Christmas Takeover 39: Andrew Freudenberg: The Boy Who Never Died

The Boy Who Never Died

A Short Story by Andrew Freudenberg
2,421 words

Santa pulled the gift from the sack and sighed. The thing looked complicated and expensive. He had little experience or interest where money was concerned, just a vague notion of its stranglehold on the lives of the living. It was clear to him that this mortal child was near the top of the food chain, his parents either predators or the children of such. These things, however, were largely obscure to him, the symbols of wealth almost invisible to his inhuman gaze. Of course the sack knew all about the ways of the world, and produced the present that it deemed appropriate for the moment. It was one of the ways in which fulfilling the terms of his curse was possible, and for that he hated it.

The things that the sack produced had changed over the years, but their meaningless remained the same. Small human figurines, wheeled models, building bricks and, more recently, intricate boxes that hummed with some kind of innate energy.

It mattered nothing to him what came forth, he knew well enough that these things bought joy to the children that he visited, and that this was a part of his punishment. The gifts were perfectly chosen to maximize their pleasure, and therefore his disgust. That he was the enabler of this joy filled him with such darkness that he had to force back the urge to strike the little sleepers, to tear their soft bodies to shreds. As great as the pleasure might be if he allowed himself to surrender to such urges, it would certainly be extremely short lived, and the end of him.

Once back in the sledge, sweating and gasping for breath, he threw the hated cloth aside. The reindeer growled and pawed, looking back at him to convey their eternal contempt with yellowed gazes. Like him they had once been creatures of the inferno, what the transient called demons. Like him they had undergone the most foul of transmutations. By blade and the application of both banal and magical ministrations, they had been twisted and squeezed into their present forms. The pain had been both exquisite and practically unbearable.

Did he not hate his tormentors so intensely, he might have admired their skills. For supposed creatures of the light they were remarkably sadistic. At least he didn’t have to endure four spindly legs and the stink of the stable, but it was a small mercy. He did, however, have to force himself to clamber up and down narrow chimneys as he entered people’s homes. The lard-ridden body that he had been given was not designed for such acrobatics, nor were the thick red clothes that had been stitched to his pasty flesh. Jagged edges and hot bricks scraped the skin from his face and tore through the material to get to his body. Sometimes the fires were still burning, and the soles of his feet were blackened scar tissue.

The sledge itself had also undergone change in its time. Once it had been part of a mighty weapon, a studded war club that had been a legend for the fear it inspired. Millions had fallen to its blows over the centuries, dousing it in a rarified essence of death and pain. To see it sliced up and reformed as this gaudy vehicle was a constant reminder of his fall. Its screams as they hacked it apart had been pitiful.

“Reindeer away!”

A razor wind cut across them as they rose into the sky, accompanied by a cacophony of clanking chains and groaning boards. Santa frowned as they roared over the monochrome city, wishing that he could lose himself in the shadows below, rather than remain a prisoner above.

“I was once a great warrior,” he screamed to nobody but himself.

As if in answer his nose filled with the smell of Christmas. The stench of pine, the reek of cooked bird, and the abominable stink of fig pudding. His ears filled with the screech of hymns, sickly sweet and nauseating in their insincerity. Snow began to gently fall. Santa looked up into the heavens, entirely sure that he could hear the echoes of angelic laughter from above.

“Oh, how I hate you all.”

When the great armies of Hell had marched forth into battle with the angelic hordes he had pictured several possible outcomes, both of which had been perfectly acceptable to him.

The first, obviously, was that they would stand laughing over the decimated corpses of their enemies, weapons held high in the ruins of heaven. Rivers of blood would have run all around them. His master would have taken the head of the creator and thrown it into the abyss to rot.

