Tag: Bram Stoker

GUEST BOOK REVIEW by Christa Carmen: Reluctant Immortals

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Reluctant Immortals

Gwendolyn Kiste
Genre: Horror, Gothic
Publisher: Saga Press
Publication Date: 8.23.2022
Pages: 317

For fans of Mexican Gothic, from three-time Bram Stoker Award–winning author Gwendolyn Kiste comes a novel inspired by the untold stories of forgotten women in classic literature–from Lucy Westenra, a victim of Stoker’s Dracula, and Bertha Mason, from Charlotte Brontë’s Jane Eyre–as they band together to combat the toxic men bent on destroying their lives, set against the backdrop of the Summer of Love, Haight-Ashbury, 1967.

Reluctant Immortals is a historical horror novel that looks at two men of classic literature, Dracula and Mr. Rochester, and the two women who survived them, Bertha and Lucy, who are now undead immortals residing in Los Angeles in 1967 when Dracula and Rochester make a shocking return in the Haight-Ashbury district of San Francisco.

Combining elements of historical and gothic fiction with a modern perspective, in a tale of love and betrayal and coercion, Reluctant Immortals is the lyrical and harrowing journey of two women from classic literature as they bravely claim their own destiny in a man’s world.

When I was a teenager, I read Jane Eyre. I also read Rebecca, The Castle of Otranto, The Mysteries of Udolpho, The Haunting of Hill House, Dracula, The Picture of Dorian Gray, Wuthering Heights, and every other classic Gothic novel I found on either my mother’s or the local library’s shelves. Like a lot of teen-aged girls obsessed with these types of novels, I pictured myself as the protagonist of each, descending to the abbey basement, journeying to an ancestral home, exploring the secret dungeon or attic or passageway beneath the floorboards. I was Jane learning her true identity, the second Mrs. de Winter gazing upon Manderley for the first time, Eleanor Vance drinking from her cup of stars. But here’s the thing: many of these women weren’t actually great role models to aspire to, or even appropriate “costumes” to try on. Their autonomy, their ability to be the heroine of their own story, was a carefully orchestrated illusion. Jane was a pawn for Mr. Rochester. Emily St. Aubert was imprisoned in Castle Udolpho by Signor Montoni. Isabella was persecuted and traumatized by generations of men who’ve ruled Otranto. In fact, I would be far, far removed from my adolescence before I found a pair of Gothic heroines truly worthy of my aspirations; I thank Gwendolyn Kiste, and her gorgeous novel, Reluctant Immortals, for finally delivering them to me.

Bertha, or “Bee,” Mason and Lucy Westenra fight back, take control, have teeth (no pun intended). They possess true autonomy in that they drive the events of their story. These are not your mother’s or your childhood librarian’s gothic heroines. They are far more powerful than either Edward Fairfax Rochester or Count Dracula ever were. And that’s one of Gwendolyn’s many talents: writing her female characters in a way that naturally balances the scales. They’re believable in their actions, admirable in their strength, understandable in their motives—and their flaws. Gwendolyn captures all the magic and beauty and excitement (not to mention the eeriness, dread, and horror) of Gothic novels with none of the misogynistic stifling of her characters. And her prose? Do we even bother talking about Gwendolyn’s prose in reviews of her work anymore? It’s transcendent (examples: “The pool glitters in the moonlight, the shape of a teardrop, blue and spotless as a phony lagoon from a movie set,” and “The rest of me turns to dust, and I can’t hold on to the urn anymore. It falls through my crumbling fingers, shattering into a thousand pieces on the floor. Overhead, Dracula’s muddy form smears across the ceiling before dripping down to meet himself, the parts of him mingling together, his body becoming stronger, while mine becomes nothing at all. I won’t watch him now. I close what’s left of my eyes and let the darkness rush in to greet me.”). Her weaving of words is on a whole other level.

Some novels can’t help but sacrifice pacing for characterization and language, but Reluctant Immortals is not one of them. One of my favorite sections of the novel (and there are many) was Bee and Lucy’s arrival in San Francisco with Daisy, a young hitchhiker interested in helping them locate Jane Eyre after she’s inadvertently loosed some of Dracula’s ashes on Los Angeles. It’s right about the dead-center of the narrative, and yet it screams forward with as much momentum as the women’s Buick ricocheting up the 101. And the stakes (again, no pun intended) only increase from there.

The showdown between Dracula and Lucy—and Rochester and Bee—is as fantastic and satisfying as one could hope for (and surprisingly biting in its humor at times… When Lucy considers breaking an end table to use on Dracula, he points out that it’s Formica, to which Lucy replies, “Maybe it’s the ideal way to finish you. Death by tacky wood paneling.”). This climax is rife with decay and blood, secrets centuries in the making coming to light and vampires doing, well, what vampires do, and sucking the souls of innumerable victims. But the showdown also vibrates with originality and heart (Lucy and Dracula grappling atop the Golden Gate Bridge, ruin and rot against the “painfully quaint” backdrop of Playland at the Beach), and the worthiness of these Gothic women as heroines strikes me all over again. Gosh, it’s a joy to read about kickass, supernatural women banishing the classic monsters of our past.

