BOOK BLOGGER INTERVIEW: Becky Narron

Meghan: Hi, Becky. Welcome to Meghan’s House of Books. It’s always a pleasure to have a fellow blogger join us. What is your favorite part of Halloween?

Becky: EVERYTHING!!!!! I mean really what’s not to love? We get to decorate and be all creepy and let our inner goofballs out on parade. No one cares and we seem all normal and stuff! I really love the decorating, I mean…. No one knows if that is really a dead body in my yard or a bag with leaves tied up…. Oh I’ve said too much…. [runs off giggling]

Meghan: What is your favorite Halloween tradition?

Becky: When I was a kid we used to have a hay ride, my brother would always try to scare the hell out of me. Most of the time it worked, just don’t tell him I said that.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Becky: Halloween is my favorite holiday!! I love the time of year. The smell in the air, the cool crisp breeze, the colored leaves and everything that goes bump in the night. Kids getting excited and dressing up as their favorite characters. I guess it’s the kid in me that makes me love it and believe all things are still possible.

Meghan: What are you superstitious about?

Becky: I’m not sure I am superstitious about anything really, more anal? Can I say that? Oops!

I go out the same door I came in from, if I spill salt I will throw some over my shoulder. Mostly I just use that as an excuse to throw it at my brother. Lol

Meghan: What/who is your favorite horror monster or villain?

Becky: Leatherface beyond a doubt!!!

Meghan: Which unsolved murder fascinates you the most?

Becky: This one is easy! The Black Dahlia

Meghan: Which urban legend scares you the most?

Becky: The Bell Witch – I’m from Tennessee and it’s not far from where I grew up.

Meghan: Who is your favorite serial killer and why?

Becky: Jack the Ripper. The entire thing amazes me. He was so selective and precise. Not random and just killing people. How he laid them out. How extreme he was.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

Becky: My parents were devout Southern Baptists. So the first horror movie I ever saw was Alien. I will never forget it. Mom was out of town and dad decided to watch it and let me see it too. I was around 9 (I think). I sat in the floor between his feet with a blanket over my head peeking out.

The first horror book I read was Stephen King’s The Bachman Books when Rage was still in it, god I don’t remember how old I was. They left me alone at the library too long and bam I was hooked.

Meghan: Which horror novel unsettled you the most?

Becky: Housemates by Iain Rob Wright and Bad Games by Jeff Menapace

Meghan: Which horror movie scarred you for life?

Becky: A Nightmare on Elm Street

Meghan: What is your favorite Halloween costume?

Becky: I was a witch for Halloween as a kid and had a wicked green mask with black curly hair.

Meghan: What is your favorite Halloween-themed song?

Becky: I’m not sure I have one to be honest.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Becky: I love candy corn, I don’t like the sticky peanut butter kisses.


Boo-graphy:
Becky Narron is a southern, born and raised. Learning to love books at an early age when her dad read Lord of the Rings to her chapter by chapter before going to sleep. She has read most everything she could get her hands on from King to Barker and then falling in love with the indie world. Her main love is poetry and she has several poems published in different anthologies. Her love of poetry only grew as she read Poe and then met an amazing poet named Alfred Gremsly who’s dark poetry could rival Poe. He was the driving force in getting her to share her book with others.

Her first introduction to the indie world was Iain Rob Wright and his book Housemates. She couldn’t put it down then read everything he has written. Her next was Jeff Menapace and then Matt Shaw. Soon she was friends with several authors and William Cook talked her into writing reviews and starting her blog Roadie Notes. Later she started doing interviews with the authors as well and the blog exploded. The first year it had over 15,000 views. It became a way of life for her and something she was passionate about until she started working for a small indie press. She learned everything she could from several different publishers before starting her own publishing company Terror Tract Publishing LLC starting as an online magazine and then in the next few months published their first book. We haven’t looked back since then. We means Horr With An Attitude for a reason.

AUTHOR INTERVIEW: Ricky Fleet

For those of y’all who don’t know, me and Ricky have… history (haha). I met him at a Scares That Care event a few years ago… and it was an experience… such a great experience that I have made sure to invite him back to the blog every year since so that everyone else can experience the amazing Ricky Fleet… though, if you ever get the chance to experience him in person, I tell you it is SO much better. Super talented. Read all of his books. I know what you’re going to tell me – they’re zombies – but don’t hold that against him. They are GOOD.


Meghan: Hey, Ricky! Welcome back. It’s always a pleasure to have you on the blog. What is your favorite part of Halloween?

Ricky: My favourite part about Halloween is the knowledge that at no other time of year are the two realms, the living and those passed on, any closer. As someone who has lost family members, I like to think of them visiting us to see how we’re doing. Not to mention the vampires, werewolves, mummies, mermen, and assorted other monsters who come out to play.

And, of course, the innocent mischief of the makeup; sharing the night with ghouls and goblins, fairies and princesses.

Meghan: What is your favorite Halloween tradition?

Ricky: We’ve never really had the money to go all out on the decorations, but there will always be a few creepily carved pumpkins on our doorstep, inviting the unwary to knock on our door. My kids are all grown up now, but I’ll never forget the joy of walking them from street to street, taking in the displays from the more creative neighbours. We even had Anubis jump out on us one Halloween, nearly earning the wearer a right hook from a surprised dad.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Ricky: It would be my second favourite, simply because NOTHING beats Christmas. The nights are finally cold, and you get to wrap up warm and have the fires blazing. You can glut yourself on all manner of sweet treats without the calories counting (I’m sure that’s been scientifically proven). The kids are filled with a healthy dose of excitement and nerves, wondering what really lurks in the night.

Meghan: What are you superstitious about?

Ricky:
I salute lone magpies.
I don’t walk under ladders.
I try not to step on cracks in paving.
If I spill salt, I toss some over my shoulder.
I don’t open umbrellas in the house.
I’m cautious on Friday the 13th. Always.

However, I don’t mind black cats crossing my path and I don’t believe in the luck of a rabbit’s foot. They should be left attached the owner of said foot.

Meghan: What/who is your favorite horror monster or villain?

Ricky: Anyone who knows me knows the answer: Zombies! I freaking love the crumbly, rotting little horrors. They have to be, of course, the Romero type. They just fill me with a primal dread. Remorseless. Ever hungry. Never tiring. Runners are fun and all, but they just don’t stir the same passion. Don’t get me wrong, I love the Dawn remake, and, although they’re technically just infected, 28 Days Later. But nothing, simply nothing, compares to the feeling I had when I first saw the shambling zombies in the original Night of the Living Dead.

