Halloween Extravaganza: INTERVIEW: Andrew Robertson

Meghan: Welcome back, Andrew! Itโ€™s been awhile since we sat down together. Whatโ€™s been going on since we last spoke?

Andrew Robertson: First, itโ€™s great to be back, especially on your fresh, new, updated blog!

Since the last time we spoke, the anthology I edited, Dark Rainbow: Queer Erotic Horror was released by Riverdale Avenue Books and landed a #1 spot on a few of Amazonโ€™s LGBTQ+ charts which was great to see. I also published a short story titled Her Royal Counsel in Colleen Andersonโ€™s Alice Unbound anthology from Exile Editions and placed my story Sick is the New Black in the Pink Triangle Rhapsody anthology from Lycan Valley Press. That one launches Winter 2019 and contains horror, sci-fi, fantasy, thriller, and pulp mystery stories written exclusively by gay men. I fell in love with the characters in Sick is the New Black and have started a book-length version to further explore the dark and fashionable social media cult that their lives revolve around.

Also, with the holidays right around the corner, readers can pick up O Unholy Night in Deathlehem: An Anthology of Holiday Horrors for Charity from Grinning Skull Press that was published earlier this year. I have a creepy little tale in there called Jasonโ€™s Ugly Christmas Sweater Party, and all proceeds from the book go to benefit The Elizabeth Glaser Pediatric AIDS Foundation.

Meghan: Who are you outside of writing?

Andrew Robertson: Thatโ€™s hard to answer. I feel like Iโ€™ve changed a lot in the past three years, but itโ€™s been more about returning to someone I used to be before I started looking for what was already there. Sometimes we think we need to โ€˜grow upโ€™ and develop a mature, adult identity by burying parts of ourselves that made us who we were in high school or university, but Iโ€™ve realized that those pieces werenโ€™t temporary. So I put on some black nail polish, sat down to write horror stories without caring what anyone else thought, and got tattoos of Siouxsie Sioux and Lydia Lunch. It all felt right.

I guess Iโ€™m a bit introspective – I like exploring ideas and art and love new (and scary) experiences most of all. It always surprises people how easily scared I get but I like it a lot. My partner Dinis refuses to go to haunted houses with me because I push him in first. But I donโ€™t even need the haunted house. I can even scare myself just by thinking. I was in a canoe on Lower Buckhorn Lake in Ontario and I envisioned a cold pale arm reaching out of the underwater reeds and that was it. I paddled for shore like an outboard motor.

Meghan: How do you feel about friends and close relatives reading your work?

Andrew Robertson: I think that one is tricky for anyone that doesnโ€™t write cozy thrillers. My very first piece of writing published in an anthology was called Not Just a Fuck, a hell of a title. Of course, I was really excited about it, especially because Margaret Atwood was in the same book, so I wanted to show my parents but my content was a bitโ€ฆ personal as you can imagine. I bit the bullet and showed them all the same. I figured they might as well get used to it because I have never been one to self-edit!

The other concern for many writers is your family or friends โ€˜seeingโ€™ themselves in the characters or situations you write about. Sometimes Iโ€™ll use friendโ€™s names in stories just to mess with them. That way, when they ask why โ€˜theirโ€™ character was killed off, you know that they actually read your work.

Meghan: Is being a writer a gift or a curse?

Andrew Robertson: I think being able to tell a story is a gift, and if it means something to a reader, that is a perfect gift. The curse is writing the story.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Andrew Robertson: Iโ€™ve researched Sokushinbutsu, or the self-mummifying practice of certain Buddhist monks, for Miira in Group Hex Vol 1. They enter mummification while they are still alive which was so horrifying to me that I had to write about it. That was when I learned about Portuguese sailors selling Egyptian mummies to the Japanese to turn into a powder that was believed to have curative powers.

Iโ€™m also currently researching a lot of diseases that have obvious and visible symptoms for a WIP. That makes me feel pretty itchy.

Meghan: Are you an avid reader?

Andrew Robertson: I have a giant stack of books to get through, and I usually have a few on the go at the same time. Sometimes itโ€™s to try and grow or learn as a writer. For example, I will read a thriller to see how the author sets the pace. I really enjoy Shari Lapenaโ€™s work in that way. There are so many twists and turns that she stitches together, and we live in the same city so maybe one day I can tell her how much I enjoy her work in person!

Iโ€™ve just read Bedfellow by Jeremy C. Shipp and it was fantastic. The way he writes is so surreal you feel like you are losing your mind along with the family at the core of the tale, and the progression of the plot reveals a nefarious otherworldly gaslighting at its finest.

Iโ€™ve also recently finished Danger Slaterโ€™s I Will Rot Without You and the level of horrific imagination he displays while telling what is at its most basic level a love story with a total disregard for whether something needs to make sense is inspiring. I think itโ€™s important for a writer to stop asking if something could happen and just make it happen.

Meghan: Have you ever killed a main character?

Andrew Robertson: Maybe. Thatโ€™s all Iโ€™ll say.

Meghan: Do you enjoy making your characters suffer?

Andrew Robertson: As a huge fan of the Hellraiser films, my formative years were spent watching characters suffer. Isnโ€™t that the way itโ€™s supposed to be?

Meghan: Where can we find you?

Andrew Robertson: Iโ€™m on Facebook and twitter for all your stalking needs.