“There are no Hollywood endings, not even in Hollywood,” Gwendolyn writes. But with Reluctant Immortals, we do get a Hollywood ending, in a sense. Without spoiling anything, the idea that Lucy and Bee don’t have to be monsters, despite coming from them, is a lifeline I’m more than willing to follow. There may still be “gloom brimming” in our heroines’ hearts, but they have more than achieved what Gwendolyn set out for them to accomplish. Bee’s story, “the one they tried so hard to steal” from her, remains unwritten. Lucy is “more than just the girl who withers in… shadow.” They are as immortal as Gwendolyn’s transcendent novel deserves to be.

Boo-graphy: Christa Carmen lives in Rhode Island, and is the author of the short story collection, Something Borrowed, Something Blood-Soaked. Her debut novel, The Daughters of Block Island, is forthcoming from Thomas & Mercer in fall 2023, and her second novel with the mystery, thriller, and true crime imprint will be out in the fall of 2024. Christa studied English and psychology at the University of Pennsylvania, has an MA from Boston College, and an MFA from the University of Southern Maine.

When she’s not writing, she keeps chickens, uses a Ouija board to ghost-hug her dear departed beagle, and sets out an adventures with her husband, and bloodhound/golden retriever mix. Most of her work comes from gazing upon the ghosts of the past or else into the dark corners of nature, those places where whorls of bark become owl eyes and deer step through tunnels of hanging leaves and creeping briers only to disappear.

A young woman’s fears regarding the gruesome photos appearing on her cell phone prove justified in a ghastly and unexpected way. A chainsaw-wielding Evil Dead fan defends herself against a trio of undead intruders. A bride-to-be comes to wish that the door between the physical and spiritual worlds had stayed shut on All Hallows’ Eve. A lone passenger on a midnight train finds that the engineer has rerouted them toward a past she’d prefer to forget. A mother abandons a life she no longer recognizes as her own to walk up a mysterious staircase in the woods. In her debut collection, Christa Carmen combines horror, charm, humor, and social critique to shape thirteen haunting, harrowing narratives of women struggling with both otherworldly and real-world problems. From grief, substance abuse, and mental health disorders, to a post-apocalyptic exodus, a seemingly sinister babysitter with unusual motivations, and a group of pesky ex-boyfriends who won’t stay dead, Something Borrowed, Something Blood-Soaked is a compelling exploration of horrors both supernatural and psychological, and an undeniable affirmation of Carmen’s flair for short fiction.

GUEST POST: Paul Flewitt

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Horror: An Origin Story

Hello, and Happy Halloween to all the readers of Meghan’s House of Books. Yup, its that time of year again, where Meghan allows me to come here and do a thing. So, I thought I’d have you all sit around the campfire and offer a bit of a short history lesson. Some of you might already know all this, but some might not. Here goes…

Any writer worth his salt is also a historian of the genre they write in. In an effort to understand how the genre works, what makes our writing that suitable for that genre, what the rules were from the outset and how they’ve changed and developed over time. We search with a rabid knowledge-lust to find out exactly where we came from, in a similar way someone might research their familial history.

Horror isn’t any different, especially in a world where the genre is constantly being divided into categories and sub-categories. We go back to move forward, discover where our cues came from and how we can best serve what we’re doing ourselves. By their own admission, Stephen King and Ramsey Campbell would scarcely have been the same writers if not for HP Lovecraft, MR James, and writers of their ilk. So, I thought I’d offer a few thoughts on where I think horror came from, how it developed and who were the main players in its development. Be warned, there’s some left field ideas in here, but its all about the discussion. Disagreement is allowed in any debate.

Where to begin?

Well, I would arguably go back to written works like The Epic of Gilgamesh, Beowulf, and other ancient texts which document mythologies and spoken histories. Are they horror? Well, yes and no. My view is that there are elements of horror in all of them, alongside a heavy dose of fantasy. I would posit the notion that the earliest overt writers of horror did likely look to writings like these, if not those writing specifically, and take some inspiration from some of the stories told there. Remember, this is about finding the primordial ooze which gave rise to horror, and I think this is most likely where it’s to be found. Some of the imagery in these texts is pure horror, and we still use those images today.

Homer’s Illiad is, to my mind, the first real horror story. Like the ancient texts I referenced above, it is as much fantasy as horror, but I find the two genres are inextricably linked in many ways. There are many horrific moments in that work, and many tropes we still see in horror today. There are meek and mild maidens who rise to be badass warriors, there are evil antagonists who creep you out and make you want to see them die in messy ways, and sometimes Homer shows you those deaths. For an ancient Greek philosopher, Homer was definitely a hell of a horror writer.