Meghan: Which unsolved murder fascinates you the most?

Ricky: Not so much a murder, as a disappearance that I believe is a murder. It’s a horrible one, but it’s Madeleine McCann. There’s so much wrong with the case, not least the fact that they left their children unattended to go out for dinner and drinks. It would never enter my mind to do what they did. Yes, they’ll pay for that mistake for the rest of their lives, but do you know who I care more about? Maddie!

Meghan: Which urban legend scares you the most?

Ricky: We’ve not really got any urban legends in our area. One mystery/myth that has always fascinated and scared me was the Bermuda Triangle. Knowing that people have been merrily bobbing along, and then suddenly, BAM, they’re gone without a trace. Where did they go? Did a whirlpool open, sucking them into the darkness? Did something unknown emerge from the unknown depths of the ocean to feed? I’d love to know. Or would I?

I tie these kinds of disappearances into my Infernal series.

Meghan: Who is your favorite serial killer and why?

Ricky: I think about what these types of people did and I’m of the opinion they should be questioned, studied, then put to death. If I lost a loved one to their barbarity, it’s the least I’d demand.

So, when it comes to my favourite, I look to films and books because the suffering is always pretend. Acting. And no two individuals sum up the pervasive evil of a soulless killer better than Norman Bates and Hannibal Lecter. The first because he is an awkward, shy individual and the truth of his transformation and murders shocked a generation. There are few musical scores that can instantly transfer someone to a scene than the discordant strings of Hermann as the knife fell. The second is the polar opposite of Norman: educated, cultured, refined. The cannibalistic depravity hiding behind the suave face of Dr Lecter is absolutely terrifying to me.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

Ricky: There are two that stick in my memory. One was a film when I was very young, but I have no idea of the plot or story. All I can remember was that I was scared to death, and someone had a massive bell drop on them. That’s it. The second was Return of the Living Dead. I was a year or two older, six or seven. I made it to the bit where they started to cut up the first zombie after burying a pickaxe in its skull before I bowed out. Now I look back and laugh as I LOVE the movie and its sequels, but at the time I had nightmares for weeks.

My first horror read was Salem’s Lot that I “borrowed” from my mum’s dresser. Barlow was in stark relief on the front cover, the vampirized townsfolk stretching off into the distance. I’ll never forget the words in those pages. A love for reading horror was born that day.

Meghan: Which horror novel unsettled you the most?

Ricky: I’ve never really felt “scared” while reading. Maybe I just haven’t found the right books. I can honestly say that two authors who can make my stomach churn are Matt Shaw and Aron Beauregard. Masters of extreme, graphic horror.

Meghan: Which horror movie scarred you for life?

Ricky: There are two notable movies that have left a lasting impression on me. The first is Drag Me to Hell. As a comedy horror, it worked really well. I was laughing along with the best of them. But that final scene… damn. That has never gone away. There you have the boyfriend who never really bought into the whole doomed soul story, watch as the minions of Hell literally drag his girlfriend to an eternity of suffering. I mean, how do you come back from that? I’d be crazy in five minutes flat. Justin Long’s face captures that emotion perfectly as he leans over the side of the platform. Knowing that my lover was forever out of reach, being tortured over and over again without respite. A padded room would swiftly follow.

Number two is Event Horizon. (You’ll notice Hell is a key feature of both films). The rescue shuttle gets stranded and the gate to another dimension opens. Except the other dimension is not another part of our universe, but Hell itself. The sense of isolation and the steadily increasing terror thrilled me. Once again, I asked myself, what could you do? In other films like Friday the 13th, Texas Chainsaw Massacre, etc, they were in peril but there was always a slim chance they could get away. Where could the team who found the Event Horizon go? Pop the airlock and run out into space. Nope. They were trapped from the moment they set foot aboard the vessel, and that stuck with me too.

Meghan: What is your favorite Halloween costume?

Ricky: I’ve never been a fancy-dress kind of guy. I did go as Hannibal Lecter to one party. Meg as the Slutty Cat in Family Guy was pretty good. I think I’d have rocked that costume.

Meghan: What is your favorite Halloween-themed song?

Ricky: It’s gotta be Michael Jackson’s Thriller, no contest. Closely followed by the Monster Mash.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Ricky: I’m not a massive sweet eater, but if I had to choose, it would either be lemon bonbons, or Lemonheads. Oh, or Maoam Sours. Anything fruity like that with a bit of kick.

Meghan: Before we go: Top Halloween movies and/or books.

Ricky: I’ve not really read any “Halloween” books that spring to mind, so I hopped over to Goodreads. They state that Sleepy Hollow and Scary Stories to Tell in the Dark are two that make the list, so I’ll pick those.

As for Halloween films, the entire Halloween franchise, even the crap ones. I really enjoyed the recent remake and look forward to Halloween Kills later this year. The Craft. The Nightmare Before Christmas. Sleepy Hollow with Mr Depp. Night of the Demons (original and remake) Monster House the animated film. The Monster Squad (is that set on Halloween?). And lastly, one of the best films ever, The Crow.


Boo-graphy:
Ricky Fleet has been a lifelong horror fan. One dark night, many years ago, he ‘borrowed’ a copy of Salem’s Lot from his mum’s bedside table. Sneaking it into his room, the terrifying visage of Barlow gazed out from the cover. Doomed townsfolk stretched into the distance, and in bold, silver font was a name – Stephen King. The story contained within those pages spawned an appetite for horror that has yet to be sated. Masterton, Lumley, Koontz, Laws, Herbert, Hutson, Laymon, Barker, and many more have influenced both his life and his writing.

His career took him into the plumbing and heating sector, keeping Britain’s homes warm and watered.

Born and raised in the UK, cups of tea are a non-negotiable staple of the English life and serve as brain fuel for his first love – writing.

With the Hellspawn series being enjoyed across the world, the growing saga has a dark edge that begins to explore the true horror of a world without rules. A nod to the master, George A. Romero. The only thing running on his zombies are the fluids of decay. What they lack in velocity, they more than make up for with utter remorselessness and insatiable hunger.

Infernal: Emergence is the first in his new demon series. A tale of conspiracy, untapped powers and the vast armies of Hell who yearn to tear our world apart. Only one man stands in their way; he just doesn’t know it yet.