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Andrew Robertson: I just want to thank you for your passion in keeping this blog going, for supporting indie authors, and for helping spread the word about genre books. A few years ago I never would have thought that I would have work out by publishers I admire, alongside other writers I read and love, or that anyone would want to interview me never mind twice, so thanks for being a part of this crazy ride Meghan!

Meghan: Aww shucks! Thanks for all that! And you are truly welcome. It’s been wonderful meeting you and every other cool author I’ve met along the way. It more than makes up for the handful who have been… dramatic (and not in a good way) haha.

Andrew Robertson is an award-winning queer writer and journalist. He has published articles in Xtra!, fab magazine, ICON, Gasoline, Samaritan Magazine, neksis, and Shameless. His fiction has appeared in literary magazines and quarterlies such as Stitched Smile Publications Magazine Vol 1, Deadman’s Tome, Undertow, and katalogue and in anthologies including Alice Unbound: Beyond Wonderland, A Tribute Anthology to Deadworld, Group Hex Vol. 1 and Vol. 2, and Pink Triangle Rhapsody from Lycan Valley Press. He is also the editor of Dark Rainbow: Queer Erotic Horror, a bestselling anthology from Riverdale Avenue Books. A lifelong fan of horror, he is the founder and co-host of The Great Lakes Horror Company Podcast, official podcast to Library of the Damned, and a member of the Horror Writer’s Association.

Pink Triangle Rhapsody – Coming Winter 2019

Alice Unbound: Beyond Wonderland

Lewis Carroll explored childlike wonder and the bewildering realm of adult rules and status, which clashed in bizarre ways. And although it seems we all know something about Alice and Wonderland, weโ€”like Alice herself upon her first reading of Jabberwockyโ€”find โ€œIt fills my head with ideas, but I donโ€™t know what they are.โ€ So as each new generation falls under Carrollโ€™s word spells, each in turn must attempt to understand what Alice and Wonderland might mean in the context of their world and in their time.

This collection of twenty-first century speculative fiction stories is inspired by Aliceโ€™s Adventures in Wonderland, Alice Through the Looking Glass, The Hunting of the Snark, and to some degree, aspects of the life of the author, Charles Dodgson, and the real-life Alice (Liddell).

Enjoy our wild ride down into and back up out of the rabbit hole!

Preface by David Day

Authors: Patrick Bollivar, Mark Charke, Christine Daigle, Robert Dawson, Linda DeMeulemeester, Pat Flewwelling, Geoff Gander and Fiona Plunkett, Cait Gordon, Costi Gurgu, Kate Heartfield, Elizabeth Hosang, Nicole Iversen, J.Y.T. Kennedy, Danica Lorer, Catherine MacLeod, Bruce Meyer, Dominik Parisien, Alexandra Renwick, Andrew Robertson, Lisa Smedman, Sara C. Walker, James Wood

Dark Rainbow: Queer Erotic Horror

There has always been a special relationship between queer culture and horror. Horror is a genre about the โ€˜otherโ€™ and being a part of queer culture often comes with feelings of โ€˜othernessโ€™ or being an outsider based on your desiresโ€ฆmaybe you see a freak onscreen during a midnight madness screening and you think to yourself, Well, I feel like a freak too. Maybe the monster is just misunderstoodโ€ฆwe all hunger for something, right?Dark Rainbow: Queer Erotic Horror is the first volume of a short fiction anthology series edited by award-wining queer writer and editor Andrew Robertson. Published under Riverdale Avenue Booksโ€™ Afraid imprint, it features many members of the Horror Writers Association along with writers from all over the world. Dark Rainbow contains 15 tales of dark appetites, hidden fantasies, sex and slashers including new work from Angel Leigh McCoy, Jeff C. Stevenson, Sรจphera Girรณn, Julianne Snow, Derek Clendening, Spinster Eskie, Lindsay King-Miller and many more.

O Unholy Night in Deathlehem

Said the little child to his mother dear, 
do you hear what I hear 
Shrieking through the night, father dear, 
And do you see what I see 
A cry, a scream, blood coloring the snow 
And a laugh as evil as sin 
And a laugh as evil as sin 

Well, folks, looks like we’re back in Deathlehem, whereโ€ฆ
Santa’s gift turns a mindless horde of bargain-hungry shoppers intoโ€ฆwellโ€ฆ a horde of hungry shoppersโ€ฆ 
defective toys aren’t just dangerous; they’re deadlyโ€ฆ 
holiday ornaments prove to be absolutely captivatingโ€”permanentlyโ€ฆ 
those ugly Christmas sweaters are to die forโ€ฆ 

Twenty-five more tales of holiday horror to benefit The Elizabeth Glaser Pediatric AIDS Foundation.

Halloween Extravaganza: Scott Carruba: Halloween

Join Scott Carruba as he reminisces about Halloween as a kid…


I love Halloween. It has always been my favorite holiday. Sure, as a kid, Christmas was great. I recall many a sleepless Christmas Eve as I waited for dawn and the chance to get all those goodies, but Halloween still got the number one spot. There was something darkly appealing about it and how it stoked my imagination. Not to mention the dressing up and adventuring through the neighborhood for candy. The best spots were houses that really got into it. I still recall some to this day.

I spent my earliest years in a typical suburban neighborhood, so Halloween always proved a joy as me and my friends paraded up and down the streets for our annual treats. But when I was nine, my parents moved us all out into the country. We went from being one of many tightly packed-in houses to a lone home on a thirteen acre lot. As you might imagine, this dramatically changed Halloween. At the time, there was only one neighbor within reasonable walking distance. What were we going to do?

