SHORT STORY: Smith from the Times by Daniel G. Zeidler

Smith from the Times
by Daniel G. Zeidler

So the lady says to me, “Are you tan from the sun?” and I reply “No – I’m Smith from the Times.”

Heh – a little reporter humor to lighten the mood there.  At any rate, where was I?

Oh yeah…

“Who? Me? Come now Mister Smith, do I really look like an evil sorcerer from another world maniacally bent on global domination?”  Doctor Durron-uu-obezai said over his steepled talons.  I had a feeling he was smiling at me, but to be honest it was hard to tell.

“Aside from the claws, the glowing eyes, and the stylish though functional otherworldly headdress with attached cape, Doctor Durron-uu-obezai?”  I looked up from my notepad feeling slightly confused.

“Erhm…yes…yes, aside from those.”  The Doctor placed one hand over his chest and extended the other toward me. “Please, call me Doctor D.  My public relations people say it humanizes me.”

“Why, yes – it does at that Doctor D,” I said as I made a note of the new moniker.  “I really apologize for asking a question like that – I mean it is obvious to me and any other sane person that you are just an average Joe like the rest of us.”

Doctor D laughed jovially like a department store Santa with a bad hangover.  I had not realized that “Mua ha ha ha ha ha haaa” could sound jovial, but he made it work.  “That’s me, Mister Smith, just an average Joe with a unique fashion sense.”

“And a Legion of Darkness, Doctor D, you can’t forget that.”

“A Legion of what?  What on Target Epsilon Five- erhm, Earth are you talking about, Mister Smith?”

It was then the massive double doors at the far end of the cavernous hall opened just enough to allow a single figure wearing dark black armor to enter the hall.  He paused for a moment and then began running towards us.  As the sound of his metal shod feet striking the floor rolled across the hall to where we sat I turned back to Doctor D.

“Like him for example, Doctor D. That creepy armor and those glowing red eyes just scream Legion of Darkness to some of our more flighty readers.”  I glanced back at the armored figure and saw he was still running towards us.

“Oh!  Oh yes, I see it now… erhm… but only if I, ah, squint my eyes.  Some of your readers have the most amusing flights of fancy, Mister Smith,”  Doctor D chuckled as the armored figure continued running.  The figure’s pace seemed to have slowed down somewhat.

“Indeed they do Doctor D – that’s why I get assigned all the tough stories like this one.  People know that I cut right through the nonsense and get to the truth of the matter.”  I grinned at the doctor and looked back at the armored man.  His pace had slowed further and he seemed to be breathing heavily.

“That’s what I like about you, Mister Smith – there is no pulling the wool over your eyes,”  Doctor D looked away from me and back to the armored man.  He had stopped running and seemed to be taking a break.  Doctor D looked back at me.  I looked back at the armored man and then back at Doctor D.  I looked down at my watch and Doctor D looked out a window.  Then we both looked back at the armored man and then back at each other.  Doctor D drummed his fingers on the arm of his vaguely throne-like chair.  I studied the tip of my pen for a moment.

“I have to admit that I love the decor here,” I said as the armored man raised one hand and waved to let us know he was okay.

“Oh?  Thank you, I, ah, did it all… myself…,”  Doctor D said distractedly as the armored man began running again.

“I am a little curious about that skull like object next to your chair though,” I said and motioned toward Doctor D with my pen.  “I bet there is a story behind that.”

“Oh this old thing?  Heh,” Doctor D said as he used his foot to push the remarkably realistic looking skull under his chair.  “That is left over from my, ah, Halloween party.  You know how after a big party you always find bits and pieces left of the guests, erhm, left by the guests in the, ah, oddest places… for months afterwards.”

“I know just what you mean Doctor D – except I usually find empty beer bottles, not so much the skull-like objects,” I shrugged my shoulders, “but then I would be willing to wager that my parties aren’t anywhere near as fun as yours are, Doctor D.”

“That would be a safe bet,” Doctor D sighed and sat back in his chair while rolling his eyes skyward.  He looked back at the armored man and then back at me.  I looked back at the armored man and then out the window.  Doctor D looked at his watch.  I studied my fingernails for a moment and then looked back at the armor man.  He was jogging at a fairly steady pace.  I leaned back in my chair and Doctor D leaned forward in his.  I cleared my throat.  Doctor D coughed quietly.  The armored man was almost within speaking distance and he picked up his pace.

“Those are very nice shoes you have on, Mister Smith,” Doctor D said as he looked down at my feet. “They are quite stylish.”

“Thank you. They are very comfortable too.”

“You’ll have to tell me where you bought them before you leave.  I tend to be on my feet all day issuing edicts and ultimatums, decreeing fates and things like that.  I need a nice looking pair of shoes with good arch support.”

“I am certain I have one of their business cards. I can give you that.”

“That would be marvelous Mister Smith.  Thank you.”

“Master… Master…” the armored man gasped as he made his way up the raised dais.

“General!  You are such a big joker with that whole Master thing.” Doctor D gave me an apologetic shrug of his shoulders and turned back to the general.  “What do you mean by barging into here like this?! Mister Smith is in the middle of conducting an insightful interview into my character.”

“My apologies Mast-, erhm, Mister Smith,” the General said as Doctor D motioned toward me with his head – a very polite man that Doctor.  “The, ummm, tour group we have been waiting for has arrived.”

