GUEST POST: Paul Flewitt

Horror: An Origin Story

Hello, and Happy Halloween to all the readers of Meghan’s House of Books. Yup, its that time of year again, where Meghan allows me to come here and do a thing. So, I thought I’d have you all sit around the campfire and offer a bit of a short history lesson. Some of you might already know all this, but some might not. Here goes…

Any writer worth his salt is also a historian of the genre they write in. In an effort to understand how the genre works, what makes our writing that suitable for that genre, what the rules were from the outset and how they’ve changed and developed over time. We search with a rabid knowledge-lust to find out exactly where we came from, in a similar way someone might research their familial history.

Horror isn’t any different, especially in a world where the genre is constantly being divided into categories and sub-categories. We go back to move forward, discover where our cues came from and how we can best serve what we’re doing ourselves. By their own admission, Stephen King and Ramsey Campbell would scarcely have been the same writers if not for HP Lovecraft, MR James, and writers of their ilk. So, I thought I’d offer a few thoughts on where I think horror came from, how it developed and who were the main players in its development. Be warned, there’s some left field ideas in here, but its all about the discussion. Disagreement is allowed in any debate.

Where to begin?

Well, I would arguably go back to written works like The Epic of Gilgamesh, Beowulf, and other ancient texts which document mythologies and spoken histories. Are they horror? Well, yes and no. My view is that there are elements of horror in all of them, alongside a heavy dose of fantasy. I would posit the notion that the earliest overt writers of horror did likely look to writings like these, if not those writing specifically, and take some inspiration from some of the stories told there. Remember, this is about finding the primordial ooze which gave rise to horror, and I think this is most likely where it’s to be found. Some of the imagery in these texts is pure horror, and we still use those images today.

Homer’s Illiad is, to my mind, the first real horror story. Like the ancient texts I referenced above, it is as much fantasy as horror, but I find the two genres are inextricably linked in many ways. There are many horrific moments in that work, and many tropes we still see in horror today. There are meek and mild maidens who rise to be badass warriors, there are evil antagonists who creep you out and make you want to see them die in messy ways, and sometimes Homer shows you those deaths. For an ancient Greek philosopher, Homer was definitely a hell of a horror writer.

Taking his cue from Homer, I would cite Dante Aleghieri. The Divine Comedy, and particularly the Inferno section, is truly overt horror. It gives us a view of Hell, and one man’s trip through the seven levels of it. If we have to look hard to find horror DNA in the ancient texts I described, or in Homer, we certainly don’t with Dante. There is beauty in the horrific, and Dante revels in its description. Is he the first true horror master, the grandfather and architect of it all? Well, I’ll leave that for you guys to debate.

Goethe is another one from a little later than Dante. His Faust poem has given rise to the term “faustian,” which is a trope often used in horror. Clive Barker is a great proponent of the faustian pact trope, where a protagonist accepts a gift or an offer, only to be confronted with unforeseen and often horrific consequences. In Goethe’s Faust, the title character makes a pact with Mephistopholes, or Mephisto in some translations, and finds he has actually sold his soul to the devil himself. Is this horror? I’d say so.

Another early writer who often saw beauty in the horrific is William Blake. Alongside his paintings, Blake was a polymath who certainly delved into the darker literary arts. His work is often cited by horror writers as an inspiration.

Which brings us to, quite likely, the more familiar architects. I’ve skimmed through several hundred years of history here, highlighting writers who shaped the future of what would become horror. When we hit the 19th century though, we see a massive shift in sensibilities and matters which suddenly become acceptable to write about. Horror, the supernatural and erotic are no longer the things of taboo they once were, particularly in Britain, where horror and science fiction seem to take root first and strongest.

Robert Louis Stevenson and Mary Shelley are perhaps the first real horror writers we would think of from this period. Stevenson wrote Jekyll and Hyde, which has all the hallmarks of horror and science fiction. There is a psychological element to both, as we witness a descent into madness for the main characters in both those works. For me though, it’s Mary Shelley who truly broke the boundaries and addressed what horror would become later. It’s Shelley who confronted the idea that mankind may really be the monsters. I would ask, is Prometheus really the monster in Frankenstein, or is it the doctor who creates and abandons him? This is the question which horror writers wrangle a lot of the time, whether the monsters in their tales are archetypes for the worst of human traits, or whether mankind truly is portrayed as the monster for their treatment of anything they consider other. For me, Mary Shelley was the true risk taker of this generation, and her work certainly pushed the boundaries of taboo like few others dared.

Moving on to Bram Stoker, and the later 19th century writers. Stoker wrote Dracula, and we know what that one book gave rise to. It’s a franchise before anyone knew what such a thing was. Another taboo breaker, which gave us horror with a hint of the erotic. He provided another element to throw into the primordial ooze of the horror blueprint. I would also cite Lair of the White Worm too, which has elements of Lovecraft’s weird fiction before such a term was ever coined.

Writers which may seem like left field choices here would be Charles Dickens and Arthur Conan Doyle. Although their work is not, in the strictest sense of the word, horror, there are certainly elements to be found in their stories. Hounds of the Baskervilles certainly leans heavily into our world, and Dickens was a great writer of ghost stories which he often incorporated into his studies of life in Victorian London. Both are more than worthy of deeper investigation.

Edgar Allan Poe needs no introduction, and is widely accepted as one of the true architects of modern horror. His poetry and short stories are the inspiration for many modern writers, with such absolute classics as The Pit and the Pendulum, The Masque of the Red Death, The Telltale Heart, Murders in the Rue Morgue, The Fall of the House of Usher, and so many, many more besides. He touched on so many different forms of horror that it’s difficult to argue with anyone who asserts that Poe is among the most important writers of horror we’ve had. I would tend to agree.

