Christmas Takeover 38: Rebecca Besser: The Magic of Christmas

The Magic of Christmas

A Short Story by Rebecca Besser
3,468 words

“Hammond, where is everyone? Only half the elves are here today.”

“They’re sick, Santa,” Hammond said with a heavy sigh, as he too looked out over the workshop floor. “Ever since Royce came back from cutting down Christmas trees with a strange bite, more and more elves are getting ill.”

Santa crossed his arms and frowned. “Will we still meet our quota for toys? I can’t have children going without presents.”

“If we work longer shifts we should be able to make it,” Hammond said, looking at a spreadsheet on his clipboard. “It’s going to be close. If anyone else gets sick we might fail.”

“Failure is not an option,” Santa said sternly. “Do what needs done—after Christmas everyone can rest.”

Hammond watched as Santa walked away. He hadn’t mentioned that the illness was the strangest he had ever seen. Santa didn’t need the extra stress right now, as he was still going over the Naughty & Nice List.

Turning toward the workshop, Hammond got on the intercom and announced the shifts that would be needed to ensure Christmas came on time.


“Hold him down!” Dr. Jim screamed. “If he bites anyone, they’ll get sick, too. We already have too many of these biters!”

“I’m trying, sir,” Milly said just before the patient broke loose and took a chunk out of her arm with his teeth. She screamed as blood shot everywhere, her eyes huge with pain and shock.

Dr. Jim growled and grabbed the patient’s arm, slamming it down on the table and securing it with tinsel rope. “Milly, go get that bandaged and then admit yourself to the Holly Wing. You’re now infected with the disease.”

Milly took a deep, shaky breath with tears in her eyes. She had seen what happened to the infected and didn’t want it to happen to her. Her eyes pleaded with Dr. Jim, begging him to let her stay, to say she wasn’t infected.

He took a deep breath and softened his tone. “Maybe we’ll figure something out. Maybe we’ll be able to stop it. But you know as well as I do that you’ll try to infect someone else once it takes hold. We have to be careful. Go and get looked after. I’ll come check on you when I get done here.”

Milly nodded, her tears sliding down her round, cheery cheeks that were already starting to pale. She scurried out through the brightly painted red and white striped doors.

As they swung shut, Dr. Jim bowed his head and said a quick prayer, asking God to save them all. He knew this was a hopeless cause. There was no stopping the infection. He pulled up his sleeve and looked at the pussy teeth marks that were turning his arm purple. Soon he would be one of the flesh eaters, one of the walking dead.

The room started to spin and Dr. Jim clung to the table that held the elf who had already turned. The gnashing of the patient’s teeth and the incessant moans began to fade as Dr. Jim fell to the floor.


Two days later, Santa sat in his office, staring out the window. He watched white, fluffy snowflakes float down from the grey, overcast sky without really seeing them. He had finished the Naughty & Nice List yesterday. Today, he had read the medical report from the hospital. Ninety-eight percent of the elves were sick or dead. He feared after delivering presents tonight he would come back to nothing. This might be the last Christmas ever, but at least there would be gifts this year.

Hammond knocked on the door before entering. “Santa, we’ll be ready on time. There were enough of us left to load the sleigh. We’re exhausted, but there will be Christmas for the children.”

Santa sighed. “Yes, for the children.”

Hammond caught the melancholy in Santa’s tone. “We’ll figure something out, sir. Maybe things will be better by the time you return.”

Santa shook his head and rubbed his forehead. The pictures he had just examined flashed through his mind. Pictures from inside the hospital, were the walls had been drenched with blood. The red liquid had been everywhere, dripping off the ceiling and candy cane railing, puddled on the floor. It looked like a sadistic butcher shop. The worst thing was no one was there. Bones and severed limbs had littered the halls and rooms, but no living or moving thing was left. Everyone was missing. The only indication that the missing elves had been able to walk away was the trail of bloody footprints in the snow, leading into the woods.

“The sleigh will be ready in an hour,” Hammond said and left, closing the door behind him.


The reindeer munched contentedly on the hay that was laid out in front of them while they waited for Santa. The sleigh sat behind them, loaded down with merrily wrapped packages. The joyful colors of red and green added a festive and exciting accent to the otherwise drab, brown shed.

Prancer was just bending down for another mouthful of hay when he saw a movement to his left. He froze as he sniffed the air. It smelled like an elf, but it didn’t. Looking at the strange creature, Prancer let out a warning bleat.

The other reindeer looked up at Prancer’s warning of danger, stepping back and forth, they tried to break free of their harnesses.

The creature ignored the animals and instead headed for the sleigh. The little, pale elf sniffed at the velvet interior and liked the scent. She climbed in and burrowed underneath the packages.

Prancer snorted and looked at his teammates. He cocked his head as if to ask, “What was that thing?”

The others snorted and tossed their heads.


Santa’s solemn face stared back at him as he pulled his shiny, black leather belt tight over his paunch, securing his red velvet coat.

“This is it, old boy,” Santa said to his reflection. “Time to deliver all the Christmas cheer.”

He was still staring at his reflection, as if he could find all the answers in his mirrored self, when Hammond came in.

“It’s time, sir,” he reported to Santa. “The sleigh is loaded, the reindeer are ready, and it’s time for Christmas Magic!”

Santa inwardly winced at the false cheer in Hammond’s voice.

“Christmas Magic, indeed,” Santa mumbled, turning and putting on his hat. “Let’s get this over with.”

