SHORT STORY: Adam Light

Adam Light has been one of my cheerleaders since I first began book blogging, and along with his brother, participated in the very first Halloween shenanigans – back in 2014 when this thing only lasted SIX days. Unfortunately, as happens, life kept getting in the way after his second Halloween appearance, and he was unable to share in the frivolities… until this year. He mentioned that he was going to write me a little story (the two of them each surprised me with stories in 2015) and I can’t tell you how excited I was to hear that. I have been a fan of the Light Brothers since I first started reading their stories and feel honored to share this, Part 2 of one of my absolute favorite stories by him (Tommy Rotten). Make sure you turn the lights off for this one… for dramatic effect. They are the PERFECT tale for the Friday before Halloween.

The Rottens

The Donnerly House languished in utter disrepair at the end of Cypress Lane, where once upon a time an opportunistic killer had taken a boyโ€™s life, and started the legend of Tommy Rotten.

The boy, Tommy Rachen, had vanished without a trace on Halloween, and it was said that he now haunted the Donnerly House, and lured other children into his pumpkin patch to โ€œrotโ€ with him. Thus, the name.

The local legend had grown when a girl from a nearby home had disappeared on Halloween a few years ago. It had been whispered that Tommy Rotten had taken a wife. And now their taleโ€™s woeful lesson gained traction not just in the neighborhood, but across the state, and beyond.

Carol Rotten only wanted one thing, a child. There was a growing divide between Tommy and her, a hole only the love of a child could fill.

Though she had sought out her new husband willingly enough, he had thoughtlessly pulled her over to this wasteland, and imprisoned her with him.

There was no escape, but in true death. She was content to stay in whatever state that passed for life she existed in now, but she needed some better company if she was going to be damned to rot with Tommy.

Tommy had sternly warned her that if she crossed back to the other side, she would not last very long, as the dead could never be reinstated into the world of the living, having long ago left their corporeal selves behind.

This was why he had drawn her to him, by tapping into the supernatural energy that flowed through the pumpkins that grew here, harnessing the power of his will to control the vines, and though the vines had taken her from that mortal coil, his love for her was also able to preserve her in death for eternity with him, here in their paradise of eternal life.

He had the power to control reality itself, but he stubbornly denied to use it for her benefit, claiming he felt horrible for killing Carol, and did not wish to take another child from its parents.

Carol understood this, and she loved Tommy with her very being, but she needed more. And she knew that Tommy was slightly power mad.

โ€œMy sweetest Carol,โ€ he professed, โ€œplease understand that taking a living soul requires so much power that it nearly cracked the moon and scattered the stars the night you came to me.โ€ He boasted, and paused for effect. โ€œI also doubt youโ€™d be able to live with yourself after taking a poor childโ€™s mortal soul away from their poor mother.โ€

He eyed her, though maggots crawled in the empty socket like animated rice instead of eyeballs, which never ceased to make her smile. She never thought too hard about the fact that she probably appeared the same to him.

The moon and stars had not been in any danger that night, and he was well aware of it. He liked to exaggerate. Carol didnโ€™t appreciate it much.

The pull of motherhood persisted like the tides, a power of nature itself, and though her longing consumed her, she resisted for as long as she could, hoping that some wayward child would seek her out.

After all, she wasnโ€™t a killer.

Nor was she evil.

Was she?

She could no longer be sure it mattered either way now that she was dead.

Still, Tommy had taken Carol from her life, and damned her to an eternity of nothingness in his kingdom of rotted fruit, and his wormy company, which proved inadequate to long sustain happy feelings, much less love. She wanted a baby, and taking the child was the only way it was going to happen. She had to convince Tommy to help her.

There was no escape from this place. Tommy argued that she had wanted to be here, and no one should be alone, even him, and because of his loneliness, he had wrongly taken her. But she had been keen to come here, nevertheless. Though he had guilt over it, it was not so bad that it had prevented him from killing her.

After all else failed, she threatened to throw herself back to the other side, so she could just die. She knew there was a way to do it, and he knew she wasnโ€™t bluffing.

The thought of losing Carol was too horrifying to seriously ponder. He simply would not allow it. So, reluctantly, he agreed to help her.

And then, a few days before Halloween, a young girl, no more than 10 years old, came strolling up to the fence.

Charity Crane knew the stories, but still braved the trek down to the old spooky place, and faced the Donnerly House with a challenging smirk on her rosy ten-year-old face.

She was far from brave, but she was intensely curious about Tommy and Carol. Their story held her in sway. They wanted a perfect child.

Charityโ€™s own mother was not much company to her now that dad was gone. The woman had been drowning her sorrows in the bottle for nearly two years, and wanted little more in life other than getting plowed.

There were no friends, no hobbies for Charity. Nothing really caught her attention like the story of these ghosts in her very own neighborhood.

Charity came to the fence, willingly enough. The girlโ€™s shining presence held sway over all things out there in the land of the living, or so it seemed. To Carolโ€™s mind, Charity was the one she had known would come.

Together, she and Tommy watched the girl curiously poking around in the honeysuckle that draped the chain linked enclosure, trailing her fingers lightly, but with little trepidation, only interest bordering on awe.

โ€œShe must know about us!โ€ Carol gleefully shouted

Carol was over the bloated corpse moon with delight.

โ€œOf course, she knows about us,โ€ he chided, โ€œwhat else do you suppose brought her to the creepy old deserted house, if not the spooky tales of Tommy Rotten and his Undead Wife?โ€

He thought he was funny, but Sally didnโ€™t. She felt ridiculed, mocked. If she had cheeks, they would have been red. If she had tears, they would have spilled over her cheeks in tiny waterfalls.

Carol went on, doing her best to ignore mean old Tommyโ€™s blasรฉ reaction. โ€œI can feel her looking for us, Tommy! If only she could see us. Can we take her now?โ€

โ€œNot now. Only on Halloween.โ€

โ€œDammit, but okay. Fair enough, Tommy.โ€

She twirled her way gracefully, carelessly, Tommy might have said, down the front steps, out into the pumpkin patch, over to the fence where merely

fragrant flowering vines and metal mesh โ€“ not to mention the veil between life and death, of course – lay between her and the curious child.

Charity was truly special. She was brooding and intelligent, shining with a brilliance that could be seen as a hopeful aura, and smelled a thousand times sweeter than the most fragrant flowers draped between them. At once, she knew there was a deep well of sadness inside the girl, and that was the moment their noses were an inch apart.

Carol could take this girlโ€™s sadness and make her whole.

The time was almost right. It was nearly Halloween. This was evident in the plumping of the pumpkins. The moon had grown cheeky, as well. Indeed, it may even be in full blaze come the magic night.

Carol watched Tommy as he whispered, cricket calls in the wind, his hollow eyes reflecting nothing, showing only the nothing that was, and the worms that wriggled. She could see the transmissions from his toothless smile, the bottom jaw cracked and splintered down the right side, a delicate fissure that threatened to eventually give way, and then what?

Tommy and Sally were bound together in their postmortem fairy tale marriage, and soon they would make it a true family.

Halloween came floating around as it does every year. It was a cool, pleasant day, and it fell on a Saturday, so the kids had the run of the weekend for their special holiday. It promised to be a Halloween for the ages.

Carol and Tommy embraced in the pumpkin patch, and stared deep into each otherโ€™s souls. Unbeknownst to Carol, Tommy had held Charity in his sway from that moment sheโ€™d arrived at the fence until now. For this to work, it was necessary for Charity to be extremely suggestible, for a stubborn soul could fight them off, and it would be for nothing.

โ€œCharity!โ€ their voices in unison called to her. Sang to her in mellifluous tones, enchanting her thoughts with their silky vibrations prodding into the deepest space between one world and the next. โ€œCharity, itsโ€™s time to come home.โ€

โ€œAre you sure this will work, Thomas?โ€

He grinned lasciviously, but the reason for his mischievous demeanor remained hidden on that shining curved slab of bone, broken and sagging, cracked and moldering in a couple of places, jaw slightly askew.

โ€œWhat makes you think it wonโ€™t work, Carol my sweet?โ€ โ€œNever mind. Just hold me.โ€

They embraced again on that night of mist-shrouded moonlight, through the veneer of Spanish moss-laden limbs, and spider webs dotted with tiny cocoons. Their voices in unison, blasted out from eternity and into the hallowed night.