In the early to mid-20th century, horror still continued to burgeon. It was, however, branching out from the gothic sensibilities of the previous decades. Writers like HG Wells and Aldous Huxley were writing with a far more futuristic vision, imagining new worlds and visitations from warrior races from other planets. Some would call their writings science fiction, but there is certainly horror in there too. Tell me The War of the Worlds or Brave New World are not both works of horror. Shirley Jackson and MR James flew the flag for gothic horror and ghost at this time. Jackson’s The Haunting of Hill House, a staple which entertained and inspired for generations to come, while MR James’ short ghost stories are a staple diet for many modern writers trying to learn and hone the craft of creating atmosphere. But, the real trailblazer of this time was HP Lovecraft. Totally unappreciated at the time, Lovecraft’s contributions and importance didn’t gain popularity until the 60’s and 70’s, but his ideas have been the springboard for a good many writers since. He’s more than just the Cthulu mythos though. His ghost stories, tales of rats in the walls, and other gothic style stories are absolutely as important as the Old Ones stories.

All of these writers, in some way or another, have shaped horror in the last century. Without each of them, or some combination of them, we would not have had Ramsey Campbell, Robert Bloch, James Herbert, Stephen King, Clive Barker, and the other horror masters who have rightly taken their place in the pantheon in the years since. Horror writers like me look back on these creators in awe of their inspiration, their vision, their bravery to explore ideas which were certainly counter to societal conventions and often considered dangerous or immoral. Without that bravery, none of us would be here.

So, I raise a toast to all of those who went before. All any of us who write can hope for is that we honour their legacy, and keep the flames of their creations alive for the generations to come.

Boo-graphy: Paul Flewitt is a horror and dark fantasy writer from Sheffield, UK, where he lives with his wife and two children.

Paul began publishing in 2012, beginning with the flash fiction story, Smoke, for OzHorrorCon’s Book of the Tribes anthology. He went on to pen further short stories, including Paradise Park, Climbing Out, Apartment 16c and Always Beneath.

In 2012, he also published his first novel, Poor Jeffrey, which was received to much critical acclaim.

His novelette, Defeating the Black Worm, was released in 2021, through Demain Publishing.

Paul cites writers such as Clive Barker, Stephen King, James Herbert, and JRR Tolkien as inspirations on his own writing.

Paul continues to write, contributing to Matt Shaw’s The Many Deaths of Edgar Allan Poe anthology in 2020 with The Last Horror of Dear Eddie. He also began releasing free short stories and fanfiction on his Wattpad account for fun.

AUTHOR INTERVIEW: Paul Flewitt

Meghan: Hi, Paul. Welcome back to Meghan’s HAUNTED House of Books and thank you for being a part of this year’s Halloween Extravaganza. Interesting fact for you: I was looking at post views for all of my Halloween celebrations over the years and I found that YOUR Clive Barker Retrospective in 2019 (Pt 1, Pt 2, Pt 3, Pt 4, Pt 5, Pt 6) has the most views of all GUEST BLOG POSTS in the history of me being a book blogger. Which I find super awesome. I should add that to the trivia next year!! What is your favorite part of Halloween?

Paul: I love getting together with the kids and getting dressed up. For my family and friends, Halloween is a big event. We have friends who have an annual, themed party, so the costumes and themes are planned for months in advance. We’ve done everything from Historic Villains, to Rocky Horror, to Scary Fairytales. It’s a hell of a lot of fun. I absolutely love it. The chance to just get together with my family and friends, have fun and revel in the darkness is amazing. It’s also the one night of the year where I’m not the weirdo, so that’s cool too.

Meghan: Do you get scared easily?

Paul: Not really. Real life scares me far more than anything in books or in movies. For me, horror and Halloween is an escape from all of that crap we see in the news and, largely, have very little control over.

Meghan: What is the scariest movie you’ve ever seen and why?

Paul: Not so much scary, but one I vowed never to watch again was Salo. That movie works on several different levels. It’s disgusting for one thing, but is also very loosely based on true events. There were portions of that movie which made me feel physically sick. It’s certainly one you only ever need to watch once. If you watch horror movies for fun, that one certainly isn’t a good time.

Meghan: Which horror movie murder did you find the most disturbing?

Paul: Again, none really. Personally, I find the deaths in movies like American History X or The Shawshank Redemption to be far more disturbing because they’re there with a point and hit close to home. In horror, they’re mostly set pieces to get from one place to another. They’re like the finishing move in a wrestling match. From that standpoint, I appreciate how well they’re done than actually become disturbed by them.

That said, I think the way they rendered the second death of Georgie Denbrough in the first new It movie was really well done. That was pretty heartbreaking actually, and both the young actors really dug deep for that one.

Meghan: Is there a horror movie you refused to watch because the commercials scared you too much?

Paul: Nah, the only movies I really refused to watch are ones which just look too silly to even be funny. I’m talking about stuff like the Sharknado films, which I just can’t even approach. They have their audience, I’m sure, but I’m not among them.

I will admit though, I had to stop watching The Handmaid’s Tale after a while. That series just cut closer and closer to the bone after a while, and it started making me inordinately angry as I saw governments seemingly taking it as an instruction manual. I really enjoyed the series, but I just had to walk away from it for a while. And really, that has to be a compliment to the writers and actors.

Meghan: If you got trapped in one scary movie, which would you choose?

Paul: Would I want that? Really? I mean, if I had to choose one then it’d probably be the Scream franchise, because the antagonist is crap at his job and I’d have half a chance at survival.

Meghan: If you were stuck as the protagonist in any horror movie, which would you choose?

Paul: Again, why would I want that? Writers tend to enjoy torturing their protagonists, so why would you want to be in that position? Nah, this is one time I will advocate for being the protagonist in some sort of comedy.

Meghan: What is your all-time favorite scary monster or creature of the night?

Paul: Everyone who knows me (you included) knows the answer to this one. It’s Pinhead, from the Hellraiser movies. There’s a grace and elegance about that character, especially in the first two or three films. I appreciate that his appearances are used sparingly, and that his speeches are few and far between. He doesn’t say much, but when he does speak there’s usually a profundity in his statements which are breathtaking. That’s something I feel they got wrong as the franchise moved on and away from Barker’s original vision, and he quickly became a cheesy parody of what he was meant to be. Still, we have those first two or three movies.

Meghan: What is your favorite Halloween tradition?

Paul: Well, maybe not an official tradition, but the costume parties at my friends’ house is always the highlight. And, if they don’t happen for whatever reason, then it’s sitting down for a classic movie marathon with the kids, or just reading a good horror story.