Hammond was close to tears as he watched Santa walk out of the room. He may be a three-hundred-year-old elf, and had cried maybe two times in his adult elf years, but this was the saddest thing he had ever seen. Santa was depressed about Christmas and nothing could be done to pull him out of it.

Moving to the window, Hammond watched Santa board the sleigh that had been pulled outside. The snowflakes danced, the reindeer pranced, and thirty elves who weren’t sick tried to cheer. They fell flat and looked dead on their feet.

Santa cracked his magic whip, the silver and gold strands glinting in the gas street lights, and with a half-hearted “Ho! Ho! Ho!” they were off.

Hammond watched them take off. It was perfect as always. At least some things stay the same, he thought with a sad smile, watching Santa until he couldn’t be seen any longer. When he looked back at the village, his eyes fell on the condemned hospital. He shuddered. Despite the new snowfall, the blood on the ground in front of the main doors was still visible, now showing pink instead of bright red.

Turning from the window, he set about straightening the few items Santa had used while getting dressed. He was placing the last item, a silver comb, on the dressing table when he heard the first scream.

Rushing back to the window, he looked down on the quaint village that was nestled in the arctic glaciers of the North Pole. What he saw made him gasp in shock as fear gripped his heart with its icy fingers.

They had returned.


Santa went through his duties, and that’s what they felt like to him that night, duties. Normally it was a pleasure for him to give gifts. This year he didn’t care. He knew unless a miracle happened Christmas would cease to exist. What he couldn’t understand was, why wasn’t Christmas Magic helping now? Why hadn’t it stopped the outbreak? Was he failing in some way?

With a heavy heart, he left beautiful dolls for good little girls and skateboards for good little boys. Thinking of the delight in their eyes when they ran down the stairs in the morning to find their special gifts, made just for them, brought a faint smile to his lips and a rose tinge to his waxy cheeks. He decided right there, right then, this was going to be the best, most beautiful Christmas ever, even if it killed him.

With renewed vigor, he stood tall and marched to the chimney with determination. Yes, Christmas was going to be wonderful, illness and death would come, but not until after he had made sure Christmas would shine in the memory of every person, in every house, that he touched that night.


Hammond stood frozen, not quite believing his eyes. Elf-zombie after elf-zombie came pouring into town, moaning and waving their arms. It was like some circuit in their festering brains remembered they were supposed to be there for something. In fact, they were supposed to see Santa off, but they were too late, and it was now too late for the elves that had arrived on time.

The hungry horde fell on the tired, weak, healthy elves like they had never eaten before and needed sustenance so badly that they couldn’t help themselves. Flesh was bitten and torn off with cruel hands, claws, and teeth. Pale faces and foggy eyes contrasted with bright red blood as it shot through the air, spraying everyone. Some of the elf-zombies were cackling and catching blood drops on their tongues, just like small children do with snowflakes.

He shuddered. The gore was unimaginable. He had never seen such violence. That was something reserved for humans, not elves. They were supposed to be happy, peaceful beings. This wasn’t their way.

A gleeful moan sounded behind him. Hammond whirled around to see five of the elf-zombies standing in the doorway with sadistic grins on their rotting faces. Blood still speckled their cheeks from the feeding frenzy in the courtyard.

“No,” he said, raising his arm to protect himself as they advanced toward him. “No!”

As his back hit the wall, his hand came in contact with a silver-reindeer-topped cane. Lifting it high over his head, he let out a wild war cry and slammed it into the head of the lead zombie. It whimpered and fell to the floor to bleed out.

Hammond was shocked with himself, and with the fall of the elf-zombie. Renewed hope warmed his heart. He would go down fighting. These creatures weren’t taking Christmas away that easily. They would pay with their lives.

“You can’t have Christmas!” he yelled and battled the four remaining foes.

They weren’t fast and they weren’t smart, so it didn’t take him long to dispose of them. With a crocked grin and a cocky swagger, he left the dressing room, dispatching every zombie that was unlucky enough to cross his path. A few other healthy elves saw what he was doing. Taking up arms, they followed, and they fought.


Santa was on the last leg of his journey. He had one country left to deliver toys to. He knew it wouldn’t be long before the children would awaken and the true Magic of Christmas, joy and love, would be spreading all over the world. That was his gift to the masses. It was the only thing that gave him the strength to go on.

He returned to the sleigh after delivering a train set and a teddy bear, after yet more milk and cookies, when something in the back caught his attention. A couple of the packages shifted and he thought he saw claws. Frowning, he didn’t think there were any puppies being given out this year, due to the outbreak they weren’t taking any chances by delivering anything live that could possibly carry the disease.

Leaning down into the backseat of the sleigh, he moved a couple of boxes aside, not finding anything. He was about to turn away when a female elf-zombie shot out and grabbed ahold of his arm. She hissed threateningly and climbed up onto his shoulders in the blink of an eye.

Santa swung up at the little beast, trying to knock her off. After a full minute of swinging and spinning, he got a handful of braid and yanked as hard as he could. He was horrified when he looked down to see that all he held was hair and scalp. It dripped with slimy, dark red blood and veins. Frozen for a moment in shock, he was brought back to reality as the zombie bit into his neck.

Screaming with pain and cursing the little demon, he threw himself backwards onto the roof of the house. He was big enough, and heavy enough, that the action dislodged the zombie. She went rolling and tumbled off the roof, her head hit a fence post, impaling and killing her.

For the first time, Santa noticed the reindeer were agitated. He had been so preoccupied with what was going on at the North Pole, and his personal hang-ups, that he had ignored the warning signs they had been trying to give him all night.