Their light blazed through the Halloween night. It came through the house, the fence, the vines, the pumpkins, and finally through her and Tommy. Eldritch beams shone and coalesced into a bridge of light arcing across the black sky, down through the trees and out of sight.

Carol and Tommy locked bony fingers, and rode the beams together.

The bridge conveyed their spirits out of deathโ€™s palace, and into the living world, past the sign reading Sunny River Estates, the housing development where their precious child currently awaited their arrival.

In the diminutive house on Tallow Lane, Charity cowered in the corner of her bedroom, while her mother slept drunkenly in the tattered old recliner adjacent the front door, whiskey bottle and old tattered bible forgotten where they lay at her feet. She snored like an aging old hound as the vines crept into the house through a portal which had opened in the hall.

The vines crept along the walls, and slinked over to where the large woman slept. Then one of them inch-wormed its way up her nightgown, and up her ample bosom. It stopped, inches from her face, while more caught up.

Mother slowly stirred, and when she opened her mouth to yawn, the vines rushed in and filled up her lungs.

All afternoon, Charity had waited in her bedroom, knowing that something was going to happen, but unable to put it into words. She felt like she was about to die. Because she had nobody and nothing to really lean on, she felt as if she was nothing more than a ghost anyway.

And now, the monsters had come. They were here for her.

โ€œMama!โ€ Charity tried to scream, but that single word croaked out maybe an inch from her sweaty face and died. She saw the vines, and two lumbering skeletons behind them, closely followed by eerily glowing pumpkins, as they all poured forth from the tunnel in her wall.

The vines enveloped her.

Charity fought and tore at the ropy attackers, but her strength was inadequate to the task. She weakened easily, and she was easily subdued.

She felt a sudden loosening, as if she had become unhinged and had fallen out of gravityโ€™s hold, and into the air above her. She had screwed her fists into her eyes to shield her from this horror show, but she now quickly opened them, and wildly surveyed the scene. She screamed in horror as

Tommy and Carol Rotten materialized out of the opening in the wall in front of her.

Though Charity had initiated the contact with them, she had not really believed the Rottens were real, or that they could physically harm her or her mom.

But they had come for her, and they meant to kill her.

She had known her situation was about to get infinitely worse, and a gasp of terror and perhaps a bit of joy intermingled and caught in her throat, as the pumpkin vines knotted around her wrists and ankles, looped around her waist. Then, the vines gracefully lifted Charity into the hole in the wall with them. The tunnel through the wall impossibly stretched on and on, though the hallway should have been inches away, just on the other side of it.

She screamed as loud as she could, but her cries were cut short by the coiling vines, as they rushed in.

The two skeletal ghouls reached out of the darkness and grabbed Charity tightly and immediately the vines retreated back, releasing her to their masters and her new parents, the Rottens, to whom cruel fate had bequeathed her immortal soul.

Charity was transported then to her new life with the Rottens. She was reminded of a film, the name of which floated just out of reach. It was of little consequence, though. No part of her past life mattered any longer, now that she was dead.

Wanting only to curl up into a ball and cry, Charity was instead gathered into Carolโ€™s dead, loving arms and held close to that awful, fleshless breastbone, and that new mother of hers hummed a sweet, lovely tune to her.

Though she had no ear to hear it, she did hear, and the wordless melody quieted her turbulent soul, just enough to ease her anxiety, if only for a fleeting time.

As she faded into unconsciousness, one thought came through with perfect clarity, just before she slept. She would bide her time, but one day she would have her revenge on the Rottens.

Boo-graphy: Adam Light writes stories both weird and horrifying. Most of his previous short fiction is now collected in Dreams for the Dying, published by Corpus Press in 2021. He is currently working on more.

Tommy Rotten: A Halloween Tale — Tommy Rotten lies immersed in a billowing blanket of fog, wringing his cold hands in elated anticipation. He is optimistic that this year someone will finally come. He fantasizes about the potential candidates that will come tromping through the neighborhood, roaming the night in their delightfully hideous homages to the serial killers and demons and ghouls – normally inhabitants of their nightmares – but tonight, Halloween, brings them endless delight.

Dreams for the Dying — Bad dreams don’t always evaporate in the light of day.

Some refuse to fade, forever haunting dark corners of consciousness:

The dread of an approaching headlight on a deserted road . . .
Swirling black clouds claiming the sky, bringing death and madness . . .
The cabin of a trucker’s rig, where a waitress lies bound and gagged . . .
A cursed soul in a moonlit pumpkin patch, desperate and lonely . . .


These are songs for the damned, poisons for the cure, and Dreams for the Dying.

For years, Adam Light has frightened and delighted readers around the world with his stories of horror and the bizarre. Fully revised to best represent the author’s original vision, these fearsome tales of the macabre are finally collected under a single cover for the first time.

SHORT STORY: John Boden

Anyone who has ever asked me for a horror book recommendation can tell you that somewhere in the list is something by John Boden. He is not only one of my favorite people (when we met at a con, he actually KNEW who I was – I will never get over how important that made me feel) but one of my favorite authors. Everything he has written has been… perfect. He writes characters that could be any one of us and puts them in stories that you feel like you’re experiencing along with the people on the pages. I absolutely can’t get enough. So when he reached out and offered to write a story for this year’s Halloween Extravaganza, there was NO WAY I was going to turn him down. He took this a bit further by telling me to select a few tropes he could choose from to create this bit of flash fiction. I was super excited… and also drew the BIGGEST blank EVER haha. What could I say? I asked the people in the Halloween Extravaganza 2022 Facebook group if they had any ideas and got a few things, but the only thing I could think about was how much I absolutely ADORE Carnival Horror and if anyone could write something to satisfy that need, it would be him. So… here we go. Let me know what you think?

The Pretender

The slight young man just stared at the faded and mildew dotted banner that sagged between the wooden poles at the edge of the old carnival grounds. He had walked there slowly and alone, without even paying attention to how much the town had changed in the few years since the last time he had made that trek.

Hometowns don’t change.They age but always manage to open their arms.

Cadamn was just such a town. A mile and a half along either side of the two lane paved road, with two alleys running behind the main street buildings and the back street, some of those having a small splinter off or access road but mostly beyond the houses that lined the alleys were just woods or derelict fields of high grass and weeds. The Friend family had lived in the house that squatted atop the hill as you came into the town’s west end. A large brick troll that stared down on the burg with window eyes and a bricked porch that jutted like a belly to the waiting earth. It had been the a great house for the family until things cracked and broke away.

A family can be just like a precious dish, that first drop can sometimes cause it to shatter, or just leave a single deep crack that will spawn others to join it over time. When dad left to start a new life with a new woman, that was the crack. When Mom stopped talking as much and began to take long walks alone in her head, when meals were forgotten and he had to step up to assure he was fed, that his clothes were clean and in decent repair, that was another. By the time he had managed to limp through school and see graduation within his reach, Jamie Friend had kicked the surname to the curb. He found it vile in the juxtaposition of the behavior of the man who branded tethered them to it and the terms definition.

โ€œJust Jamieโ€ was the answer whenever he was asked his name. Never any more or less. 

Jamie pulled his mind back to the present and focused tired eyes on the banner once more, CARNIVAL in large block letters, dimmed by time and sunlight. Generic. Punctuating the one word declaration was a cartoonish rendering of a man. A bearded man with a large open mouth, black as an eye socket but lined with tiny points under a porcine nose and flat eyes that were painted a bright red, the only real color on the cracked vinyl. Jamie took a step towards the entrance, which was anywhere, not like the hole in the rolled snow fence as when he was a kid. There was no barrier, nothing but the banner strung between the poles. Frayed rope ends batting against the wood in the slight breeze. Jamie took a step and stopped at the implied threshold. The high grass hadn’t even been cut down and there were no paths or bare spots from foot traffic. He felt a flutter in his chest as he scanned the grounds. The bingo pavilion was empty, The wooden tables and benches bowed by time and elements. A canvas for the art of bird shit. No old folks beneath a cloud of cigarette smoke gossiping as they waited for the elusive letter number combination that would land them a new electric skillet or  forty bucks.

