SHORT STORY: Treats at the Aver Residence by AJ Brown

Treats at the Aver Residence
By AJ Brown

1

“They’re going to love this year’s treat,” Cade said, giddily. He moved around the large steel table with a carving knife in hand. His milky eyes dazzled in the yellow glow of the overhead lights.

“What do you think, Mr. Mason?”

On the table lay Mr. Mason, covered by a sheet up to his chin. The man squirmed. His arms and legs pulled on the restraints that held him. His eyes were wide orbs, glassy and full of fear, a bruise beneath the left one. His dark hair was ruffled.

Cade lifted one eyebrow. His face loomed over Mr. Mason’s. “What? No response?” He shook his head, the joy of the time of year—the very day—coursed through his veins. “Brighten up, Mr. Mason. It’s Halloween—the greatest day of the year.”

He checked the I.V. line running into Mason’s arm. The steady drip told him Mr. Mason would be flying high soon enough, but not too high. Mr. Mason certainly didn’t want to miss out on the festivities.

“All those years of being a surgeon come in handy this time of year, don’t you think?”

Cade looked down into Mason’s green eyes. The man blinked, and a stray tear fell down the side of his face. He let out a groan, not one of pain, but fear. Cade was certain if the white cloth shoved into his mouth wasn’t there, Mason would scream for all he was worth—and at that moment, he may not have been worth much more than a cheap bottle of wine to any drunk on the side of the road, but he was worth all the candy in the world to Cade.

“Don’t worry—you will only feel a moderate amount of pain, and for only a few seconds, maybe a minute, then you’ll pass out.” He stroked Mason’s sweaty cheek, lovingly, as if he cared for the man before him. Cade’s eyes grew tender, his smile softened. “Then you won’t feel anything at all. At least until the children arrive.”

Mason shook his head, his eyes filling with tears. He strained to move. The veins on his forehead and along his throat, bulged against his skin.

“Stick around, Mr. Mason,” Cade almost sung, then patted Mason’s face. “It’s going to be a wonderful Halloween.”

2

In their homes, children sang and danced. Their mothers painted their off-colored skin whatever shade of pale, brown or black they chose. Halloween shows like It’s the Great Pumpkin, Charlie Brown and Monster House, played on the television. Those who were finished with their dinners sat and watched until the sun began to set.

The anticipation made some of them bounce in their seats. Toes tapped. Fingers drummed. Betsy Wallabanger’s teeth fell out twice, and each time she put them back in, she had to adjust her lipstick. Excitement hung in the air like a thick fog on an early fall morning.

3

“Would you like a smiley face or a frown? Or maybe a really scary face?”

Mason shook his head and moaned. His eyelids were heavy, but he was still very much awake … and aware.

“Hmm … none of those? I have templates this year—got them cheap at the WalGreens in town. They practically gave them to me.” Cade rubbed the blade of his knife against the side of his head. A small flap of skin peeled back, and a few strands of dirty brittle hair flaked to the floor. Blood spilled down the side of his face. “Wow, that’s sharp—I guess I should be careful where I put it.”

Cade pulled the sheet away like a magician putting on a show. A pair of red underwear covered Mason’s privates. Other than that, he was nude. His belly was plump, the signs of a man who liked to eat well.

“I hope you don’t mind, but I shaved your body while you were asleep. You had a lot of hair, and you know how kids are—most of them just don’t like hair on their treats. But I didn’t shave your head. Some of them like to keep scalps for souvenirs these days. I wouldn’t want to disappoint the few traditionalists still out there.”

Mason shook his head and let out a yell that was muffled by the cloth. He chewed on the rag as if trying to eat it so he could cry for help.

“I’m sorry you don’t approve, but you needed the shave. What’s done is done—you’ll just have to get over it.”

Cade set the knife on a counter behind him and rifled through the templates. “Frankenstein? Oh, how about Shrek—he used to be popular with the kids.”

After going through all the patterns, he set them down, and picked up a black marker. “None of those will do. Not for you, Mr. Mason. I’ll just have to come up with something on my own.”

He stood over Mason’s ample belly and drew an odd oval just below the ribs. He drew a second oval, then a triangle around Mason’s belly button. Cade tapped his temple with the marker and looked up at the ceiling. Many images ran through his head. Then the right one came to mind. A smile creased his face.