Meghan: What is your favorite horror or Halloween-themed song?

Paul: I’m a big lover of horror movie soundtracks, so the first Hellraiser score is on pretty heavy rotation in my house. That, and the Phillip Glass piano music from Candyman. That’s something that Barker always got in his movies – a great score.

Meghan: Which horror novel unsettled you the most?

Paul: A very little-loved Barker novel called Mister B. Gone. As I’ve already said, I don’t really get scared or disturbed by books and movies, but that one I had to put down for a while. There are parts of the book where it’s like it’s talking directly to you. Now, I read it when my daughter was first born, so I wasn’t getting a lot of sleep at the time. So, reading it at the dead of night, with your wife snoring softly beside you, and the book starts threatening your family and describing their deaths. Yeah, that got to me at that point.

Meghan: What is the creepiest thing that’s ever happened while you were alone?

Paul: My wife says I’m a psychic black hole, so creepy things don’t really happen around me. I’ve walked into supposedly haunted places with people who are attuned to that kind of thing, and they say pretty much the same. So, I’ve never experienced anything which couldn’t be explained. It’s quite the disappointment really.

Meghan: Which unsolved mystery fascinates you the most?

Paul: There are a few, and many of them offer inspiration for stories. Particularly though, Jack the Ripper is probably the main one. I do love anything to do with ghost ships, which I find absolutely fascinating.

Meghan: What is the spookiest ghost story that you have ever heard?

Paul: A lot of the stories by MR James, which I’ve just re-read. He really was a master of dark atmosphere, and reading his stuff on a dark night is truly creepy.

Meghan: In a zombie apocalypse, what is your weapon of choice?

Paul: Anyone with a dodgy leg… and my wife. Seriously, hear me out a moment.

So, if you’re being chased by a zombie horde, you’re going to want someone slower than you are, right? It buys you time to get away, so why not keep a person with a dodgy leg around?

And my wife because we recently went to an axe throwing centre and found that she has something of a natural talent for throwing pointy objects at things. So, she is definitely a weapon of choice in any situation.

Meghan: Okay, let’s have some fun… Would you rather get bitten by a vampire or a werewolf?

Paul: A vampire. That would be erotic as hell.

Meghan: Would you rather fight a zombie apocalypse or an alien invasion?

Paul: Tough one. Are we talking traditional, slow zombies, or new style fast ones? If its traditional ones, then I’m taking them bastards all day long.

Meghan: Would you rather drink zombie juice or eat dead bodies from the graveyard?

Paul: Erm… neither sound particularly appetizing. Can I just stick with a JD, or a nice glass of red wine please?

Meghan: Would you rather stay at the Poltergeist house or the Amityville house for a week?

Paul: Oooh, neither of those, because we have our own version of that here in the UK. I’d stay there in a heartbeat, and take my pad and pen with me.

Meghan: Would you rather chew on a bitter melon with chilies or maggot-infested cheese?

Paul: Well, there’s a lot of protein in them maggots, you know?

Meghan: Would you rather drink from a witch’s cauldron or lick cotton candy made of spider webs?

Paul: Did you say cotton candy? I do like me some cotton candy …

Boo-graphy: Paul Flewitt is a horror and dark fantasy writer from Sheffield, UK, where he lives with his wife and two children.

Paul began publishing in 2012, beginning with the flash fiction story, Smoke, for OzHorrorCon’s Book of the Tribes anthology. He went on to pen further short stories, including Paradise Park, Climbing Out, Apartment 16c and Always Beneath.

In 2012, he also published his first novel, Poor Jeffrey, which was received to much critical acclaim.

His novelette, Defeating the Black Worm, was released in 2021, through Demain Publishing.

Paul cites writers such as Clive Barker, Stephen King, James Herbert, and JRR Tolkien as inspirations on his own writing.

Paul continues to write, contributing to Matt Shaw’s The Many Deaths of Edgar Allan Poe anthology in 2020 with The Last Horror of Dear Eddie. He also began releasing free short stories and fanfiction on his Wattpad account for fun.

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AUTHOR INTERVIEW: C.R. Richards

Meghan: It’s been a bit since you and I sat down last to talk. Welcome to this year’s Halloween Extravaganza. Thanks for stopping by. What is your favorite part of Halloween?

CRR: I love to read spooky stories year-round, but the special Halloween vibe takes “the scary” to a higher level. There is nothing like curling up under a blanket on a spooky October evening with a gripping ghost story.

Meghan: Do you get scared easily?

CRR: It takes some doing to scare the jaded adult me, but it can be done!

Meghan: What is the scariest movie you’ve ever seen, and why?

CRR: My mom and brother took me to The Omen (1976 version with Gregory Peck) when I was eleven. I remember we were at the drive-in, so I spent most of the movie hiding on the floor of our station wagon. That movie had a profound impact on me. It was the first time I contemplated what Evil was and how it could potentially harm me. I think my mom regretted taking me to see that movie. It gave me screaming nightmares for weeks. I haven’t watched the movie since.

Meghan: Which horror movie murder did you find the most disturbing?

CRR: Slasher movies have made viewers desensitized by fake gore. I feel it is true-to-life murders like the little girl’s killing in The Lovely Bones (2009 film based on the book) that are the most disturbing. It could happen to anyone in any neighborhood.

Meghan: Is there a horror movie you refused to watch because the commercials scared you too much?

CRR: Yes! Paranormal Activity. I don’t know why, but it’s too creepy for me.

Meghan: If you got trapped in one scary movie, which would you choose?

CRR: One of the classic Alfred Hitchcock movies like Psycho or The Birds. I love that era in Hollywood.

Meghan: If you were stuck as the protagonist in any horror movie, which would you choose?

CRR: The Mummy (1999). It would be awesome to hang out with Brendan Fraser.

Meghan: What is your all-time favorite scary monster or creature of the night?

CRR: Dracula. He is the ultimate scary vampire (as they should be. No sparkly vamps, please).

Meghan: What is your favorite Halloween tradition?

CRR: I love handing out candy to the trick-or-treaters. Some of the costumes are so clever.

Meghan: What is your favorite horror or Halloween-themed song?