The second was that he would have died with his bloodied weapon in hand, a glorious death in the heat of war. He had never considered this third possibility, but then he was not in possession of a twisted imagination equal to the bloody Nazarene and his followers. No martyr’s death for him, no dark heroes end. Instead, this bizarre eternity, this timeless reality, locked into pathetic servitude and humiliation at the hands of those for whom his hatred knew no bounds. Still, nothing infuriated him more than the accursed sack and its infinite gifts.

At the end of every cycle there came a shadow of respite as he visited the last name on his list. It was a mere drip of satisfaction in an ocean of discontent but it was something at least, a beacon in the darkness.

Standing alone in the barren wastes of a dying moor stood a large grey house. A high stone wall blocked it from the outside world, not that there was anyone to see it apart from a few scrawny blackbirds and a couple of emaciated sheep. The sledge landed on its slate roof, perching there in that unnatural manner that it had.

“Here we are again.”

Santa rubbed his tattered gloves together as he climbed out. His reindeer snorted and regarded him with sullen expressions. At some point over the years the chimney had collapsed internally, but he was still able to reach an attic room with a small fireplace. He squeezed himself out over the rusting grate and onto the dusty floor. Breathing hard he stood up and listened.

This was a peculiar house. It wasn’t a family home; it was a place of evil doings and misery. Now, Santa wasn’t unfamiliar with the stench of despair; the human world had grief aplenty, but this place though, this place, it was something different. He sensed that there was an oddity about its inhabitants, an otherness that he couldn’t quite categorize. They were neither angels nor demons, but they carried with them a stench of other that he couldn’t quite place. Faint screams and groans reached him, along with the creaking and moaning of the building itself. Someone shouted, another howled. It was all most unusual.

Creeping down the stairs in the dim light, he kept his wits about him. Here there was always someone or something awake. He moved carefully in the gloom, retracing his steps and concealing himself if he suspected that he might be discovered. As he passed he couldn’t resist peering through the keyholes or gaps left by any door that wasn’t closed properly.

In the first room two naked men were suspended from the ceiling by chains attached to their ankles. A woman clad head to toe in black rubber shouted abuse as she whipped them with a riding crop. Gags that had been stuffed into their mouths muffled their cries. Santa smirked and moved on.

The second room contained two twirling unfortunates, joined at the tops of their heads. Judging by the patchwork of raw squares on their torsos, skin had been grafted across their skulls in order to bond them together. Occasionally their spinning would stop and they would simply pull and shove at each other, seemingly desperate to be separated again. Santa tugged his beard and wondered once more what the reasoning behind it could be. It could have been some kind of ritual or dance, he supposed, but it seemed more likely that it was a punishment. They had been in that room for the last twenty-eight years. Once or twice he had looked in and they had been fast asleep, forming a right angle on the floor.

Santa looked down over the balcony to the entrance hall at the bottom of the stairs. There was a very dead looking Christmas tree, with half a dozen cracked baubles and tinsel that was little more than string. A gas lamp flickered. Nobody was about.

With trepidation he crept down the threadbare stair carpet, glancing from side to side. When cursed with his task, by the bloody seraphs, they had promised a hefty consequence should mortals ever see him. A drunken father had caught him coming out of the fireplace early in his present delivering career, and his keepers had more than kept their promise. He was extraordinarily careful never to allow it to happen again.

The flagstones in the foyer seemed to make an incredible noise, his footsteps echoing around the empty space. The kitchen was to his left and he rushed towards the double doors. They began to open as he approached. Quickly he flung himself behind them, pressing his burly frame to the wall. A crow-faced man in a butler’s uniform emerged, carrying a silver tray with a red tinged drink on it. The servant crossed to the other side and pushed it open, releasing wafts of conversation and music. As he went in, and the door closed behind him, it faded away again leaving Santa alone, apart from the thundering of his panicked heart.

“I’ll soon be there”, he whispered, “It’ll be my moment again soon.”