The concrete building where the fire company had always sold their fundraising food during that one week in the death wheeze of summer was shuttered and silent. No waft of vinegar and hot grease. No odor of french fries and hamburgers. No one hollering and laughing. Just brittle abandonment and quiet. Jamie looked at the spot near the corner of the building where old man Stuckey used to sit with a bucket at his feet and his harmonica to his mouth and play and sing until the ride were stopped and the lights winked out. He would then lift the bucket of change and crumpled dollars and go to the fireman’s building window and hand it to the folks inside, always saying the same thing.

โ€œIf I ever catch fire, this is so you’ll put me out.โ€ He’d chuckle and that one tooth he had would shine in the light. Then he’d walk out of the grounds and across the street to the little trailer he shared with his blind cat, Missa.

He died in that trailer the summer Jamie turned seventeen. By the time anyone missed him and they got into the dwelling, Missa had eaten his eyes.

Jamie walked through the weed-choked grass and looked at the buildings and the barren spots where once trucks of strangers would arrive and assemble metal monsters to care for the children of the town for the evening while the parents laughed and talked and ate and gossiped. Pied pipers with jailhouse tattoos. Magicians with Zippos and body odor. The laughter of the children was a thick ribbon that swirled around the carnival grounds for that one week every year. Until the year Jamie ran away. That year, the ribbon became a noose, the scrawny neck of Cadamn awaiting its embrace.

ย Jamie had been in the Ghost Gallery…or whatever they were calling their fun-house attraction that year. He had been the only kid in the ticket line, he side-eyed the small clusters of kids and teens that dotted the perimeter. The old man at the door held out his hand for a ticket and Jamie noted that it was a prosthetic and not one of quality. The hand resembled a mannequin hand with lines drawn in black marker to denote where fingers should be. Jamie laid it in the upturned palm and waited while the man dropped it into his waist apron pocket. With his other arm he pushed open the door and winked at Jamie. โ€œDon’t get scared now.โ€ as he gave a small push with the plastic hand. A sharp edge gouging the flesh of Jamie’s shoulder. There was a bang and then darkness. A thick smell of mildewed cloth and dirt. That earthworms-after-rain fragrance of Autumn. Jamie wrinkled his nose and took a few furtive steps along the floor. His feet squished into something that gave like moist sod thick carpet, just enough to make one apprehensive about their foothold. Something brushed his cheek. A faint blue light flexed through the cracks between the boards of the walls. Pulsing in time with his breathing.

He heard a small noise to his left. Rattling. Laughter. A meaty cough. A voice, not speaking at full volume but sounding as though in another room, like when he would eavesdrop on his parents when they would argue/discuss. Jamie found his lip with his teeth and allowed them purchase, a salty taste as the blood came. He swallowed and listened harder. The voice was his father’s.

The best decision I ever made was to unshackle myself from that lot. That needy woman and that little leech. I was a mammoth mired in tar, I was. Horrid fate for a man. Barbaric.

Jamie took a few more steps and his hand found the doorknob on the wall before him. It thrummed in his sweaty grip and he turned it, pushed until the darkness was stained by the gauzy light from the new room. It was a kitchen. It was their kitchen. Jamie watched as his mother sat at the table and stared at its pocked and filthy surface. The cigarette between her fingers burnt to the filter and leaking acrid smoke into the hazy air. She drops it into the ashtray nearest her hand and has a fresh one in its place in a blink. Jamie sees that the table is full of ashtrays, or more accurately things that became them. Cups and bowls heaped with ash and bent butts. Plates full of dead lighters and skeletal burnt used matches.

There was no sound. As though watching a film, muted. Jamie coughed and his eyes watered.

โ€œMom?โ€ He stepped forward, the toe of his sneaker bumping one of the table legs and causing ash to sift from one of the piles onto the floor. He followed it with his eyes and saw the linoleum was stained with great dark splatters. When the light flickered, the razor blades hidden in the gloom winked to life and twinkled like stars in the belly of night. The smoking woman stared ahead and her lips began to move. After a few seconds of silence, her voice followed but was out of sync.

Everything I have ever loved leaves, evaporates. Like all this smoke I eat it just is and then isn’t. That man left me with that boy who grew into a shadow. A cumbersome weight around my neck, as I stood on the deck and held my bow and knew…my shame was home to stay. Suckling and biting the nipple free. Swallowing it with the blood of any future I might have had.

Jamie slammed the door as he backed out of the room. Tinny laughter rose in pitch and volume from speakers nested above him somewhere. He felt dampness on his cheeks and knew why. He had always felt like his parents didn’t want him. Had held that close to chest like a medal or a surgery scar. But to hear it spoken aloud.  He tried to go back the way he came. The soft floor was tacky and he felt every step being argued with. He smelled garbage and smoke. Something tapped his back right below his shoulders. He turned and saw shining eyes in the darkness, gone in an instant.

He didn’t see the door before he met it with his nose. Hard enough to cause spots to dance before his eyes. He touched it with trembling fingers and they came away wet and dark. He touched his tongue. Blood. The speakers crackled and a new voice appeared. It was throaty and he smelled his Grandmother’s perfume as soon as he heard it.

He was playing on the steps, sliding down the railing and his father would catch him. It was a game. He got on and slid again too quickly and Paul wasn’t ready and Jamie hit the wall face first. It was an accident. Then the doctor had us hold him down and he cauterized the boy’s nose. They stuffed it with cotton and taped his face. He looked like a goddamn mummy for a few days. But let me tell you, Mary, the silence of those few days was sublime. That kid just never shut up or sat still. I won’t lie, Mary, there was times after where I thought about busting his nose again just for the peace and quiet.

From the speakers leaked the piano theme from The Young And The Restless. Not quite at the right speed. Slow and hobbled. Jamie smelled chicken noodle soup and cats. His eyes grew wet and he sniffed hard, the back of his throat slick with snot. He was only fifteen but he knew what he was hearing. Concrete proof of the suspicions he’d harbored for years. His father left to be free of him. His mother stayed put and left at the same time for the same reason. His Grandmother…all of them. He had felt bombarded by side-eye glances and smirky winces all these years and now he knew why. He had always known but now it was certain.

Jamie pushed the door and it wouldn’t budge. He kicked it and heard laughter from behind him. He turned and the wall of darkness met him. He tried to step forward but the shadows were solid, feeling like a cold stone wall. Jamie turned and tried the door again. The knob turned and the door pushed open with a groan. Jamie nearly tumbled into the room. The flickering light on hundreds of candles creating the warmth of a campfire in the small space. He took a moment to assess his surroundings. The room was barren save for the candles that sat on the floor, lining the walls, some in the necks of bottles, some melted to plates or in ornate candelabras. The far wall had a mirror directly mounted in the center of it. It was a tall mirror. Framed in a carved wood rectangle that was adorned with screaming faces and jeweled eyes that glittered and winked in the light. He stepped closer to it and as he came into direct view of its reflective surface, saw himself. He was the same poor postured skinny boy with the too-long hair and the unclear skin that had walked to the carnival what seemed like hours before. But where that boy’s blue eyes should have been were things that were weary and bled of color, set in bruised baggy wrinkles. Behind him, the carnival grounds were bustling with adults and children. Laughter and bright lights. Technicolor treats in tiny sweaty grips. Jamie turned to leave and the door was no longer. Nor the walls or any evidence of the attraction at all. Jamie stood still in the midst of mad commotion as people walked and ran to rides and games. He was an image super imposed over a scene. He turned to look back to where the fun-house had stood and saw only a rectangle of spaceย  where it had been. Like a doorway cut into the very space itself. He took a step closer and saw himself in it. Behind his was a grinning darkness. Smoke swirled around him like serpents and his cheeks glistened with tears.ย  The reflection. Jamie held up a hand and offered a feeble wave before lowering his head as if in prayer.

Just Jamie, with a backdrop of carnival frenzy and fun, stared at the mirror from the other side, his stomach dancing.