Taking his cue from Homer, I would cite Dante Aleghieri. The Divine Comedy, and particularly the Inferno section, is truly overt horror. It gives us a view of Hell, and one man’s trip through the seven levels of it. If we have to look hard to find horror DNA in the ancient texts I described, or in Homer, we certainly don’t with Dante. There is beauty in the horrific, and Dante revels in its description. Is he the first true horror master, the grandfather and architect of it all? Well, I’ll leave that for you guys to debate.

Goethe is another one from a little later than Dante. His Faust poem has given rise to the term “faustian,” which is a trope often used in horror. Clive Barker is a great proponent of the faustian pact trope, where a protagonist accepts a gift or an offer, only to be confronted with unforeseen and often horrific consequences. In Goethe’s Faust, the title character makes a pact with Mephistopholes, or Mephisto in some translations, and finds he has actually sold his soul to the devil himself. Is this horror? I’d say so.

Another early writer who often saw beauty in the horrific is William Blake. Alongside his paintings, Blake was a polymath who certainly delved into the darker literary arts. His work is often cited by horror writers as an inspiration.

Which brings us to, quite likely, the more familiar architects. I’ve skimmed through several hundred years of history here, highlighting writers who shaped the future of what would become horror. When we hit the 19th century though, we see a massive shift in sensibilities and matters which suddenly become acceptable to write about. Horror, the supernatural and erotic are no longer the things of taboo they once were, particularly in Britain, where horror and science fiction seem to take root first and strongest.

Robert Louis Stevenson and Mary Shelley are perhaps the first real horror writers we would think of from this period. Stevenson wrote Jekyll and Hyde, which has all the hallmarks of horror and science fiction. There is a psychological element to both, as we witness a descent into madness for the main characters in both those works. For me though, it’s Mary Shelley who truly broke the boundaries and addressed what horror would become later. It’s Shelley who confronted the idea that mankind may really be the monsters. I would ask, is Prometheus really the monster in Frankenstein, or is it the doctor who creates and abandons him? This is the question which horror writers wrangle a lot of the time, whether the monsters in their tales are archetypes for the worst of human traits, or whether mankind truly is portrayed as the monster for their treatment of anything they consider other. For me, Mary Shelley was the true risk taker of this generation, and her work certainly pushed the boundaries of taboo like few others dared.

Moving on to Bram Stoker, and the later 19th century writers. Stoker wrote Dracula, and we know what that one book gave rise to. It’s a franchise before anyone knew what such a thing was. Another taboo breaker, which gave us horror with a hint of the erotic. He provided another element to throw into the primordial ooze of the horror blueprint. I would also cite Lair of the White Worm too, which has elements of Lovecraft’s weird fiction before such a term was ever coined.

Writers which may seem like left field choices here would be Charles Dickens and Arthur Conan Doyle. Although their work is not, in the strictest sense of the word, horror, there are certainly elements to be found in their stories. Hounds of the Baskervilles certainly leans heavily into our world, and Dickens was a great writer of ghost stories which he often incorporated into his studies of life in Victorian London. Both are more than worthy of deeper investigation.

Edgar Allan Poe needs no introduction, and is widely accepted as one of the true architects of modern horror. His poetry and short stories are the inspiration for many modern writers, with such absolute classics as The Pit and the Pendulum, The Masque of the Red Death, The Telltale Heart, Murders in the Rue Morgue, The Fall of the House of Usher, and so many, many more besides. He touched on so many different forms of horror that it’s difficult to argue with anyone who asserts that Poe is among the most important writers of horror we’ve had. I would tend to agree.

In the early to mid-20th century, horror still continued to burgeon. It was, however, branching out from the gothic sensibilities of the previous decades. Writers like HG Wells and Aldous Huxley were writing with a far more futuristic vision, imagining new worlds and visitations from warrior races from other planets. Some would call their writings science fiction, but there is certainly horror in there too. Tell me The War of the Worlds or Brave New World are not both works of horror. Shirley Jackson and MR James flew the flag for gothic horror and ghost at this time. Jackson’s The Haunting of Hill House, a staple which entertained and inspired for generations to come, while MR James’ short ghost stories are a staple diet for many modern writers trying to learn and hone the craft of creating atmosphere. But, the real trailblazer of this time was HP Lovecraft. Totally unappreciated at the time, Lovecraft’s contributions and importance didn’t gain popularity until the 60’s and 70’s, but his ideas have been the springboard for a good many writers since. He’s more than just the Cthulu mythos though. His ghost stories, tales of rats in the walls, and other gothic style stories are absolutely as important as the Old Ones stories.

