatever they were calling their fun-house attraction that year. He had been the only kid in the ticket line, he side-eyed the small clusters of kids and teens that dotted the perimeter. The old man at the door held out his hand for a ticket and Jamie noted that it was a prosthetic and not one of quality. The hand resembled a mannequin hand with lines drawn in black marker to denote where fingers should be. Jamie laid it in the upturned palm and waited while the man dropped it into his waist apron pocket. With his other arm he pushed open the door and winked at Jamie. “Don’t get scared now.” as he gave a small push with the plastic hand. A sharp edge gouging the flesh of Jamie’s shoulder. There was a bang and then darkness. A thick smell of mildewed cloth and dirt. That earthworms-after-rain fragrance of Autumn. Jamie wrinkled his nose and took a few furtive steps along the floor. His feet squished into something that gave like moist sod thick carpet, just enough to make one apprehensive about their foothold. Something brushed his cheek. A faint blue light flexed through the cracks between the boards of the walls. Pulsing in time with his breathing.

He heard a small noise to his left. Rattling. Laughter. A meaty cough. A voice, not speaking at full volume but sounding as though in another room, like when he would eavesdrop on his parents when they would argue/discuss. Jamie found his lip with his teeth and allowed them purchase, a salty taste as the blood came. He swallowed and listened harder. The voice was his father’s.

The best decision I ever made was to unshackle myself from that lot. That needy woman and that little leech. I was a mammoth mired in tar, I was. Horrid fate for a man. Barbaric.

Jamie took a few more steps and his hand found the doorknob on the wall before him. It thrummed in his sweaty grip and he turned it, pushed until the darkness was stained by the gauzy light from the new room. It was a kitchen. It was their kitchen. Jamie watched as his mother sat at the table and stared at its pocked and filthy surface. The cigarette between her fingers burnt to the filter and leaking acrid smoke into the hazy air. She drops it into the ashtray nearest her hand and has a fresh one in its place in a blink. Jamie sees that the table is full of ashtrays, or more accurately things that became them. Cups and bowls heaped with ash and bent butts. Plates full of dead lighters and skeletal burnt used matches.

There was no sound. As though watching a film, muted. Jamie coughed and his eyes watered.

“Mom?” He stepped forward, the toe of his sneaker bumping one of the table legs and causing ash to sift from one of the piles onto the floor. He followed it with his eyes and saw the linoleum was stained with great dark splatters. When the light flickered, the razor blades hidden in the gloom winked to life and twinkled like stars in the belly of night. The smoking woman stared ahead and her lips began to move. After a few seconds of silence, her voice followed but was out of sync.

Everything I have ever loved leaves, evaporates. Like all this smoke I eat it just is and then isn’t. That man left me with that boy who grew into a shadow. A cumbersome weight around my neck, as I stood on the deck and held my bow and knew…my shame was home to stay. Suckling and biting the nipple free. Swallowing it with the blood of any future I might have had.

Jamie slammed the door as he backed out of the room. Tinny laughter rose in pitch and volume from speakers nested above him somewhere. He felt dampness on his cheeks and knew why. He had always felt like his parents didn’t want him. Had held that close to chest like a medal or a surgery scar. But to hear it spoken aloud.  He tried to go back the way he came. The soft floor was tacky and he felt every step being argued with. He smelled garbage and smoke. Something tapped his back right below his shoulders. He turned and saw shining eyes in the darkness, gone in an instant.

He didn’t see the door before he met it with his nose. Hard enough to cause spots to dance before his eyes. He touched it with trembling fingers and they came away wet and dark. He touched his tongue. Blood. The speakers crackled and a new voice appeared. It was throaty and he smelled his Grandmother’s perfume as soon as he heard it.

He was playing on the steps, sliding down the railing and his father would catch him. It was a game. He got on and slid again too quickly and Paul wasn’t ready and Jamie hit the wall face first. It was an accident. Then the doctor had us hold him down and he cauterized the boy’s nose. They stuffed it with cotton and taped his face. He looked like a goddamn mummy for a few days. But let me tell you, Mary, the silence of those few days was sublime. That kid just never shut up or sat still. I won’t lie, Mary, there was times after where I thought about busting his nose again just for the peace and quiet.