Clutching his neck, he got up on his knees and then stood. Walking over to the reindeer, he patted them gently to calm them down.

“It’s all right now,” he said in a soothing voice. “The little biter is gone. We’ll finish up and head home—everything is going to be okay.”

Despite his words, he wasn’t sure. Even now, just a few minutes after being bitten, he was already starting to feel weak from the loss of blood, and from a fever. As he climbed back into the sleigh, he grabbed the reins and they were off again, for how long, he didn’t know.


Hammond and his army of three follower elves fought their way outside. They stood in the double doorway of the workshop and surveyed the carnage in front of them. Altogether they had killed a total of thirty-five zombies. They were tired from working long, hard shifts and they wanted to lie down and sleep, but that wasn’t an option. Fear and anger were fueling their bodies with overwhelming amounts of adrenaline, which seemed to grow stronger with each passing moment.

They looked at each other, smiling and grinning with a mad delight in getting revenge on these Christmas assassins. With a whoop and a holler, they charged into the fray, swinging their weapons in a craze of joy.

It took the feeding zombies awhile to realize what was happening. Hammond and his band took out twenty more zombies before their presence was noticed.

The zombies gathered in a shuffling, moaning, disgusting crowd and shambled toward their attackers, now intent on enjoying some fresh, hot meat.

“Hold rank,” Hammond barked.

The warrior elves stood in a straight line across the street, bloody weapons dripping on the snow-covered ground. Their breaths came out in thick, puffy clouds. Eyes blazing, stances set for the onslaught, they waited for Hammond’s signal.

“Forward,” Hammond yelled. “No mercy!”

Charging forward into the horde, Hammond and his band fought valiantly. Clubs met heads that gave way with moist thumps. Blood sprayed and splashed on the warriors and on their surroundings, but it didn’t slow them at all. The hungry mouths of the zombies were everywhere, gnashing, chomping, and biting. Two of the band fell to their foes; the others fought on.

Before long, all the zombies were down. Hammond looked around for his friends, to no avail. He was the only survivor, or so he thought.

As he stood bent over, breathing heavily, a door to a small cottage across the street creaked open. He spun, raising the reindeer cane high above his head, ready to be charged by yet another enemy. When he saw that it was just a young elf and his mother standing in the doorway, he laughed and lowered his weapon.

More and more families started pouring out of their homes, where they had been hiding. Female elves with their children. He hadn’t thought of all the young elves…that stayed safely at home during everything. They had survived the illness with their seclusion.

Hammond fell to his knees. Their race would go on, the little ones would grow, and Christmas would continue. Laughing hysterically, letting out all of the tension and despair that had been plaguing him, he realized Christmas was truly magical.


Santa wasn’t feeling too good. Every time he stopped to deliver gifts, he vomited. This didn’t worry him at first. All the milk he had drank, and a fever, would cause vomiting, so at first he just ignored it. But as he began to get dizzier and starting throwing up blood, he knew he was done for. He had to get home, and soon.

Weaving, he made his way back to the sleigh.


Santa passed out on the way back to the North Pole. Luckily the reindeer knew their way home. They were still nervous and flew faster than normal. They needed the security and safety they knew they would feel when they got into their stalls.

The smell of blood reached them, even in the air. The reindeer jerked so hard, and rocked the sleigh so violently, it woke Santa. He moaned and took the reins, guiding the reindeer down the best he could.

He passed out again, just as they halted in the bright red snow.


Hammond had seen the sleigh land and had come out to meet it. As he approached, he noticed how pale Santa was. Rushing to him, he shuddered as he saw the festering wound on Santa’s neck and the blood that dotted his coat.

For a moment he just stood there, not knowing what to do. He wasn’t sure if he should waste his time by having Santa dragged inside or if he should just slam something into his head now, before he turned.

The choice was taken away as a young female elf saw Santa. She screeched with joy and tugged at her mother’s skirt, yelling, announcing his return.

Soon the remaining elves were surrounding the sleigh. The adult’s eyes took in the situation and they looked to Hammond with panic and concern.

“Take the reindeer to the barn and see to them,” he instructed a small group of elves. “The rest of us will get Santa inside. Sprinkles, why don’t you take all the little ones to your house while we get him inside?”

Sprinkles nodded and took charge of the small children.

The remaining elves helped him get Santa inside. They removed his belt, boots, hat, and coat and put him in bed.

Hammond stayed with Santa. He could hear the nervous chatter of the other elves in the hall. There was no hope for Santa. He was going to become a zombie, too.

Hammond bowed his head to pray, and jumped when the door to Santa’s room flew open and an elf, no more than five-years-old, came dashing in giggling. Her blonde hair was coming free from her long braids, looking like woven gold in the candle light.

“Santa!” she squealed and hopped up onto the bed.

Hammond jumped up and tried to grab the child, but she was too fast.

Santa’s eyes shot open; they were cloudy. He hissed and sat up, grabbing the girl as she wrapped her arms around his neck. His teeth were merely an inch away from her tender flesh when she spoke.

“Merry Christmas, Santa!”

Zombie Santa froze, and a blinding flash of light flashed between him and the little girl.

Hammond raised his hand to shield his eyes from the glare. Blinking rapidly, he waited for it to fade. It only took moments.

When he could see again, he looked at the girl and Santa. He was normal. He looked cheerful and healthy. The girl was sitting on his lap, rattling off all the presents she had gotten like nothing at all had happened.