All of these writers, in some way or another, have shaped horror in the last century. Without each of them, or some combination of them, we would not have had Ramsey Campbell, Robert Bloch, James Herbert, Stephen King, Clive Barker, and the other horror masters who have rightly taken their place in the pantheon in the years since. Horror writers like me look back on these creators in awe of their inspiration, their vision, their bravery to explore ideas which were certainly counter to societal conventions and often considered dangerous or immoral. Without that bravery, none of us would be here.

So, I raise a toast to all of those who went before. All any of us who write can hope for is that we honour their legacy, and keep the flames of their creations alive for the generations to come.

Boo-graphy: Paul Flewitt is a horror and dark fantasy writer from Sheffield, UK, where he lives with his wife and two children.

Paul began publishing in 2012, beginning with the flash fiction story, Smoke, for OzHorrorCon’s Book of the Tribes anthology. He went on to pen further short stories, including Paradise Park, Climbing Out, Apartment 16c and Always Beneath.

In 2012, he also published his first novel, Poor Jeffrey, which was received to much critical acclaim.

His novelette, Defeating the Black Worm, was released in 2021, through Demain Publishing.

Paul cites writers such as Clive Barker, Stephen King, James Herbert, and JRR Tolkien as inspirations on his own writing.

Paul continues to write, contributing to Matt Shaw’s The Many Deaths of Edgar Allan Poe anthology in 2020 with The Last Horror of Dear Eddie. He also began releasing free short stories and fanfiction on his Wattpad account for fun.

AUTHOR INTERVIEW: J.P. Choquette

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Meghan: Hey J.P. Welcome back to our annual Halloween Extravaganza? What is your favorite part of Halloween?

J.P.: I love the dressing up and pretending to be someone else aspect. As a kid, playing dress up and imagining myself in different roles and situations was one of my favorite things to do. And of course, Reese’s Peanut Butter Cups.

Meghan: What is your favorite Halloween tradition?

J.P.: Decorating the house with my husband and son is always fun. My very favorite part of that is standing down by the end of the driveway when we’ve finished and looking at the lights/decorations. Last year (COVID) we weren’t sure if trick-or-treating would be possible, so we had a big outdoor Halloween party with several families in our neighborhood and my son’s friends and families. It was a blast and I really enjoyed our creative Halloween-themed snacks (puking pumpkin was a hit but maybe not as much as the spider donuts).

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

J.P.: Halloween is toward the top of my list. I just love the idea of everyone connecting with their creative selves—the decorations, costumes, the fun of walking the streets in the dark with kids as they go door-to-door, the movies and books, candles and coziness—there’s a lot to love!

Meghan: What are you superstitious about?

J.P.: No superstitions here. 😊

Meghan: What/who is your favorite horror monster or villain?

J.P.: I read Bram Stoker’s Dracula for the first time a few years ago. While I’ve always been fascinated by the idea of vampires and their eerie transformation from person to blood-sucking-villain, this book made the idea so much more real…and frightening. Highly recommend this book—the atmosphere Stoker created was incredible and the writing really beautiful.

Meghan: Which urban legend scares you the most?

J.P.: I read a scary book by Mary Higgins Clark when I was a teenager about a babysitter who was getting crank calls…and realized they were coming from inside the house. I did a lot of babysitting back then and it was at the back of my mind from that point on! I have heard variations of this as an urban legend but am not sure which came first—the story or the novel.

Meghan: Who is your favorite serial killer and why?

J.P.: Ohhhh, I do not like serial killer stories at all.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

J.P.: I saw Child’s Play at a friend’s sleepover party when we were in the third grade. I was terrified. Afterward, my little overactive imagination saw Chuckie everywhere I went—behind the shower curtain, in my closet, under the bed….

My first horror book was Dean Koontz in high school, I think. I can’t remember the title but there was some sort of supernatural monster in it. I love supernatural suspense and the type of horror that causes all the fear and dread without relying on gore.

Meghan: What is your favorite Halloween costume?

J.P.: I think it was the year I made a Bride of Frankenstein costume. I bought a big Marge Simpson-style white wig and spray painted it black (cutting out lightning bolts first to keep the hair underneath white). I made a dress from an old sheet and my husband helped with the makeup. It was fun and I loved the way it looked in the end.

Meghan: What is your favorite Halloween-themed song?

J.P.: I love Halloween songs! Thriller, Monster Mash, and Purple People Eater–they’re all great. My absolute favorite, though, is Little Red Riding Hood by Sam The Sham & The Pharaohs. Love it!

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

J.P.: I’m a huge chocoholic so anything with chocolate is a yes for me. If it’s paired with peanut butter (Reese’s PB cups or Butterfinger) makes it even better.

Meghan: Thanks for stopping by today, J.P. Before you go, what kind of Halloween books and movies are your go-to?