The kitchen was a large open space with several rows of ovens and grills. Sticking his head around the door, Santa Claus could see a Chef in the far corner. He was stirring a huge pot with one hand and swigging from a bottle with the other. A tiny transistor radio was blasting out hymns, the melodies straining to be heard amidst the static. The cook hummed along to them, swaying as he did so.

Dropping to all fours, Santa crawled into the room. The smell hit him like a tidal wave, swamping his senses and leaving him drooling. He licked his lips. One didn’t serve for centuries in hell without becoming very familiar with that particular aroma. There were always bodies burning, roasting corpses that filled the air with their essence. That stink and the reek of sulphur and fetid decay had been his everyday companions. The craving to taste that forbidden flesh was so strong that he had to bite his lip. Even if his current feeble body could have digested it, he doubted that it would have gone without a hefty price.

He edged along the kitchen units, hidden from sight. Fragrances continued to torment him. His expertise was far enough advanced that he could pick out the perfume of a smoldering liver or a steaming heart. He could tell the age of the meat and even whether it had come from a man or a woman. How he missed its flavor and its texture.

Shaking his head and pushing his desires aside, he focused instead on the prize to come., how he would get one over on that accursed sack, just even for a moment. A few seconds was enough to sustain him for another year. A sudden clatter gave him pause, but it was just the Chef dropping his spoon. He carried on.

At the end of the row was an archway that led to some narrow steps. Swiftly passing through it, Santa tiptoed down them. At the bottom was a metal door. Slowly he pushed it open and entered the room.

A filthy faced little boy lay twitching and unconscious on a low bed, a dirty blanket pulled up to his chin. His face was pale and sunken, and his breath rattled and shook. Occasionally he muttered something incomprehensible or simply groaned in pain. Santa Claus had to resist applauding and instead simply grinned.

For fifty years or more he had visited this place. The boy had always been here in his bed, always with the same pallid near to death appearance. He had never aged and showed no sign of doing so in the future. He was someone’s prisoner, someone’s experiment. He was the boy who never died.

“So… once more it’s time.”

Santa pulled the sack from a deep pocket and placed it on the floor in front of him and cackled.

“So sack… fail for me once more.”

He glanced at the piled up presents in each corner of the room. They were unopened, untouched, of no use or interest to this unnatural child. He was busy in his suffering, unable to escape from his unnaturally long stay on this mortal coil. The sack produced more and more intricate offerings year-by-year, desperate in its attempts to impress. It was hopeless and beautiful.

“Go on…”

He leant down to reach into the sack but froze halfway there.

At first the green fumes were gaseous and loosely formed, rising up from the hessian in a mushroom plume. Then they began to tighten, wrapping themselves into an intricately knotted chain. They curved from side to side like a snake rising from a basket. Santa could almost hear it hiss.

“What the…”

It extended, making its way up and forwards toward the sleeping boy. It slithered over the surface of the blanket up towards his face.

“No…”

It glided up over his lips, and into his nostrils. Eventually it disappeared from sight. The adolescent blinked and his eyes sprang open. They were a bright blue. He smiled and then his eyes closed again slowly. He took one deep breath, exhaled, and then his chest was still. He was at peace.

Santa looked down at the unmoving sack then at the child, then back at the sack again. His jaw fell open in disbelief as he realized that there were no victories left in his life. The damn bag had finally succeeded. A stab of pain burst across his chest. He clutched at himself and gasped for air. After a while the discomfort passed and he was able to snatch the sack back up from the ground.

“Merry Christmas”, he muttered, “Merry bloody Christmas.”

Andrew Freudenberg is an English author with a German name. He was born in France.

Despite always having a strong love for the written word, he spent a large part of his 20’s dabbling in the global techno scene. He loves heavy metal.

A number of his stories have appeared in anthologies. My Dead & Blackened Heart will be his first solo collection.

He currently lives in the South West of England with his Ninja wife and three sons.