“Oh, you are going to love this.”

He drew the large squiggly line below the triangle, then brought it down close to the waistband of his underwear. Cade picked up the knife and looked at Mason. “Are you ready for this?”

Mason screamed when
Cade plunged the knife into his stomach.

4

“Come on, let’s get into your costumes.”

Children squealed with joy when the mothers beckoned them to get ready for the festivities. They hurried to their rooms and donned their outfits. They were vampires and werewolves, neither of which sparkled or walked around shirtless. They were witches with warts on their noses and brooms by their sides. They were zombies—oh so many of them were zombies. Betsy Wallabanger dressed up as a corpse bride, her hair jutting this way and that way, her outfit a natural dirty shade, complete with stains across the front. Her mother had worn that very costume when she was Betsy’s age. There were no princesses or Batmans or video game stars. There were no cute little lions, tigers or bears, oh my. There was an Alice and she carried a bucket shaped like the tardy rabbit’s head that dripped blood every few steps she took.

They practiced the chants they learned from past Halloweens. Their voices rang up to the ceilings and none were off key.

“Trick or treat, smell my feet, give me something good to eat.”

Some of the older kids added extra verses. “If you don’t, I won’t cry. I’ll slit your throat and then you’ll die.”

Mothers gave approving looks and fathers ruffled the enthusiastic heads of the extra verse singers.

There were no idle threats of ‘behave or else.’ Those were reserved for parents in towns where Halloween was more of a burden than a rite of passage. Besides, the kids in Dreads Hollow knew the parents would never stick to their threats of no haunting the neighborhood if they behaved—it was just as much fun for the adults as it was for the children. Then there was always the one house at the end of Corpse Avenue that did something different each year. If anything, the parents wanted to see how Mr. Aver had decorated. If there were no haunts for the kids, there was no visiting the Aver residence for the adults.

5

Cade pulled away part of the flesh of Mason’s stomach. He bit down on a piece of it, chewed and nodded. “Tasty,” he said. Blood dripped down his chin. He wiped at it absently.

He looked inside Mason’s stomach. He had deadened the nerves and cauterized the flesh where he had carved away the precious meat. Blood still flowed from the chest cavity and Mason still breathed, though shallow as it was. The carved face was gruesome, but Cade hadn’t finished. He left a long slit beneath the reamed-out mouth. A mesh was sewn in place, holding Mason’s intestines in.

Cade looked down at the man who had once said, ‘Halloween is for the devil’s children.’ He wanted to correct him—oh Halloween was so much more than for the offspring of Satan, it was for everyone, young and old, tall and small. The day didn’t so much matter, but the spirit of Halloween, that’s what drove Cade and every other person who loved the day so much, to celebrate it. He slapped Mr. Mason’s face gently with a bloodied glove, leaving four red imprints on his face. “Stay with me, Mr. Mason. Your moment is coming soon, and you won’t want to miss it.”

Cade carefully moved Mason’s body onto a gurney he had procured from one of the medical catalogues he still received, though he hadn’t practiced his once chosen profession in well over seventy years. Mason moaned and opened his eyes. Gray bags clung beneath them, and he seemed to stare off at the ceiling, not noticing Cade at all. A few seconds later, his eyes slid shut and he was unconscious to the world around him. Cade pushed the gurney through the house and onto the front porch.

Out in the fresh autumn air, Cade took a deep breath. The cool air filled his throat but burned his ancient lungs.

“I love this time of year.”

He worked like a cautious burglar, careful not to set any alarms off and give himself away. In Cade’s case, he was careful not to jar Mason’s body and have his efforts ruined by an act of clumsiness. He slid his arms under Mason’s legs and back and carried him down the steps. Cade sat him on a sturdy lawn chair, not bothering to brush off the leaves that had fallen on it or the spider web that hung between one armrest and the seat. The spider on the web crawled from one sticky line to another until it sat on Mason’s forearm.

Back inside, Cade grabbed the accessories, chip wrappers and empty beer cans. He littered the area around Mason with the garbage and placed one of the cans in the man’s hand.