From the speakers leaked the piano theme from The Young And The Restless. Not quite at the right speed. Slow and hobbled. Jamie smelled chicken noodle soup and cats. His eyes grew wet and he sniffed hard, the back of his throat slick with snot. He was only fifteen but he knew what he was hearing. Concrete proof of the suspicions he’d harbored for years. His father left to be free of him. His mother stayed put and left at the same time for the same reason. His Grandmother…all of them. He had felt bombarded by side-eye glances and smirky winces all these years and now he knew why. He had always known but now it was certain.

Jamie pushed the door and it wouldn’t budge. He kicked it and heard laughter from behind him. He turned and the wall of darkness met him. He tried to step forward but the shadows were solid, feeling like a cold stone wall. Jamie turned and tried the door again. The knob turned and the door pushed open with a groan. Jamie nearly tumbled into the room. The flickering light on hundreds of candles creating the warmth of a campfire in the small space. He took a moment to assess his surroundings. The room was barren save for the candles that sat on the floor, lining the walls, some in the necks of bottles, some melted to plates or in ornate candelabras. The far wall had a mirror directly mounted in the center of it. It was a tall mirror. Framed in a carved wood rectangle that was adorned with screaming faces and jeweled eyes that glittered and winked in the light. He stepped closer to it and as he came into direct view of its reflective surface, saw himself. He was the same poor postured skinny boy with the too-long hair and the unclear skin that had walked to the carnival what seemed like hours before. But where that boy’s blue eyes should have been were things that were weary and bled of color, set in bruised baggy wrinkles. Behind him, the carnival grounds were bustling with adults and children. Laughter and bright lights. Technicolor treats in tiny sweaty grips. Jamie turned to leave and the door was no longer. Nor the walls or any evidence of the attraction at all. Jamie stood still in the midst of mad commotion as people walked and ran to rides and games. He was an image super imposed over a scene. He turned to look back to where the fun-house had stood and saw only a rectangle of space  where it had been. Like a doorway cut into the very space itself. He took a step closer and saw himself in it. Behind his was a grinning darkness. Smoke swirled around him like serpents and his cheeks glistened with tears.  The reflection. Jamie held up a hand and offered a feeble wave before lowering his head as if in prayer.

Just Jamie, with a backdrop of carnival frenzy and fun, stared at the mirror from the other side, his stomach dancing.

He started the walk home with a feeling in his gut that he couldn’t quite reconcile. His other half in that funhouse realm of shadow, where secret lies were voiced, where barbed truths stood emboldened. That realm of slings and arrows and wounds that wail. Ghosts that slap and pinch. Jamie was uncertain which he, he was and which world was real. Maybe the worlds just turned and he came out on top for once. A restart, possibly. He looked up the small hill at the house, it was just like it had been the day of the funeral. He had sat in it’s emptiness for a long hour before he finally departed to see his mother’s shell on display.

Jamie mounted the steps to the back door of the house and paused as he looked up at the dim light in his mother’s bedroom window. He listened hard and heard the thin web of music waft through the screen.

He knows that all his hopes and dreams, begin and end there…

Jamie opened the door and was greeted by the stale waft of cigarette smoke and fried food. His mouth slid into a smile as he slipped inside.

Above and around, the night simmered and burned itself to feel.

Boo-graphy: John Boden lives a stones throw away from Three Mile Island with his wonderful wife and sons. A baker by day, he spends his off time writing or wasting time watching terrible horror films from the 70s and 80s. He likes Diet Pepsi, cheeseburgers, heavy metal and old country music, and often sports ferocious sideburns. While his output as a writer is fairly sporadic, it has a bit of a reputation for being unique. The books Dominoes, Spungunion, Walk the Darkness Down, and Jedi Summer are his doing alone. Detritus in Love, Out Behind the Barn, Rattlesnake Kisses, Cattywampus, and the nearly finished Black Salve… on those, he had assistance from Mercedes Yardley, Chad Lutzke, or Robert Ford. He’s easily tracked down on the Facebook or the Twitter and as rumors have it, a pretty friendly feller… honest.

GUEST POST: John Boden

A List of Films to Watch Around Halloween, None of Which are HALLOWEEN

How about that lame ass title?