Speechless, Hammond turned and left the room. The Magic of Christmas had come through for them after all. Everything would be fine, and there would be more presents next year.

Rebecca Besser is the author of Nurse Blood. She is a member of the International Thriller Writers Organization. She has been published hundreds of times in magazines, ezines, anthologies, educational books, on blogs, and more in the areas of poetry, fiction, and nonfiction for a variety of age groups and genres. Her nonfiction article on skydiving was picked up by McGraw-Hill for NY Assessments. One of her poems for children was chosen for an early reader book from Oxford University Press (India). Her short story, P.C., was included in Anything But Zombies! published by Atria Books (digital imprint of Simon & Schuster).

Rebecca’s main focus has been on horror works for adults. She writes zombie works, suspenseful thrillers, and other dark fiction related to the horror genre/community. She has also edited multiple books in these genres.

Amazon Author Page

Halloween Extravaganza: INTERVIEW: Rebecca Besser

Meghan: Hi, Rebecca. Welcome to Meghan’s House of Books, and thank you for agreeing to take part in our Halloween Extravaganza. Tell us a little bit about yourself.

Rebecca Besser: Hi, I’m Becca. A wife, mother, and author. I write mostly dark fiction, but have been published in poetry, nonfiction, and fiction for all ages (children – adult). I like to read, watch movie, and cook.

Meghan: What are five things most people don’t know about you?

Rebecca Besser:

  • I’m a sometimes goat midwife, since my son has a small mini-goat farm.
  • I’m a published photographer.
  • I was homeschooled after 6th grade.
  • I’ve been to Israel twice, and have also visited Rome and Holland (all before I was 16).
  • I snore.

Meghan: What is the first book you remember reading?

Rebecca Besser: The Trumpet of the Swan by E.B. White

Meghan: What are you reading now?

Rebecca Besser: The Handmaid’s Tale by Margaret Atwood

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Rebecca Besser: That’s a hard one… I read a large variety of books and genres. I’ll go with The Shack by William P. Young.

Meghan: What made you decide you want to write?

Rebecca Besser: I have been writing for as long as I can remember. I won an award for a story when I was in 1st grade. But, I signed up for my writing course with the Institute of Children’s Literature after I had a miscarriage. Writing ended up being good therapy for me.

Meghan: When did you begin writing?

Rebecca Besser: Writing for serious? Like trying to get published? About 12 years ago. So, around 2007.

Meghan: Do you have a special place you like to write?

Rebecca Besser: At home, on my laptop. Usually in my living room, on my couch/recliner.

Meghan: Do you have any quirks or processes that you go through when you write?

Rebecca Besser: No, not really. I do like it when my house is quiet and I know I won’t be interrupted.

Meghan: Is there anything about writing you find most challenging?

Rebecca Besser: Finding the time to do it. My family is important to me, so I give them a lot of my time.

Meghan: What’s the most satisfying thing you’ve written so far?

Rebecca Besser: I’ve written a number of articles for Super Teacher Worksheets. One of those articles was about my husband and his job. Writing that was pretty satisfying, especially knowing that it will help educate children.

Meghan: What books have most inspired you?

Rebecca Besser: As a writer? I can’t think of any in particular. I love all kinds of books, writing styles, and story-telling formats. You can learn for any book, even a bad one.

Meghan: Who are some authors that have inspired your writing style?

Rebecca Besser: I’ve never tried to pattern my writing story after another writer. Writing style, I believe, is something unique to each and every writer. No two writers can tell the same story, because their insight and style change everything.

Meghan: What do you think makes a good story?

Rebecca Besser: A good story needs to be told well, easy to follow for the reader, and be interesting. If you can easily entertain and captivate your reader, your story will be loved regardless of the content/genre.

Meghan: What does it take for you to love a character?

Rebecca Besser: I need the character to seem as real as possible. I want to forget I’m reading about a fictional person and actually think I’m reading about a real person.

Meghan: How do you utilize that when creating your characters?

Rebecca Besser: I try to make my characters seem as real as possible. I want them to have quirks, realistic dialogue, and seem like someone you could walk past on the street at any moment.

Meghan: Which, of all your characters, do you think is the most like you?

Rebecca Besser: Oh, that’s an easy one, since I actually wrote a short story with the main characters based on myself and my husband. The story is entitled, “My Kind of Woman,” and can be found in my zombie short story collection, Twisted Pathways of Murder & Death. I named her Brooke.

Meghan: Are you turned off by a bad cover?

Rebecca Besser: Sometimes. But if I find the blurb for the book interesting, I will probably still read it. Some really great books have bad cover. Also, some really bad books have great covers. Covers don’t always represent the book well.

Meghan: To what degree were you involved in creating your book covers?

Rebecca Besser: For my self-published works, I create my own covers using stock art, but sometimes I have an artist do an original cover. Undead Drive-Thru’s covers (both versions) were done by artist, Justin T. Coons. Also, my Nurse Blood novel was inspired by one of his original paintings, which I bought from him and now own. Nurse Blood’s current cover (with Limitless Publishing) is based on some pictures I found on the internet.

Mostly though, I do my own covers.

Meghan: What have you learned creating your books?

Rebecca Besser: I’ve learned to create and format book covers, edit, and do eBook and paperback internal formatting. I can do it all because I worked with some small presses years back and learned a lot about indie publishing overall.

Meghan: What has been the hardest scene for you to write so far?

