Both the movie (the made for television mini-series from 1978) and the book (written in 1973) are absolute wins. Harvest Home is the story about Cornwall Coombe, a tiny, almost forgotten hamlet tucked away somewhere within the Connecticut countryside and follows a young family (the Constantines) who desire a more quiet and peaceful life.
It’s part folk and part cult, but all solidly horror-based. The book does take its time “getting there”, but what Tryon does masterfully is set the scenes and create the world, so by the time hell breaks loose (and trust me, it does), you are all in.
The characters are riveting and truly jump off the page. Like ‘em or hate ‘em, you’ll get to know and understand them. And while we might not live in a world like ‘the Coombe’, there’s enough folk horror of today for readers to have a firm grasp on the entirety of the story. Think Midsommar, The Wicker Man (the original), and to a degree, The Stepford Wives (the original), and even The Witch.
I recommend this book (and the made for tv movie – you can find a fairly decent offering on YouTube. It’s not the cleanest version, but you’ll get the gist.) It’s perfect for the fall, for Halloween, or anytime you want a fantastic story and pulls you in and refuses to let go long after you’ve finished with it.
Boo-graphy: Sue Rovens is an indie suspense/horror author who hails from Normal, Illinois. She has written four novels and two books of short horror stories, with her latest book, Rage, having “hit the shelves” in July 2021.
Track 9, her second novel, snagged a starred review in Publisher’s Weekly (May 2018), her short story, “Coming Over”, from her book In a Corner, Darkly (Volume 1), was turned into a screenplay and short student indie film by the theater department of Southern Illinois University, Carbondale, and another short story, “When the Earth Bled”, won 2nd place in the Support Indie Authors short story contest earlier this year. Her two most recent books (Buried and Rage) are under Plump Toad Press.
Sue owns a blog which includes interviews with authors, musicians, podcasters, and artists. She is an Executive Producer for an indie (short) horror film which is currently in production called “Let’s Do Things that Make Us Happy”. Sue is also a co-host and story writer for the new horror podcast, Ye Olde Terror Inn.
Sue is a member of The Chicago Writers Association and the Alliance for Independent Authors (ALLi).
Rage — Weston Cross is a bullied and abused man who wants nothing more than to escape from his agonizing mental anguish and excruciating misery. After a harrowing brush with death, he discovers a better way to twist his depression and self-despair into something different…something sinister.Lindsay Yager, the therapist assigned to help Weston with his internal battles, is fighting her own demons. On the verge of a nasty divorce, she finds solace at the bottom of a bottle. Her anger and vitriol take no prisoners, even when lives are at stake – including her own.Depression sets the stage, but RAGE will have the final say.
The film opens with an admittedly goofy-looking monster. Don’t let that put you off! The director, Jacques Tourneur (of Cat People fame) did not want the creature in the film, but he was overruled by the studio. Night of the Demon is the British version of the film and is thirteen (lucky) minutes longer. Given this is one of my all-time favorites, I’d go with the longer version.
The film has some wonderfully creepy moments, especially when MacGinnis is demonstrating his power during a little picnic he is hosting for the kiddies in the area. Check it out!
A Chinese Ghost StoryI, II, & III (1987, 1990, 1991)
(Note: The first of the series was remade in 2011 by Wilson Yip (of Ip Man fame) I have not seen the remake, but most reviewers rate the original higher. I love the original, so I recommend you go with it.)
The first film is about a hapless but good-hearted tax-collector in Medieval China who is forced to stay in a haunted locale and falls in love with a beautiful ghost. Too bad for him, and anyone else who strays near the place, the ghost is under the control of a nasty tree witch. A wonderful story, great special effects for the time, humor, romance, and insane action—what more could one want? Number II in the series is more of a stand-alone film, whereas number III is a sequel. These are a bit difficult to find, but are worth the trouble!
Made toward the end of Hammer Studios’ heyday, this gem is largely forgotten. Too bad, because it’s a great film. Dashing Captain Kronos, accompanied by his faithful hunchback friend, Professor Grost, gallop all over the 18th Century English countryside in search of vampires. They’re in luck, or maybe not, depending on your perspective. There’s some nice variations on the familiar vampire theme. This would have made a marvelous television series. I’ve love to write it, if there are any producers out there!