He started the walk home with a feeling in his gut that he couldn’t quite reconcile. His other half in that funhouse realm of shadow, where secret lies were voiced, where barbed truths stood emboldened. That realm of slings and arrows and wounds that wail. Ghosts that slap and pinch. Jamie was uncertain which he, he was and which world was real. Maybe the worlds just turned and he came out on top for once. A restart, possibly. He looked up the small hill at the house, it was just like it had been the day of the funeral. He had sat in it’s emptiness for a long hour before he finally departed to see his mother’s shell on display.

Jamie mounted the steps to the back door of the house and paused as he looked up at the dim light in his mother’s bedroom window. He listened hard and heard the thin web of music waft through the screen.

He knows that all his hopes and dreams, begin and end there…

Jamie opened the door and was greeted by the stale waft of cigarette smoke and fried food. His mouth slid into a smile as he slipped inside.

Above and around, the night simmered and burned itself to feel.

Boo-graphy: John Boden lives a stones throw away from Three Mile Island with his wonderful wife and sons. A baker by day, he spends his off time writing or wasting time watching terrible horror films from the 70s and 80s. He likes Diet Pepsi, cheeseburgers, heavy metal and old country music, and often sports ferocious sideburns. While his output as a writer is fairly sporadic, it has a bit of a reputation for being unique. The books Dominoes, Spungunion, Walk the Darkness Down, and Jedi Summer are his doing alone. Detritus in Love, Out Behind the Barn, Rattlesnake Kisses, Cattywampus, and the nearly finished Black Salve… on those, he had assistance from Mercedes Yardley, Chad Lutzke, or Robert Ford. He’s easily tracked down on the Facebook or the Twitter and as rumors have it, a pretty friendly feller… honest.

AUTHOR INTERVIEW: Phil Thomas

Meghan: Hi, Phil. Welcome to Meghan’s HAUNTED House of Books. What is your favorite part of Halloween?

Phil: My favorite part of Halloween is everything. When summer ends its kind of a downer, but with Halloween looming on the horizon, it seems to make everything better. To answer your question straightforward though, my favorite part of Halloween is the memories of the holiday growing up and the amazing times I had. My upcoming novel is actually set almost entirely on Halloween.

Meghan: Do you get scared easily?

Phil: No I donโ€™t, which is why I like Halloween so much. Itโ€™s like chasing a high.

Meghan: What is the scariest movie youโ€™ve ever seen and why?

Phil: Honestly I think it might be The Conjuring. Itโ€™s unnerving on another level.

Meghan: Which horror movie murder did you find the most disturbing?

Phil: Pretty much anything in the Saw movie franchise.

Meghan: Is there a horror movie you refused to watch because the commercials scared you too much?

Phil: I have to say no. The scarier the better.

Meghan: If you got trapped in one scary movie, which would you choose?

Phil: Halloween 1978.

Meghan: If you were stuck as the protagonist in any horror movie, which would you choose?

Phil: Tommy Jarvis, Friday the 13th part 6.

Meghan: What is your all-time favorite scary monster or creature of the night?

Phil: If weโ€™re talking monsters, then probably Dracula, or vampires in general.

Meghan: What is your favorite Halloween tradition?

Phil: Going to some haunted houses and haunted hayrides.

Meghan: What is your favorite horror or Halloween-themed song?

Phil: The Halloween 1978 theme. It encompasses the spirit of Halloween.

Meghan: Which horror novel unsettled you the most?

Phil: I would have to say either Funland by Richard Laymon, or The Shining by Stephen King.

Meghan: What is the creepiest thing thatโ€™s ever happened while you were alone?

Phil: I once heard footsteps on my porch late at night. When I turned on the outside light, no one was there.

Meghan: Which unsolved mystery fascinates you the most?

Phil: The Jersey Devil. We need to find it asap!

Meghan: What is the spookiest ghost story that you have ever heard?

Phil: If weโ€™re talking hauntings, then probably The Conjuringโ€™s story.

Meghan: In a zombie apocalypse, what is your weapon of choice?

Phil: A double-barreled shotgun.

Meghan: Okay, Phil. Let’s have some fun… Would you rather get bitten by a vampire or a werewolf?

Phil: A vampire for sure!

Meghan: Would you rather fight a zombie apocalypse or an alien invasion?

Phil: Probably a zombie apocalypse because theyโ€™re slow, and when it comes to aliens, they might have technology far superior to ours.

Meghan: Would you rather drink zombie juice or eat dead bodies from the graveyard?

Phil: Arenโ€™t they the same thing? Ha! Probably drink zombie juice.

Meghan: Would you rather stay at the Poltergeist house or the Amityville house for a week?

Phil: Definitely the Poltergeist house. Itโ€™s one of my favorite movies.

Meghan: Would you rather chew on a bitter melon with chilies or maggot-infested cheese?

Phil: Iโ€™ll take the bitter melon with chilies.

Meghan: Would you rather drink from a witchโ€™s cauldron or lick cotton candy made of spider webs?

Phil: Iโ€™d rather lick cotton candy spider webs. It might even taste good.

Boo-graphy:
Phil Thomas is an author and screenwriter from the suburbs of Philadelphia. He is a member of the International Association of Professional Writers & Editors and The Horror Writers Association. He is also the former co-host of What Are You Afraid Of? a weekly horror and paranormal show that lasted for over 150 episodes. The show still airs on Para-X radio on Friday evenings at 9:00 pm, where youโ€™ll find interviews with wonderful guests such as Lloyd Kaufman, Katrina Weidman, Joe R. Lansdale, Grady Hendrix, Greg Bear, Daniel Kraus, and many more.

Check out his website and sign up for his mailing list so he can further control your mind, and please direct your angry hate mail to him here. You can stalk him on Twitter and Facebook.

His short stories have been featured in several anthologies, including Monsterthology 2, Nightside: Tales of Outrรฉ Noir, Coming Through in Waves: Crime Fiction inspired by the Songs of Pink Floyd, Books of Horror: Volume 3, Part 2, and the upcoming collection, Seven Doors of Fate, set to release in 2023.

His debut novel, The Poe Predicament, was published by Foundations Books on October 4, 2021 and hit the bestseller list.

Stuck in another time, Richard Langley just wants to find his way back home.

Richard is a former college professor, wandering a local neighborhood bookstore, where he stumbles upon the find of a lifetime: a signed copy of Tamerlane and other poems.

He is soon swept to another era. He is alone, confused, and his only mission is to get back to where he came from.

While struggling to adapt to his nineteenth-century environment, Richard meets a man he must help exonerate from false accusations in order to restore history’s original timeline and, ultimately, find his way back.

What Richard did not count on, was that man being the owner of the signatureโ€”Edgar Allan Poe.

AUTHOR INTERVIEW: Mike Lombardo

Meghan: Hey, Mike! Welcome back! Last time you talked about creating movies, and I’m glad to have you back, especially with the new book recently published. What is your favorite part of Halloween?

Mike: As a kid I loved it because it was the one time of year it was okay to be me in public. I didn’t catch any shit for being a weirdo obsessed with horror movies. As an adult I love it because it brings out creativity in normal people and it warms my heart seeing people making decorations and costumes.

Meghan: Do you get scared easily?

Mike: Not at all. The things that scare me are much more existential than monstrous or spooky.

Meghan: What is the scariest movie youโ€™ve ever seen and why?

Mike: Even as a kid, movies didn’t really scare me, but one that really got under my skin was Fire in The Sky. The flashback scenes of the main character being experimented on by aliens is still one of the most unsettling and frightening sequences I’ve ever seen in a movie.

Meghan: Which horror movie murder did you find the most disturbing?

Mike: Not a murder per say, but the woman they find in the french film, Martyrs, that has the metal device stapled into her head. She just starts rubbing her raw exposed skin against the wall like a dog and screaming and it’s extremely disturbing.

Meghan: Is there a horror movie you refused to watch because the commercials scared you too much?

Mike: Not really, but there were a lot I saw as a kid and would make up the movie in my head because I wasn’t allowed to go see it.

Meghan: If you got trapped in one scary movie, which would you choose?

Mike: Dawn of the Dead

Meghan: What is your all-time favorite scary monster or creature of the night?

Mike: The Blob

Meghan: What is your favorite Halloween tradition?

Mike: Being an FX artist and horror filmmaker, I literally am surrounded by this stuff every day so I don’t really have any particular Halloween traditions anymore. I do love the first midnight stroll through town when the weather changes and I can wear a hoodie though.