It’s that time of year again, Boils & Ghouls. I was asked by Meghan to contribute to her yearly holiday blog series, and as usual I said yes and then flaked until literally the day before a piece is due. The grandest intention being to craft a fresh story or autobiographical sliver as I have in past years.

But, see, I think my brain is broken. Plague World and working retail have done it in. Focusing is hard and holding a captured thought is akin to catching tadpoles. So in true cop out fashion I give you this list of movies I love to watch this time of year that may or may not have anything to do with the holiday…okay, a couple of them do.

Ready? Here we go, in no rank or order…

Burnt Offerings. This amazingly gothic film concerns the account of a family whom rent an old mansion in the middle of nowhere only to discover it is not, exactly as promised. Lured by the unreal low cost, the trio learn about desires dark and hungry, about aspirations realized and locked away and never have framed old pictures of people not smiling ever been creepier. Based on the equally superb novel by Robert Marasco.

Dark Night Of The Scarecrow. A Made-For-TV movie that debuted on CBS in 1981. Starred the late Larry Drake as Bubba, a mentally retarded young man who falls victim to violence and prejudices in his tiny farm town…you think. But when the true reason behind his murder begins to show through “Vigilante” posse-runner, Otis Hazelrigg’s cracks (And my God, is it dark and icky for television) you find out it run much deeper. A fantastic cast and wonderfully creepy atmosphere have turned this into a cult favorite. Directed by Frank De Felitta.

Something Wicked This Way Comes. There is nothing that tastes more like October than this novel from the master. A deeply affecting coming-of-age tale about a town haunted. The haunts here are regret and disappointment. Are aging and absenteeism. Are wishes and I mean, we all know how long and hard a wish can clank about in the darkness. Two boys eager to be men, witness the arrival of a strange carnival one late October night. And coming with it are things that live on dreams…and barter for much bigger things. Perfection, this one!

WNUF Halloween Special. This recent treasure from Chris LaMartina is a pinnacle of “found footage/nostalgia itching.” An incredibly well-done trip down memory lane in the costume of a recorded-from-TV Hallwoeen special complete with commercials and static and rewinding and a fairly effective if pretty simple set-up and delivery. A ghoulishy good time!

The Funhouse. This 1981 gem is on here because I have always found it deeply creepy and it always gave me the Autumn feels, even though I think it might be set in late summer. There’s a thick vein of sleaze running through this slasher classic where a group of horny teens (always with the horny teens) decide to sneak into a carnival funhouse for a night of Bible study and crafts and by that I mean probably smoking weed and bumping uglies, only to find themselves pursued by the deformed son of the carnival owner. Not super high on gore but it makes up for it in gross close ups of drooling monster mouth and weird carny imagery.

The Other. 1972 film based on the splendid novel by Thomas Tryon. Set during the Depression, twin brother are at the center of a circle of bizarre events and murder in their rural community. The less you know going in to this one the better but it is absolutely fantastic and a gorgeous film to behold, literally.

I’m going to leave off with this one. The goofy and highly off-kilter Satan’s Little Helper. A video game obsessed little boy finds himself assisting a serial killer plundering his town on Halloween. The boy is all about a game where you help the Devil do bad things and since the killer is dressed as the horned one he thinks that’s what he’s doing. Sure this relatively tame flick has all kinds of logic holes and the acting isn’t the best. But it’s fucking weird. And a lot of fun. From Jeff Lieberman, the feller what gave us the killer worm classic Squirm and the slashery Just Before Dawn.

There. You’ve maybe seen these. Might not have heard of some. Or maybe just never gave them a thought as a Halloween watch. But seeing the white-painted Kirk face every year…hearing the doo-doo-doo-doo of the Silver Shamrock jingle…Watching that little dude with the burlap face chase Brian Cox around his house with a broken lollipop? Change it up. Add one or two of these to your last weekend’s viewing and I promise you you might find at least one new favorite to sew into your Octobers from now on.

And if not, Michael Myers will be waiting for you…as always.