The first year my parents drove us back to the old neighborhood, and we trick-or-treated with our friends. That wasnโ€™t going to last, though I didnโ€™t realize it as a child. My parents werenโ€™t big on Halloween, anyway, and I suppose it didnโ€™t quite resonate with them how much I was going to miss it. I donโ€™t even think my two sisters were that into it.

It turned out that a few miles up the road stood a couple of buildings on a small lot dedicated to community use. Iโ€™d go there sometimes for cub scouts. The city would throw a Halloween celebration here, so we ended up going. It was a typical small town festivity with games, treats and the two main events: a haunted house and a costume contest.

I love haunted houses. I was so into them and Halloween that I recall talking my parents into letting me throw a Halloween party when I was still young (middle school age, if I recall), and I turned our garage into a haunted house. It was fairly good, if I do say so myself, and we had more than a few of the visiting kiddies running out there filled with good-natured thrills.

I was quite eager to experience the haunted house at this community event.

I went in there with a typical snotty young boy attitude. I was excited, but I wasnโ€™t going to be scared. No way. We went into a sort of abattoir room, and the mad scientist presented a โ€œfresh brainโ€ amidst his gory collection. โ€œNice cauliflower,โ€ I proudly proclaimed. Yes, I was one of those.

There were typical jump scares and people with garden tools repurposed as weapons. They proved good for a quick yelp and run. We eventually ended up facing a tall guy dressed like the Grim Reaper. He made no sound, just loomed. As we were moving on, he grabbed me, and that did it. I felt real fright. I didnโ€™t want them to keep me from my mom. I jerked free (or more likely, he got his desired result and let me go), and I clung closer to my mother as we finished up the tour. By the time I left, my heart was pounding. They had done their job and scared the snotty kid. Good for them.

Next was the costume contest. I donโ€™t recall if it was the same year as my frightening, but I entered one time in a typical hobo clown costume. I had ragged clothes, worn shoes, a crappy, plastic bowler hat. I had my face painted up in down-on-your-luck fashion. As I sized up my competition, I felt I stood a good chance of winning. And then everything changed.

The people conducting the contest had put the haunted house on pause, and all the players from it came traipsing in to join the contest. I looked upon all those older kids and young adults in their seriously spooky get-ups, and I knew I was doomed. I recall hearing some murmurs of that being unfair. I didnโ€™t think much on that. I just knew I was wasting my time.

The judges looked us over. We turned this way and that, did whatever. We were all there simultaneously as they perused us. I remember looking out and seeing my mom making some sort of gesture with her fingers toward her mouth. It then dawned on me. I had forgotten about the plastic cigar prop I had tucked away in a pocket. I pulled it out and got more into character as I puffed on the thing and acted, well, silly.

I canโ€™t say if that made the difference, but I won the costume contest.

Looking back, I wonder if putting the players from the haunted house in was just meant to pad it and make everything more exciting. I would have done the same thing were I in charge. Still, it ended up a great Halloween memory for me – the time when a hobo clown slew a room full of frightening monsters.

Born in Houston, Texas into the temporary care of a bevy of nuns before being delivered to his adopted parents, Scott discovered creative writing at a very young age when asked to write a newspaper from another planet. This exercise awakened a seemingly endless drive, and now, many short stories, poems, plays, and novels (both finished and unfinished) later, his dark urban fantasy Butterfly series has been published.

The seeds for this tale began with dreams, as many often do, before being fine-tuned with a whimsical notion and the very serious input of a dear friend. Before long, the story took on a life of its own and has now become the first book in the series.

Having lived his whole life in the same state, Scott attended the University of Texas at Austin, achieving a degree in philosophy before returning to the Houston area to be closer to his family and friends. During this time, he wrote more and even branched out into directing and performance art, though creative writing remains his love.

Butterfly 1: Dance of the Butterfly

A modern dark urban fantasy, telling of two powerful families who uphold a secret duty to protect humanity from a threat it doesnโ€™t know exists. Though sharing a common enemy, the two families form a long-standing rivalry due to their methods and ultimate goals. Forces are coalescing in a prominent Central European city- criminal sex-trafficking, a serial murderer with a savage bent, and other, less tangible influences. Within a prestigious, private university, Lilja, a young librarian charged with protecting a very special book, finds herself suddenly ensconced in this dark, strange world. Originally from Finland, she has her own reason for why she left her home, but she finds the city to be anything but a haven from dangers and secrets. 

Butterfly 2: Sword of the Butterfly

The tale continues in Sword of the Butterfly, book two of the series, as Lilja and Skothiam continue to fight demons within and without. The infernal forces make a grand play, hoping to stab the world in its very heart. Casualties mount as further tensions rise in the City, threatening the vigilante with a loss of freedom and life. Children become victims of a madman’s design while the hunt is on for a powerful creature wreaking havoc across parts of the U.S. Lilja begins to question herself and her place in Skothiam’s life even as the very treasure they must protect comes under danger.

Butterfly 3: Soul of the Butterfly

The third Book awaits. The last of them. All holding promises of untold power. Skothiam and Lilja continue their journey as they follow the trail to places unimagined. Strange forces lurk, biding for the moment to strike and exact price. Unexpected allies arise even as others seek to disentangle from the web. Who will gain and who will lose? What shadow waits, eager to consume them all? Find out in the conclusion of the Butterfly trilogy.