CRR: The theme from Psycho (1960). It’s immediately recognizable.

Meghan: Which horror novel unsettled you the most?

CRR: There are two classic Occult novels by the same author team that keep me up at night. The First is The Cabinet of Curiosities by Douglas Preston and Lincoln Child. FBI Agent Pendergast chases a madman who mutilates his victims via dissection. The Second is one of my all-time favorite books, Still Life with Crows.  Killer in a small town who disappears without a trace.

Meghan: What is the creepiest thing that’s ever happened while you were alone?

CRR: I visited Boston several years ago and stayed in an old mill the owner had converted into condos. One night I heard someone slam open the front door. A man’s heavy boots stomped down the hall past my bedroom. I flipped on the light and crept to my sister’s room. We were the only people staying in the condo at the time. The front door was undisturbed, and I couldn’t see any uninvited guests. My sister told me the old mill was supposedly haunted by some workers who’d perished there over 100 years ago.

Meghan: Which unsolved mystery fascinates you the most?

CRR: I am fascinated by the Winchester Mystery House in San Jose, CA. Why did Sarah Winchester, widow of the famous rifle’s founder, build a house with stairs going nowhere and room layouts that don’t make sense? Was she really trying to avoid the ghosts of the rifle’s victims? Or was she insane? Visiting the house is on my bucket list.

Meghan: What is the spookiest ghost story that you have ever heard?

CRR: The Haunting of Hill House by Shirley Jackson. It’s a hard one to beat.

Meghan: In a zombie apocalypse, what is your weapon of choice?

CRR: I’d go with a cricket bat as an homage to the movie Shaun of the Dead with Simon Pegg.

Meghan: Okay, let’s have some fun… Would you rather get bitten by a vampire or a werewolf?

CRR: Vampire!

Meghan: Would you rather fight a zombie apocalypse or an alien invasion?

CRR: Let me at those zombies!

Meghan: Would you rather drink zombie juice or eat dead bodies from the graveyard?

CRR: Zombie juice, of course!

Meghan: Would you rather stay at the Poltergeist house or the Amityville house for a week?

CRR: Poltergeist house.

Meghan: Would you rather chew on a bitter melon with chilies or maggot-infested cheese?

CRR: Yuck! I think I’d have to take the melon.

Meghan: Would you rather drink from a witch’s cauldron or lick cotton candy made of spider webs?

CRR: I wouldn’t mind trying the spider web cotton candy if I could add pumpkin spice.

Boo-graphy: C. R. Richards is the award-winning author of The Mutant Casebook Series. Her literary career began as a part-time columnist for a small entertainment newspaper. She wore several hats: food critic, entertainment reviewer, and cranky editor. A lover of horror and dark fantasy stories, she enjoys telling tales of intrigue and adventure. Her most recent literary projects include the new historical dark fantasy thriller The Vengeful Dead and the epic dark fantasy series Heart of The Warrior. She is an affiliate member of the Horror Writers Association.

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The Vengeful Dead
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The Dead don’t always rest in peace.

Dunham Raynor is a second-rate psychic traveling with a rundown medicine show. Months after the end of the American Civil War, Dun and his partners head west with dreams of easy wealth. They finally have a chance to make some real money when they cross paths with a murderess in a s small Missouri town. The blackmail job is sure to give their band of swindlers the stake they need to reach San Francisco. But luck is a fickle mistress.

Marked by magic as a youth, Dun isn’t the fake he pretends to be. His mysterious tattoo of an Ouroboros allows him to see and speak with the Dead. When the ghost of a Confederate soldier arfrives with a dire warning about the little town’s imminent destruction, Dun must choose between loyalty and his own skin.

The Undead never forget.

Dun tries to escape his past by traveling west along the Santa Fe Trail, but vicious killers haunt his every step. Their ruthless games turn deadly as Dun’s new traveling companions are brutally slaughtered. Are the supernatural hunters bent on delivering justice, or is the Necromancer holding their leash after revenge? The answer lies in the living Ouroboros embedded in Dun’s chest.

AUTHOR INTERVIEW: M Ennenbach

Meghan: Hey, Mike! Welcome back to our annual Halloween Extravaganza. Thanks for joining us on this very special day, birthday boy! What is your favorite part of Halloween?

Mike: My favorite part is promise of winter carried on the cool breeze. Where the beauty in nature falling comes out in colorful leaves ground into the mud.

Meghan: Do you get scared easily?

Mike: Not scared, but I am always anxious. Electrified bees stinging.

Meghan: What is the scariest movie you’ve ever seen and why?

Mike: I am a fan of hint but don’t show. The Autopsy of Jane Doe is probably my favorite with that raining bell and the promise of horror.

Meghan: Which horror movie murder did you find the most disturbing?  

Mike: I don’t know if it is the most disturbing, but when the man is cut into pieces that slowly fall apart in Cube, that stayed with me.

Meghan: Is there a horror movie you refused to watch because the commercials scared you too much?

Mike: No, but the ads for Blair Witch promised something they didn’t manage. I was too ready to be screaming.

Meghan: If you got trapped in one scary movie, which would you choose?

Mike: Nightbreed. I would find my place in Mideon among the monsters in the graveyard.

Meghan: If you were stuck as the protagonist in any horror movie, which would you choose?

Mike: How do you not pick Ash from Evil Dead? He knew no fear because he had no sense. And always managed to prevail despite himself.

Meghan: What is your all-time favorite scary monster or creature of the night?

Mike: I adore Baba Yaga. The hut with chicken legs. She is a culmination of different terrors.

Meghan: What is your favorite Halloween tradition?

Mike: Remembering being excited for my birthday, when it was a special day. The anticipation. For a moment, remembering when the world was at our fingertips.

Meghan: What is your favorite horror or Halloween-themed song?

Mike: Right now it is Dead Skin Mask by Slayer, a sweet song about Ed Gein. Code Blue by The Damned is another classic.

Meghan: Which horror novel unsettled you the most?

Mike: The first half of Heart Shaped Box. The tension and fear were cranked up. It lost it all in the back half, but the beginning was amazing.

Meghan: What is the creepiest thing that’s ever happened while you were alone?