Cade stepped back and looked at his creation. The backdrop of his old house with its warped steps, shuttered windows and flaking paint would give anyone from outside of Dreads Hollow the creeps. Those people would cautiously walk away, their eyes not wavering from the sight before them, or they would run as if their hair was on fire. Cade smiled and shook with something akin to lust. His body tingled. His heart raced with excitement.

6

They walked the streets of the neighborhood, clothed in their homemade outfits and masks. Each child’s eyes beamed with excitement as they went from door to door. The welcome lights shone brightly at each house, luring the kids to knock and speak their chants. Neighbors opened doors, smiled, and played along. They oohhed and ahhed at the costumes; they told the children how scary and terrifying, and even how sickening they were; they gave them treats of lady fingers and animal eyes, of hair necklaces and cooked tongues.

“I got a rock,” one kid said when he left each house.

Tunes of Trick or Treat rang throughout the night until they reached the Aver residence at the end of Corpse Avenue. A dim bulb hung from the porch’s ceiling. It cast shadows that looked like pointy fingers stretching across the ground. Cade stood on the porch, his face covered by a mask made from the skin of Mason’s stomach.

Children approached the house. Their bodies hummed with anticipation and their eyes darted about the yard. Mason sat in the shadows near the porch, one hand wrapped around the beer can. He moaned weakly. The children stopped. Some of the parents leaned into get a better look.

“Welcome one. Welcome all. Let’s not delay this year. I hope you will not be disappointed with this year’s treat at the Aver residence. I call this Drunk Man.” Cade flipped a switch that lit up the yard.

Loud gasps echoed through the night as parents and children alike took in Cade’s work. Mason’s stomach had been carved out as if it were a normal pumpkin face, the lining of his insides burned black. A trickle of blood still washed down into the man’s briefs. Mason’s eyes had been sewn open and crusted blood clung to his face. His intestines, which had been held in by the mesh earlier, now dangled on Mason’s lap. It appeared as if they had been vomited out of the wide mouth of his belly. The cloth that had been in his mouth earlier was gone. Mason’s bottom lip trembled.

Betsy Wallabanger—six past a hundred years of age—approached the creation, cautiously. “He’s still alive,” she said with wide blue eyes that held childish excitement in them. She reached forward with one hand, then pulled it back quickly, uncertainty stretching across her face.

“Go ahead. It’s okay, he can’t move,” Cade said.

Betsy set her pillowcase bag on the ground and leaned down. She sunk her teeth into one of Mason’s thighs. A scream came from his throat as she worked her jaw from side to side. She ripped off a piece of flesh, her teeth coming out slightly. She shoved them back in place and chewed. After she swallowed, she smiled. “Delicious.”

Cade clapped his hands like the young child he no longer was. He motioned with his hands. “Come, little ones. Enjoy this year’s treat from the Aver residence.”

Children squealed as they lit in on Mason. His screams filled the night, much to Cade’s satisfaction. The parents looked on with a happiness reserved for their offspring.

“You really outdid yourself this year, Aver,” one of the fathers said before he walked away with his little boy. Blood soaked the front of the boy’s costume, and he licked his fingers clean of the blood that had been on them.

7

Cade sat on the porch in an ancient rocker that squealed like a wounded rat as it went back and forth. The sounds of singing, happy children had long since faded. What remained of Mason lay scattered on the lawn. There were bones here and there, a clump of hair by the sidewalk—the scalp had not been taken this year. One of the kids had bit off his privates. Or was it one of the moms? Cade didn’t know, and honestly, it didn’t matter. The birds and bugs would come and clean up the mess, leaving only bones behind.

On his lap sat a skull. Part of it was still pink from blood and meat. He pulled a piece of flesh off the cheekbone and popped it into his mouth. He chewed, then swallowed.

“Hmm … Delicious.”

AJ Brown is a southern-born writer who tells emotionally charged, character driven stories that often delve into the darker parts of the human psyche. Most of his stories have the southern country feel of his childhood.

AJ draws inspiration from every day events and conversations. The characters of his stories are drawn from people he has met or seen during his life. Some of the best stories are inspired by his two children.

Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex.

AJ is also a husband to Cate and a father to two kids, who often inspire him in the most interesting ways.

More than 200 of his stories have been published in various online and print publications. His story Mother Weeps was nominated for a Pushcart Award in 2010. The story, Numbers, won the quarterly contest at Wily Writers in June 2013.