His latest series – Devoured World – takes a new and terrifying look at the question ‘Are we alone in the universe.’ It appeared to be a gift; it was, in fact, a terrible curse. Nuclear Armageddon. A dead world. Billions of mutants roaming the darkened wasteland. These are the least of the survivor’s problems. The aliens are coming, and then the true war will begin.

Devoured World: Volume 1
A gift from the stars crashes to Earth, ushering a golden age of human cooperation. The genetic secrets in the pods eradicate Cancer, HIV, even the common cold with a single pill. The jubilation is short lived when the horrific truth reveals itself. The cellular changes wrought by the treatment continue, and degenerate. Global efforts to halt the rapidly mutating victims fail. Breaking free, the creatures spread their contagion with teeth and claws; tearing, ravaging, devouring. Nuclear Armageddon is mankind’s only hope to hold the infected back. Decades later, the radioactive dust has settled, and the survivors leave their bunkers. Woken from an endless sleep, Andrew Burton must choose his destiny within the Sovereign Guard army. Using advanced weapons and technology, they’re humanity’s last line of defence. Billions of monsters lurk in the wastelands of a dead world, but they’re not the only threat. Across the vastness of space, the aliens are coming, and with them, the real war will begin.

Devoured World: Volume 2
Following the devastating mutant attack on the mining facilities, humanity’s continued existence hangs in the balance like never before. Lacking the essential elements to power their advanced weaponry, it’s only a matter of time until the infected legions overrun the weakened defences of the fortress cities.

Empress Verena, ruler of the Divinity Alliance, is faced with a stark choice; trust G with full access to their most sensitive systems, or accept the extinction of every remaining human on Planet Earth. What secrets lie behind his sarcastic, cheeky façade? Will the newly created AI be a saviour, or only hasten their doom?

Appraised of the dire situation, Hardie is tasked with bringing an offer of cooperation to the band of Scavs. Taking Andy and the new recruits out into the wastelands, things aren’t what they seem. What they discover will shatter everything they thought they knew of their dead world.

Devoured World: Volume 3
The die is cast; G has been fully integrated into the Divinity systems. With the snarky AI in full control over every aspect of the Alliance territory, Verena can only pray she made the right decision. Will G’s cheery mask slip? Will the unknowable motives harboured by the newly created intelligence be their end?

Rocco arrives at Tempest City for Devastator training, but doubts begin to surface about his choice. A fleeting glimpse of something that could not possibly be sends him down a rabbit hole of danger and discovery.

To the north, Hendrick’s cowardly act sees Hardie and the team put in peril like never before. Facing the hordes of infected is one thing. What waits to greet them beyond the rotting totems is far, far worse. Secrets long buried will begin to surface, shattering the soldier’s belief in the system they fought and died for.

Meanwhile, out in the cold wastes of a barren world, something long dead begins to awaken.

Devoured World: Volume 4
The countdown begins for the critical attack on the corrupted mutant bastion of Fort Hope. With the trust of Verena, G works with the hardened battle commanders to minimise the casualties of his adopted people. Will the plan of attack be enough to turn the tide in mankind’s favour?
Out in the bleak wastelands of the old world, Rocco and Hyde race against time to discover the fate of their missing friends. Their search will lead them into the rocky Appalachian mountains and discoveries beyond their wildest nightmares.

In Toronto, maniacal troops search frantically amidst the abandoned streets of the ruined city. Andy moves like a ghost, hunting the hunters, working ever closer to his imprisoned team. A chance meeting will alter the course of his mission with catastrophic consequences for everyone.

The arena awaits. If they thought the infected were bad, they have nothing on what the dark minds of humanity can create.

Halloween Extravaganza: INTERVIEW: Paul Flewitt

Meghan: Hi, Paul. It’s a pleasure to have you here today. Welcome to Meghan’s House of Books. Tell us a little bit about yourself.

Paul Flewitt: First and foremost, thanks for hosting me on your blog. It’s great to be here.

I’m Paul Flewitt, and I’m a horror and dark fantasy writer (why does that always sound like an AA meeting intro?)

I live in Sheffield, UK, am married to a wonderful wife and have two amazing children. I love rock music, playing pool and hanging with friends. I guess I’m just a normal guy… I just have a bit of a screwed up imagination… honest.

Meghan: What are five things most people don’t know about you?

Paul Flewitt: Wow. Five things people don’t know about me?

These questions are always kinda difficult, because I tend to be a pretty open and honest person (probably sometimes too much so,) so its pretty hard to think of anything anyone might not have already heard. So, I’ll endeavor to try.

I was raised as a Jehovah’s Witness, and reading the bible at a young age has sometimes coloured the stuff I write, whether that be the lunatic preacher in my first novel or the demon, Jezriel, from my short story, Climbing Out.

I have never broken a bone in my body, but that is probably more by luck than management.

People often think I’m an unfeeling asshole, but I’m actually pretty sensitive and if people are hurting, I hurt too.

I recently was diagnosed as suffering from acute anxiety, which is something I battle every day.

I am a complete technophobe. If I need to figure anything technological, I need my wife to hold my hand and go in first.

Meghan: What is the first book you remember reading?

Paul Flewitt: That’s another tough one because I remember reading from a very young age. My Dad was an avid reader and encouraged me to read everything, almost as soon as I could talk. Probably the first book I can remember is a collection of children’s fairytales and poetry. I can’t remember its title, but I read “There Was a Crooked Man” over and over. That is one that sticks in my mind along with Enid Blyton’s Famous Five stories and Beatrix Potter’s Peter Rabbit books. I’m sure there are other books and stories that I read as a kid, but those are the ones that really stick in my mind.

Meghan: What are you reading now?

Paul Flewitt: I’m re-reading Clive Barker’s Abarat books. They are the only books by him that I haven’t read repeatedly, so I am putting that right. I’ve also been on a bit of a secret society kick lately, so I’ve been reading a lot of books about The Priory of Scion, The Illuminati, The Freemasons, and Rosicrucians. It’s not that I believe in their theology or theories, but the way they are formed and the psychology involved in their membership is interesting to me.

I’m also reading Clive Barker’s biography by Douglas E. Winter and doing some research in preparation for a thing I’m writing.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Paul Flewitt: I’m sure there are plenty. I read pretty much everything I can get my hands on, so nothing should really come as a surprise. I suppose people might be surprised to learn that I enjoy Bernard Cornwell books; his Sharpe series and Last Kingdom books are phenomenal. I like Ellis PetersCadphael books and Brian JacquesRedwall stories too. I have no problem reading kids’ books, YA books, historical fiction or pretty much anything else. I appreciate well written stories, no matter who they’re aimed at.