Halloween Extravaganza: Andrew Freudenberg: Halloween

When I receive any guest post from an author, I always take a few minutes to skim through what they’ve written me. I can’t tell you how excited I was to see someone mention a record that I absolutely loved as a child, something my father used when he handed out candy for the trick or treaters, something that got an awful lot of play at my house. The memories 🙂


I grew up in the 1970’s on a fruit farm in the south-west of England. It wasn’t exactly the middle of nowhere, but it was pretty close. Halloween of the kind that Americans celebrate was certainly a long way away. Once my grandparents and the handful of the neighbours had been primed, there was the opportunity for very minimal ‘trick or treating’, but it wasn’t expected that random strangers would have a clue what you were knocking on their door for. It was still considered an American thing, along with hamburgers and saying that things ‘sucked’.

Of course, my experiences are my own. Perhaps a city kid would tell you a different story, but as I remember it, Halloween seemed more traditional, more a nod to the shadows. It certainly involved less sugar. We would ‘bob’ for Apples, attempting to extract them from a bowl of water with our teeth.

I used to have an album, on vinyl of course, that Disney had released. Readers may be aware of it. Chilling Thrilling Sounds of the Haunted House. On the first side a narrator set up various scary scenarios, and on the second side listeners were left to their own devices, with just the sound effects to guide their imagination. My brother and I would creep around our darkened living room, absorbing the thrills and chills evoked by Laura Olsher’s dulcet tones. We would evade wild dogs, become aliens, and marvel as ships were wrecked and bridges collapsed. I loved that album!

Now I have three boys of my own. They love to dress up and go trick or treating. These days you can get a pretty good haul of sweets, or candy, and there are pumpkins peering out from many a window. Perhaps this year we’ll find a street without street lights, awash with darkness and gloom, and maybe, just maybe, we’ll find a ghost of our own.

Andrew Freudenberg is an English author with a German name. He was born in France.

Despite always having a strong love for the written word, he spent a large part of his 20’s dabbling in the global techno scene. He loves heavy metal.

A number of his stories have appeared in anthologies. My Dead & Blackened Heart will be his first solo collection.

He currently lives in the South West of England with his Ninja wife and three sons.

My Dead & Blackened Heart

14 stories of terror, dread and fatherhood. 

From the isolation of space, to the ever-watchful eyes in a darkening wood, Andrew Freudenberg takes us on a journey exploring the themes of friendship, fatherhood and loss, as we pick through the remains of his dead and blackened heart. 

“Overhead the lighting operator switched everything to green, just as two enormous mortars fired shredded silver paper in a plume over the crowd. Sarge blinked, attempting to clear the salt lacing his eyes. 

For a moment he thought he saw paratroopers descending from above, but shook off the hallucination and turned his attention to the stalls. A group of youngsters were caught by Doc’s spotlight for a split second, their eyes wide with wonderment and a touch of fear. 

It was enough to send Sarge back to the jungle, back to the children in the village. Their eyes had been the same, gazing up at him intently, even after he had slaughtered them with his bayonet and laid them all out in a row. At the time it had seemed the kind thing to do, a mercy killing of sorts. After all they had executed everyone else, so who would have looked after them? 

There was something complete about leaving them lying peacefully amongst the burning buildings. 

It had been a Zen moment.” 

Featuring the stories: Something Akin To Despair, A Bitter Parliament, Charlie’s Turn, Pater in Tenebris, Milkshake, Nose to the Window, The Cardiac Ordeal, Meat Sweets, Scorch, The Teppenyaki of Truth, Before The Meat Time, Hope Eternal, The Last Patrol & Beyond The Book. 

Halloween Extravaganza: INTERVIEW: Andrew Freudenberg

Meghan: Hi, Andrew! Thanks for joining us today. Let’s start out with something easy. Tell us a little bit about yourself.

Andrew Freudenberg: I live in the West Country in England, with my Ninja wife and three sons. I have a German name because my Grandparents were German, I was born in France, but I’m British!

Meghan: What are five things most people don’t know about you?