Rebecca Besser: In an anthology entitled, Fading Hope: Humanity Unbound, my story, “When Plans Fail,” has a scene that was hard to write. The book was about hopelessness. My story was set in the zombie apocalypse. The characters were a young mother and her infant. The mother was bitten when she attempted to get supplies, mainly food, and she tried to take the baby and find someone to care for it. Unfortunately, she didn’t find anyone before she started to turn. She didn’t want to eat her own child… so she ended the baby’s life so she wouldn’t hurt it and it wouldn’t suffer and starve to death.

That was hard to write, and I imagine it was hard for the reader to read.

Meghan: What makes your books different from others out there in this genre?

Rebecca Besser: I try to stay away from the mainstream norms of the genres. Nurse Blood is an organ harvesting thriller, which isn’t a huge genre. For zombies, I try to do stories with themes I haven’t seen, heard of, or read before. My Zpoc Exception Series (ebooks) is based on characters that are immune to whatever is making people zombies. They get bitten, they get sick for a time, and then they’re fine. Undead Drive-Thru only had one zombie in the entire book. Undead Regeneration, the sequel, has zombies, but not at apocalypse level.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Rebecca Besser: I used to really struggle with titles, but I’ve gotten better. I decided the title needs to have something to do with the book, like I’m summing up the entire book/story in just a few words. That’s incredibly hard. I usually have a few working titles and pick one when the book/story is complete. It really helps if I can take a line or phrase out of the actual work to use as a title, but that rarely happens. You also have to make sure the title actually sounds interesting so you can catch people’s attention. Because, you know, it isn’t hard enough already.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Rebecca Besser: I feel fulfilled if the story is told well. It doesn’t matter the length of the work. Making everything make sense in a way that will engage and grab the reader is fulfilling always, no matter what the work is. I really enjoy when I can make things clever in a way that there’s this huge “Ah-ha!” moment, especially at the end.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Rebecca Besser: Undead Drive-Thru and Undead Regeneration are Scifi zombie books about a man who comes home, turns into a zombie and is protected by his wife—she keeps him as kind of a pet. Things go bad. People get hurt. Things happen and lives are changed.

Nurse Blood is a serial killer organ harvesting thriller. A group of a couple medical professionals, a couple thugs, and a black market dealer kill and part out people for money. That, and they have a warped sense of righteousness, because they’re killing one person to save many lives (depending on how many organs they get from their victim).

Twisted Pathways of Murder & Death is a short story collection of various horror stories, from broken humanity to monsters.

Zombies Inside is a short story collection of various zombie short stories I’ve had in anthologies (there’s a brief history of each story after it in the book). That was also has a short story by guest author, Courtney Rene.

Zpoc Exception Series: Re-Civilize series is currently available in eBook only, and is about the few among the many that are immune to whatever is turning people into zombies. Thus far, there are four character books available that start from the outbreak to where they meet. I’ll do a novel series also, with all the characters together after that point, when they’re turned into a team to help re-civilize the world for humanity after the zpoc (zombie apocalypse).

Hall of Twelve is a short story Scifi horror eBook about monster from a different dimension who come to Earth to use humans for food.

Curse Bounty is a short story western zombie story about outlaws that rob a bank. When the sheriff asks for help tracking them down, he’s given help from a zombie bounty hunter.

Heart of a Soldier is a short story YA Scifi story about love, healing, and hope.

My main audience is anywhere from YA to adult. I like to provoke people to think, to ask themselves what they would do in the characters’ situations. At the same time, I want to entertain people.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Rebecca Besser: There’s not usually much I take out. Nurse Blood has a missing flashback for Roger, because the publisher insisted I take down the word count a bit. Otherwise, you usually get it all.

Meghan: What is in your “trunk”?

Rebecca Besser: I have idea journals with so many ideas they’re too vast to put here. But, even if they weren’t, I don’t share my unwritten ideas with many people, at least not until I start writing or am at least halfway done.

I was told once to never throw any drafts away, even if things change majorly in the story, because one day you could use those bits or ideas to write something else. I have a bunch of those in a writing folder on my comp somewhere too.

Meghan: What can we expect from you in the future?

Rebecca Besser: Scary stuff. Stories that are hard to read because they question morality and the reader’s humanity.

Meghan: Where can we find you?

Rebecca Besser: I make it easy to find me, since everything has a version of my name.

Website ** Blog ** Facebook ** Twitter ** Instagram

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Rebecca Besser: Thank you for having me on your blog and including me in your event!

Also, thank you to all the readers that love my work—you inspire me when things get hard.

Rebecca Besser is the author of Nurse Blood. She is a member of the International Thriller Writers Organization. She has been published hundreds of times in magazines, ezines, anthologies, educational books, on blogs, and more in the areas of poetry, fiction, and nonfiction for a variety of age groups and genres. Her nonfiction article on skydiving was picked up by McGraw-Hill for NY Assessments. One of her poems for children was chosen for an early reader book from Oxford University Press (India). Her short story, P.C., was included in Anything But Zombies! published by Atria Books (digital imprint of Simon & Schuster).

Rebecca’s main focus has been on horror works for adults. She writes zombie works, suspenseful thrillers, and other dark fiction related to the horror genre/community. She has also edited multiple books in these genres.

Amazon Author Page

Halloween Extravaganza: INTERVIEW: Chris Bauer

Meghan: Hi, Chris. Welcome to Meghan’s House of Books. Tell us a little bit about yourself.

Chris Bauer: Philly guy. Was corporate middle management at some blue chips: Ford Motor, Exxon, MetLife. I’m old-ish. First published at age 57. I love reading thrillers, mysteries, crime stories, noir, dark humor, so this is what I write. I’ve had some very irreverent short stories published; among them: “You’re a Moron,” noir, thuglit; “Zombie Chimps from Mars,” horror, Shroud.