Mike: I was watching Hereditary for the first time and right when the infamous car scene happened, someone banged on my door. I nearly needed to change.

Meghan: Which unsolved mystery fascinates you the most?

Mike: What happened at Roanoke to all those people?

Meghan: What is the spookiest ghost story that you have ever heard?

Mike: My friend, Lin, and I would listen to Art Bell every Halloween for the Ghost to Ghost show and every now and then a caller would believe their story so much you couldn’t help but feel it.

Meghan: In a zombie apocalypse, what is your weapon of choice?

Mike: Solitude. I would just vanish.

Meghan: Let’s have some fun – Would you rather get bitten by a vampire or a werewolf?

Mike: Werewolf

Meghan: Would you rather fight a zombie apocalypse or an alien invasion?

Mike: Zombies. Man has always been most proficient at killing one another. Aliens would have to have tech we couldn’t fathom.

Meghan: Would you rather drink zombie juice or eat dead bodies from the graveyard?

Mike: Eat dead bodies.

Meghan: Would you rather stay at the Poltergeist house or the Amityville house for a week?

Mike: Amityville. I’ve been by it, middle of a populated neighborhood with access to the water.

Meghan: Would you rather chew on a bitter melon with chilies or maggot-infested cheese?

Mike: I’d take either. The cheese is supposed to be a delicacy.

Meghan: Would you rather drink from a witch’s cauldron or lick cotton candy made of spider webs?

Mike: Spider webs. Who knows what’s been in that cauldron.

EXCERPT: Blood Country by Jonathan Janz

The Raven #2: Blood Country

Genre: Horror, Dark Fantasy
Publisher: Flame Tree Press
Publication Date: 10.18.2022
Pages: 316

Three years ago the world ended when a group of rogue scientists unleashed a virus that awakened long-dormant strands of human DNA. They awakened the bestial side of humankind: werewolves, satyrs, and all manner of bloodthirsty creatures. Within months, nearly every man, woman, or child was transformed into a monster…or slaughtered by one.

A rare survivor without special powers, Dez McClane has been fighting for his life since mankind fell, including a tense barfight that ended in a cataclysmic inferno. Dez would never have survived the battle without Iris, a woman he’s falling for but can never be with because of the monster inside her. Now Dez’s ex-girlfriend and Iris’s young daughter have been taken hostage by an even greater evil, the dominant species in this hellish new world:

Vampires.

The bloodthirsty creatures have transformed a four-story school building into their fortress, and they’re holding Dez’s ex-girlfriend and Iris’s young daughter captive. To save them, Dez and his friends must risk everything. They must infiltrate the vampires’ stronghold and face unspeakable terrors.

Because death awaits them in the fortress. Or something far worse.

CHAPTER TWO

The bikes were a godsend. Every time Dez had ridden as an adult, he wondered why he didn’t do it more often. Aside from being more expedient than slogging the eight miles on foot, biking brought with it the subtler pleasures he’d forgotten about, the breeze ghosting over his face, the edifying sensation of the handlebars in his grip, the gratifying blaze in his quadriceps as he worked the pedals. Even though the roads were gravel and somewhat of a grind, he resolved to travel on bike whenever he could, exposure to predators be damned.

Iris evidently disagreed.

She pedaled in grim silence, her eyes constantly strafing the woods and fields. In several places the gravel was shot through with weeds; even the blacktop was cracked by sprouted plants. Without people around to spoil it, nature had reclaimed the earth. Squirrels, rabbits, chipmunks, foxes, even the occasional cat or dog darted across the road ahead of them. The birds that hadn’t flown south swooped and congregated on the roadsides, in the trees, on the disused telephone poles lining the roads. Many of these birds – crows, sparrows, finches, and a large onyx-feathered creature that might have been a raven – showed no fear at all as Dez and Iris rattled past on their ten-speeds, perhaps sensing on an instinctive level that the pair meant them no harm. Or maybe it was the bikes themselves that put the birds at ease. Dez had certainly never seen a monster riding one. Motorcycles, cars, and ATVs, sure, but not bicycles. Apparently, monsters considered themselves too cool for regular bikes.

They pedaled on, the countryside eerily silent. Twice they passed abandoned vehicles. The first was a pickup truck. It had once been white, but two years of dust, weather, and copious splats of bird shit had rendered its exterior a seedy farrago of colors. Since there were no dents or signs of trauma to the pickup, Dez’s guess was that its driver had simply run out of gas and had to hoof it.

The second vehicle was an overturned SUV, and this one did bear marks of a struggle. It lay diagonally across the road, its rear end crumpled. The dusty black paint was scarred by what might have been claws, and within the SUV he glimpsed wine-colored stains. Dez caught a flickering mental image of a family being dragged out of the shattered windows, and he was gripped with a bone-deep chill.

Dez and Iris pedaled past the macabre scene without comment.

They arrived at Buck Creek by two that afternoon, but rather than entering town, per Levi’s instructions they took County Road 1050. It was a shitty road, potholed and weedy, and the farther they advanced, the more primitive it became. When they reached the grain elevator, the gravel lane was so crowded by evergreens that Dez felt relatively safe. Iris not so much.

“I don’t like this,” she said, hunkering down beside him, their bikes resting just within the tree line.

“The town or the vampires?” he asked.

“Any of it,” she said. “Feels like we’re being watched. Kind of like when I get dressed with you in the room.”

At his open-mouthed stare, she chuckled softly and gave him a shove. “Come on,” she said. “Keep your bow ready.”

He slid it out of its holder. Toting the crossbow all the way through town would be cumbersome, but being beset by vampires would be worse. If one came charging toward him, he figured he could nail it, and the silent weapon wouldn’t draw others. If a horde of them attacked, they were screwed anyway, and he’d use the Ruger. At the thought of being eviscerated in this small town, he shuddered and moved a smidge closer to Iris. At least he wouldn’t die alone. They hurried past the grain elevator, paused at the edge of the road, then darted across it and took refuge in a stand of woods that bordered a residential area. As they sprinted, hunched over like soldiers attacking a beachhead, all manner of wildlife scattered before them.

Iris crouched beside a towering oak. “You see anything?” she whispered.