Andrew Freudenberg:

  • I used to own a techno/trance record label, releasing my own and other’s music.
  • I have a degree in Information Technology and Philosophy.
  • I once DJ’d in the New State Circus building in Moscow.
  • I grew up on a fruit farm.
  • I have interviewed Anthrax, Celtic Frost, and Savatage.

Meghan: What is the first book you remember reading?

Andrew Freudenberg: Probably something by Richard Scarry. According to my mother, one of the first phrases I ever used, repeatedly, was ‘read a book’.

Meghan: What are you reading now?

Andrew Freudenberg: I always have a few things on the go. I just finished Necroscope by Brian Lumley, a proper old school horror. As well as a pile of books that I have to read as a juror for the BFS awards, I’m also just starting Laura Mauro’s new collection, finishing off Penny Jones’ mini collection and have probably half a dozen other anthologies on the go as well. I’m also a big comic reader and have nearly finished ploughing through the World War Hulk Omnibus.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Andrew Freudenberg: Great Expectations by Charles Dickens.

Meghan: What made you decide you want to write? When did you begin writing?

Andrew Freudenberg: I think it was probably a love of reading. I’ve always written, from when I was very small. It’s only in the last decade that I’ve gotten a little more focused on actually getting some fiction published.

Meghan: Do you have a special place you like to write?

Andrew Freudenberg: Not really. Anywhere quiet preferably.

Meghan: Do you have any quirks or processes that you go through when you write?

Andrew Freudenberg: No. I’m disgustingly disorganised, and easily distracted, so attempting to focus is really my top priority!

Meghan: Is there anything about writing that you find most challenging?

Andrew Freudenberg: See above! Focusing on one thing and finding the time are really the basic challenge.

Meghan: What’s the most satisfying thing you’ve written so far?

Andrew Freudenberg: I’m not sure that I could name any one thing. Crossing the finish line is always immensely satisfying, and I hope that the best is yet to come!

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Andrew Freudenberg: That’s a very difficult question. I think of authors that I love to read, rather than necessarily inspire me, although I suppose everything that I read is in some way subconsciously inspirational. King, Herbert, and Barker were the first real horror writers that I dived into when I was a teen, and I was also reading Clarke, Heinlein, and Asimov in the SF world. I hope my writing style is my own. I haven’t set out to copy anyone else, and I think writers tend to be a melting pot of a multitude of other’s styles, mixed in with their own personality and experience. If you read my collection, you’ll see that I like to write everything from in your face pulp, to more introspective pieces.

Meghan: What do you think makes a good story?

Andrew Freudenberg: I think it all starts with a writer’s voice and how it translates from the page. Their rhythm, vocabulary and style need to be compatible with the reader. From there it opens up into a multitude of things, an interesting setting, an intriguing premise and characters that you enjoy ‘watching’.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Andrew Freudenberg: As a writer, they have to be fun to write. As a reader, they have to be alive. I think my characters emerge from the particular hell that I’m usually putting them through. It’s a fairly natural process for me, and there usually doesn’t feel like anyone else would fit the bill for that particular scenario.

Meghan: Which of all your characters, do you think is the most like you?

Andrew Freudenberg: I think that there’s usually at least a sliver of the writer underlying most characters. I’m not sure that there’s one that is noticeably more like me than the others, but with a lot of the stories in my collection, the aspect of me that is a parent seems to have forced its way through.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Andrew Freudenberg: A bad cover is definitely off-putting. A lot of my stories are in anthologies, and I have no say in those. Some have been quite bad, but thankfully of late, they’ve been excellent. I worked closely with my publisher on the cover for My Dead and Blackened Heart, and in fact ended up using some art created by my youngest son. I think it is quite striking.

Meghan: What have you learned creating your books?

Andrew Freudenberg: That it’s damn hard work!

Meghan: What has been the hardest scene for you to write so far?