Meghan: What are five things most people don’t know about you?

Chris Bauer:

1) I played rugby. My position on the team—hooker—is a lot like a center in football. It’s a good conversation starter. “ I used to be a hooker.” Raised-eyes responses can push the conversation in some interesting directions.

2) I once passed for Chip Douglas (Stanley Livingston) of My Three Sons 1960s TV fame on the Wildwood, NJ boardwalk. I contacted Stanley about it. He ignored me.

3) One of my short stories, “You’re A Moron,” was podcasted, as in read/performed by an actor. The podcast was downloaded over 100,000 times. True fact. Don’t get excited. The downloads were/are free. A good short story nonetheless.

4) “Beach house?” This is my wife’s response whenever I tell her of a writing milestone, as in my first pubbed short story, first agent, debut novel, first advance, first multi-book deal. The best we’ve been able to do with the spoils from any of these accomplishments is rent a condo on the beach where you could actually see the water.

5) I’m 6’2”.

Bonus “thing you should know”: 6) I lie a lot.

Meghan: What is the first book you remember reading?

Chris Bauer: Something in the Tom Swift series of middle grade sci-fi books first published in the early 20th century. I can’t remember which one. Pure camp. Written by Victor Appleton, which was a pseudonym for a bevvy of writers. The series originated a writing taboo known as the “Tom Swifty,” or “punning wordplay heavy on adverbs.” (Example: “That’s a lot of hay,” Tom said balefully.)

Meghan: What are you reading now?

Chris Bauer: Wool by Hugh Howey, post-apocalyptic, dystopian. The Girl with the Dragon Tattoo by Stieg Larsson.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Chris Bauer: Fessin’ up big time here: I LIKED THE DA VINCI CODE. There, I said it. So many people say it’s poorly written. For me it was a pure adrenalin rush. DO NOT JUDGE ME.

Meghan: What made you decide you want to write?

Chris Bauer: I don’t know. Maybe I always wanted to write, from back in my days at Penn State when my English professor decided to read to us from his porn novel. I suppose it comes from enjoying the escapism one gets from reading fiction. It put that one twinkle in my eye — “Hey, I can do that!” — that was really a piece of dirt I should have washed out soon as it got in there. As they say, writing is a blessing and a curse, but I can’t not write. God help me.

Meghan: When did you begin writing?

Chris Bauer: In my early forties. My family and I were suffering through a difficult, life-changing corporate takeover that almost relocated me from the east coast (Connecticut) to the Pacific Northwest (Portland, OR). I wrote a novel about it; it was my first attempt at creative writing in any capacity. It’s in a drawer somewhere. I’m glad I didn’t accept the relocation package. I would have become a leper out there because the acquiring company eventually went bankrupt as a direct result of the acquisition of my company.

Meghan: Do you have a special place you like to write?

Chris Bauer: On my large screen iMac in the fourth bedroom of the house. To my left, a torn forty-year-old leather couch in burgundy. My old iMac sits on a beat-up corporate mahogany exec desk with candy in the top drawer, the desk on an Oriental rug spread on top of some standard carpet. My “Buddy Jesus” figurine statue from the movie Dogma is always there to give me a smiley-faced, back-at-you thumbs up and eye wink. Various Philly trinkets sit on a window ledge. Ever hear of a pimple ball? It’s a Philly thing from the fifties-sixties. You can look it up.

Meghan: Do you have any quirks or processes that you go through when you write?

Chris Bauer: Up by four a.m. seven days a week to write. COFFEE. Compose/research in the morning, trash two-thirds of what I wrote by the afternoon, critique the work of peer writers in the evening because I usually hate everything I’m critiquing by then, and I’d rather my writer friends feel that wrath than lose most of what I’ve written for the day.

Meghan: Is there anything about writing you find most challenging?

Chris Bauer: Anything with a deadline. Early on I had the luxury of writing at my own pace, dreaming of the day when I might close a deal. Careful what your wish for. Ignorance is bliss. Once the pen hits the contract: “Hey, this writing shit is hard!”

Meghan: What’s the most satisfying thing you’ve written so far?

Chris Bauer: The political thriller Jane’s Baby (Intrigue Publishing, 2018). It deals with a present day what-if question regarding the 1973 Roe v Wade landmark US Supreme Court decision about women’s reproductive rights. The byline is “Whatever happened to Jane Roe’s baby?” The short answer is in real life the litigant Norma McCorvey’s pregnancy wasn’t terminated. Her baby, a girl, was born and was subject to a closed adoption, neither side ever knowing the identity of the other. What if this child learned who she was later in life (she’d be in her late forties now), after she gained some career prominence and notice on the national scene? What if someone planned all this? Ebook, paperback, audiobook.

Meghan: What books have most inspired you?

Chris Bauer: Motherless Brooklyn by Jonathan Lethem. The movie starring Edward Norton was released November 1, 2019. I have two novels with major characters afflicted with Tourette syndrome. Lethem does an incredible job with his protagonist Lionel Essrog in this novel. I also love the baseball novel Chance by Steve Shilstone. Great voice.

Meghan: Who are some authors that have inspired your writing style?

Chris Bauer: Shilstone, specifically because of his Chance baseball novel. Written in the first person. What a writing voice!

Meghan: What do you think makes a good story?