Meghan: What is your favorite horror or Halloween-themed song?

Mike: The Creepshow’s cover of the Misfits song, Halloween.

Meghan: Which horror novel unsettled you the most?

Mike: Probably The Girl Next Door by Jack Ketchum or Surivor by JF Gonzalez.

Meghan: What is the creepiest thing thatโ€™s ever happened while you were alone?

Mike: I was once location scouting abandoned houses for shooting I’m Dreaming of a White Doomsday and as I was standing in a pitch black abandoned living room, I heard breathing from the other side of the room. I exited VERY quickly and never went back.

Meghan: Which unsolved mystery fascinates you the most?

Mike: There was an episode of Beyond Belief: Fact or Fiction where a kid was locked in his closet by his friends and started screaming. They opened the door and he was gone without a trace. The end of the episode claimed it was based on actual events and it scared the hell out of me as a kid.

Meghan: What is the spookiest ghost story that you have ever heard?

Mike: There was a story called The Horror at Berkeley Square in an old real life hauntings book I had when I was a kid and it really freaked me out.

Meghan: In a zombie apocalypse, what is your weapon of choice?

Mike: Fire axe.

Meghan: Okay, let’s have some fun: Would you rather get bitten by a vampire or a werewolf?

Mike: Werewolf because I could at least shackle myself on the full moon.

Meghan: Would you rather fight a zombie apocalypse or an alien invasion?

Mike: Zombies.

Meghan: Would you rather drink zombie juice or eat dead bodies from the graveyard?

Mike: Not sure what zombie juice is, but I’ll take my chances. Was never much for carrion.

Meghan: Would you rather stay at the Poltergeist house or the Amityville house for a week?

Mike: I’ll take my chances at he Amityville Hoax.

Meghan: Would you rather chew on a bitter melon with chilies or maggot-infested cheese?

Mike: Bitter melon.

Meghan: Would you rather drink from a witchโ€™s cauldron or lick cotton candy made of spider webs?

Mike: I do love me some cotton candy.

Boo-graphy:
Mike Lombardo grew up on a steady diet of Goosebumps, scary story books, ’90s Nickelodeon, and horror PC games. He is an award-winning independent filmmaker, writer and FX artist who runs Reel Splatter Productions. In 2017, his first feature film, I’m Dreaming of a White Doomsday, played the festival circuit around the world, taking home seven awards including multiple Best Picture and Best Actress wins, and over a dozen nominations. He debut short story collection, Please Don’t Tap on the Glass & Other Tales of the Melancholy & Grotesque, was released in August of 2022.

He is the star of the award winning documentary, The Brilliant Terror, from Lonfall Films, which chronicles the world of indie horror and the lengths that low budget filmmakers will go to get their projects made.

He currently lives in Lancaster, PA surrounded by skeletons and old movies. If you would like to experience more of his insanity, you can find him online at Reel Splatter, Facebook, YouTube, and on moonlit nights wandering the ruins of defunct video stores mourning the death of physical media.

Eleven stories of grief, existential dread, extreme horror, and gross out comedy.

After discovering a tape heโ€™s never heard of at a video store closing sale, a VHS collector discovers that sometimes nostalgia comes at a terrible price in Dead Format.

In Weekend at Escobarโ€™s, a man finds himself smuggling drugs across the border stuffed inside the corpse of a cartel boss heโ€™s trying to pass off as living.

An eighteen-year-old virginโ€™s first trip to the porn store goes horribly awry in Just Like the Real Thing.

With supplies and hope dwindling as they struggle to survive in a fallout shelter, a mother gives her son one last Christmas in the original short story that inspired the award-winning film, Iโ€™m Dreaming of a White Doomsday.

These and more await as you are invited to gaze into the depths of the twisted mind of filmmaker Mike Lombardo, just be careful you donโ€™t tap on the glass, you might not like what you stir up…

A mother and her 8 year old son struggle to survive in a bomb shelter after an unnamed apocalypse.

SHORT STORY: Hanuman by David A Riley

Hanuman
By David A Riley

(First published in Phantasmagoria Magazine #16, 2020)

“Did you know the mothers run off into the jungle and hide any males they have because the fathers’ll kill ’em? It’s not till they’re strong enough to stand up for themselves they’re brought back. Then the little buggers’ll have a go at their own fathers if necessary in a duel for leadership.” The stone walls of the distant Hindu temple they were staring at across the muddy river seemed to throb in the heat of the midday sun. Adrian Wilkes drained his gin and tonic before speaking once more, his throat parched. He coughed dryly, then said: “Of course, it’s typical they should have a god named after them – Hanuman. It’s even more typical they should let the creatures roam free to rob and pillage.”

The ironic sarcasm in Wilkes’s nasal Birmingham twang droned through Harper’s oversensitive skull. Stuart David Harper – S. D. Harper as he styled himself in his novels – wiped sweat from his forehead with a sodden handkerchief, crossed his legs on the insidiously uncomfortable restaurant chair, and sighed. It had been a long night that hadn’t ended till six in the morning, a night that had started pleasantly enough with rounds of over-expensive Indian beer, to end chaotically – and not too clearly – hours later with even more expensive drugs. Somewhere along the way there may have been a few women, but he wasn’t sure. It could have been a dream. Harper wrinkled his forehead for concentration, instantly regretting it, and wondered whether he should have stayed in bed.

His fellow guest was pointing beyond the hotel to a large sand-coloured monkey, its naked face staring at them with large, queerly intelligent eyes. “There’s one of the bastards now,” Wilkes said.

Harper sat up in his chair. The monkey was staring at them with disconcerting intensity, motionless – significantly motionless maybe. He grinned back at it, then reached for his glass. The monkey did not move. It even ignored the flies that swarmed across its face.

“Youโ€™d almost believe they could think, wouldn’t you?” Wilkes said in a drone. He tipped an ice-cube from his glass, held it between two nicotine-stained fingers, before flicking it at the monkey. The cube skidded across the floor tiles, rebounded off a table leg and missed the monkey by a foot. The animal ignored it. Its eyes, curiously deep, stared at the Europeans as if it were assessing them.

Harper felt drawn to stare back at it as if some kind of empathy had built between them. In a way he felt honoured, which was strange as animals normally left him cold. Even when he was a child, he never had any interest in them, like the shaggy Old English sheepdog his father had given him when he was eight, which he ignored completely. A flea-bitten monkey was the last thing with which he would have expected to empathize.

On an impulse Harper reached into his glass for an ice-cube too, rolled it for a moment between his fingers, then threw it as hard as he could at the monkey. It glittered through the air.

Wilkes howled with laughter as the ice-cube hit the beast hard between its eyes. “Good shot!” he shouted, slapping his thighs.

The monkey shook its head, then chattered something between yellow fangs, before loping away between the table legs.

Harper avoided Wilkes’s eyes as the man gabbled his praise. “If you could aim that well with a gun, you’d be a great hunter.”

Harper stood up, suddenly ashamed of himself. He watched the monkey as it waddled out of the restaurant before lowering itself to the sparsely grassed embankment that sloped down at a steep gradient to the river. “I’ll be back in a moment,” he said. He strolled between the tables after the monkey. He felt through his pockets to see if he had any food he could offer in appeasement, though all he could find was a boiled sweet the airline stewardess had given him during his flight to India five days ago. He peeled off the wrapping paper as he approached the restaurant wall. Leaning over, he saw the monkey sat by the river, scooping its paws into the clay-coloured water. Harper whistled to catch its attention, then threw the sweet towards it. The monkey watched the humbug land on the grass a couple of yards from its feet, then gazed at Harper. Curiously, he felt as if the creature was again assessing him, before it returned its attention to the sweet, climbing to its feet and loping through the grass with a kind of simian dignity, as if reaching for the sweet was beneath it. Almostโ€ฆ but not quite, Harper thought with a silent chuckle, wishing he had something better to throw for it. He turned to Wilkes. “Have you anything to eat on you?”

Wilkes guffawed, before jabbering some lingua franca – some very gross, pidgin lingua franca – to one of the Indian waiters.

“I’ve asked for a dish of peanuts,” he said. “Monkey nuts might be more appropriate if youโ€™re feeding that bugger.”