Halloween Extravaganza: INTERVIEW: Scott Carruba

I met Scott Carruba at a con, and was so floored by the amazingness that is Scott (and by how good looking he was) that I said about a billion times how beautiful his covers were. Yeah… it was awkward. Thankfully he was too “guy” to let on that he noticed… or maybe he just didn’t notice at all. Since then, I’ve had the opportunity to read one of his books – TWICE – and have several interesting conversations with the man. Definitely a talented guy, so make sure you reach out to him and tell him hi. Oh, and buy his books.


Meghan: Itโ€™s been awhile since we sat down together, Scott. Whatโ€™s been going on since we last spoke?

Scott Carruba: More writing, but unfortunately, no con appearances. I have done some traveling, but it wasnโ€™t related to writing. The third and final book of my urban fantasy series was just published, so now I can put that behind me and work on something completely different.

Meghan: Who are you outside of writing?

Scott Carruba: I am still me. I look at my writing as part of my creative expression, and that very rarely stops completely. I may not always be sitting in front of the computer, writing, but there is nearly always some sort of creating going on in my head. Other than that, Iโ€™d say family is the most important thing to me. I am fortunate to have a great, close family, and we all get along very well.

Meghan: How do you feel about friends and close relatives reading your work?

Scott Carruba: They have, and I wish more of them would. I know that some close family members (mainly my mother) would be shocked at some parts, but I still would like them to read my work.

Meghan: Is being a writer a gift or a curse?

Scott Carruba: Itโ€™s a gift. I presume some would call it a curse, because it can be difficult, and you sometimes feel like a slave being tossed about on fickle tides. I feel like it enriches my life, and I frankly think things would be very boring without it.

Meghan: How has your environment and upbringing colored your writing?

Scott Carruba: There is no escaping it. The life we live shapes who and how we are as writers. My parents were certainly not an impediment to my writing. They even encouraged it to some extent. They never thought I could become rich & famous off it, because to them, the arts were something you did as a hobby, not a โ€˜realโ€™ job. So far, they were right about that, but I feel there was an odd mix of encouragement and marginalizing, which did result in some stumbles and false starts.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Scott Carruba: How windows open in Europe. Oh, I suppose my research into alleged actual schools run by the Devil was fairly strange.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Scott Carruba: Definitely the middle. I love the beginning. I have so many unfinished works, because I revel in the blank page and getting started. I also generally have the end already figured. Itโ€™s connecting those dots that provides the biggest challenge to me.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

Scott Carruba: I do all of those. I prefer to have an outline, sometimes even a treatment. I generally jot down a โ€˜cast of charactersโ€™, and sometimes I begin the outline after the work. It helps me stay focused.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

Scott Carruba: That doesnโ€™t happen to me very often. Iโ€™ve read a lot of other writers talking about how the characters have minds of their own, but it doesnโ€™t seem to happen to much to me. If it does, I make modifications as necessary, but itโ€™s never been a huge deal for me.

Meghan: What do you do to motivate yourself to sit down and write?

Scott Carruba: That can be tough. I try to stick with a routine, because that works for me. There are times that are for writing. After a while, it becomes habit, and I just do it. When I really need motivation, I can listen to certain kinds of music, or even watch certain sorts of shows to receive motivation. I also sometimes just go back and read over what Iโ€™ve written, then carry on.

Meghan: Are you an avid reader?

Scott Carruba: Yes. I was an avid reader before I became a writer. I will always be in love with reading and writing.

Meghan: What kind of books do you absolutely love to read?

Scott Carruba: Good ones. Seriously, though, I enjoy complex books that allow a story to be told in the time it needs. I like depth and density.

Meghan: How do you feel about movies based on books?

Scott Carruba: I take them one at a time. I donโ€™t feel any particular negativity toward them in general. I also donโ€™t necessarily judge them poorly if they deviate โ€˜too muchโ€™ from the source material. I generally view them both in the context of their original source and how they stand as their own vehicle.

Meghan: Have you ever killed a main character?

Scott Carruba: Not yet.

Meghan: Do you enjoy making your characters suffer?

Scott Carruba: I do not enjoy that. I have had characters go through rough times, and it is somewhat difficult and painful for me to write. I am an empathic person, so I tend to want to avoid extremely troubling events. I force myself to push them through terrible experiences, but I donโ€™t enjoy it.

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

Scott Carruba: My characters are not too weird, or I donโ€™t think they are. At least not in concept. No talking shoes or roaches. I canโ€™t write like Burroughs.

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received? Whatโ€™s the worst?

Scott Carruba: Iโ€™ve received a lot of good feedback. Itโ€™s hard to tell which was โ€˜bestโ€™. My publisher has helped me to refine my writing in ways I never would have alone. As far as โ€˜worstโ€™, my Rhetoric and Composition professor told me I was โ€œtooโ€ creative.

Meghan: What do your fans mean to you?

Scott Carruba: My fans mean a sort of completion of the circle that gives a satisfaction like no other. I would write even if I never got published. It is a drive in me I feel I cannot deny. Having someone partake of and enjoy my work to that extent fills me. Itโ€™s amazing. I thank each and every one of them from the bottom of my heart.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Scott Carruba: Probably Hannibal Lecter. Such a fascinating character, and I find it immensely interesting how a cultured monster can capture such popularity and become a dark protagonist.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

Scott Carruba: This is a tough one for me, and a great question! I think Iโ€™d choose Silent Hill. Iโ€™ve never even read any of the books, but I find the world so enthralling and deeply creepy. I love psychological horror, and Iโ€™d love the avenues of exploration afforded to me if I were to pen a book in that series.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

Scott Carruba: Probably some sort of dark, gothic, twisted, occult something with Carmilla Voiez. And itโ€™d need to have vampires in it. And demons. Maybe demon-vampires?