Chris Bauer: I like genre fiction best, with all its mainstays: tension, conflict, action, crisp dialogue, uniqueness of plot, twists, twists and more twists, and salt-of-the-earth characters. I don’t look for it to be literary, it just needs to keep me wanting to turn the page.

Meghan: What does it take for you to love a character?

Chris Bauer: Protagonists can be from any walk of life: blue collar, professional, priests, nuns, cops, military. They will be hard working, flawed, and have taken some hard knocks, and the storyline thrusts them into action. They’re also usually self-deprecating while a bit narcissistic. Sidekicks must be colorful and memorable, distinctive. They all will be a little over the top, to take the reader into territory that allows the escapism all readers covet: show me a world, an event, and people I don’t usually see.

Meghan: How do you utilize that when creating your characters?

Chris Bauer: The storyline/plot is key, and it is the first thing that needs development, then I build the characters around it.

Meghan: Which, of all your characters, do you think is the most like you?

Chris Bauer: A number of them. Okay-fine, I see myself in many of my heroes. But “is” might not be the correct verb to use; “was” is more appropriate, considering their ages. In Binge Killer, it would be bounty hunter Counsel Fungo, even though she’s female. Her Catholic school upbringing, like mine, cried for rebellion, and rebel she did. In Scars on the Face of God it would be Wump Hozer, the aging church custodian. In Jane’s Baby it’s another bounty hunter, retired Marine Judge Drury. In Hiding Among the Dead, it would be protagonist crime scene cleaner and bare-knuckle boxer Philo Trout.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Chris Bauer: Yes, I’m immensely turned off by bad covers, as most authors are, because book covers go a long way toward selling the book. I’m always granted final approval, front and back, but the only cover I had significant creative front-end input on was Jane’s Baby. I found a photo of the print copy of the original real-life Roe v Wade Supreme Court decision that was autographed by one of the arguing attorneys, Sarah Weddington. If you look closely at the cover, you can see her handwritten first name. I thought it was a nice touch.

Meghan: What have you learned creating your books?

Chris Bauer: Good beta readers are like gold, as are good peer critiquers. I’ve also validated some writing tropes. “Writing is a lonely endeavor.” “You won’t get rich.” “Enter (a scene) late, leave early.” “Read your work aloud” for clarity, pitch, cadence, etc. “If you write drunk, edit sober.” “Don’t kill the cat.” Going against the last one effectively ruined one of my chances at signing with perhaps the largest independent publisher out there. Ouch. (Six the Cat is now alive and well and debuted in Hiding Among the Dead.)

Meghan: What has been the hardest scene for you to write so far?

Chris Bauer: A few were extremely hard. In Hiding Among the Dead, the opening scene was difficult: suicide by train involving an undocumented immigrant mother and her two children, one an infant. Very graphic but necessary, or so I tell myself. In Binge Killer, the final scene might be the single most graphic scene of any book released in 2019. I had to decide if I was going there. Again, necessary. In a novel yet to be sold, HOP SKIP JUMP, about reincarnation, and what might happen if a person returned to a place where she was needed the most, I have some cathartic scenes about a character losing her mother early, when the child was an infant. It’s something my wife experienced, and I will never be able to do justice to it, but I wanted to try. A lot of the novel made me cry while writing it.

Meghan: What makes your books different from others out there in this genre?

Chris Bauer: One, I’m not afraid of writing genre novels utilizing controversial current issues. See Jane’s Baby. The second novel in the series, currently titled AMERICA IS A GUN, will deal with gun control. Two, I call myself a “brute force novelist” and my byline is “The thing I write will be the thing I write.” It’s a take it or leave it proposition that might be a little self-serving, but it effectively recognizes that I attempt to write scenes and dialogue that come right at the reader and do not to pull punches. More along the lines of Elmore Leonard, if I can be so bold as to include my name in a paragraph with his name in it.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Chris Bauer: Binge Killer became a community decision, one of a few titles I suggested to the publisher and which we agreed on. A play on serial killer. This drifter kills a number of people in one day and night during a last hurrah for himself. An out-of-towner looking to soil a small town’s admirable reputation of no reported major crimes in over fifty years. This is the first of my published novels that the title was not entirely my decision, but I’m plenty good with it.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Chris Bauer: Novels are a marathon, short stories a sprint. I’ve written, or am in WIP status of, probably the same number of each (seven?). Both have their moments, but IMO a good short story is actually the tougher of the two to get right. Fulfillment-wise, however, I feel more satisfaction in completing a novel. I love pulling together the puzzle, love producing a story with multiple moving points that all need solutioning.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Chris Bauer: In Binge Killer (October 2019) a female bounty hunter squares off against a maniacal killer in a small town that just wants to be left alone and is mostly made up of bowlers, bingo players, and quilters. Mostly. Neo-noir, mystery, dark humor.

Hiding Among the Dead (May 2019) is the first in a series about commercial crime scene cleaners bumping up against the underbelly of organized crime. The second book in the series is due out 2020. Mystery, thriller, dark humor.

Jane’s Baby (2018) is a political thriller that attempts to answer the question whatever happened to Jane Roe’s baby of Roe v. Wade infamy. It’s the first in a series that will deal with controversial modern day social issues. The second in the series, AMERICA IS A GUN, another political thriller with crimes involving lax gun control, is looking for a home because of its controversial nature. Thriller, legal fiction, political fiction.