Harper scowled. He turned to the monkey and their eyes met. He snapped his fingers encouragingly, coaxing it to him with clucking sounds. Behind him Wilkes’s laughter subsided into his glass.


The air-conditioning in Harper’s bedroom was so efficient it made him shiver when he stepped into it late that night after too many hours in the bar. Not bothering to switch on the light, he stripped off and went into the shower. Moonlight shone through the window. A gecko, hunting for insects in the gloom, zipped up the wall in a burst of speed, making him sway as he caught sight of it in the corner of his eye. Involuntarily he followed its path till it disappeared into the shadows.

Then a muffled noise drew his attention.

Leaving the shower, he strode towards the suitcases propped on a small table in the corner. Their dark shapes loomed beside the wardrobe. One of them slid sideways, bouncing with a crash on the floor as the monkey launched itself in the opposite direction.

“Hanuman!” Harper snapped, his reflexes making him reach for the creature as it headed for the door. “Here!” The animal stopped in its tracks and stared back at him. With a sudden, mirthless laugh, Harper reached into his jacket and pulled out a handful of nuts, scattering them across the floor in front of him. “Come on – eat!” He laughed again as the creature picked at the nuts with infinite caution, chewing them slowly one by one, its eyes barely leaving Harperโ€™s face. Despite the monkeyโ€™s subservience, there was something about its eyes that disturbed him. He could feel a prickling creep across his shoulders. There was nothing subservient about the animalโ€™s eyes. In fact, little about those eyes seemed right, however intelligent it might be.

“Dumb beast,” Harper muttered. He strode to a pile of hardbound books on a table by the window. Each spine showed his name in large, stylistic letters next to the smaller title of the novel. S.D. Harper. A name that sold, so his publisher said – so his publisher knew! “D’you see this, you dumb little beast?” he said, pivoting on his heel to face the creature again. “This,” he said, “is me.” He raised the book. “This is my soul,” he said slowly, drunkenly, “you sorry-looking animal.”

Their eyes met, and Harper felt stupid, not only for talking to the monkey, but for the pretentiousness of what he’d said. It must be the drink, he thought, watching the monkey as it sidled towards him.

“What do you think you’re up to now?” he asked. Drink always made him aggressive – as two ex-wives had found to their cost. He stared at the monkey. “Piss off,” he muttered, unable to remember why he had ever felt interested in the creature – or why he had encouraged it back to his room. Though had he encouraged it? What happened seemed like a dream to him now. How had the filthy creature got here? He seemed to recall some raucous jokes from Wilkes after he managed to entice it back to the restaurant, where they had played with it for a while, throwing nuts for the monkey to catch while they drank more gin. He remembered Wilkes saying something about the Hindusโ€™ belief in reincarnation, that if there was anything in it what had the monkey been in its previous life – a thief, a murderer, or a priest? All three, Harper remembered joking after he’d looked into its eyes. “What d’yer mean?” Wilkes asked, tears of drunken laughter in his. Harper told him it had probably been the soul of a priest from one of those murderous cults that haunted Indiaโ€™s distant past. He felt clever when he said it, knowing Wilkes, the bumbling salesman, was falling for it hook, line and sinker. “No such thing,” Wilkes retorted. Then Harper told him about the cult of the Thuggees whose followers committed wholesale murder on hapless travellers.

Why he’d said it – why he’d ever connected it with the monkey, he didn’t know. It was odd, because somehow heโ€™d meant it. There was a look deep down inside the creature’s eyes that suggested this to him, instinctively perhaps, or intuitively, or some such nonsensical thing.

“Piss off,” he muttered.

The monkey stopped and stared at him.

“Hanuman,” Harper said, “you’re a filthy, murderous, nasty little thief. You probably killed your own father – and your children – which would be the kind of thing a Thuggee would do, isnโ€™t it?” He chuckled, though he did not know why. “Now piss off and leave me alone!”


Perhaps because of the alcohol heโ€™d drunk he had bad dreams that night, dreams in which he found himself lost in a moonlit jungle. Nearby was a dirt track, grooves worn into it from thousands of carts that had trundled down it over the years. He wasn’t alone. Others were with him. Waiting. One of them gloated that a band of travellers, who set out late from the nearest town, were planning to pass this way before settling down for the night. Some of their comrades had already managed to infiltrate the travellers, he added, masquerading as pilgrims.

Soon, as expected, the travellers appeared, with armed guards amongst them, hired as protection against the Thugs. What none of them knew was that most of their guards were Thuggees themselves!

Harper hunkered down, feeling the familiar excitement building inside him. Soon the travellers would settle for the night, lulled by a false sense of security. At a signal they would be attacked from within and without as their guards turned on them and he and the rest of the gang swarmed in. He held a yellow scarf between his fingers. He would use it to strangle his victims for Kali, Goddess of Destruction. His hands itched with the urge to do it. He could barely wait for the killing to begin. He loved that even more than the spoils they would take, before burying the bodies. It was what he lived for, to feel his victim struggle beneath him, unable to escape from the ritualistic noose that was strangling the life from them.

Hours passed as they followed the caravan before they stopped for the night. Time passed while food was eaten, then the travellers settled down to sleep, relying on their hired guards to keep them safe.

Moonlight shone through leaves overhead on their huddled bodies.

Someone whistled.

It was the signal.

Silently, Harper crept towards the caravan, his scarf clenched ready to be drawn around the neck of his first victim, his first sacrifice to the Goddess, when a gunshot rang out and he realised they had been fooled.

More gunshots followed. In the muzzle flashes he saw men, white men. Soldiers, he realised. British soldiers.

Panicking, he fled between the trees, hoping to find somewhere to hide in the jungle, when a searing pain slammed hard between his shoulder blades, hurling him onto the ground. He realised he had been shot. Air wheezed from his lungs as blood bubbled, choking him, up his windpipe into his mouth, filling it. Frightened, he knew he was dying.

Darkness fell across his eyes.

Darkness such as he had never experienced before, a darkness that seemed eternal.
But wasnโ€™t.


Disorientated, Harper opened his eyes, unable to remember who or where he was. He couldnโ€™t even remember when he was. The only thing he could remember was hiding in a jungle, waiting to kill. Wanting to kill, he thought with a chill. He had wanted it so much it scared him now. That he had wanted to murder someone as much as he had sickened him. He could feel the cloth he clenched between his fingers as a garrotte. He could remember what it felt to wrap it around someoneโ€™s neck, drawing it tighter and tighter till it bit into their flesh and strangled them.

Sweating, Harper sat on the edge of his bed, sure he was going to be sick.

Across the room, staring at him, sat the monkey. Had it been there all night? Harper felt impatient at its presence but wary of it too.

Forcing himself to his feet he opened the window. Hot air blew in at him. It was already late morning and the sun was shining with a painful brilliance across the gardens outside.

Grabbing a towel from the bathroom, he shooed the monkey towards the window.

โ€œGet out, you little bastard,โ€ he rasped at it, his throat so dry it hurt to speak. He flicked the towel at the animal as it passed.

With a silent stare, the monkey leapt away from the towel and landed on the windowsill before dropping outside. He watched it lope across the paving stones alongside the garden, before squatting down to gaze back at him.

Grunting his annoyance, Harper shut the window and drew the curtains, blocking out the view. He knew the creature would still be staring, sure it would sit there for hours if need be, though he had no idea why. There was something odd, disturbing, frightening about the monkey, as if a human intelligence lurked somewhere inside its brain.

Harper grunted derisively. He knew he was being ridiculous, allowing his overactive imagination to get the better of him. Too much time on his hands and too much booze (definitely too much booze), that was the problem โ€“ the real problem. It was time to return home and put this exotic nonsense behind him.

After talking with Wilkes yesterday about the Thuggees, he knew the subject had preyed on his mind, which was why he dreamt about them. And that was all it had been, a meaningless, stupid dream.

Though that didnโ€™t explain the monkey.

He wished he had never set eyes on it โ€“ or, when he did, had behaved like Wilkes, who treated the creature with contempt.