Meghan: What made you decide you want to write? When did you begin writing?

Peter Flewitt: This is another “It was Dad’s fault” questions I’m afraid.

My Dad was a hobbyist writer and poet as well as a voracious reader, so I suppose it was inevitable that he would encourage my brothers, sister and I to try our hands at it. I always had a natural ability with words and telling stories, so I always have done it to one extent or another. I enjoyed it when my English teacher set us a creative writing assignment and I could let loose with my imagination. Often I would rush through work in lessons so that I could just write a story or a poem, which my teachers would allow me to do. So, I have always written to some degree, for as long as I can remember.

As far as writing for print, I was out of work for a while during the last global financial crisis and my wife got sick of me rattling around the house while looking for a job. The job market where I live was awful at the time and I was really struggling, so my wife suggested I write something and see if I could get published. I didn’t really take it seriously, but I did as she suggested and wrote a couple of short stories. I joined an online writing group, which is where I met my editor. She read what I’d written and encouraged me to submit them for publishing. I did that and both were accepted; one was turned into my first novel. Because of those acceptances, my wife gave me a year to work at it and see what became of writing, and I haven’t been back to a day job since. I’ll be honest, I’ve been really lucky.

Meghan: Do you have a special place you like to write?

Paul Flewitt: Not really. I mean, I can’t seem to write in public so cafes and parks aren’t really an option; I get too easily distracted by stuff going on around me. I just sit on the sofa or at my desk with a pen and paper and scribble away until I have something. Pretty boring really… sorry!

Meghan: Do you have any quirks or processes that you go through when you write?

Paul Flewitt: Again, not really. I think possibly the quirkiest thing about my process is that I write all first drafts longhand. In this day and age of laptop computers, tablets and technology I notice less and less writers actually sit with a pen and paper and write, but to me that is where the magic is. I find I can flow better if I write longhand and watch the ink melting into the page. Yes, it is slower progress, but the final results are much better for me.

Meghan: Is there anything about writing you find most challenging?

Paul Flewitt: There are many things about writing that I find challenging. Finishing a story is probably the main thing. I am my own harshest critic, and I have so many manuscripts languishing in a box unfinished because I lost the thread, because the quality of the story dipped or I just lost faith in the story. I call it “writer dysmorphia,” where you look at everything you write and decide it’s the worst thing in the world and you’re kidding yourself if you ever thought you were any good. I’ve spoken to a lot of writers, and many of them have the same thing. It’s something you just have to push through and ignore.

Meghan: What’s the most satisfying thing you’ve written so far?

Paul Flewitt: I guess the politically correct answer to this would be my novel, Poor Jeffrey, or the thing I am currently writing. Instead, for me, it is a short story I wrote for Dean M. Drinkel’s Demonology anthology. I wrote a thing called Climbing Out, which was the story of a Nephilim escaping Hell and recounting his story as he literally climbed out of the Pit. For me, it’s a story that is the closest I have come yet to being the writer that I want to be.

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Paul Flewitt: There are so many, for many reasons. You know those books that you read and don’t want to end? The ones where you reach the end of the story and are disappointed to the point of grief because you have to leave the world that the writer has created? That is the kind of thing that I want to write. Those are the writers that I hold as my benchmarks for success. The first book that got me like that was Tolkien’s Lord of the Rings. I felt at home in Middle Earth and I loved the people that inhabited it, and I never wanted to leave. Clive Barker has written many books that filled me with that feeling: Imajica, The Great and Secret Show, Cabal, Everville, Galilee. Barker is my favourite writer, and his work really speaks my language. At a time when I was getting a little jaded by horror books, Barker came along and lit a fire under my ass, so he will always be my guy.

Stephen King’s The Long Walk, The Stand, It, and Carrie are also books that transported me.

I never set out to write like anyone except myself, but reviewers have often likened my style to Clive Barker and Stephen King, which shocked me a little. Given that they are two of my favourites, I guess it shouldn’t be a surprise that people hear echoes of their voices in my own.

Meghan: What do you think makes a good story?

Paul Flewitt: For me, it’s making the unbelievable believable. If you can convince the reader that the fantasy that you’re creating is feasible, then they will follow you pretty much anywhere. Your characters, situations, world that you create have to be relatable to the reader, and then they’ll engage. Make the characters likeable, hateable, repulsive or loveable as you wish, but make the reader believe.

If a book leaves me with a sense that this weird, wacky and sometimes terrifying stuff could actually happen, that is when I know that it’s a good book. You get extra points if it leaves me looking over my shoulder for the antagonist to strike.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Paul Flewitt: Again, it’s about believability and relatability. If you see something of yourself in a character, then you can live vicariously through their written experience. All of the characters I write have characteristics that I have seen in someone I’ve met or walked past in the street. That’s not to say that I write friends and people I know into my books, I don’t. All my characters are composites of a lot of people and none, so if anyone sees themselves in my characters, it says more about you than me. Its about writing humanity in a way that can strike people as familiar.

Meghan: Which, of all your characters, do you think is the most like you?

Paul Flewitt: None of them really. Again, I don’t go out of my way to make my characters like anyone I know… not even myself. I mean, of course there will be echoes of me in all of the characters that I write. I am the writer and all of them come from me, so it would be weird if there wasn’t something of me in all of them… even the worst of them, but only an echo and nothing more.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Paul Flewitt: If its truly awful, I can be. I feel that, if you have no regard for the presentation of the cover, then there won’t be any regard for the story either. The cover is the first thing you see, and it has to be representative of the story within. With Poor Jeffrey I was very hands on with the creation of the cover. I gave Richard a very clear brief on what I wanted and he hit it out of the park, I have to say. It also has the advantage of being a real work of art which hangs in his studio. I will always insist on having a good deal of input into the cover art for my books. It has my name on it; it represents me and my work so it has to be right. I hope that doesn’t make me sound like too much of a diva hahaha.

Meghan: What have you learned creating your books?

Paul Flewitt: Many things about the industry, clearly. As a newbie writer, I had no idea that writing only comprises about ten percent of a writer’s time. I had no idea about promotion, blogging, and the amount of work that needs to be done away from the pen and paper. Really, publishing has been an eye-opener into what actually has to go into the production of a book. The great thing is that you never really stop learning.

Meghan: What has been the hardest scene for you to write so far?