Boo-graphy:
John Boden lives a stone throw from Three Mile Island with his wonderful wife and sons. A baker by day, he spends his off time writing or wasting time watching terrible horror films from the 70s and 80s. He likes Diet Pepsi, cheeseburgers, heavy metal, and old country music and often sports ferocious sideburns. While his output as a writer is fairly sporadic, it has a bit of a reputation for being unique. The books Dominoes, Spungunion, Walk The Darkness Down, and Jedi Summer are his doing alone. Detritus in Love, Out Behind the Barn, Rattlesnake Kisses, Cattywampus, and the nearly finished Black Salve… on those, he had assistance from Mercedes Yardley, Chad Lutzke, or Robert Ford. He’s easily tracked down on Facebook or the Twitter and as rumors have it, a pretty friendly feller… honest.

GUEST POST: Somer Canon

The Halloween Mood

It’s that time of year again. Summer has come to an end, the days are getting shorter, and the color orange is starting to saturate our world of capitalistic vice and consumption. There’s pumpkin spice, well, everything and the general cozy feeling that comes with the season, and then we have the people who are annoyed with the deliriously evangelical followers of the autumnal cult of joy. Fall is the favorite season of many, and the favorite punching bag of others. Personally, I’m a big fan of the season and the mood it sets. I haven’t even touched on the best day of the season, in my opinion at least: Halloween.

I sit pretty comfortably in the opinion that Halloween is one of the best holidays. I’m not even close to being alone in that belief. In 2019, almost 70% of Americans celebrated Halloween. It dropped a bit in 2020 and looks like the downward trend may continue this year, thanks to the pandemic. But still, more than half of Americans, pandemic or not, are going to be indulging in the spooky, in the morbid, and in the deliciously decadent delights that horror can give. Children and adults alike love Halloween. Horror fans and otherwise love Halloween. The love of Halloween spans various belief systems and religions. How is this so? Why is Halloween such a hit?

I think that it has a lot to do with the fact that it happens at the end of October, just as fall is getting into full swing. Like Christmas, we start celebrating Halloween before the actual day with trips to pop-up stores for new costumes and goodies for our homes, visiting haunted houses and hay rides, and scary movies play on the television every night. Summer is the season that we spend mostly out of our homes, away on vacations and with school being out, mostly on a relaxed or nonexistent schedule. Fall begins with school going back into session, the return to routine and to the end of the vacation season. We’re home, we’re settling in, we’re getting cozy, and we get to do that as the lush beauty of nature prepares to wow us one last time. In the autumnal season, nature proves that she saves the best for last. The sweet smell of dead leaves and their lovely crunch under our feet as we walk, it romances us. Death woos and charms us. Pumpkins start appearing everywhere, flanked by decorative baskets of chrysanthemums. But alongside that magazine-cover pretty picture, there are skeletons, spiders, black cats, corpses, vampires, bats…all of the ambassadors of the decidedly spooky. And they go together wonderfully. I put a seven-foot werewolf on my front porch, but I’ve also got mums and pumpkins. I put out a small cemetery in my side yard with zombies and skeletons climbing out of the graves, but they’re surrounded by beautiful falling leaves from the large tree. The beauty of nature’s death pairs nicely with the human macabre.

Halloween also has the distinguished position of being a holiday that normally doesn’t come with family obligations. Every season comes with a holiday that carries some sort of requirement that can stress us out. Halloween has no such demand. It stands as one of the special days on the calendar that is set aside purely for fun. Obligations are minimal, usually, and having to eat a big dinner next to your judgmental aunt is still at least a month away. Halloween is so much more casual. I know the history of Halloween and I know the pagan-held beliefs of the day, but it has become a day of laughter, fun, sweets, and ridiculousness. It has a few songs, it has a lot of movies, and it has costumes. Halloween is an absolute delight, and I know that I start looking forward to it every August. I sometimes hold out through September before bringing out my spooky and corny decorations, and sometimes I don’t. But, at the very least, the month of October is dedicated to Halloween in my house. My giant porch werewolf and the many other outdoor decorations pale in comparison to what I have inside of my house. A disassembled skeleton hangs from my dining room chandelier, I drink my coffee from Halloween mugs and have my evening tipple in Halloween glasses. For crying out loud, I have Halloween bedding and bathroom hand towels! I love every stitch of it. All of it.