Website

Halloween Extravaganza: INTERVIEW: A.J. Brown

A.J. Brown is back for round three of the interviews, which is really exciting. If you’re not following him on social media – and reading his stuff – you are surely missing out. Not only talented, but a great conversationalist, motivational and thought-provoking.


Meghan: What are your go-to horror films?

A.J. Brown: Lost Boys is one of my favorites. And World War Z. Sadly, I don’t find many horror movies scary. I wish I did.

Meghan: What makes the horror genre so special?

A.J. Brown: Scaring people is hard. I think the original intent of horror was to scare people, unsettle them, make them think about the darker things of life. Horror doesn’t shy away from taboo subject matters. It’s not politically correct. I feel horror is truer to real life than any other genre. That’s pretty special, if you ask me. Oh wait. You did.

Meghan: Have any new authors grasped your interest recently?

A.J. Brown: Pete Molnar. Holy cow. His book Broken Birds is great.

Meghan: How big of a part does music play in creating your “zone”?

A.J. Brown: Music is a HUGE part of creating the writing zone. Each story has a soundtrack, whether I realize it at first or not.

Meghan: What do you listen to while writing?

A.J. Brown: It really depends on my mood and the story, but most of the time, I listen to Metallica’s instrumentals. Not having lyrics in my head as I write makes it easier and I love the ebbs and flows of Metallica’s music.

Meghan: How active are you on social media?

A.J. Brown: I’m not very active on Twitter—I just don’t get it. I’m somewhat active on Instagram—I’m still trying to figure it out. I am very active on Facebook, both on my personal page and my author page. Though I think advertising on social media is often a waste of time and falls on blind eyes, I like to engage with people, let them see who I am—this is my way of getting readers comfortable with me, and hopefully, get them to purchase a few books from time to time.

Meghan: How do you think it affects the way you write?

A.J. Brown: Occasionally, I get an idea from social media, but it really doesn’t influence me much.

Meghan: What is your writing Kryptonite?

A.J. Brown: Marketing. I suck at it.

Meghan: If you were making a movie of your latest story/book, who would you cast?

A.J. Brown: My latest book is Interrogations and it continues the Hank Walker saga, so it would have to be Matthew McConaughey.

Meghan: If you had the choice to rewrite any of your books, which one would it be and why?

A.J. Brown: I wouldn’t. The stories are the way they are.

Meghan: What would the main character in your latest story/book have to say about you?

A.J. Brown: He’d say I was a jerk for putting him through all of the drama and death. He probably wants to kill me, to be honest.

Meghan: Did you hide any secrets in your books that only a few people will find?

A.J. Brown: Oh yeah. I do that in a lot of my stories.

Meghan: How much of yourself do you put in your books?

A.J. Brown: There’s a little of me in every story. There has to be. I think authors are influenced by the lives they have lived, the things they have seen, heard, touched, tasted and smelled. Some stories, like Dredging Up Memories and Cory’s Way have a lot more of me in them, but every story has something from my life as an influence.

Meghan: Have you ever incorporated something that happened to you in real life into your novels?

A.J. Brown: Yes. The two bullies from Cory’s Way were real bullies from my childhood. A scene from a novel I wrote appears, almost exactly like it happened when I was a kid. My novella, Closing the Wound, is the true story of a kid who was murdered in 1995—I knew the kid and it was a devastating event.

Meghan: Are your characters based off real people, or did they all come entirely from your imagination?

A.J. Brown: A little bit of both. I think every character we create is based, loosely, on other people, their characteristics, mannerisms, appearance. Someone or quite a few someones had to influence them.

Meghan: How do you think you’ve evolved creatively?

A.J. Brown: I used to write crap. Now, I don’t. The longer answer is I’ve learned what telling a story truly is. It’s not a matter of just putting words to paper, but putting words that make sense and carry a story forward that matters. Cheesy B movies influenced a lot of my earlier stuff, and that’s not necessarily a good thing. Now, life—real life—pushes a lot of my creativity.

Meghan: What is the most difficult part of your artistic process?

A.J. Brown: Keeping my butt in the seat. I want to write all day, but focusing on it long enough to get more than a few hundred to a thousand words in one sitting is difficult. It’s amazing that I’ve finished as many pieces as I have.