“It’s like a nature preserve,” he answered. “Even if there were vampires around, we wouldn’t be able to tell them apart from the animals.”

Iris scanned the houses ahead. “The vampires are the ones with glowing orange eyes and fangs as long as your pinkies.”

“Thanks for that.”

“Let’s move. The sooner we find medicine, the sooner we can get the hell out this mausoleum.”

God, he thought. The town did feel like a mausoleum. They bolted out of the forest. There was a paved residential street followed by houses, most of them two stories, a few of them ranches. To Dez it looked like every small town he’d ever driven through or, when he was younger, horsed around in with his buddies. They crossed the road, hustled through a yard, the knee-high grass swishing against their legs, then ducked close to the first house they encountered, a stately white-siding-and-black-shutter affair where someone smalltown-famous probably once lived, an elementary school principal or the owner of a used car dealership. As they passed, Dez made sure not to look too closely. He learned long ago that details could humanize a house and remind him of both the world that was forever lost and the lives that had been taken. A swing set, a skateboard. Even something as innocuous as a muddy mitten or a candy wrapper had, for the first year after the world unraveled, snowed him under a blizzard of despair. It reminded him of Will, his little boy, who perished in the first massive wave of deaths.

Perished without Dez there to protect him.

Jesus.

He shook his head. Best to avoid dwelling on it. At least, as much as his traitorous mind would allow.

They crept past the first house, then hastened across a short expanse of yard. Moving this way was slower, but it was a hell of a lot more prudent than strutting around in the open the way people did in postapocalyptic movies. What those films missed was that it only took one. One glimpse from a cannibal. One noise detected by a vampire. One sniff from the Children, a race of subterranean creatures ten feet tall that Dez had never encountered but whose ferocity was legendary….

One mistake was enough. No matter how hardscrabble this existence might be, Dez had no desire to die. He glanced at Iris, a knife gripped at her hip. He studied the firm line of her jaw, her comprehensive blue-eyed gaze, and was damned glad to be by her side. They advanced to the next house. According to Levi’s diagram, there were four residential blocks before they reached the diminutive business district.

“Hey,” Iris said, and when Dez looked up he realized he’d been drifting. The look on her face was enough to center him.

“Sorry,” he muttered.

“Traveling with you is like walking my dog, Harry. The slightest thing, a butterfly, a bird, even a dandelion spore, and he’d be mesmerized by it.”

“I bet he was a good-looking dog though.”

“Golden Lab,” she said. “Much handsomer than you.”

Dez hesitated. “Did he…um—”

“Died of old age six months before the bombs flew.” “Good,” he said.

“Pay attention.”

“Yes, ma’am.”

She gave him a smirk, then hauled ass across the street.

As they moved deeper and deeper into the tiny hamlet, a restive feeling grew in Dez, and not just because it was so damnably quiet. He’d heard that vampires seldom left their victims out in the open. They didn’t hassle with burial, but they did take the time to drag the bodies into ditches or hide the remains in forests. The reason for this had nothing to do with fastidiousness. According to Levi, who’d spent more time on the borders of Blood Country than any of them, it was because vampires had no desire to advertise their whereabouts. They wanted travelers to venture near their enclaves. Dez supposed when you were an alpha species, your reputation was enough to frighten off most visitors. No need to display a field of desiccated corpses to discourage them.

They progressed through more overgrown yards, the thistles and pokeweed waist-high in several places. The toe of Dez’s boot knocked something aside, and when he glanced down and discovered the object shrouded in a clutch of crabgrass, his chest tightened. It was a splintery wooden Thomas the Tank Engine toy, its blue paint all but flaked away. Dez’s son had loved to play with those trains, the two of them spending hours in the basement fitting the wooden tracks together and concocting stories about late deliveries and petty squabbles. God, what he wouldn’t give to play with Will one more time….

“Dez?” Iris said.

He looked up at her, expecting to find judgment in her gaze, but there was none.

Softly, she said, “Let’s keep moving.”

He snatched up the tank engine and followed her.

With Iris leading the way, they reached the business district. What there was of it. The first snatch of storefronts consisted of a pizza place, aptly named Buck Creek Pizza King; a real estate company; and an establishment that simply called itself The Rock Shop. Whether they specialized in ordinary rocks, rare gems, or were a money-laundering front for the mob, he didn’t know.

“See anything?” Iris asked from the side of her mouth.

“The Rock Shop looks intriguing.”

“Probably a guitar store.”

He hadn’t considered that. Maybe the new world was turning him into a literalist.

“The real estate agent,” she said, “they’ve got a recessed door.

Like, really recessed.”

He peered across the street and realized it was as she’d said. With the sun gliding west and not particularly brilliant to begin with, there was plenty of gloom there to conceal them. He started forward, but she threw out an arm to bar his way. She nodded ahead, and following her gaze, he detected nothing but a barren street. They remained that way, hunkered down in the bushes of a sea-blue saltbox house that looked like it’d been falling into disrepair well before the Four Winds. Dez shook his head at the ill-fitting name someone had given to the apocalyptic event. He supposed the virus contained in the bombs had been spread by the wind, but still. Four Winds was too poetic, too gentle for the madness and carnage the scientists had unleashed.

Iris relaxed a little. “Thought I saw a shadow up there in the window. Maybe just my imagination.” “Ready?” he asked.

They sprinted across the road and soon they were pressed against the windowless real estate office door.

“You’re sort of fast,” she said.

“You didn’t know that yet? After seeing me in action at the

Four Winds?”

“You look faster with clothes on.”

“Ah.” He’d forgotten that, with the exception of his tighty-whities, he’d been naked during their cataclysmic battle with Bill Keaton and his followers at the Four Winds Bar. The one that concluded with the place a smoldering ruin and God knew how many people dead.

“Where to next, Captain?” he asked.

“Captain,” she repeated thoughtfully. “I like that. One block over, the recessed door at a diagonal.” “China Moon?” he read.

“Doubt the buffet is open.”

He lowered his voice dramatically. “Unless it’s a human buffet.”

She looked at him. “What the hell is wrong with you?”

“Sleep deprivation?”

“You tossed and turned all night.”

Because you talk in your sleep, he thought but didn’t say. And because I can’t stop thinking about kissing you.