Meghan: What can we expect from you in the future?

Scott Carruba: I am currently working on a book about an extraterrestrial invasion that deals with how we perceive reality, memories, ourselves, and what the future may hold for us. Iโ€™ve also got two novels about vampires in the works. So, yeah, vampires again.

Meghan: Where can we find you?

Scott Carruba:

Website ** Amazon ** Goodreads ** BookBub
Facebook ** Twitter ** Mewe

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Scott Carruba: This has been a very thorough and fun interview. I hope others enjoy reading it. Thanks!

Meghan: Oh no no no. Thank YOU, Scott, for stopping by today. And if you thought this one was good, wait until you get to round three.

Born in Houston, Texas into the temporary care of a bevy of nuns before being delivered to his adopted parents, Scott discovered creative writing at a very young age when asked to write a newspaper from another planet. This exercise awakened a seemingly endless drive, and now, many short stories, poems, plays, and novels (both finished and unfinished) later, his dark urban fantasy Butterfly series has been published.

The seeds for this tale began with dreams, as many often do, before being fine-tuned with a whimsical notion and the very serious input of a dear friend. Before long, the story took on a life of its own and has now become the first book in the series.

Having lived his whole life in the same state, Scott attended the University of Texas at Austin, achieving a degree in philosophy before returning to the Houston area to be closer to his family and friends. During this time, he wrote more and even branched out into directing and performance art, though creative writing remains his love.

Butterfly 1: Dance of the Butterfly

A modern dark urban fantasy, telling of two powerful families who uphold a secret duty to protect humanity from a threat it doesnโ€™t know exists. Though sharing a common enemy, the two families form a long-standing rivalry due to their methods and ultimate goals. Forces are coalescing in a prominent Central European city- criminal sex-trafficking, a serial murderer with a savage bent, and other, less tangible influences. Within a prestigious, private university, Lilja, a young librarian charged with protecting a very special book, finds herself suddenly ensconced in this dark, strange world. Originally from Finland, she has her own reason for why she left her home, but she finds the city to be anything but a haven from dangers and secrets. 

Butterfly 2: Sword of the Butterfly

The tale continues in Sword of the Butterfly, book two of the series, as Lilja and Skothiam continue to fight demons within and without. The infernal forces make a grand play, hoping to stab the world in its very heart. Casualties mount as further tensions rise in the City, threatening the vigilante with a loss of freedom and life. Children become victims of a madman’s design while the hunt is on for a powerful creature wreaking havoc across parts of the U.S. Lilja begins to question herself and her place in Skothiam’s life even as the very treasure they must protect comes under danger.

Butterfly 3: Soul of the Butterfly

The third Book awaits. The last of them. All holding promises of untold power. Skothiam and Lilja continue their journey as they follow the trail to places unimagined. Strange forces lurk, biding for the moment to strike and exact price. Unexpected allies arise even as others seek to disentangle from the web. Who will gain and who will lose? What shadow waits, eager to consume them all? Find out in the conclusion of the Butterfly trilogy.

Halloween Extravaganza: Jeff Strand: The Annual Halloween Candy Trade

Two candy guest posts in a row. Cause that’s pure gold to me. And it’s Jeff Strand. Who is, by the way, pure awesomeness. (Have you read his stuff? There is no one quite like THE Jeff Strand. No one.)


One of the most mind-boggling moments in my adult life was when I went to a friend’s house shortly after Halloween, and she offered me a piece of candy from her son’s trick-or-treating stash. I declined, because that candy was sacred! She assured me that he wouldn’t care. Candy was no big deal to him.

WTF was wrong with that kid? That certainly wasn’t MY experience at that age!

I’m pleased to report that I’ve reached a level of financial security where if I want a Snickers bar, I can make it happen. That was not always the case. As a child in Fairbanks, Alaska, Halloween was ALL about the candy. Okay, 90% about the candy. Costumes and decorations were fun. But the candy was an essential component of my love of the holiday.

Interior Alaska at the end of October is, of course, quite brisk, and costumes were limited to what could fit over a snowsuit. Inevitably, the master plan to gather enough candy to last us until Christmas would fall apart because one of my trick-or-treat partners would get too cold, and we couldn’t just leave them to die. Still, we always got a pretty significant stash, with a predetermined route that was carefully mapped out for maximum candy acquisition.

(The map was purely based on hitting the most houses using the most efficient route. There were too many variables to do more analysis than that. Do you want to hit houses early, before they’ve started rationing? Or do you want to hit them late, when they’re discovering that they bought way too much candy? No way to predict that.)

We’d get home, have an adult verify that there were no hypodermic needles protruding from the chocolate, and then the trading session began. We took this very seriously. I tended to favor “longer lasting” over “chewy,” so Sweet Tarts had more value to me than a Fun-Sized Milky Way. (“Fun-Sized” would be a five-pound block of chocolate, not these weenie little bites, but that’s a rant for a different day.)

I liked getting Whoppers because they had a high trade value. Whoppers are gross. Whoppers are so gross that even as a kid, if I were given the choice between eating a Whopper and eating nothing, I’d go with nothing. Do you know how bad candy had to be for me to prefer the absence of candy? I’m not saying that I’d rather have eaten a turd, I’m saying that a Whopper is bad enough that I would have declined a piece of candy. I’d eat nasty off-brands all day long, and choke down a Dark Chocolate Hersheys or a Butterfinger, but a Whopper was one step too far.