The U.S. is an enormous country with many different regions and not all of them necessarily have four seasons, and yet, they still celebrate Halloween. I live in Eastern Pennsylvania where we certainly experience the full four seasons, but Halloween is pervasive in this country of ours regardless of whether autumn happens or not. Again, why? I’m not an academic and I have no deep philosophical answer for you. What I do have is my observation, and my knowledge of both your average person and the horror community. Halloween is popular because it’s fun. Being scared is fun. Horror carries a stigma of being sick and taboo, and yet I rarely meet a person who doesn’t have a favorite scary movie. People tell me all the time that they don’t like horror, but they love Halloween. Yes, it’s the day for the horror-lovers, but it’s also the day for the “normies” to take a walk on the spooky side and it turns out, they have just as much fun as us horror folk. It’s fun! That’s not a deep answer, but it is an obvious one, and a truthful one.

So, if you’re like more than half of us and celebrating Halloween, enjoy it. Have the fun. Watch the movies, eat the treats, put up the decorations, and do it with people that enjoy it as much as you. Do a Halloween night recitation of Edgar Allen Poe’s “The Raven” and eat some apple dumplings. But could you do this horror author a favor? Pick up a scary book from an author you’ve never read. Give a smaller name a chance. Ray Bradbury’s The Halloween Tree is a terrific book and everything by Stephen King can be appropriate at this time of year. But there are so many horror authors out there who are putting out works that will surprise you with the imaginative takes and amazing storytelling and it’s a shame to only read the biggest names, or only a few names. Try something new, someone new, and allow yourself to be surprised and delighted. After all, ‘tis the season!

I’ll start you off. I’ll throw some authors at you, and you pick what thrills you most.

If you love monster books, authors Hunter Shea and Mary SanGiovanni write some of the best monster-based fiction out there. Wile E. Young is really climbing the ranks here as well.

If you love a good haunted house book or gothic horror, check out Catherine Cavendish.

If you like really strange, creative horror that takes unexpected turns, Wesley Southard, Stephen Kozeniewski, and Armand Rosamilia deliver.

If you like it spicy and want your horror a little sexy, check out Sephera Giron and Jessica McHugh. But don’t be fooled by the erotic bent of these works, they are every bit as brutal and horrifying as any other horror book, just with an added bonus.

Do you like horror that doesn’t really fit into a category but can be emotional and somehow beautiful? Robert Ford and John Boden belong on your shelves, then.

Grab a short story collection from a new author. As a reader, I find the best authors out there put together amazing short story collections. Most of the authors I mention here have short story collections in their bibliography. Also, try one of Matt Wildasin’s Horrors Untold volumes. They’re wonderful and varied fun.

Lots of authors write Halloween-themed works. Ronald Kelly, Kevin Lucia, Douglas Clegg, and yours truly have Halloween works out there.

I’m barely scratching the surface here, and could spend all day pointing you to terrific authors, but if you start here, and do a little digging of your own, I guarantee you’ll find your new favorite author. Happy Halloween!


Somer Canon lives in Eastern PA with her husband, two sons, and three cats. She loves to read and write and although she is polyamorous when it comes to genres, horror always seems to be her favorite.

Boneyard
Halloween is a night of spooky fun…at least it is for the living. What about the dead? What kind of fun do they have? Read and find out how the no-longer-living entertain themselves at the expense of very much alive and disrespectful people!

A Fresh Start
Still hurting from her divorce, Melissa Caan makes a drastic life change for herself and her two young children by moving them out to a rural home.But the country life came with some extras that she wasn’t counting on. Doors are slamming, she and her children are violently attacked by unseen hands, and her elderly neighbor doesn’t like to talk about the murders that happened in the strangely named hollow all those years ago.Ghost hunters, witches, and a sassy cancer survivor come together to help Melissa fight for the safety of her children and herself.All she wanted was a fresh start, will she get it?

Slaves to Gravity (with Wesley Southard) —
After waking up in a hospital bed, paralyzed from the waist down, Charlie Snyder had no idea where life would take her. Dejected, broken, and permanently bound to a wheelchair, she believed her life was truly over. That is…until gravity no longer applied.It started out slow. Floating from room to room. Menial tasks without assistance. When she decided to venture outside and take some real risks with her newfound ability, she rose above her own constraints to reveal a whole new world, and found other damaged individuals just like her to confide in.But there are other things out there, waiting in the dark. Repulsive, secretive creatures that don’t want Charlie to touch the sky. And they’ll stop at nothing to keep her on the ground.