Paul Flewitt: There have been a couple that were difficult for different reasons. The first would be one I call “The Mute Girl” scene from Poor Jeffrey. People that have read the book have highlighted it as a particularly hard hitting portion of the book, and I very nearly didn’t put it in because I wondered how it would be received. In the end, it went in because it was a scene that gave an insight into the mind of my antagonist, but it was a difficult one to write and edit.

The other one comes from a story I wrote for a pitched TV show called Fragments of Fear. My contribution was called Silent Invader, and dealt with a demon which haunts television and makes people commit atrocity. One of the scenes involves a mother murdering her children and her husband, which was another one that I struggled to write and very nearly didn’t put in.

Funny that both scenes are ones which involve violence against children… which probably says a lot about me.

Meghan: What makes your books different from others out there in this genre?

Paul Flewitt: I wrote them hahaha. Seriously, this is a question I always struggle with because I don’t really analyse my stuff too closely. I suppose one difference is that I’m not trying too hard to be different. I just want to tell good stories, and if people see something different about them then that’s cool. I don’t go all out on gore, trying more to write characters that readers become invested in so that the situations they find themselves in become the horror, not the amount of blood that gets splashed around. One criticism that I have of some modern writers is that they go all out for shock value or disgust value, which is okay for them and they’ve got an audience for that kind of story. More power to them. Its just not the kind of story that I want to write. I want to write more in the classic mould, but for the modern era.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Paul Flewitt: I cheat. I come up with the title first, and everything flows from there. Okay, that’s not strictly true. I come up with a character first, and start to build the story about that character, and then I come up with the title. It tends to come pretty soon after beginning the story and the first one I come up with tends to be the one I go with.

Of course the title is all important, because it’s the thing that attracts the reader after the cover (assuming people are finding your work while browsing the shelves, whether physical or cyber.) It has to draw people in and intrigue, like a tag line or blurb.

How do I find the title? It’s a mystery even to me. It tends to be a phrase which seems to speak to the story and pops.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Paul Flewitt: Both, for different reasons. Short stories can be just as much a challenge as longer work, because you have to tell a complete story in a short space of time. You have to be disciplined and concise. You can’t introduce a character or side story just because it pops up and seems worthy of exploration like you can in a novel. The sense of achievement you get from a short story is just as fulfilling as a four-hundred page novel.

Conversely, a novel is a real commitment and a slog. It can represent years of work to get to the point of editing. That’s a lot of a person’s life to commit to a project. It’s a different kind of fulfillment, but still very profound.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Paul Flewitt: My stories are classic horror/dark fantasy of the 70’s and 80’s. As I’ve said previously, reviewers liken my stuff to Clive Barker and Stephen King and that is a quality that I have come to embrace after years of denial hahaha. If you like that kind of stuff, then there’s a good chance that you’ll like my work. I’ve written mostly short stories in anthologies, but they are all pretty easy to find on Amazon, as is my debut novel, Poor Jeffrey. I hope what people take away from my work is that they’ve experienced a good story. My ambition is to entertain people for a time, to take them away from the rigors of their lives for a time and offered a means of escape. If my stories achieve that for someone, then I’m a happy chappy.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Paul Flewitt: God no! No no no! If they didn’t make it into the book, then there’s a bloody good reason for that. Those scenes are consigned to the fiery pits of literary hell, never to be spoken of or recounted. Or… they might find their way into another story sometime… who knows?

Meghan: What is in your “trunk”?

Paul Flewitt: Oh, I have several. I have a box full of manuscripts that have been abandoned because I lost the thread of them, and some of them have real potential. I delve into the box and pull out some of them every now and then, tickling at them to see if I can spark anything. There is a dark love story in there about a witch and a young guy, loosely based on the song Maggie May which has a lot of promise if I can ever get it right. There’s one called Architecture, which is a horror story about the homeless and also has a lot of promise. Another is called The Family Jeraboam, which was intended as a short story for Steve Dillon’s Refuge Collection, but kept on growing and became something quite different, and perhaps the most Barkerian thing I’ve ever written. All of them will see the light of day at some time.

Meghan: What can we expect from you in the future?

Meghan: In the nearer future will be the first book in an intended trilogy: False Prophet. The finished book is with my editor, and has been for some time now. That’s an ambitious project that I’ve been playing with for three years, and is the reason that I haven’t released anything in quite a while. I have tried to concentrate on producing longer works instead of short stories. My issue is that I enjoy writing for anthologies to a brief, and I forgot how to say no for a while there.

After Prophet, I am currently working on a second book in the Poor Jeffrey world. People have been asking about it for some time, and I’ve been enjoying exploring those characters again. The sequel is tentatively titled The Last Testament of Del Foster, and is very much a sequel and a building of the themes from the first book.

I’ve also started writing the follow-up to Prophet, but that will take some time to complete because of the level of ambition in there. Its truly epic and calls on my love of Tolkien, epic Clive Barker, and Stephen Donaldson.

In short, you’ll be sick of seeing my face in the future. I have a lot to do.

Meghan: Where can we find you?

Paul Flewitt: You can find me on Facebook, Twitter, Instagram, Amazon.

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Paul Flewitt: Just to say thank you for having me on Meghan’s House of Books, and thanks to the readers out there who have read my stuff and shown patience while I get my head around these longer works. I know they’ve been a long time coming, but they are indeed coming. I’ll catch you all later!

Paul Flewitt is a horror/dark fantasy author. He was born on the 24th April 1982 in the Yorkshire city of Sheffield.

Always an avid reader, Paul put pen to paper for the first time in 1999 and came very close to inking a deal with a small press. Due to circumstances unforeseen, this work has never been released, but it did give Paul a drive to achieve within the arts.

In the early 2000’s, Paul concentrated on music; writing song lyrics for his brother and his own bands. Paul was lead singer in a few rock bands during this time and still garners inspiration from music to this day. Paul gave up his musical aspirations in 2009.

In late 2012, Paul became unemployed and decided to make a serious attempt to make a name for himself as a writer. He went to work, penning several short stories and even dusting off the manuscript that had almost been published over a decade earlier. His efforts culminated in his first work being published in mid-2013, the flash fiction piece “Smoke” can be found in OzHorrorCon’s Book of the Tribes: A Tribute To Clive Barker’s Nightbreed.

2013 was a productive year as he released his short story “Paradise Park” in both J. Ellington Ashton’s All That Remains anthology and separate anthology, Thirteen Vol 3. He also completed his debut novella in this time. Poor Jeffrey was first released to much praise in February 2014. In July 2014 his short story “Always Beneath” was released as part of CHBB’s Dark Light Four anthology.