But others didn’t feel that way. My sister and a couple of my misguided friends loved Whoppers. Loved ’em! They thought those foul things were top-tier treats, which gave me a lot of power at the negotiating table.

In retrospect, as I type this, I realize that I should have pretended that Whoppers were the most delicious candy on the planet, and that to part with a single malted milk ball would cause me intense heartbreak. But then I might have had to eat a Whopper at some point, and my grimace would expose the lie.

The trading went on long into the night. One of my best friends had a particular fondness for Tootsie Rolls, which also worked in my favor, because my trick-or-treat bag always had Tootsie Rolls in abundance, and though they are perfectly fine if you enjoy your chocolate flavor in hard putty form, there’s rarely a reason to eat one when other options are available.

Thenโ€ฆ the feast.

The following day was always a queasy one, but if you think I gave any indication of my gastrointestinal distress to my parents, you’re out of your damn fool mind. They would always mention that the pile of candy they’d checked for razor blades and rat poison was notably smaller and suggest that I show some self-control instead of gobbling it down like a feral dog, so “My tummy hurts!” would not be well received.

Soon there would be an effort to make my riches last, but alas, they’d be gone long before Thanksgiving, which had no official candy except maybe those ones in the strawberry wrapping with syrup inside.

And I would mourn until the following year.

Jeff Strand is the author of over forty books, ranging from goofy horror to serious horror to a smut comedy. His short story “The Tipping Point” from his collection Everything Has Teeth won a Splatterpunk Award in 2018, though none of his short stories won a Splatterpunk Award in 2019, and he performed poorly at KillerCon during a trivia contest about the Splatterpunk Awards. You can visit his Gleefully Macabre website here.

Clowns vs. Spiders

Jaunty the Clown just wants to entertain families with lighthearted slapstick antics, but people think of clowns as terrifying, nightmarish creatures who hide in closets or under beds. When Jaunty, along with his fellow performers Guffaw, Wagon, Reginald The Pleasant Clown, and Bluehead are fired from the circus, they’re told that the world just doesn’t like clowns anymore.

Still, clowns have to eat. And since these clowns don’t eat children, to make ends meet they’re eventually forced to take a job in a popular haunted attraction, the Mountain of Terror. Instead of charming entertainers, they’re now scary clowns. A zombie clown. A demon clown. A creepy doll clown. 

But the town is about to discover something more frightening than clowns. Because on opening night, millions of oversized spiders emerge from a cave and begin their deadly invasion… 

From Bram Stoker Award-nominated author Jeff Strand comes an insane mix of shameless silliness and grisly creepy-crawly horror. Clowns Vs. Spiders. Who will win? 

My Pretties

A serial kidnapper is preying upon women. He abducts them, then locks them in one of the cages dangling from the ceiling in a soundproofed basement. There, he sits quietly and just watches them, returning night after night, hoping he’ll be in the room at the moment his beautiful captives finally starve to death.

Charlene and Gertie have become fast friends at the restaurant where they work. But Charlene is concerned when she hears how her co-worker spends her evenings: Gertie’s cousin is one of the missing, and Gertie wanders the city streets where many of the abductions took place, using herself as bait with a high-voltage stun gun in her pocket. Charlene reluctantly offers to trail her in a car, just in case she does lure the kidnapper and things go wrong.

Unfortunately, the women find themselves the source of unwanted fame. And now they’re on the radar of a very, very dangerous man…

Halloween Extravaganza: John Boden: The Trick

John Boden is one of the coolest guys I know. And I know some cool guys, so that’s seriously saying a lot. Even when I was living in Pennsylvania, not fifteen minutes from where he lives, it always felt like he was in some other world, too far away for me to become real friends with. I think of that often now that I live over fifteen hours from him. He’s that friend I wish I made, if that makes any sense.

I can’t imagine a Halloween without him, though, so me, not being the best at keeping in touch with people, even with Facebook being right there, made sure that I invited him once again to take part in my annual Halloween Extravaganza.

He told me he wanted to do a guest post, but he had to talk to his family first, to make sure what he was sharing was okay with them. When I received it, after they gave the go-ahead, it was a story I never expected. John Boden, being serious, and so perfectly serious at that.

It’s definitely a get-to-know-the-real-John-Boden type of piece, and something I think everyone should read, especially those of us who have siblings.


Every Halloween either Roscoe or I went as a hobo/Old Man/Bum. It was the easiest costume for Mom to whip up as it wasn’t too far removed from our daily uniform. Worn jeans/pants, ratty shoes and a big old flannel shirt. Usually stuffed with a pillow. We were always warned to keep the pillow clean and undamaged as it would be returned to the case and its place on our bed when we got home. We’d then take our brown paper bag and walk the length of our block. The faces of our neighbors usually a cocktail of thinly veiled disdain or snotty or sad embarrassment. It took me years to realize there was an ironic joke here.