Halloween Extravaganza: Jay Wilburn: Some of My Favorite Books of 2019

I love hearing avid readers talk about their favorite books, always looking for my next favorite book or my next favorite author, so when Jay Wilburn asked if he could write about his favorites so far this year, I quickly said yes. Especially because it was Jay. I’ve read other books he’s called his favorites and haven’t been disappointed yet. Get ready to get your credit card out… or just have your Amazon app open so you can add to your cart easily.


I try to read as much as I can. I grab up the new hot books and then eventually read them. I find some of the most interesting and surprising stories among indie writers. That’s no knock on the bestsellers, but there is a wider range in some of these releases that don’t answer to big publisher marketing departments.

I’ve made a new rule for myself that I can’t buy a book until I’m ready to read it. So, if I’m not going to read it now, I have to wait to buy it. It makes me read a little faster. It keeps me from buying up everything. Friends stare at me like I’m insane when I explain this rule to them.

I will go back and reread older books. I’m still in the process of rereading Stephen King’s books in order. I’m feeling a strong temptation to go back and read Swan Song by Robert McCammon which I haven’t read in years even though I can’t count how many times I’ve reread The Stand by Stephen King.

All that to say my reading habits are a little sporadic. I have managed to read a few things this year that I enjoyed and feel strongly about recommending.

CARNIVOROUS LUNAR ACTIVITIES by Max Booth III is easily one of the greatest werewolf stories I’ve ever read. It is a great book even outside the werewolf subcategory. The dialogue in particular is exceptional in this story. It is great when the story is confined in a location. It is great when it breaks out of that confinement. I’m a huge fan of this book and the writer.

For fun, I contacted each of the writers I included in this list and asked them what they saw as their strongest book, excluding the one I had read and reviewed. Max said the new book he has coming soon might be his best. It’s going to be called TOUCH OF NIGHT. I’m looking forward to that. Of the ones that are out, he said THE NIGHTLY DISEASE is probably his best. Having read that too, I’d have to agree. That book is awesome.

HOUSE OF SIGHS by Aaron Dries is another great book I’ve read this year. The chapters are done in a countdown format like The Running Man. The story barrels forward from beginning to a gut punch of an ending. The characters in the story could have easily been flat stereotypes, but Dries makes them full and interesting. It hurts when they are hurt. Even when you sometimes secretly want them hurt a little bit.

He was a little taken aback when I asked him to name his best book. I imagine he has a little trouble bragging on himself. He finally settled on THE FALLEN BOYS. Based on the strength of HOUSE OF SIGHS, I’m excited to check this one out, too.

A PENNY FOR YOUR THOUGHTS by Bob Ford and Matt Hayward was another great read. Two great authors making a great book is something to behold. This one feels like the story is crawling up out of the dirt and the trouble is building behind every turn. The story felt very tactile to me. Even when they weren’t specifically describing anything, I still felt like I could reach out and touch the scene and really feel the grit on the surface of things. The sequel is in the works and I’m looking forward to that.

When asked about best other books, Bob Ford said SAMSON AND DENIAL while Matt Hayward told me BRAIN DEAD BLUES is probably the best representation of his work. In the case of Brain Dead Blues, it is a collection of short stories which is the type of thing I love to read from a talented author. Short story collections sometimes make me feel like I’m getting a little bit more of the author and a wider range of work. Check out these two works, as well.

I also wanted to talk about a couple works on the way I’m looking forward to. In this case, both are nonfiction books. John Urbancik is a great writer. I’m particularly impressed with his short stories. He did a number of short story collections under the Ink Stains moniker. Now he has a nonfiction INK STAINS work on the subject of creativity in the offing. Review copies are out now and I’m going to grab it up as soon as it is available for purchase.

Tim Waggoner has a book in the works about the process of writing. There are a lot of this kind of book out there. I like the one Stephen King did. Others out there, I’m less impressed with. Considering the source on this one, I can’t wait to read this book when it is finished. From the classes he teaches, the information and questions he shares online, and the blog posts he shares on the subject of writing, his online presence alone contains so many pearls of wisdom on the craft. Having this compiled into a single work is a resource I intend to snatch up.