A precursor to the marvelous the film The Witch (2015), which you must see if you haven’t, Eyes of Fire is also a tale of witchcraft set in early rural America. A group of settlers stumble upon a haunted locale and are terrorized by dangerous spirits. A mysterious girl appears who may hold the key to their survival. The excellent story, acting, and production values make this a great film!
Few people saw this Danish film in America when it was first released. Fortunately, it is available on a ton of streaming services (many for free). This is one of the creepiest films I have ever seen. It gets under your skin like a parasite, making your flesh crawl, and then wiggles around in your brain for days afterward. Are you ready? Prepare for a little confusion, it’s meant to be so, as it is a horror mystery, but you will never be the same again. ‘Enjoy!
You may be familiar with the 2006 remake, but I am recommending you go back to review the vastly superior original, starring Edward Woodward and Christopher Lee. Cinefantastique Magazine at the time declared it “The Citizen Kane of horror films,” and I agree. It’s an eerie film with excellent acting and a great story. It involves a strait-laced religious policeman who is sent to a remote British isle to investigate a missing girl. Things are amiss in this seemingly idyllic town.
The line between horror and SF is often blurry (consider Alien and its sequels), so you may have missed this gem from the 90’s. The director of The Crow, Alex Proyas, takes us on a noir nightmare with wonderful special effects and acting. The actors and production values are top-notch. The actors include Rufus Sewell, Kiefer Sutherland (in one of his best roles), Jennifer Connelly, and William Hurt. It’s a heady mix of horror, mystery, and science fiction you’re sure to love!
You have probably seen the original film (if not, do so!), but you may have missed Werner Herzog’s outstanding remake. It is a stylized horror film with excellent acting and sets. Klaus Kinski and Isabelle Adjani are wonderful in the lead roles, and the rats deserve a shout-out too! (I hope they got paid union-scale wages!)
Set the Way-back Machine ™ for one hundred years ago: Following the nightmare of deaths and dashed dreams of glory experienced by Germany because of World War One (to say nothing of the other countries involved) came the genius of The Cabinet of Dr. Caligari. From the expressionistic sets to wonderfully weird characters and expressionistic acting, the film still has remarkable power to unnerve you. Incidentally, Conrad Veit, who plays the somnambulist, was later considered for the role of Dracula (ultimately given to Bela Lugosi) and still later went on to chew up scenes as Major Strasser in Casablanca. Note: I strongly recommend seeing a version with the contemporary orchestral score by Rainer Viertelboeck. Since Caligari is a silent film, music is a key component, and this soundtrack adds to the creepiness!
The supernatural always had the allure of forbidden fruit, ever since my mother refused to allow me, as a boy, to watch creature features on late night TV. She caved in. (Well, not literally.)
As a child, fresh snow provided me the opportunity to walk out onto neighbors’ lawns halfway and then make paw prints with my fingers as far as I could stretch. I would retrace the paw and boot prints, then fetch the neighbor kids and point out that someone turned into a werewolf on their front lawn. (They were skeptical.)
I have pursued many interests over the years, but the supernatural always called to me. You could say I was haunted. Finally, following the siren’s call, I wrote The Eidola Project, based on a germ of an idea I had as a teenager. Ultimately, I hope my book gives you the creeps, and I mean that in the best way possible.
It’s 1885 and a drunk and rage-filled Nigel Pickford breaks up a phony medium’s séance. A strange twist of fate soon finds him part of a team investigating the afterlife.
The Eidola Project is an intrepid group of explorers dedicated to bringing the light of science to that which has been feared, misunderstood, and often manipulated by charlatans. They are a psychology professor, his assistant, an African-American physicist, a sideshow medium, and now a derelict, each possessing unique strengths and weaknesses.
Called to the brooding Hutchinson Estate to investigate rumored hauntings, they encounter deadly supernatural forces and a young woman driven to the brink of madness.