Roscoe and I were always brothers, but we weren’t always friends. We loved one another but I couldn’t say we were nice to one another. There was five years between us and a lot of circumstances, often it felt like lifetimes and fathoms deep. Our father left when I was almost seven and Roscoe was two. There was a rocky valley forged in the fact that I had a father for a few years, years that I could and can recall somewhat fondly, while he had a few splintered recollections of a man holding him as a baby. Once Dad had left, we moved around for three years, like gypsies, the not-so-politically-correct term was, and during it all I found myself more primed for the role of surrogate parent/caregiver to this bull-headed little boy who squinted when he smiled and followed me like a shadow. It was a role I’d never auditioned for and had most definitely sought to lose. A role I realize now had bounties unforetold and riches unparalleled.

That joke being that we grew up in a poor area in the mountains of Pennsylvania. No one was rich or swimming in wealth. There were the dirt poor, the poor and those who were not as poor as the rest. I always felt we were the level above dirt. Most folks were good people. Hardworking parent. Most kids just happy to play and have fun. But there were some that were cut from different more expensive cloth. I vividly recall a girl telling me in third grade (after making fun of my Dollar Store vinyl hi-tops) that “If you don’t wear Lee jeans or Nike sneakers, you’re nothing.” That is a false statement but it sure made little Johnny feel like a little pile of nothing. I never told anyone about that. My Mom already had her hands full–multiple jobs, keeping a house around us and food on the table all while holding up the world. There always have to be some who look down on those with less than they. And I’m not talking about money specifically.

As time crawled on, I found myself bitter at my lot in life. I wanted nothing more than to be a normal kid, to play with the others my age and to experience the pains and aches of growing up. I was in no way spared the aches, but more accurately probably had some that the other kids didn’t, I always had to factor in when Mom left for work so I could be home to watch my brother. How to cook and clean the house. To do laundry, check homework and many other tasks that my friends had mothers or fathers handle for them. Mothers that didn’t work or if they did only one job. Our mom was a nurse at night and cleaned houses during daylight hours and on off nights from those, tended bar at the American Legion. For her hard work she was labeled a slut and a bad mother. Neither title being true but basically being tongue-carved into the trunk of our lives. I grew older and meaner to Roscoe. Endless name calling and fighting. And while he fought back, he was always quick to forgive and return to his usually accepting love of his big brother.

-This year I was going to go as a mummy. Mom had sacrificed one of our white sheets as had Gram to be torn into long strips of ancient bandage. It was the best costume I’d ever had. This year would be so much better.

–Better than the cardboard box robot that got me condescending snickers from other children, some hard candy, tootsie rolls and a stale popcorn ball.

–Better than the cheap plastic masks with the rubber band that held them on your head but pulled at the hair at the back of your neck.

–Better than seeing the looks on the faces of children who were nice to you once in a while, when there was no one else around. Children who’s parents were still together and both worked and brought in more income than your poor three job juggling mother did. Yeah, it would be better.

Years swirled and got away. I got married and moved across the state, won the role of a happy husband with two sons, a role I still play. Roscoe was married and had a pair of daughters. He tried to cut the leash to our hometown but never could do it. He was a boomerang that kept returning. I always did what I could to help him when called to, or even when not. We rarely talked but when we saw each other it seemed strained a little. The elastic growing dry and cracked like an old rubber band. I assumed it a resentment for the hand life dealt us, differing and wide in expanse. Too many small wounds from things I’d said or done when we were younger, given to salty scars that throbbed when I came around. When our Grandmother died and then a few years later our father, those somber events strengthened our bond in some way. We still have our moments of antagonism but mostly we just quietly accept the other. We are brothers and that cannot be changed. We vowed to call more often and see each other more. We both treat vows like a juggler treats delicate glass.

-The air was chilly, not cold but chilly. Mom said I’d need to wear my long johns under my costume, but not to get them dirty or torn as they were my only pair of pajamas until she could afford us new ones. I stood in the kitchen while Mom knelt in front of me carefully wrapping my legs in linen. Gram sat at the table and smoked her cigarette. When the wrapping was done I was covered head to toe, save for an opening left over my eyes so I could see. I ran into the living room and took in my costume via the full length mirror. It was fabulous. Gram said she’d drive us around. “Johnny will break his neck over them bandages around his ankles.” We got our bags and headed out.

First stop was old Mr. Whiteall. He sat on his porch swing with a large mixing bowl full of butterscotch discs and cinnamon lozenges. He always smelled sweaty but was a nice man.

“The Mummy walks!” he yelled and shrank away in mock terror.

I laughed and took the offered treats. As we turned to leave his porch, a few boys from school passed in the opposite direction. One of them hissed “Welfare Johnny.” I pretended not to hear.

The night was an apple halved–a sweetly tart and raw wound sticky at the same time. Gram sat in the car and smoked while Roscoe and I would hit the houses, most adults smiling and handing us candy and compliments and once in a while someone just looking at us like we’d shit on their porch and dropping the treats in our bags like used Kleenex. We went home and Gram left us to organize our spoils while Mom got ready for work.

Now, these decades later, I sit in my chair with the lights out, as I do every Halloween, and stare at the phone. It’s right there. Inches from my hand. It’d be such an easy thing to pick it up and call my brother. Sometimes you’d think the device was made of spiders and bees– a cursed idol carved of scorpion sting and snakebite the way we eschew it. I sigh and don’t make a move, choosing instead to once again take a walk through the territory behind my eyes.

-“You boys, made a haul!” she crowed as she grabbed a peanut butter chew from Roscoe’s pile. I offered her one of my starlight mints.

“No, those are your favorite. You keep them.” She went into the kitchen and got her sweater from the back of the chair. Crushed her cigarette to death in the ashtray on the table.