He lay down again, feeling tired, out of synch, as if he had not properly woken up and was still dreaming. That bloody, bloody monkeyโ€ฆ

This time he was aware where he was. Luxuriant trees grew all around him and he knew he was in a jungle again. Was it the same as before? He could remember being shot. Hadnโ€™t he died afterwards? Or had he blacked out and been rescued? He tried to look around, but his neck felt stiff and it was painful to move. Even so he could see there were other people nearby. A few feet from him a man moaned in pain. Another man sobbed. There was the smell of blood, and something worse. Was it gangrene? It snagged at his throat and he felt an urge to vomit but managed to control his reflexes as he pushed himself up high enough on the heap of straw he was lying on so he could look around. He realised he was in an encampment of some kind. There were others here, most of them injured. The injured were lying on the ground like him. There were a handful of men walking between them, old men mainly in dirty robes stained with blood.

Suddenly he realised how thirsty he was and called for water. The word came out as โ€œPani!โ€ which he somehow knew was the same in whatever language these people spoke.

One of the old men, his beard streaked more grey than black, crept towards him with a pail of water. Using a wooden ladle, he dribbled it onto his lips. โ€œAhista,โ€ the man whispered. Slow.

Harper nodded as he let the water trickle between his lips.

Later he learned what had happened. The fight had been fierce, with the soldiersโ€™ rifles taking out many of their men before the rain started, coming down so hard it was impossible to see, let alone fight. In the confusion, many of the wounded, like him, were dragged into the jungle.

โ€œYou were lucky,โ€ he was told. The musket shot that hit him must have either been fired with not enough powder or had ricocheted and lost most of its force. Though it had winded him and bruised his back, it had not penetrated the skin. โ€œYou will live to fight another day.โ€

Or kill, he thought, feeling weirdly caught up between his twentieth century self that was asleep and dreaming and the Thuggee who lived all those years ago, as if somehow he was unsure which was real, though the thought of strangling innocent men, women, and children to that disgustingly barbaric god, Kali, revolted Harper, even as the Thuggee spoke ecstatically about it.

Time passed quickly as if he sometimes blanked out. His injury was soon just an occasional twinge. Having left the encampment his group now moved cautiously through the jungle; aware they were being hunted by British soldiers. There were too many to fight head on, especially with their modern rifles. The Thuggees had to be cunning instead, scouting any caravan they were going to attack until they were certain it was safe to do so. At the same time, they had to make sure no one passed any information on to the British about where they were. Traitors were suspected. The rewards being offered were temptingly high, especially for people as poor as most of them were. Eyes, therefore, were everywhere, and you had to be careful what you said, which added to the atmosphere of paranoia.

When the Monsoon started he began to suffer. The injury to his back worsened again, so that often he could barely stand upright without groaning. Carrying anything heavier than a canteen of water was agony. But their leaders were deaf to his complaints. Kali did not recognise weakness, neither did her chief acolytes. And he knew he would be left to fend for himself if he became a burden. Or maybe worse, he would be sacrificed to their god.

He had to be strong!

Harper sensed the desperation.

He had to be strong!

Weeks passed, though to Harper they streamed by in seconds. He would close his eyes and open them again and days had gone, sometimes weeks. In a way this was a relief from the insufferable boredom and the pain in his back, but it was alarming as well as he could sense the deterioration of his Thuggee self. The injury to his back must have been worse than originally thought because he was hobbling now, doubled up in pain. He could barely imagine the man being capable of murdering anyone now, especially with a noose. That required strength, determination, and a strong back.

Harper felt no pity for the man though. In a way he was looking forward to all of them being caught and paying for their crimes, either by being shot dead or hanged. He wondered what the Thuggeeโ€™s fate would be: the bullet or the noose. Though it seemed more likely he would succumb to disease first. He had already developed a nasty cough and spat blood. Thick globules too large to bode anything but bad news.

His Thuggee self was aware how sick he was, and he could sense his wish to leave the cult and find a village where he could live out his days in peace.

It was only days before the Thuggee straggled behind the rest of the gang. Mostly this was because of the state of his health but there was connivance there too. He was looking for an opportunity. And soon it came.

A British patrol, including a mounted officer were heading for one of the small villages on the outskirts of the jungle. As soon as he saw them he hid, watching them as they questioned the villagers. The patrol had a native guide with them who carried out the interrogations. He was a tall man dressed in a uniform like the soldiers except for a turban which showed he was a Sikh.

The Thuggee buried his incriminating yellow scarf beneath a bush, then hobbled into plain sight of the soldiers, several of whom instantly trained their rifles on him.

Spreading his arms to show he had no weapons, he limped towards them. Over the next few hours, he told a rambling tale of being kidnapped by a gang of Thuggees who were marauding through the jungle. He gave them an even more rambling and vaguer story about his escape. When pressed by the Sikh he promised to lead them to where the gang was heading. Within hours a scout was dispatched to the main body of British troops and plans were made to trap the Thuggees and wipe them out or take them to be tried.

Thus it was that the gang was routed, and most were shot. The Thuggee was taken to identify those who had been captured, which was when he met his end. He had hardly finished walking down a line of Thugs when one of them leapt at him with a concealed knife, ignored the bullets that pounded his body to slam the dagger in his chest.

Harper awoke instantly.

He could see the killerโ€™s face even now, filled with hatred.

โ€œKali will eat your heart, you damned traitor!โ€ the man cried as they died, one on top of the other.

How odd to curse a man you were already killing, Harper thought. You would think the one would cancel the other! He shook his head, puzzled, though relieved that his dream had broken.

He went into the bathroom to wash and get dressed, deciding he needed company. It was another brilliantly sunny day and he knew he would find Wilkes in the bar when heโ€™d eaten his breakfast. The manโ€™s down-to-earth humour was what he needed now.


โ€œNo wonder youโ€™re a novelist,โ€ Wilkes said when Harper told him his dreams. though Harper seemed preoccupied, and was hardly listening to what Wilkes said, before he added as an afterthought: โ€œYour imagination must be running on all pistons.โ€

โ€œToo much sometimes,โ€ Harper said finally.

โ€œIโ€™ll drink to that.โ€ Wilkes laughed.

Harper laughed, but bitterly, then frowned, sitting up. โ€œThat damned monkeyโ€™s back again!โ€ There was anger in his voice. โ€œI wish the hotel would get rid of the filthy blighters.โ€

Wilkes turned and looked, feeling a cold riff going up his spine.

โ€œI donโ€™t suppose thereโ€™s much the hotel could do. It wouldnโ€™t be politic to send someone out to shoot them. Thereโ€™d be an uproar from the locals.โ€

โ€œShooting their little gods, eh? Ha ha, youโ€™re right, of course. I forgot about that. Bloody idiots.โ€

Stillโ€ฆ Harper thought. He stared at the monkey as it glared back at him, remembering that the Indian god Hanuman was associated with Kali, whose aspects could vary between good and evil, and was always at her worst amongst her Thuggee adherents, brandishing a severed head in one of her four hands and a necklace of skulls hung around her neck.

For one chill moment Harper was sure the monkey bore an uncanny resemblance to the face of the man who stabbed him to death in his dream. Then he laughed. Of course, it was. It was the monkey that inspired it. No wonder there were aspects of his attackerโ€™s face in its. His imagination had used the monkey as a template, as simple as that.

Or was it?

Harper looked up.

โ€œFor all of that, theyโ€™re a bloody nuisance.โ€

Wilkes glanced at him, looking surprised at the rage that was consuming the manโ€™s face as if he had gone mad and would gladly tear the monkey to pieces if he could lay his hands on it.

โ€œAre you okay?โ€ Wilkes asked, which seemed to irritate Harper even more, who ignored his question, his lips moving as if he was talking to himself.

Which was what he was doing, Wilkes realised with a shudder, making out the occasional words. Words that werenโ€™t even English but might have been Urdu.

Suddenly Harper launched himself forwards, running towards the monkey, his gin and tonic smashing to the floor. He ran past Wilkes as if he werenโ€™t there, bowling him over as one of his feet entangled itself under one of the legs of Wilkesโ€™s chair, knocking him sideways. It was over in a second. Rolling across the floor, Harper grabbed at the monkey, which leapt beyond his reach, only for Harper to lash out with his fist, catching the creature on its chest. It was a hard blow, for all it was awkwardly delivered, bouncing the monkey into the restaurant wall where, scrabbling on his hands and knees, Harper pursued it with an aggression more animalistic than human. Again, he snatched at the creature, managing to grasp an arm in his hand, encircling its narrow bicep and tightening. The monkey bit at his fingers, tearing out lumps of flesh as it frantically tried to free itself, but Harper was oblivious to pain, his other hand circling the monkeyโ€™s throat and choking it.