“Sure you wanna cross the road?” he asked. “We could just—” “The restaurant—” she pointed, “—is across from the pharmacy. From there we can see the storefront and make sure there’s nothing leering out at us.”

“Nice verb.”

“Traveling with an English teacher, I figure I better exercise vivid word choice.”

Former English teacher,” he said. “Nowadays, I feel lucky to string together a pair of coherent sentences.”

She nodded. “I wasn’t going to say anything, but….”

“Smart-ass,” he said, and they set off, Dez acutely aware of how vulnerable they were, how easy it would be not only to see them, but to surround them.

If the vampires came out before dark. Unfortunately, he’d seen it happen.

Could you maybe not think of that now? he wondered. Picturing a gory vivisection wasn’t going to scoot them across the road any faster, and it sure as hell wasn’t going to help Michael.

Oh yeah, he thought. Michael.

Finally, they ducked under the green canopy of China Moon and took a knee as close to the glass front door as they could.

BILL’S DRUG STORE, the yellow sign across the street said, though the B had been shattered, so that the pharmacy now read ILL’S.

She gave him a look. “Go ahead.”

“Too easy,” he said. “My jokes are more sophisticated and work on multiple levels.”

She smiled wanly and returned her gaze to the store’s façade.

The windows were intact, which could either mean the place hadn’t been pillaged or it had been converted into a stronghold. But with so many windows….

“Levi claims the front door’s unlocked?” he asked.

She nodded. “He went in there once, near the beginning.”

Dez nodded, the story coming back to him. Levi’s sister had been an asthmatic, so when her inhaler ran out, Levi had been dispatched to find a replacement. Buck Creek was the fourth small town to which he’d ventured, and it was here he’d found a cache of inhalers. Feeling guilty, he’d only taken half of them, but when he returned home it hadn’t mattered because his family had been murdered by cannibals. Dez hadn’t had the heart to ask if they’d also been eaten, and he supposed it didn’t matter. The point was, Bill’s Drug Store had been a viable source of medicine. But that was more than twenty months ago. To believe it hadn’t been raided since was naive.

“Three-story building,” Iris said, “so there might be apartments above it.” What remained unacknowledged was what might dwell in those apartments. Dez was grateful for the omission. “Guess we better go,” she said. “I don’t think we’re being— Holy shit.” She spun and stumbled backward, and when Dez whirled toward the glass door of China Moon, his crossbow was already out. He was a hair’s breadth from firing a bolt through the glass when he realized what he was looking at.

A cardboard cutout of Han Solo, his blaster drawn, his intense gaze fixed directly on Dez and Iris.

“Fuckers,” she said, hand on chest.

“We don’t know it was the vampires,” he said, lowering the crossbow. “Could’ve been anyone.”

“I mean whoever did it,” she snapped. “And why are you defending the vampires?” “Sorry.”

Fuck,” she said.

“Let’s head over there,” he said. Iris nodded, heaved a breath, and then they were rushing toward the pharmacy entrance, no sign of life around them, nothing except the increasingly brooding November afternoon. They reached the door and Dez muttered, “I’ll cover you,” and as Iris grasped the handle, Dez trained the crossbow over her shoulder.

She yanked the door open and slipped inside. Dez strafed the dimness with the crosshairs of the bow. As the door wheezed shut behind them, Dez became aware of a cloying medley of smells. There was the astringent tang of medicine he associated with pharmacies, but it was buried under less-pleasant odors. Rancid meat. Yeasty armpits. Animal spoor – were there rats in here? – and something worse. Something he associated with a hog farm at which he and a buddy had worked one summer. His buddy’s dad, who owned the farm, wouldn’t allow them near the slaughterhouse. But there was an old well in back. One into which something once fell…the stench growing more noxious each day…until they finally peered down into it with a flashlight to see what was causing the repulsive odor and stared straight into the maggot-infested eyes of an enormous bloated possum.

He fancied he could smell that possum now as he whispered, “Can you see?”

Iris didn’t answer. When she advanced past the registers toward an aisle of greeting cards, he added, “Darker than a woodchuck’s asshole in here.”

She brought a forefinger to her lips, so he shut up, but if he couldn’t see anything he certainly couldn’t shoot anything. Iris, evidently, was in favor of conserving their flashlights. For what he had no idea.

They progressed down the row, magazines on their left, greeting cards on their right. The scavenger in him wondered why Iris would’ve chosen the least utilitarian aisle through which to venture, but as they continued he realized that the days of lucking upon soup cans or boxes of ramen noodles were long past, that the only tactical move was to make their way around the store’s perimeter, keeping any potential threat on one side of them.

Good thing Iris had taken the lead.

They continued on, and as they did, Dez noticed a bizarre thing. The end of the world had been even messier than movies had depicted. Just about every store he’d encountered in the past two years had looked like bombs had been detonated in them. Shredded paper everywhere, blood splattered on the walls, in many cases body parts strewn about. But not here. Here the magazines lay neatly in their displays and even the greeting card envelopes, which in the old world had been frequently untidy, were symmetrically aligned with their cards. Iris glanced back at him, in her face the same disquiet worming its way through his guts. They moved toward the end of the aisle, the store growing duskier.

As they crept to the edge of a display, this one for gift bags and garish pinatas, Dez realized something else was bothering him too. In the mélange of smells burrowing up his nostrils, one was missing: dust. You entered any building these days, including the farmhouse in which they were currently hiding out, and the thick, chalky odor of dust was ubiquitous. To not smell it meant—

He heard a click, tensed, then realized Iris had switched on her flashlight. She shone it toward the wall they were approaching, where a paltry array of wine and spirits resided. They rounded the corner, and Iris aimed her beam down the long rear walkway of the store. A liquor display to his left. The section had been humble to begin with, but now there were only four bottles remaining: a pair of off-brand vodkas, a bottle of dirt-cheap wine, and a fifth of Wild Turkey. After a moment’s debate, Dez snagged the neck of the whiskey bottle and stowed it in his pack. Iris stared at him, and he offered her a crooked grin. Shaking her head, she started down the back walkway.