In 2015 Paul contributed to two further anthologies: Demonology (Climbing Out) from Lycopolis Press and Behind Closed Doors (Apartment 16c) with fellow authors Matt Shaw, Michael Bray, Stuart Keane, and more.In 2016, Paul wrote the monologue, The Silent Invader, for a pitch TV series entitled Fragments of Fear. The resulting episode can be viewed now on YouTube, but the show was never aired. The text for the monologue was published in Matt Shaw’s Masters Of Horror anthology in 2017.

Paul continues to work on further material.

He remains in Sheffield, where he lives with his partner and two children. He consorts with his beta reading demons on a daily basis.

You can find more information on Paul Flewitt and his works here…

Amazon ** Facebook ** Twitter ** Instagram

Poor Jeffrey

Grief drives people to extreme behaviour, and when Poor Jeffrey Kinsey is killed his friends go to some extreme lengths to bring him back… sometimes the magic works.

When Cal Denver comes to town and girls start to disappear, only to be found half eaten by an unidentifiable creature; some townsfolk will panic and flee… others will get angry or go insane.

For Tommy, Jade and Chloe the next few weeks will make them or break them… and a story begins… 

Poor Jeffrey; he never wanted death to be this way…

Halloween Extravaganza: INTERVIEW: Jack Rollins

Meghan: Tell us a little bit about yourself.

Jack Rollins: I live in Newcastle in the North-East of England. I have three children: a daughter and two sons. I’ve been writing for about twenty years, in which time I have worked in government jobs, the financial sector, adult education, and social care, as well as started and sunk a couple of businesses. No matter how many times I’ve reinvented myself, writing has always remained a part of me.

Meghan: What are five things most people don’t know about you?

Jack Rollins: This is difficult, because I’m known to share quite a lot with my readers across my social media.

  • I run a head shop/new age gift shop.
  • I was divorced by the time I turned 23.
  • I love to sing.
  • My favorite fictional character is Sydney Carton, from A Tale of Two Cities.
  • I love a good board game.

Meghan: What is the first book you remember reading?

Jack Rollins: I remember a little Ladybird Books, skinny hardback of The Golden Goose. I loved that story, the artwork in the book was amazing. I read it again and again. I could only have been a boy of about four or five at the time. The first novel I can remember reading was Roald Dahl’s The BFG, which I was very happy to read again last year, to my sons, across several bedtimes.

Meghan: What are you reading now?

Jack Rollins: On my Kindle app, I’m reading The Hidden, by Fiona Dodwell. I love this story as it’s set in Japan, and I’m a sucker for Japanese culture. I loved the J-horror movies of the 90s and early 00s, so this story takes me back to that time, you know, seeing The Ring and Audition for the first time.

In paperback, I’m reading Fight Club by Chuck Palahniuk. I love the movie, but I never did get around to reading the book. So I’m correcting that now, and I’m pleased to say, my familiarity with the movie has not diminished my enjoyment of the book at all.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Jack Rollins: I loved The Time Traveller’s Wife by Audrey Niffenegger. To this day it remains one of my favorite books. The movie adaptation was a travesty. They butchered that book. Someone should’ve been tried for murder when they produced that thing.

Meghan: What made you decide you want to write? When did you begin writing?

Jack Rollins: At school, I always used to mutate creative writing assignments to whatever I wanted to write. Often the teachers would give feedback like: “Entertaining, but has little connection to the brief. Excellent effort.” I took that as a win. If out of all thirty stories they read when they marked their work, they were still entertained by mine, I didn’t give a shit about the brief. That was a win as far as I was concerned. I got more serious about it in my twenties, but didn’t consider myself a writer as such until my early thirties, when I wrote The Cabinet of Doctor Blessing.

Meghan: Do you have a special place you like to write?

Jack Rollins: When the shop is quiet, I get a chance to write. I’m trying to forge out a bit of a routine now, so I can really rack up the word count on some long-languishing projects. But anywhere I can write with minimal distraction becomes, by default, a special place to me.

Meghan: Do you have any quirks or processes that you go through when you write?

Jack Rollins: No, I just battle my lazy brain, or anxious, depressed brain, whatever it is my head tries to throw at me, and then I settle down and hammer the keyboard. I’m trying to ensure I don’t need any little rituals, because not having those down perfectly can become a reason not to write. We have so many distractions these days, don’t we? So it could be easy for me to go down a Twitter rabbit-hole and get lost for 2 hours and realize I now don’t have time to write, because I have to go shopping, or pick my kids up. I need to just be disciplined and write without any bullshit excuses.

Meghan: Is there anything about writing you find most challenging?

Jack Rollins: Remaining free of distraction, and being in the moment enough to find the flow. Some scenes I write can be a bit bumpy to get started, I’m not into it. Then I get going and the characters sort of take over and direct me.

Meghan: What’s the most satisfying thing you’ve written so far?

Jack Rollins: I’m satisfied just to get anything finished. It’s been a hard slog this last few years, I don’t mind admitting. A story like Tread Gently Amidst The Barrows was satisfying because I’d never even considered writing about trolls. I enjoyed learning about the mythology of those creatures and thinking of ways to make it mine. You know, how can I take this idea and make it feel like a Jack Rollins story?

It was the same with Anti-Terror, trying to feel my way around a briefing which was as simple and as complex as: write a story for an Extreme Horror collection. So I had to decided, what is extreme? What’s extreme for me? What are the things that I normally flinch away from in my writing, and how do I get it across in a way that still feels like my story?

In my current work in progress, Carsun, I created a new villain to help me get past the block that prevented previous incarnations of this story from being released. I wrote a scene in which this evil presence is revealed to one of the good guys, and when I finished writing that part, I sat back, very happy with myself and very satisfied that this new addition was the piece that will bring this story right out of development hell. That one scene, when I hit the end, was one of the most satisfying things I have written and when Carsun is released in early 2020, I feel really positive that horror readers will get right into it.

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Jack Rollins: I try not to be over-influenced, really. I remember noticing that when I was starting out, when I was reading David Copperfield, the character descriptions in my writing at the time, became overly-long and out of step with what a modern audience would expect. I try to read for pleasure as opposed to inspiration.

The exception would be Adam Nevill. He inspires me to dig deeper, work harder and really get to the core of the words that will send a shiver up a reader’s spine. Every (fiction) book that I’ve read with his name on the cover has at least once, caused me to feel fear. That’s how into his stories I get. No other writer has every caused that kind of reaction in me. I often wonder if he and I share some common fears. So I think he’s a good role model for me to have as a writer.