I feel strongly about the quality of the books mentioned in this article and believe you will likely enjoy them, too. Start reading!

Jay Wilburn is a full-time writer of horror and speculative fiction. His Dead Song Legend series follows music collectors during the zombie apocalypse. The Great Interruption follows and apocalypse of a different sort. He has coauthored The Enemy Held Near and A Yard Full of Bones with Armand Rosamilia. Follow his many dark thoughts at his website, his YouTube channel, and on Twitter.

Halloween Extravaganza: INTERVIEW: Matt Hayward

Meghan: So, you’ve made it back for round three, Matt, where the questions get more and more difficult. [laughs manically]

What are your go-to horror films?

Matt Hayward: The Thing, Night of the Living Dead, Dog Soldiers, Killer Klowns from Outer Space, Street Trash, Evil Dead 2. I go from classic to trashy in a heartbeat.

Meghan: What makes the horror genre so special?

Matt Hayward: Horror knows no limits. You can have a comedy, romance, thriller, or any other genre, all within a horror story. Horror has a way of tackling taboo subjects you might not find anywhere else. It’s unique in facing social / political situations head-on.

Meghan: Have any new authors grasped your interest recently?

Matt Hayward: Chad Lutzke is a new name on my radar, I’m embarrassed to admit. He’s a killer writer, and I’ve been floored by everything he’s put out. Jeremy Hepler, too.

Meghan: How big of a part does music play in creating your “zone”? What do you listen to while writing?

Matt Hayward: I wish I could write to music, but, being a musician, it pulls my attention too much. That said, I listen to stuff before I write, soundtracks and bluesy stuff. Lately I’ve been on a Colter Wall, Blackwater Fever, True Detective soundtrack kinda kick.

Meghan: How active are you on social media? How do you think it affects the way you write?

Matt Hayward: It’s a necessary evil, unfortunately. If I could, I’d axe the internet and pull a ‘Bentley Little’.

Meghan: What is your writing Kryptonite?

Matt Hayward: If we’re talking what I hate when I read, I’d say stale prose. I don’t mind overused tropes – the haunted house, vampires, zombies – as long as I’m reading a fresh take and the writing remains captivating. On Writing books go a long way.

Meghan: If you were making a movie of your latest story/book, who would you cast?

Matt Hayward: The latest release was A Penny For Your Thoughts with Robert Ford, so… Aaron Paul as Joe, Dakota Fanning as Ava, and Danny McBride as Kenny.

Meghan: If you had the choice to rewrite any of your books, which one would it be and why?

Matt Hayward: I’d leave ‘em be, warts ‘n’ all. They’re a nice snapshot of where I was skill-wise, and I like the progression. I just want to concentrate on making the next one better. If I fix one, I’d fix the current one ten years down the road and so on. Let sleeping dogs lie.

Meghan: What would the main character in your latest story/book have to say about you?

Matt Hayward: Probably call me a sadist. I messed up his life pretty good. He had to use dental floss to catch a fish. Did you know that’s a thing? YouTube’s full of guys going floss fishing.

Meghan: Did you hide any secrets in your books that only a few people will find?

Matt Hayward: Absolutely. I’ve dotted characters in the backgrounds of books (Henry Stapleton from Practitioners makes a brief cameo in A Penny For Your Thoughts, for example), surnames crop up here and there, and I have one person, a single name, mentioned in every book I’ve ever written. That’ll make sense eventually.

Meghan: How much of yourself do you put in your books?

Matt Hayward: Quite a bit. Brian Keene said I ‘bleed on the page’ and I accept that as quite a high compliment. I try and keep my social/political beliefs private, I’ll never be ‘preachy’, but a lot of my own experiences and perspectives are there. If there’s not a grain of truth to the work, I’ll feel like I’ve cheated myself, and readers by proxy. I’ve shelved three novels for that very reason.

Meghan: Have you ever incorporated something that happened to you in real life into your novels?

Matt Hayward: Yup. As mentioned above, like a lot of writers, I mine past experiences. I won’t kiss and tell, though.

Meghan: Are your characters based off real people, or did they all come entirely from your imagination?