The doctor was puzzled at his condition, that much Harper could tell, though he was quick enough to give his diagnosis.

โ€œHeat stroke.โ€

Harper stared at him. He wondered what the man was talking about and why they were in the managerโ€™s office. He was puzzled why the doctor, an overweight Indian in dirty white jacket and dusty trousers, was watching him through horn-rimmed spectacles with a quizzical frown on his face. Two waiters were stood beside him, their expressions wary, as if they were worried what Harper might do.

โ€œYou have been suffering from heat stroke,โ€ the doctor repeated, emphasising his words as if to a child.

It was only then that Harper realised he was wearing handcuffs. He stared down at them, trying to remember why and when this happened, then realised the men beside the doctor werenโ€™t waiters but policemen.

โ€œWhereโ€™s the monkey?โ€ he asked suddenly, feeling alarmed.

The doctor turned to one of the policemen and shook his head. Images, though, were already returning to Harper. He could see the monkeyโ€™s face as he leaned over it, his hand at its throat.

โ€œI did it, didnโ€™t Iโ€?

The doctor nodded, absently. โ€œIt was a sacrilege. Many locals are already outside the hotel. They are very upset.โ€

Harper was sure the gently spoken words were an understatement. He could imagine the uproar that had been stirred by what he did.

But why did he do it?

One of the policemen turned to the doctor and whispered to him.

โ€œHe is obsessed with this monkey, yes?โ€

โ€œIt would seem so, Inspector. He thinks it has been haunting him.โ€

โ€œA ghost?โ€ The inspector uttered a nasal laugh.

โ€œVery much like a ghost.โ€

โ€œToo much sun and gin,โ€ the inspector said, shaking his head at the handcuffed man.

โ€œToo much sun and gin and too much imagination. A dangerous combination.โ€

Somewhere nearby Harper could hear chanting. On and on and onโ€ฆ While at the feet of the doctor and the two policeman the monkey squatted, staring at him.

โ€œWhatโ€™s it doing here?โ€ Harper croaked in alarm, nodding at the creature to draw their attention.

โ€œWhat is what doing here, Mr Harper?โ€ the inspector asked.

โ€œThat monkey! That damned monkey in front of you.โ€

The men automatically looked at their feet. The inspector shook his head sadly.

โ€œThere is nothing there, Mr Harper.โ€

Even more clearly than before Harper recognised the assassinโ€™s face in the monkeyโ€™s features. Why had he come back to plague him? Wasnโ€™t killing him once all those years ago enough?

But he knew. He had known the answer all the time. He had betrayed his brethren to the soldiers. He had sold them out for coins and his freedom. In the end he had neither, just a dagger in the heart โ€“ and damnation on his soul.

Harper knew he should never have come to this place. He hardly knew why he had. An impulse? A whim?

Or a centuries old curse that drew him here to this fate?

โ€œThere are charges to be faced. Not serious legally,โ€ the inspector added with emphasis, โ€œbut serious in the eyes of the locals. And possibly others across our great nation, who hold Hanuman in high esteem. Blasphemies mean more here than in your country. We are a religious nation. What you did is not regarded lightly.โ€

Harper could imagine. He would be a pariah if that were the right word for what heโ€™d done.

โ€œTomorrow you will be taken to the magistrates, where you will be charged and sentenced, probably with a fine. I am sure you can afford it,โ€ the inspector said.

โ€œThen?โ€ Harper asked, dry-mouthed.

โ€œThen I suggest you go straight to the airport and return to England. And not come back to India again. For your own safety.โ€

Harper nodded. He had no wish to stay anyway. He was done with this country. Though he was certain India had done with him too. He had abused its hospitality and outlasted his welcome.

โ€œYou are sure his condition is stable?โ€ the inspector asked the doctor, who nodded. โ€œAs sure as I can be.โ€

Harper was released from his handcuffs then accompanied upstairs to his room.

โ€œOne of my men will be stationed outside your door overnight,โ€ the inspector said. โ€œTo ensure your safety, you understand,โ€ he added.

And to make sure I donโ€™t try to escape, Harper thought, though where to and why he had no idea.

He went for a shower. Sweat had formed a sticky layer on his skin and he felt lightheaded. Had he drunk too much gin and had too much sun, he wondered. He had drunk more than usual, he knew. He blamed Wilkes for that. The man was a veritable sponge, though he never seemed the worse for it.

When heโ€™d finished, Harper returned to his bedroom. Which was when he saw it squatting in the middle of the floor, its dark eyes staring straight at his. The eyes of the assassin.


Police Constable Manjooran, who had been stationed outside Harperโ€™s door, was the first to see him the following day when he unlocked it to tell him it was time to go to the magistratesโ€™ court. Afterwards, to Manjooranโ€™s eternal shame he was unable to convince his superiors he never left his post during the night, letting someone sneak into the authorโ€™s room, though he knew that he hadnโ€™t, that no one could have entered, no one at all.

Though how the Englishman came to have been strangled in a room with all its windows locked and no other way in than the door he had been guarding, he could not explain. But strangled Harper was, with an ancient rag of yellow silk knotted around his throat.

Boo-graphy:
David A Riley writes horror, fantasy and SF stories. His first story was in the 11th Pan Book of Horror in 1970. He has had stories published by Doubleday, DAW, Corgi, Sphere, Roc, Playboy Paperbacks, Robinsons, etc, and in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, Whispers, Savage Realms Monthly and Fantasy Tales. His first collection of stories was published by Hazardous Press in 2012, His Old Man Demons. A Lovecraftian novel, The Return, was published by Blood Bound Books in 2013. A 2nd collection of stories, The Lurkers in the Abyss & Other Tales of Terror, was launched at the World Fantasy Convention in 2013 by Shadow Publishing. Hazardous Press published his 3rd collection, Their Cramped Dark World & Other Tales, in 2016. Both Hazardous Press collections have been reprinted by Parallel Universe Publications, plus two new collections After Nightfall & Other Weird Tales (illustrated by Jim Pitts) and A Grim God’s Revenge. A fantasy novel, Goblin Mire, and a horror novel, Moloch’s Children, were published in 2015. He and his wife Linden recently relaunched Parallel Universe Publications, which originally published Beyond magazine in 1995, and have now published around 50 books, including two art books.

Along with the award-winning artist Jim Pitts he edits a twice-yearly anthology of swords and sorcery stories: Swords & Sorceries: Tales of Heroic Fantasy. The fifth volume will be published as a paperback and ebook in November. Recent publications containing his stories are: Savage Realms Monthly #12 “The Carpetmaker of Arana”; Summer of Sci-Fi & Fantasy “The Storyteller of Koss”; Sword & Sorcery Magazine #118 “The God in the Keep”; Mythic #17 “Baal the Necromancer.” I also have a novelette due in the next issue of Lovecraftiana “The Psychic Investigator.”

Fourteen dark tales of fantasy and horror ranging from 1971 to 2020.

Dead Ronnie and I was first published in Sanitarium issue 44, 2016
Corpse-Maker was first published in Weird Window issue 2, 1971
The Urn was first published in Whispers issue 1, 1972
Gwargens was first published in Beyond issue 3, 1995
Retribution was first published in Peeping Tom issue 3, 1991
The Bequest was first published in Dark Horizons, 2008
They Pissed on My Sofa was first published in Malicious Deviance, 2011
Old Grudge Ender was first published in The Screaming Book of Horror, 2012
A Girl, a Toad and a Cask was first published in The Unspoken, 2013
Scrap was first published in Dark Visions 1, 2013
Lem was first published in The Eleventh Black Book of Horror, 2015
A Grim Godโ€™s Revenge was first published in Mythic issue 4, 2017
Grudge End Cloggers was first published in Scare Me, 2020
Hanuman was first published in Phantasmagoria issue 16, 2020