In terms of work ethic, I have a lot of respect for Matt Shaw. His extreme style has a huge following and, while it isn’t my favorite subgenre of horror, it’s Matt himself who I find inspirational. His work rate is incredible, banging out novels, novellas and stories while developing movies and all sorts in the background. I’m proud to call him a friend and I look at him to remind myself what’s possible if you just get sat at that keyboard and get to work, and keep working, and keep working.

Meghan: What do you think makes a good story?

Jack Rollins: Probably the same things as anyone else. Good plot. Engaging characters. Natural reactions to unnatural events.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Jack Rollins: I try not to get too precious about my characters. I found that if I became too attached to them, I pulled punches in my stories – like not wanting to hurt a person that I’m fond of. Instead, I try to remain dispassionate, a casual observer, and cover my eyes and ears when the blood starts flying and the screaming begins. And if I’ve done my job correctly, then the reader will hopefully have developed the attachment to the characters, and they’ll want to look away… but they won’t be able to.

Meghan: Which, of all your characters, do you think is the most like you?

Jack Rollins: I’m not going to say. But he sometimes pops up in my stories, and I tend to make him my worst side. If the character is presented with a choice and I could turn left or right: left is get what you want, but to hell with anyone else; right is try to get what you want, but do your best to inflict no harm. I would like to think that in real life, I’ll go right. He will always go left. He takes the options that occur to me, but which I would never really want to choose. In that way, he’s not like me, he’s just a more expedient version of me. He’s the devil version of me on my shoulder saying, “Take a short-cut this time. Fuck everyone else.”

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Jack Rollins: I almost always judge a book by its cover, because once I’ve read what’s inside, it becomes a spine or a piece of art staring out at me from my shelf, so I like books that have had some thought in their design.

I had the most input with The Séance because the image was designed by one of my brothers, and the demonic face you see on there is a distorted version of him. So I got to make some suggestions. Generally, though, I’ve worked with cover artists who I can make a suggestion to, show them some cover art styles on other books that I like, and then leave it to them. They’re the experts after all. I have to be comfortable with the product of course, but I respect that they do what I can’t.

I’m having a bit of an artistic binge at the moment, trying painting and sketching. In the long-run I’d like to be able to produce one or two of my own covers with more complexity than say, what I produced for Hard Man.

Meghan: What have you learned creating your books?

Jack Rollins: I’ve learned a lot about Victorian medicine, farming and the age of credulity. From the business side of things, I’ve learned a lot of practical skills about websites, marketing and the creation of the files required for e-books and paperbacks. One of the most important skills I picked up when I ran my ill-fated small press Dark Chapter Press, was typesetting – ensuring the best possible reading experience for the customers at the end. I spent hours tweaking the gaps between words and individual letters to make sure I eliminated ‘widows’ and ‘orphans’ (for those who don’t know, this is when you have lines or whole pages with one or two words on them, the skill is pinching back tiny increments of space throughout the chapter, to draw those words back into a more eye-friendly alignment).

Meghan: What has been the hardest scene for you to write so far?

Jack Rollins: They’re all hard to write, for different reasons. I was working on a sequel to Dead Shore, and I had tears in my eyes after writing one particular sequence. It struck a nerve with me about when my youngest son was only three weeks old and we nearly lost him to a nasty case of bronchiolitis. I didn’t finish the story in the end. Not because of the upset, just because it’s hard not to turn a story like that into another shitty episode of The Walking Dead.

Some scenes are hard to write because you’re trying to find the flow, like I mentioned earlier. It’s not emotionally hard, it’s just the mental act of putting thoughts in order, trying to get the hook, and then physically getting words on the page.

Meghan: What makes your books different from others out there in this genre?

Jack Rollins: My stories tend to be full of characters you can relate to, or at least feel like you know someone similar to them. I want to sell you the people first, and their activity. So a mother walking her toddler along the beach, and him saying things and playing exactly like a toddler of that age does, and the mum thinking the things the mum of a toddler thinks, is going to feel real to you. Then when the weird stuff starts to happen, you’re already locked in. You already care.

I work hard to find emotional hooks in the characters I present you with, so you can go along for the ride without it being spoiled by jarring, uncharacteristic behavior that skips an ocean of character development. The hero isn’t a hero until they’re pushed to become one. And even then, it won’t come easy. And even then, as in Doctor Blessing, they are still going to do things that push them lower in your estimations of them.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Jack Rollins: The title is of vital importance, for building mystery but not giving the game away. I have no formula. The titles just spring from the story. Sometimes it’s right at the beginning, sometimes the title doesn’t reveal itself until the book is finished.

Over the years of working on the various books that have resulted in Carsun, there were titles such as Matt Carsun: Saturnine, Matt Carsun: Man, Matt Carsun: Zero. When the time came to dust him off again and produce the definitive version of the story, the one that I would unleash on the public properly, I dropped most of the elements of the titles from earlier incarnations. Carsun. It’s about him. It’s about his dad, his brother. It’s about what it takes to be him and to remain him by the end of the book. Like the pace of the story, the title suggests urgency, like we’re shouting for him. But are we angry at him? Or do we need him?

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Jack Rollins: I enjoy writing novels and novellas more than short stories. I always consider myself to be trying to write. If I sold a million books, I’s still be trying to write, to refine my work, to tell better stories that leave a mark on readers. The day you stop trying to write, is the day you’re sitting back on your arse, smugly knocking out the same old tat, knowing that your readers will buy it because your name is on the cover.

I find the storytelling in longer reads easier. I have more time to develop the characters, and to pack more into the plot. I’ve found myself struggling with short stories sometimes, because I naturally stray into Hollywood blockbuster plots, layering up the peril. You just can’t do that in a short. It has to punch hard and snap back quickly, and then it’s gone.

Sometimes, a story like Spores or Once Tolled The Lutine Bell will spring to mind, and it just has this great pace and flow and the story is just the right scale for the number of words required. But it’s rare I can write a short story to order just like that. There’s usually a bit of butchering to be done to get the story down to size, then rewrites to make sure the trim-down didn’t cut the heart out of the piece.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Jack Rollins: My books often have some interconnectivity, little Easter eggs that suggest these characters are walking within the same world at different times. Look out for the names of shipping companies and tea brands, demons whose names recur, just little things like that.