“Don’t you kids eat all that candy tonight.” She finished her coffee in a single gulp and sat the mug in the sink. It clattered with dirty silverware. “One more piece each, then brush and go to bed.” We nodded. She reminded me for the millionth time to lock the door behind her when she left. I stood and watched her pull out into the road and the taillights disappear into the night. We ate more than one piece of candy each and we went to bed without brushing our teeth. And the world never stuttered in its turning.

I often think of my brother and think of the years wasted between us. How all I need to do is call him once in a while, or even message him on the computer. In this day and age is there any valid excuse?! I’ve got pictures of the girls in the mail last week. They’ve grown up so much and I’ve not seen a lot of it. I’m as much a shadow to them as I am he. A pre-diagnosed stranger. I look at the table where the pictures lay and can see the face of my brother in them. See his school pictures in my mind. Green sweater and those squinting eyes when he smiled. He looked so happy. I so wish I could see him smile like that again. A smile that doesn’t know what a spiteful prick the world is. What a vicious bitch life can be. And how the sharpest blade is the slow scalpel of time and apathy. I feel my eyes begin to leak and wipe them across my arm. The tears are cold on my warm skin. I smile and stare at the spot of light near the front window, a feeble sliver from the streetlight. I can almost see a short shadow by the chair. See the alfalfa sprout of the Roscoe perpetual cowlick. I can see his eyes twinkle in the dim.

“What’re you thinking about, Johnny?”

“Bandages.”

“Like your Mummy costume?”

“Not exactly.”

“Like when you’re hurt?”

“Often.”

“Like what?”

“Like everything.”

I feel his small hand on mine.

“I love you.”

“I love you too, little brother.”

The streetlight goes dark and it thunders silence. I sit in it with my hand on the phone.

John Boden lives a stones throw from Three Mile Island with his wonderful wife and sons.

A baker by day, he spends his off time writing, working for Shock Totem Publications or watching old television shows. He likes Diet Pepsi and sports ferocious sideburns. He loves heavy metal and old country music, shoofly pie and westerns.

He’s a pretty nice fella, honest.

His work has appeared in Borderlands 6, Shock Totem, Splatterpunk, Lamplight, Blight Digest, the John Skipp edited Psychos and others. His not-really-for-children children’s book, Dominoes, has been called a pretty cool thing. His other books–Jedi Summer With the Magnetic Kid, Detritus In Love, Walk The Darkness Down— are out and about. He has also written a few collaborative novellas, one with Chad Lutzke called Out Behind the Barn, and Rattlesnake Kisses and Cattywampus with Bob Ford. There are more things in the works.

Out Behind the Barn (with Chad Lutzke)

The boys crept to the window and watched as Miss Maggie carried the long bundle into the barn, the weight of it stooping her aging back. Rafter lights spilled from the barn doors and Davey saw an arm fall from the canvas-wrapped parcel. He smiled.

โ€œShe got someone!โ€

Both children grinned and settled in their beds, eyes fixed to the ceiling.

The boys crept to the window and watched as Miss Maggie carried the long bundle into the barn, the weight of it stooping her aging back. Rafter lights spilled from the barn doors and Davey saw an arm fall from the canvas-wrapped parcel. He smiled.

โ€œShe got someone!โ€

Both children grinned and settled in their beds, eyes fixed to the ceiling.

This was family growth.

Rattlesnake Kisses (with Robert Ford)

Dallas is a man seasoned by both time and circumstanceโ€”a fellow you hire to get certain things done. The kind of man you definitely donโ€™t want to cross.

The Kid is his protegeโ€”his younger shadow with more quirks than Deweyโ€™s System has decimals. Heโ€™s loyal as a hound and just as likely to bite.

After being hired for a seemingly easy job, Dallas and the Kid find themselves on a wild ride. Every stop they make introduces lies, violence and memories best left buried. When the control Dallas holds so near and dear starts to squirm free, things get ugly. The routine becomes anything but, and revenge is a bloody dish best served with a .45 pistol.

Cattywampus (with Robert Ford)

There had been a plan. It wasn’t a good one, and it was rough around the edges, but it was a plan. Then things went off the rails and into places where no one was comfortable. Violent places. Unspeakable places. Places stained with blood and other things. A nesting doll of crimes and sordid deeds. Darlene and Sheila were up to no good, but the mess they find themselves in makes their original plans seem like a Sunday school picnic. And it started the way you’d expect a bad day to begin: A robbery.A death. A bucket full of teeth. Welcome to Steelwater, PA. We’re glad to have you.

Walk the Darkness Down

Some things are older than time. Older than darkness.

-Levi is a monstrous manโ€”made of scars and scary as hell, heโ€™s glutted on ghosts and evolving to carry out the dark wishes of the ancient whispers in his head. Heโ€™s building a door and whatโ€™s on the other side is terrifying.

-Jones spent a lot of time living bottle to bottle and trying to erase things. Now heโ€™s looking for the man who killed his mother and maybe a little bit of looking or himself as well.

-Keaton is on the run from accusations as well as himself, he suffers alone until he meets Jubal, an orphaned boy with his little sisters in a sling.

-Every line is not a straight line and everything must converge. A parable writ in dust and blood on warped barn wood. A journey in the classic sense, populated with dried husks of townsโ€ฆand people both odd and anything but ordinary. Hornets, reverse-werewolves and one of the most vicious villains youโ€™ll ever know are all part of it.

Pull on your boots and saddle up, weโ€™ll Walk The Darkness Down.