J.P.: Right now, I’m listening to Hallowe’en Party by Agatha Christie which I’m really enjoying. Anything gothic-y, dark, atmospheric, preferably set in the deep woods, a crumbling mansion, or a boarding school are my go-to choices for Halloween…and most of the rest of the year, too.

Boo-graphy:
Thriller author, J.P. Choquette, writes atmospheric suspense novels with themes of nature, art, and folklore.

She started writing “books” when she was old enough to hold a crayon. These were held together with staples and left some painful scratches. 

In her career, J.P. has been a vet tech, a Montessori teacher helper, an administrative assistant, a case manager, and a buffet hostess, in no particular order. She’s been writing full-time since 2008. 

When she’s not working, you’ll find her sipping a hot beverage, reading, or in the woods with her family. 

Join her Readers’ Club and get peeks into her writing life, upcoming releases, thriller book recommendations, and other treats for book lovers.

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Green Mountain Trilogy:
Let the Dead Rest, Shadow in the Woods, Dark Circle

Combined for the first time, readers of J.P. Choquette’s Gothic tales of suspense will be riveted by The Green Mountain Trilogy.

In “Let the Dead Rest,” a strange doll makes her appearance in the life of Isabel Joven, an artist living out in the boondocks of Vermont. When strange things begin to happen, Isabel is drawn deeper and deeper into the doll’s frightening past, even as her own world starts to fall apart at the seams.

Readers are calling “Shadow in the Woods,” a “fast-paced, fun thriller,” and remarked that it “hits the accelerator and never lets up on the gas.” In it, two mental health counselors bring a small group of patients for an “ecotherapy” weekend in the wilds of the Vermont mountains. But when the group is forced to take refuge from a storm in a cave, sinister things begin to happen. Six go into the woods, but only three come out.

Sarah Solomon is recovering from a traumatic experience in “Dark Circle,” and moves to northwestern Vermont for a fresh start. But strange things are happening in the gated community where she and her husband live. When Sarah sees the “gray lady” in the woods, she’s unsure if it’s a ghost or a real person. As Sarah digs deeper into the community’s past, she discovers secrets that others want very much to stay buried.

Now available for the first time in a trilogy format, readers can enjoy a collection of Choquette’s most popular supernatural suspense titles. Fans of Ruth Ware, Lisa Unger and Peter Swanson will enjoy Choquette’s atmospheric, chilling tales packed with twists and turns. All three novels are set in rural or small town northwestern Vermont.

AUTHOR INTERVIEW: Jamie Lee

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Meghan: Hi, Jamie. Welcome to Meghan’s House of Books AND our annual Halloween Extravaganza. Thanks for stopping by today. What is your favorite part of Halloween?

Jamie: The uptick in horror movies, which is odd considering the number of streaming services that I subscribe to. But I have fond memories of getting my schoolwork completed and taking a long nap, all so I could stay up obscenely late to watch late showing of Hammer movies.

Meghan: What is your favorite Halloween tradition?

Jamie: It’s one that I’ve let lapse, sadly, but want to pick up again. I used to read Bram Stoker’s Dracula, every year, for Halloween.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Jamie: Halloween is the time of year I pick up my new, home décor.

Meghan: What are you superstitious about?

Jamie: Opening an umbrella. I was eight the first time I did this and my mother informed me that it was bad luck, so I proceeded to do it several more times. Later that day I was chased down the road by several feral dogs, which my grandfather intercepted by swinging a cane like a club. Since then, I haven’t felt the need to test the validity of bad luck, with a repeat performance.

Meghan: What/who is your favorite horror monster or villain?

Jamie: I love Sam, from the movie Trick R Treat. He’s the perfect gentleman, if you’re celebrating Halloween appropriately; otherwise, he tends to get a tad stabby.

Meghan: Which unsolved murder fascinates you the most?

Jamie: The Torso murders. It’s what Elliot Ness did, when he wasn’t chasing Al Capone.

Meghan: Which urban legend scares you the most?

Jamie: The ankle slicing, car thief. Because, ouch!

Meghan: Who is your favorite serial killer and why?

Jamie: Mine is fictional, Hannibal Lecter. He eats the rude.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

Jamie: I saw The Exorcist when I was five, which is probably more a statement about parenting. It gave me waking nightmares all-night, so much that I couldn’t tell, if I was awake or dreaming.

I believe I was twelve, when I first read The Stand, by Stephen King. I couldn’t put it down, so much so that I finished it in a day.

Meghan: Which horror novel unsettled you the most?

Jamie: I remember the Splatterpunk genre and had an anthology of short stories, entitled funnily enough: Splatterpunk. I had to read it in small doses and don’t know if I ever completely finished it.

Meghan: Which horror movie scarred you for life?