Meghan: Does writing energize or exhaust you?

A.J. Brown: Both. When I get in a particularly good flow where words are just pouring onto the paper, then I don’t want to stop and I get excited for the written word. On the other hand, if I am struggling through a piece, I know it’s not going to be all that great and it gets more and more difficult to finish the piece, and that is exhausting. It’s almost like the writing is work during those times.

Meghan: Do you read your book reviews?

A.J. Brown: Yes. I read all of them. If someone took the time to read my book and leave a review, they deserve, at the very least, me to read what they have to say.

Meghan: How do you deal with the bad ones?

A.J. Brown: I look at what they said and see if there is a way to improve on telling stories. Most of the negative reviews I have received have given reasons why the story wasn’t liked. Those are things I can focus on for other stories.

Meghan: Have you ever learned something from a negative review and incorporated it into your writing?

A.J. Brown: Most definitely.

Meghan: What are your ambitions for your writing career?

A.J. Brown: I want people to read my words. I want them to be moved by my stories. I want them to feel something when they read what I write. I would be lying if I said I didn’t want people to buy my books and to be a popular writer, but if someone reads one of my stories and then tells three of his or her friends, then they tell three of their friends, and so on, then popularity will grow and people will buy the books. That’s not a bad thing.

Meghan: What does “literary success” look like to you?

A.J. Brown: Being read by a lot of people would be nice. Success isn’t always about money—it’s about how you are viewed and if people want what you write. It’s about moving someone to tears. If you can touch someone’s heart, you are a success.

A.J. Brown is a southern-born writer who tells emotionally charged, character driven stories that often delve into the dark parts of the human psyche. Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex. More than 200 of his stories have been published in various online and print publications.

Website ** Blog ** Amazon ** Facebook ** Twitter ** Instagram ** Email

Interrogations

Hank Walker woke up in a bed in survivor camp. He should have been dead, and a short time after that, he should have risen and joined the ranks of the shambling biters—those who had died and come back seeking the flesh of the living. Instead, he woke up alive and in a safe place. 

Or is it truly safe? 

Ruled by Harrison Avis, a militaristic leader, Hank realizes quickly Fort Survivor S.C. #3 might not be so safe after all, especially for those who do not find favor with Avis. 

When a member of the camp is exiled to the outside world, Hank launches a plan to expose Avis as corrupt. It’s a plan with possible grave consequences for all involved. Though he knows the dangers of failing, Hank is willing to take the risk to protect what remains of his family, if not from Harrison Avis, then from himself. 

Closing the Wound

On a Saturday morning in early February of 2002, the phone rang. How was I supposed to know the voice on the other end would ask a question I dreaded answering? 

“What happened that night?” 

That night was Halloween of 1995, when a young man was brutally murdered. 

Swallowed by a rush of memories and the word, Goodbye, I took a trip to the past, where some wounds never heal. This is my story.

Cory’s Way

After his father leaves in the middle of the night, Cory Maddox and his mom, Gina, are forced to start over. Left alone while Gina tries to work her way out of debt, Cory deals with life as the new kid in school with no friends. Fleeing from the school bullies, Cory ends up under an overpass where an old homeless man lives. After being saved from the bullies, Cory and the homeless man, Mr. Washington, become friends.

But things don’t get any easier for Cory. Children are disappearing from around the state, and the bullies haven’t forgotten his escape the first time they went after him. And there is something wrong with Mr. Washington…something terribly wrong. 

Accompanied by his only two friends and the unlikeliest of allies, Cory sets out to keep a promise to the ailing homeless man. Will Cory and his friends find a way to keep the promise, or will the journey prove too difficult for them?

Dredging Up Memories

In the best of times, loneliness is difficult. At the end of time it can be deadly. Hank Walker is alone and struggling not just with the undead but with depression that threatens to swallow him. Searching for the family he sent away at the beginning of the rise of the dead, Hank is left to deal with loneliness, desperation, and his own memories that haunt him. The dead are everywhere. The few people still alive are scattered, and the ones Hank comes across may be more dangerous than the biters. With an unlikely traveling companion, Hank’s search takes him across the state of South Carolina and to the depths of darkness like nothing he has ever experienced before. Can Hank find his family and survive the biters? Or does he completely unravel in the world of the dead?