According to Levi, the pharmacy was inset in the rear of the store, and as they inched forward, Dez saw a yawning black opening appear. To their right were the main aisles, hair products dominating one, analgesics and sleep-aids in another; it pained him to discover the sleep-aids had been totally plundered. They passed a potato chip and soda aisle, another with mouthwashes and toothpastes. An end cap advertised FAMILY PLANNING, and Dez was unsurprised to find every box of condoms missing. The new world was a godawful place for a pregnant woman and even worse for a newborn. Pushing away the thought, he huddled closer to Iris, his finger off the trigger of the crossbow but ever ready to twitch in that direction. If a vampire struck, it would be instantaneous.

A few feet ahead, the back wall disappeared and the pharmacy began. Edging around the last few display items, he realized that there were no windows back here, no light at all save what filtered in from the front of the store. Iris crept around the corner, Dez close on her heels. She shone the light on the far wall, where they found three help windows, a waiting area, a machine that took your blood pressure, and to the far left, a single door.

“Stay ready,” she whispered.

Dez didn’t like the fact that this was an old-fashioned layout rather than the newer open-concept pharmacies. This one adhered to the style he’d encountered in his childhood, the undersized windows reminding him of the gatekeeper in The Wizard of Oz. As they approached, he feared a face would appear, only instead of a bushymustached guard informing them the Great and Powerful Oz was too busy to be bothered today, they’d encounter the alabaster leer of a vampire, its lambent eyes aglow and its fangs dripping slaver.

Fuck. Why did his imagination insist on betraying him?

Iris was almost to the door. Levi said it had been unlocked the last time he’d come, and when Iris twisted the knob and pulled, the door creaked open. She hunched her shoulders at the noise, and strangely enough, her fear reassured him. If someone as unflappable as Iris was terrified, there was no shame in him being scared shitless either. She glanced at him, then drew the door open farther – creeeaaak – and pushed through. She swept the light about the room. Dez expected a wicked face to whirl and snarl at them. But the space appeared empty.

The inner pharmacy looked as orderly as the rest of the store.

Not right, Dez thought. Something’s not right.

Whether Iris suspected that too, he didn’t know. She was already hurrying forward, her flashlight the only illumination in the stygian gloom. Dez remained right behind her, both to keep her safe and, if he was being honest, to provide himself a measure of comfort. Iris was one of the bravest people he’d ever met, and he’d found that braveness, like nervousness, could be transmitted.

“Alphabetical order?” she whispered, and it took him a moment to realize she was alluding to the drugs populating the abundant shelves in the twenty-by-thirty space. She stopped, Dez almost crashing into her, and fished a paper out of her jeans pocket. “Clindamycin,” she murmured, then moved to the left and began scanning pill bottles and boxes. “Caelyx…Capoten…Cialis…Clonazepam…dammit, it’s not here.”

“What’s the next one?” he asked. He knew it was his imagination, but the temperature seemed to have dropped. Slightly stuffy when they entered, it now felt as cool as it was outside, no more than fortyfive degrees.

“Amoxicillin,” she read.

“I’ve heard of that.”

“It’s one of the most common antibiotics,” she murmured.

“Cassidy is allergic to it.”

She crossed to the wall rack, where she honed in on the A-drugs. She riffled through the boxes, whispering their names, and at first the sound of her voice masked it, that other sound, the one he dismissed as imagination. Then Iris broke off, her posture expectant, and he heard it again. A furtive slither.

It came from above them.

Oh God.

He looked at her, and she looked at him, and he knew she was remembering what she’d said about apartments above the pharmacy.

Apartments and their inhabitants.

“Find the amoxi-whatever,” he breathed.

She painted the bottles with light and as she grasped each one, he could see how her hand trembled, how the flashlight jittered in her grip. He’d offer to hold it but knew he’d be even jumpier than she was. Besides, she knew what she was looking for, she—

The sound above them recurred, louder this time. Like more than one individual was stirring.

“Aciphex,” she whispered. “Adderall. Aldactone….” He fumbled off his pack, unzipped it.

“What are you doing?” she demanded.

“Find the medicine,” he hissed. He reached inside, located his flashlight, clicked it on.

The floor above them creaked.

“Ambien,” she said, her voice a bit louder. “Amitriptyline….”

He swung the beam around the room. There had to be another exit, an opening to the alley….

“Amlodipine….”

He swung the light right and left, but everywhere there were more shelves, more boxes and pill bottles. Dammit! They’d have to exit the same way they came in, which meant they had to beat whatever was upstairs to the front door. Dez shifted his flashlight beam, which jigged wildly now, to the opposite wall. Where are the stairs? he thought. Do the apartments somehow connect to the pharmacy, or do they lead to an exterior door?

“Amoxicillin!” Iris gasped. “It’s here!”

He rushed over to her, his backpack thankfully still unzipped. “Drag it all in,” he said. “Hurry.”

Iris bulldozed three good-sized boxes off the shelf, the pills rattling mutedly as the boxes tumbled into Dez’s pack. From directly above them, the floor screaked long and loud. Dez froze, his genitals shrinking, his breath held, and stared at Iris, whose eyes were as wide as he’d ever seen them. Then the thump of footsteps pounded the ceiling, and he growled, “Go! Go!”

They surged forward, threw open the door, which cracked the outer wall, then halted in the doorway. Rushing footsteps sounded on the store’s tiled floor. Deep, chortling laughter.

Oh Jesus, Dez thought. The vampires are in here.

Boo-graphy: Jonathan Janz is the author of more than a dozen novels. He is represented for Film & TV by Ryan Lewis (executive producer of Bird Box). His work has been championed by authors like Josh Malerman, Caroline Kepnes, Stephen Graham Jones, Joe R. Lansdale, and Brian Keene. His ghost story The Siren &the Specter was selected as a Goodreads Choice nominee for Best Horror. Additionally, his novels Children of the Dark and The Dark Game were chosen by Booklist and Library Journal as Top Ten Horror Books of the Year. He also teaches high school Film Literature, Creative Writing, and English. Jonathan’s main interests are his wonderful wife and his three amazing children. You can sign up for his newsletter, and you can follow him on Twitter, Instagram, Facebook, Amazon, and Goodreads.