Jamie: See The Exorcist, above. Although, Creepshow is a contender, after I saw it when I was six or seven.

Meghan: What is your favorite Halloween costume?

Jamie: I bought one of the “paint your own” Halloween masks when I was in college. It was a red skull. I spent days working on it and didn’t think the brushes were good enough, so I started using some of my Warhammer brushes for detail work. Anything that allows me to mix hobbies is just magical.

Meghan: What is your favorite Halloween-themed song?

Jamie: I am listening to “I Am Halloween” by Midnight Nightmare, as I type this.

Also, the Munsters theme song!

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Jamie: Caramel apples, even if I’m such a fastidious eater now that I’d cut one into slices before eating.

Smarties: they are colored chalk, but that never stopped them getting used as a staple of Halloween bag filler, as a child.

Meghan: This has been great fun. Thank you again for participating. One more thing before you go: What are your go-to Halloween movies and books?

Jamie:
Movies: Halloween (original), Trick R Treat
Books: Dracula

Boo-graphy:
Jamie Lee has been writing fiction for 30 years. His debut release, Harmony, has been 25 years in the making. While he holds a degree in Microbiology and welcomes comparisons to a mad scientist, writing has always been his first love and interest.

After a successful private release in 2019 of short stories, Harmony was finally ready to debut in March of 2020.

However, life had other plans.

The COVID-19 pandemic caused the release, rollout, and convention travel in support of Harmony to come to a screeching halt.

With an unexpected year-long hiatus, Jamie chose to work on final edits and begin to focus on the second book in the Harmony series, Cacophony.

When not writing, Jamie is a fervent, life-long gamer. He can be found every Friday night with long time friends playing any number of online RPGs and, during the week and weekend, building and painting his countless Warhammer armies, playing any chance he gets. He also enjoys health and fitness, reading, music, traveling, searching or the best bar-b-que and being fueled by endless coffee and kombucha. He is forever searching for the perfect haunted home to live in since his condo is simply not large enough for a proper library or laboratory.

AUTHOR INTERVIEW: Karissa Laurel

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Meghan: Hey, Karissa! Welcome to Meghan’s HAUNTED House of Books! What is your favorite part of Halloween?

Karissa: I like that Halloween makes it culturally acceptable to indulge the darker side of our human natures. We can explore our feelings about monstrous and evil things without explicitly approving of them. The world is both light and dark, and most of the times we’re not supposed to acknowledge the dark stuff, but on Halloween, it’s acceptable.

I also love the aesthetics of Halloween—skeletons and bats and spiders and gothic clothing. I love costumes and how, for one night, you can be something or someone completely different. I love the idea of trick-or-treating, that we let down our guards and open our homes, even temporarily, to the community. It’s one activity that will never work as a virtual, on-line event. You only get the candy if you’re willing to go door to door and actually meet your neighbors. Some people hate that part of it, but I always liked the human interaction aspect of trick-or-treating.

Meghan: What is your favorite Halloween tradition?

Karissa: In my day job, I work in an office in a historical home in the downtown area of my city. My office/house is adjacent to one of the oldest neighborhoods in the city, and that neighborhood goes ALL OUT at Halloween. They put up very elaborate decorations. The city shuts down one of the main streets in the neighborhood to keep cars out, and there’s a huge street party and tons and tons of trick-or-treating. Ever since I started working near that neighborhood about six years ago, I’ve been taking my family there on Halloween night. My kid is too old to trick-or-treat any more, but we enjoy going to see the decorations and the costumes. There’s also a Krispy Kreme nearby and we always stop in and grab some of the Halloween themed donuts.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Karissa: I don’t know that I have a favorite holiday because there’s something I like about most of them. I guess, if I had to choose, I like Thanksgiving most of all because it’s all the best stuff about Christmas but without all the commerciality and pressure to spend money and give gifts. I love to eat, I love spending time with my family, and there are fewer expectations. But Halloween might be my second favorite (even though we don’t get any days off from work for it. Why not? Who do I send a petition to about that?) because of all the things mentioned previously. So many holidays are similar, but there’s nothing else quite like Halloween, culturally speaking. It’s all about having fun, letting loose, indulging in fantasies.

Meghan: What are you superstitious about?

Karissa: I am not really a superstitious person, although I do sometimes feel afraid to acknowledge out loud when something is going well or when I’ve had a streak of good fortune. Some part of me seems to think that acknowledging good luck is the fastest way of making sure that good luck comes to an end. But I’m not afraid of anything like broken mirrors, walking under ladders, or black cats.

Meghan: What/who is your favorite horror monster or villain?

Karissa: This is a hard one, mainly because there are so many good ones. I conferred with my kid (who is 19 y.o. and not much of a kid anymore) and he chose the demon from the Jeepers Creepers franchise, and I agree he’s a good choice. He only shows up every so often, but once he does, he’s impossible to kill. No matter what you do (like run him over with the car until he’s pulp in the road), he just keeps coming back. And he has the scariest face ever. That is some quality special effects make-up right there.