Matt Hayward: A bit of A and a bit of B. Sometimes, when the story or situation is based on something real, then the characters are, too. Occasionally, though, they’re purely speculative. Kenny from A Penny For Your Thoughts, for example, he’s completely made-up. Just a fun guy the story called for. Peter from What Do Monsters Fear? or Tony, the kid from my upcoming book, are very much real.

Meghan: How do you think you’ve evolved creatively?

Matt Hayward: I’ve learned to stop worrying and just write the next book. Now that I’ve taken a few punches and gone a few rounds, I know that some things I think are golden, people don’t like. And some things I’m unsure of, people really love. There’s no way to gauge it, so if you’re new to writing – don’t worry. Just keep putting your ass in the chair and pumping out the words. Have fun.

Meghan: What is the most difficult part of your artistic process?

Matt Hayward: The most difficult thing about writing is having patience. A book I wrote two years ago is still doing the rounds, whereas I’m already three books ahead. When that sees the light of day, I’ll need a refresher when I speak about it – it’ll be entirely foreign to me. That, and back cover copy. Talking about my writing Kryptonite – back cover copy makes me need a drink.

Meghan: Does writing energize or exhaust you?

Matt Hayward: Depends on the project. Some days it’s tiresome, I think any writer will admit that, but I always manage to plow through regardless. I’d feel much worse if I let the exhaustion overwhelm me and not work. Besides, no matter my mood, when I’m finished with a day’s writing, I always feel better.

Meghan: Do you read your book reviews? How do you deal with the bad ones? Have you ever learned something from a negative review and incorporated it into your writing?

Matt Hayward: I try and leave reviews for the readers. That said, I was directed to a pretty funny review of The Faithful in which the reviewer was shocked to find so much blasphemy. It’s a novel about a religious cult written by an Irishman, I really don’t think they thought their purchase through. Even still, I’m grateful they read it.

Meghan: What are your ambitions for your writing career? What does “literary success” look like to you?

Matt Hayward: I’d like to have a core readership that gets what I write. I’ve had a couple of talks about movie adaptions in the past, but that side of the business is alien to me, and it’s a fickle beast. That said, I would like to see something transition to the big screen. I signed with an agent earlier this year, and we’re currently subbing to the traditional market, so I’m excited to see where that leads. All I can do is continue to sharpen my skills and try to surpass my last work. As long as people are reading them, I’ll keep writing them.

Matt Hayward is a Bram Stoker Award-nominated author and musician from Wicklow, Ireland. His books include Brain Dead Blues, What Do Monsters Fear?, Practitioners (with Patrick Lacey), The Faithful, and A Penny for Your Thoughts (with Robert Ford). He compiled the Splatterpunk Award-nominated anthology Welcome to the Show and wrote the comic book This Is How It Ends (now a music video) for the band Walking Papers. Matt received a nomination for Irish Short Story of the Year from Penguin Books in 2017. He is represented by Lane Heymont of the Tobias Literary Agency and can be found on Twitter or at his website.

A Penny for Your Thoughts (with Robert Ford)

Fresh from a stretch in prison, Joe Openshaw is living at home with his father and trying to get his life together again. He has let go of old habits, especially the ones that turned him into an addict and helped land him in prison.

On a hike along the Lowback Trail, Joe stumbles on one of the town’s oldest secrets–buried long ago, if not forgotten.

It’s an unusual but safe enough treasure–a jar of old pennies. What interests Joe isn’t the pennies themselves, but the pieces of paper taped to every coin–a child’s handwritten wish on each one.

When the first few wishes come true, they are simple things. Fun. Harmless.

Except as time goes on, Joe realizes they aren’t really wishes at all…they’re exchanges, and the bill was racking up.

Nothing is free in life. 

Sooner or later, you always pay.

Various States of Decay: A Collection

From the Bram Stoker Award-nominated author of What Do Monsters Fear? and A Penny For Your Thoughts comes twenty new tales of terror!

Including the Irish Short Story of the Year-nominated Intercepting Aisle Nine

From a white doomsday crawling with abominable beasts to the bizarre case of a marketing company advertising within people’s dreams, these stories explore the extremes of Hayward’s prose–contrasting the heartfelt with the deeply disturbing.

These are… VARIOUS STATES OF DECAY