Scars on the Face of God (re-released May 2019) is a standalone biblical horror novel set in the 1960s involving a real-life 13th century manuscript called The Devil’s Bible currently on display in the royal library of Sweden. It asks the question, if the Devil wrote a bible, what would be in it, and how might a small Pennsylvania Dutch town be impacted if this blasphemous manuscript were discovered in the attic of an orphanage, AND they felt that it foretold the advent of the anti-Christ. Horror/thriller, religious fiction.

Regarding what I want my readers to take away from my novels, I want only that they be entertained—by the story, the characters, the humor, and the sentiment.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Chris Bauer: Binge Killer entered the editing process and left with all its original scenes intact, but one of the publisher’s content editors suggested a significant enhancement that really increased the stakes, so we added it. In Hiding Among the Dead, we removed a storyline that will appear in a later novel. The scenes deleted and the subplot they related to just needed a different home.

Meghan: What can we expect from you in the future?

Chris Bauer: A follow-up novel to Hiding Among the Dead, tentatively titled HER TWELVE-LETTER ALPHABET, which is set in Hawaii on the only Hawaiian island that is privately owned. Will release 2020.

I will finish up AMERICA IS A GUN, a novel with many of the same characters who appeared in Jane’s Baby. This will involve the art world, the dark web, bitcoin, and the gun lobby. No publisher yet, but I am hopeful.

Meghan: Where can we find you?

Chris Bauer:

Website ** Facebook ** Twitter ** Goodreads

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Chris Bauer: Friend me on Facebook! Follow me on Twitter! Buy my books! Read them! Review them on Amazon, Goodreads, everywhere! Tell your friends! Repeat! (I am judicious in my use of exclamation marks when writing my fiction. Here, I’m indulging myself.)

“The thing I write will be the thing I write.”

Chris wouldn’t trade his northeast Philly upbringing of street sports played on blacktop and concrete, fistfights, brick and stone row houses, and twelve years of well-intentioned Catholic school discipline for a Philadelphia minute (think New York minute but more fickle and less forgiving). Chris has had some lengthy stops as an adult in Michigan and Connecticut, and he thinks Pittsburgh is a great city even though some of his fictional characters do not. He still does most of his own stunts, and he once passed for Chip Douglas of My Three Sons TV fame on a Wildwood, NJ boardwalk. He’s a member of International Thriller Writers, and his work has been recognized by the National Writers Association, the Writers Room of Bucks County (PA), and the Maryland Writers Association. He likes the pie more than the turkey. You can find him online here.

Binge Killer

A female bounty hunter tracks a maniacal killer to a town in rural Pennsylvania. 

A town with its own dark secret… 

Counsel Fungo is a unique woman. An experienced bounty hunter, she’s very good at her job. You don’t have to ask. She’ll tell you. Officially, her two canine companions are her therapy dogs. Unofficially, she considers them to be her partners. Counsel has suffered intense loss and was once the victim of a horrible crime. But now these experiences drive her unquenchable thirst for justice. And she’ll do anything to stop criminals from preying on the vulnerable.

Randall Burton is a serial killer and a rapist. Diagnosed with a terminal disease, he has jumped bail and intends to go out in a blaze of glory. He heads to sleepy Rancor, Pennsylvania, named one of the “Safest Towns in America,” for one last, depraved, hurrah. A quiet town tucked away in the Poconos, its citizens are mostly widowers, bowlers, and bingo players. Mostly.

There’s a reason no one in Rancor has reported a major crime in the past 50 years. And neither Counsel nor the killer are quite ready for what this town has in store…

Hiding Among the Dead

Philo Trout: 
Retired Navy SEAL.
Former bare-knuckles boxer.
Current crime scene cleaner.

Philo Trout just wanted to start over.

He moved to Philadelphia to keep his past a secret. His new life as a crime scene cleaner is quiet—until he discovers that many of his “clients” are coming up short on their organ count.

As Philo tries to outrun his past, a coworker can’t remember his own. Patrick was found brutally beaten, and is now an amnesiac as a result. When the connection between his coworker’s history and missing organs begins to emerge, Philo is determined to solve the puzzle.

The trail of clues leads Philo into a dark conspiracy. A brutal organization will stop at nothing to protect their secret. And Philo’s past as a fighter might be his only route to the truth…

If he can survive that long.

Jane’s Baby

Whatever happened to Jane Roe’s baby? Norma McCorvey, of Caddo-Comanche heritage, did not terminate the pregnancy that led her to become the anonymous plaintiff of the landmark U.S. Supreme Court women’s rights case Roe v Wade because in 1971, when the motion was first argued, abortion in the U.S. was illegal. The Jane Roe real-life child would now be a woman in her late forties, the potential of her polarizing celebrity unknown to her. A religious rights splinter group has blackmailed its way into learning the identity of the Roe baby, the product of a closed adoption. To what end, only a new Supreme Court case will reveal. Tourette’s-afflicted K9 bounty hunter Judge Drury, a retired Marine, stands in the way of the splinter group’s attempt at stacking the Supreme Court via blackmail, murder, arson, sleight of hand, and secret identities.

Scars on the Face of God

The year is 1964. A construction project in the town of Three Bridges, Pennsylvania unearths an ancient sewer. Inside is a mystery dating to the 19th century: the hidden skeletons of countless infants.

As the secrets of Three Bridges begin to surface, an ancient codex is discovered in the attic of a local orphanage. A bible containing writings in Lucifer’s own hand.

The parish priest and a church handyman set out to discover the truth. But a series of strange visions and horrifying tragedies begin, and the darkest secret of all becomes clear:

The town of Three Bridges is marked, and the Devil is coming out to play.