But while the Creeper is high on my list, I think Tim Curry’s performance as the demon clown in Stephen King’s It is probably top of my list. He was utterly terrifying in the most subtle way. He could just stand there in his clown make-up and pointy yellow teeth and scare the bejeezus out of me.

Meghan: Which unsolved murder fascinates you the most?

Karissa: I do watch quite a lot of true crime shows and listen to podcasts, but I can’t say there’s one that really fascinates me more than another. I was intrigued by the story of Hae Min Lee’s death, and whether or not Adnan Syed, convicted for killing her, really did it. Check out Season one of the Serial podcast for the whole story. I have to say, based on what I’ve heard and what we know in the years since…I think there’s a really good chance Adnan didn’t do it.

Meghan: Which urban legend scares you the most?

Karissa: Not so much an urban legend but when I was little, I had a book of local, North Carolina ghost stories that fascinated me. Ever since then, I’ve had a special place in my heart for local stories like the Devil’s Tramping Ground and The Maco Light.

The Devil’s Tramping Ground is a camping spot located in a forest near the Harper’s Crossroads area in Bear Creek, North Carolina. Lore says that the Devil “tramps” and haunts a barren circle of ground in which nothing is supposed to grow. Things left there will disappear overnight. Of course, there are some scientific explanations for why this place is so strange, but speculating about the devil is more forum

As for the Maco Light, according to the most common version of the legend, Joe Baldwin was in the rear car of a Wilmington, NC-bound train on a rainy night in 1867. As the train neared Maco, Baldwin realized the car had become detached from the rest of the train. He knew another train was following, so he ran to the rear platform and frantically waved a lantern to signal the oncoming train. The engineer failed to see the stranded railroad car in time, and Baldwin was decapitated in the collision. Some say the head was never found

Shortly after the accident, residents of Maco and railroad employees reported sightings of a white light along a section of railroad track through swamps west of Maco station, and word spread that Joe Baldwin had returned to search for his missing head. The light was said to appear in the distance, before approaching along the tracks facing East, bobbing at a height of about 5 feet, and either flying to the side of the track in an arc or receding from the viewer. Other reports spoke of green or red lights, or other patterns of movement

Meghan: Who is your favorite serial killer and why?

Karissa: Although I like true crime a lot, I don’t tend to care for serial killer stories. It’s one thing to get a thrill from a fictional murderer like Mike Myers, but I don’t like anything that smacks of glorification of real-life killers in any sort of way. I tend to shy away from serial killer mythology.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

Karissa: I probably had seen movies that were considered horror at an earlier age, but don’t remember anything specific. However, I do remember having a Halloween sleepover with some girlfriends when I was in middle school, I was probably about 12 years-old, and my mom let us rent The Lost Boys. I was absolutely enthralled. I don’t know if that can actually be considered a horror movie, but Kiefer Sutherland and his band of vampire misfits were certainly no vegetarian, sparkly Twilight vampires. I still love that movie to this day.

I can’t specifically remember when I picked up my first horror novel, but I do remember that The Berenstain Bears and the Spooky Old Tree was one of my most favorite books as a little kid—I was always drawn to spooky things and didn’t scare easily. I read way ahead of my grade level, and I grew up reading Stephen King, Christopher Pike, V.C. Andrews, and Dean Koontz. My mom was very open minded about reading, and I have no memory of her discouraging me from reading anything.

Meghan: Which horror novel unsettled you the most?

As a kid, I remember reading The Tommyknockers by Stephen King and being so freaked out that I had to go outside in the daylight to finish reading it. But the most recent thing I’ve read that made me feel deeply unsettled is The Only Good Indians by Stephen Graham Jones. The whole book is full of moments that took my outside of myself in a frightening, disturbing way, but there is a climactic chase scene near the end that is one of the most downright horrifying things I’ve read in a long, long time. Jones establishes a prolonged period of heightened tension that is torturous, but in a really good way, and it’s never boring or tedious. If you love horror and haven’t read that book yet, you must.

I also have to shout out to I Am Legend by Richard Matheson. It’s nothing like the Will Smith movie, by the way. It’s one of the most gorgeously written books I’ve ever read and filled me with so much existential dread. It’s also extremely timely and relatable to the current pandemic culture we’re all experiencing.

Meghan: Which horror movie scarred you for life?

Karissa: Horror, like comedy, is highly subjective, right? What scares one person won’t scare the next. I’ve watched tons of horror over the years and little of it has actually scared me. However, I can’t stand movies that are classified as horror but are actually just torture porn, such as House of 1000 Corpses. My husband, when we first started dating years ago, asked me to watch that movie with him and his friends. I ended up putting a blanket over my head and going to sleep instead of watching it. It didn’t scare me so much as sicken me. I still won’t go anywhere near that franchise, and I’m reluctant to watch any Rob Zombie productions because of that movie.