Andrew Freudenberg: My characters go to some very dark places, but I’m strange in that the worse the situation, the more I enjoy writing it. I like to get grim. I think I may be lacking some kind of filter that many people have. I don’t feel any need to hold anything back.

Meghan: What makes your books different from others out there in this genre?

Andrew Freudenberg: As I mentioned earlier, I think it comes down to voice. Hopefully I write like myself, and that goes a long way to differentiating me from other writers.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours?

Andrew Freudenberg: I think its reasonably important and extremely difficult to settle on one. My Dead and Blackened Heart was a story that I wrote about a devastated vampire, and I think it sums up the tone of my book very well. Also, no spoilers, hearts pop up here and there throughout the collection. (The actual story My Dead and Blackened Heart is included in the hardback version of the collection).

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Andrew Freudenberg: As yet, I haven’t had any novels published. I think signing off on a novel would inevitably be more fulfilling, but the suffering immeasurably greater!

Meghan: Tell us a little bit about your books, your target audience, and what you wold like readers to take away from your stories?

Andrew Freudenberg: With horror, I want to leave the reader emotionally marked. I hope that when they finish one of my short stories they have to pause for breath, shake their head and go back to read the last paragraph again, just in case it wasn’t as grim as they thought it was. You should feel a different mental state by the end of the tale. As far as target audience goes, just anyone who enjoys the genre or, hopefully, think that they don’t.

Meghan: What is in your trunk?

Andrew Freudenberg: I have all sorts of ongoing works in process. Did I mention that I struggle to focus? Numerous novellas and shorts edging towards completion and novel ideas bubbling under. I’d also like to get back to making music again, and I’m very interested in the idea of making a film.

Meghan: What can we expect from you in the future?

Andrew Freudenberg: Longer works and more of the same, different angles and flavours, just a variety of hopefully interesting stories. I’d like to get back into producing music and I’m giving films the side-eye.

Meghan: Where can we find you?

Andrew Freudenberg: Facebook ** Twitter

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Andrew Freudenberg: Thanks for reading. That’s the greatest joy for me, that someone enjoyed something that I wrote. Let me know what you thought, I love to hear from readers.

Andrew Freudenberg is an English author with a German name. He was born in France.

Despite always having a strong love for the written word, he spent a large part of his 20’s dabbling in the global techno scene. He loves heavy metal.

A number of his stories have appeared in anthologies. My Dead & Blackened Heart will be his first solo collection.

He currently lives in the South West of England with his Ninja wife and three sons.

My Dead & Blackened Heart

14 stories of terror, dread and fatherhood. 

From the isolation of space, to the ever-watchful eyes in a darkening wood, Andrew Freudenberg takes us on a journey exploring the themes of friendship, fatherhood and loss, as we pick through the remains of his dead and blackened heart. 

“Overhead the lighting operator switched everything to green, just as two enormous mortars fired shredded silver paper in a plume over the crowd. Sarge blinked, attempting to clear the salt lacing his eyes. 

For a moment he thought he saw paratroopers descending from above, but shook off the hallucination and turned his attention to the stalls. A group of youngsters were caught by Doc’s spotlight for a split second, their eyes wide with wonderment and a touch of fear. 

It was enough to send Sarge back to the jungle, back to the children in the village. Their eyes had been the same, gazing up at him intently, even after he had slaughtered them with his bayonet and laid them all out in a row. At the time it had seemed the kind thing to do, a mercy killing of sorts. After all they had executed everyone else, so who would have looked after them? 

There was something complete about leaving them lying peacefully amongst the burning buildings. 

It had been a Zen moment.” 

Featuring the stories: Something Akin To Despair, A Bitter Parliament, Charlie’s Turn, Pater in Tenebris, Milkshake, Nose to the Window, The Cardiac Ordeal, Meat Sweets, Scorch, The Teppenyaki of Truth, Before The Meat Time, Hope Eternal, The Last Patrol & Beyond The Book.