Stylistically, Doctor Blessing has to be very different to Carsun, but ultimately both have my signature all over them. I like to see good characters possessed of a power or evil that could swing them either way. Can evil deeds have good consequences? Do the good guys always have to win? The world doesn’t work like that, so why should books?

And while I rail against hope in real life, I think it’s nice to have escapism, and feel hopeful for a desired outcome in the stories. Though, over time, after reading enough of my work, you’ll never know until the last pages if you’re going to get the outcome you think the characters deserve, or do I still have a twist up my sleeve?

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Jack Rollins: The best example I can give is in Carsun. The old versions of the story featured fictionalized impressions of old school friends. Over time, I’ve shifted the focus away from Carsun’s school days and put a few years on him. I realized a few months ago, one of the biggest problems I had was that I hadn’t considered these characters growing up. I had too much of an attachment between those character names and these real guys I don’t see anymore and haven’t heard from in years. I had to cut the ties, strip them out, and replace them with new creations.

When Carsun is released, just know that there are a lot of bodies on the editing room floor, bleeding thick, black ink from their mortal injuries.

Meghan: What is in your “trunk”? (Everyone has a book or project, which doesn’t necessarily have to be book related, that they have put aside for a ‘rainy day’ or for when they have extra time.)

Jack Rollins: I mentioned that I’ve started painting. Painting, more than sketching has become my go-to activity. Even though it means cleaning brushes and palettes afterwards, I am more inclined to jump in and start a painting even in the late evening, than I am to draw. I’m very much a beginner, but I’m pleased that I’ve given painting a try and enjoy it immensely – and if anyone reading this lives with anxiety or depression, take my advice: grab some cheap canvases, brushes and oils or acrylics, stick some Bob Ross on YouTube or Netflix and disappear into your creativity for a while. I swear, you will thank me later.

Meghan: What can we expect from you in the future?

Jack Rollins: More. More novels, more novellas and short stories. Carsun should be with us in early 2020. I have at least one story I’m gearing up set within that world. I have plans for a story set in Newcastle. I might have something up my sleeve for fans of Doctor Blessing, too… but let’s not get too ahead of ourselves, shall we?

Meghan: Where can we find you?

Jack Rollins: I’m all over the usual suspects of social media, where I have a lovely, supportive community of creatives and readers all interacting and having fun. We chat about anything, and you never know… I might even release a book or two!

Website (where you can get 3 of my stories FREE, so put me to the test)
Facebook ** Instagram ** Twitter ** Minds ** Pinterest

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Jack Rollins: I’d like to take the chance to say thanks to the readers who have been with me over the years. I appreciate you and your patience over the times where circumstances have required me to step back from writing for a while. I hope the new stories will be worth the wait. And for anyone new to my work, I hope you’ll give me a little of your time and try three of my stories risk-free, by visiting my website and joining my VIP Readers Group (you can leave at any time, even after you’ve downloaded the third book, if you like!), and I hope those stories will mark the start of an exciting relationship between us. I have lots of stories in the pipeline, so now is a really great time to get on board!

Jack Rollins was born and raised among the twisting cobbled streets and lanes, ruined forts and rolling moors of rural Northumberland, England in 1980. He is the author of the horror novel The Cabinet of Doctor Blessing, the novella The Seance, and a range of short, dark fiction tales.

Jack lives in Newcastle, England.

The Cabinet of Dr. Blessing (The Dr. Blessings Collection, Parts 1-3)

A chilling tale of gothic horror, told in three parts, collected in one volume. Dr George Blessing operates in his Victorian London hospital. Sympathetic to the poor, Blessing is summoned to a traumatic childbirth. There he discovers a creature of nightmarish power and malevolent intent, whose unearthly abilities he wants to harness for the good of mankind. When he reveals the secret to a friend after a dinner party, Dr Blessing’s obsession triggers events threatening to destroy his reputation, his family and the entire city. As the creature grows ever more powerful and suspicious investigators close in, the doctor is one step from death at every turn. Told in the tradition of a penny-dreadful, each part intricately spins a gripping web of secrets, lies and death, blending “Hammer House of Horror” style scares with fast paced action.

The Seance: A Gothic Tale of Horror & Misfortune (free on his website)

Albert Kench is summoned back to London from his travels in Australia, and is shocked to find that his sister has suffered horrific mental and physical damage. A man of science and progress, when Albert is told that Sally attended a seance prior to her collapse and has been touched by otherworldly forces, he believes there must be another, more rational explanation. Albert learns of a man who claims mastery of the dark arts, who may hold the key to Sally’s salvation. Albert sets off in search of answers, but can he emerge victorious without faith, or will he be forced to accept the existence of a realm beyond the world around him?

Hard Man

Ruling the dark underworld of Tilwick is no easy feat, but Eddie Garfield does so with brutal efficiency.

For sixty years, he has abided by two simple rules, rules that have painted the cobbles with splattered blood and broken teeth, and forged an impressive legacy. But sixty years is a long time… people are becoming restless; the criminal young bloods are ambitious and hungry to take their slice of the pie, and they’ll do anything to obtain it. Even if it means taking down one of their own… Hard Man takes place in the mysterious town of Tilwick, where the demon Mammon is worshipped as a god. The town featured in Rollins’ story ‘Home, Sweet Home’ (Kill For A Copy, Dark Chapter Press), and will soon provide the chilling backdrop for his long-awaited novel, Carsun.

Dead Shore: A Zombie Outbreak Story (free on his website)

When a group of teenagers mess around with the washed-up body of a dolphin, Karen and toddler Charlie find themselves caught in a wave of chaos and violence as one by one the residents of Ashmouth fall prey to a deadly virus, transforming them into relentlessly violent zombies. Allying herself with Dean, one of the teenage boys, Karen must stay strong and alert as the world she knows crumbles around her and there appears to be no way out. Is the village doomed, and will this zombie outbreak remain contained?

Tread Gently Amidst the Barrows (free on his website)

Tread Gently Amidst the Barrows sees Jack Rollins return to the Victorian era for a chilling, thrilling tale as the progress of mankind and technology trespass into the world of the mythical in Sweden. A series of night-time disappearances among the workforce of railway engineer Oliver Stroud threaten to bring the construction of a new railway bridge to a standstill as local superstitions give rise to unrest and desertion. Stroud is left with no choice but to investigate an ancient burial site to bring closure to the matter once and for all but there is no peace to be found among the barrows of Old Uppsala, for neither the dead, nor the creatures of myth who live among them.