I wouldn’t say it scarred me, but George A. Romero’s ’68 Night of the Living Dead scared the crap out of my when I saw it years ago. It still gives me chills, and it’s still my favorite zombie movie, ever. With little in the way of special effects and nothing like CGI even remotely possible, Romero had to be clever. He used music and sound effects, lighting, and careful pacing to create a highly atmospheric movie that is thick with dread and horror. The opening scene, with that slow shambling zombie in the background, out of focus, slowly coming closer and closer… That was pure cinematic genius. I still prefer it over newer zombie movies that rely too much on CGI.

Meghan: What is your favorite Halloween costume?

Karissa: As a kid, I was kind of spoiled and precocious about costumes. My mom was crafty and could sew. I always insisted that she make me one-of-a-kind costumes, and she indulged me. The biggest hit of my childhood costume career was when I went as a whole bag of M&Ms. My mom sewed me a costume that looked like a classic bag of regular M&Ms complete with the logo and barcode—it was kind of like a giant, brown, rectangular dress. I painted my face to look like a green M&M poking out of the top and put M&Ms made from balloons on my shoulders. I won a costume contest, and my mom sent pictures of me to the Mars chocolate company that owns M&Ms. They sent back stickers, coupons, and a personalized thank you letter.

I don’t sew like my mom can, but I like making things, so I’ve managed to make some pretty good costumes for my kid over the years. He’s been Popeye (that was a big hit with the old folks in my neighborhood), a Ghost Buster, the Ghost Rider, Gene Simmons from Kiss, and many more. When I used to work in a bigger office, I once made fancy witch hats for all the ladies in my section to wear on Halloween.

Meghan: What is your favorite Halloween-themed song?

Karissa: Easily the answer to that is Thriller. I am Gen-X and was a little kid when that album came out. I loved everything Michael Jackson in those days. I didn’t see the video until I was a little older, maybe around seven or eight years old, and I remember being absolutely captivated by it. I still love the song and the video after all these years, even when it’s not Halloween.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Karissa: When my son was still trick-or-treating, I always looked forward to taking his Mounds or Almond Joys. I love coconut, but he didn’t, so it worked out well for me to take those and leave the rest for him. I especially like Mounds because I prefer dark chocolate. I absolutely cannot stand Twizzlers. They taste like wax to me. Ugh.

Meghan: Karissa, this was fantastic! Thanks for stopping by. Before you go, can you leave us with your go-to Halloween movies and books?

Karissa:

Top Ten Horror/Halloween Movies:
10 The Cabin in the Woods
9 It (The 1990 Miniseries)
8 Jeepers Creepers
7 Blade (1 and 2)
6 Bram Stoker’s Dracula
5 Three Witches of Eastwick
4 The Lost Boys
3 Alien (I and 2, especially 2)
2 Tumbbad
1 Night of the Living Dead (Romero, 1968)

Top Halloween Books:
10 The Phantom of the Opera by Gaston Leroux (much more terrifying than the musical version)
9 Into the Drowning Deep by Mira Grant
8 Dracula by Bram Stoker
7 Prodigal Son (Frankenstein Series) by Dean Koontz
7 The Haunting of Hill House by Shirley Jackson
6 The Silence of the Lambs by Thomas Harris
5 The Tommyknockers by Stephen King
4 Full Dark, No Stars by Stephen King
3 The Sandman by Neil Gaiman (The BBC audio production is wonderful)
2 The Only Good Indians by Stephen Graham Jones
1 I am Legend by Richard Matheson

Boo-graphy:
Karissa Laurel lives in North Carolina with her kid, her husband, the occasional in-law, and a very hairy husky named Bonnie. Some of her favorite things are coffee, dark chocolate, superheroes, and Star Wars. She can quote Princess Bride verbatim. In the summer, she’s camping, kayaking, and boating at the lake, and in the winter, she’s skiing or curled up with a good book. She is the author of the Urban Fantasy trilogy, The Norse Chronicles; Touch of Smoke, a stand-alone paranormal romance; and The Stormbourne Chronicles, a YA second-world fantasy trilogy.

Serendipity at the End of the World —
Serendipity Blite and her sister, Bloom, use their unique talents to survive the apocalyptic aftermath of the Dead Disease. When Bloom is kidnapped, Sera is determined to get her back. Attempting a rescue mission in an undead-infested city would be suicidal, so Sera forms a specialized team to help retrieve her sister. But unfortunate accident sets Sera teetering on the edge of death. She must fight to save her own life, because surviving could mean finding family, love, and possibly a cure.

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