“Tour group?  What tour group?” Doctor D looked from me to the General and back again.

“The one with the, ah, gritty anti-hero type young man and the plucky young woman with whom he constantly engages in spirited dialogue laced with sexual innuendo and the bumbling sidekick-type person who could be easily discounted but who would only come back at a crucial moment and ruin everything.”

“Oh yes! That tour group.  For a moment I thought you meant the, ah, Grand Worshipful Order of Pillockry tour group,” Doctor D looked at me and chuckled in embarrassment.  I had no idea the Grand Worshipful Order of Pillockry offered tour groups.  I made a note of it as it was the sort of thing my readers would be interested in knowing.

“They are, ah, due in next week I believe… sir?” the General offered helpfully if hesitantly.

“Erhm, yes, well, please excuse me, Mister Smith,” Doctor D rose and stroked his chin thoughtfully.  “I need to deal with, ah… actually that works. I need to deal with this tour group personally.  Should only take a moment.”

“Take your time Doctor D! I’ll just chat with the General here.”

Once Doctor D had gone I turned to the General and saw he was concentrating on studying his fingertips.  I cleared my throat politely and his glowing red orbs swiveled nervously in my direction.  Some people could be a little shy when talking with a reporter, but I was used to dealing with it.

“So, General, maybe you could help clear up this little misconception about a Legion of Darkness spreading terror across the globe?”

“Oh… you mean the, ah, photography club?” The General glanced towards the door Doctor D had used to leave the room.

“Photography club?”

“I can’t tell you the number of times we have had people mistake a powerful flash and a good telephoto lens for a death ray.”

“Oh sure!  Happens all the time.  The thing about the spreading terror probably just comes from folks who are a little camera shy.”

“You know how they are. Heh,”  the General tended to end his sentences with a nervous laugh and a glance toward the door.  I knew that only proved he was not really a general – must have been a nickname of some sort.

“Yes indeed.  Now perhaps you might be able to shed some light as to why the rather oppressed looking people in the nearby village refer to this rather isolated mountain citadel as the Fortress of Doom?”

“Oh? Heh That question again?” The General fidgeted where he stood for a moment.  “The locals have a rather odd accent that takes some getting used to before you can understand everything they scream, erhm, say.  They don’t call this place the Fortress of Doom – they call it The Orchid’s Bloom.  We have a lovely garden… with plenty of… orchids… that, ah, bloom.”

“I see. I knew it had to be something like that.”  I glanced outside and saw ink black storm clouds boiling across the sky.  A moment later lightning began to rain down from the heavens.  “The weather certainly changes quickly around here, doesn’t it General?”

“Ummm. Yes.  Would you, ah, care for a cup of coffee or tea by any chance?”

“Oh, I wouldn’t want to impose.”

“It would be no trouble. We just had one of those nifty machines that brews up a single cup of coffee or tea installed in the break room.”

“Tempting as that is, too much caffeine keeps me up all night.  You wouldn’t believe the stuff I write at two or three in the morning.”

It was then that I heard Doctor D laugh his jovial laugh again.  I motioned toward the sound with my pen.  “It must be nice working for a boss who laughs all the time, eh?”

“Erhm… Yes? Yes,” the General glanced toward the door and leaned closer to me.  “He does tend to drone on a bit during weekly staff meetings though.  The man never met a PowerPoint slide he did not like.”

“I know the type – my boss is the same way.  We usually send each other text messages during the particularly dull parts.”

“You do that too?  He almost caught me doing that last staff meeting!”

It was then Doctor D returned through the same door he had used to leave.  He paused to straighten out his cloak and then walked over to us.

Thankfully the back door was much closer than the front doors.

“My apologies for the delay.  I almost discounted the sidekick, but remembered not to at the last moment.” Doctor D nodded at me and then turned to the General.  “General you may marshal your, ah…”

“Photography club, sir?”

“Riiiiiight… marshal the photography club for the next phase of our, ah…,” Doctor D motioned almost pleading toward the General.  The General raised both his hands helplessly.

“Looks like your secret is out gentlemen,” I said smugly.  “You’re making a documentary, aren’t you?”

“Curse you and your piercing insight, Mister Smith,” Doctor D said and glanced over to the General.

“I shall marshal the photography club for the next phase of the… documentary… sir.” the General turned and started to walk toward the front doors.

“Oh for goodness sake – use the back door.” Doctor D said with a wave of his hand.

“Thank you, sir,” the General gave a polite bow and left the room.

“I would like to thank you for your time, Doctor D.  I hope you will let me conduct a follow up interview at some point?”

“For you, Mister Smith? Of course!” Doctor D said over his steepled talons and then he laughed again.

Boo-graphy: Dan Zeidler is a writer of science fiction and fantasy and the author of the upcoming fantasy adventure duology, Sarbotel Rising, the sci-fi adventure, Ghosts of a Fallen Empire, and a number of anthology short stories. Dan began expressing his love of writing at an early age with the parentally acclaimed poem Trains are Great which along with other early examples of his work earned a place on the prestigious Refrigerator Magnet Gallery. While nothing can be done for his poetry skills, which haven’t improved a whit since that train poem, a steady diet of great stories ranging from ancient mythological tales to Arthurian legends to classic sci-fi and fantasy and on up to Star Trek and Star Wars have improved his storytelling abilities considerably. To further refine and enhance his writing and storytelling skills, Dan lived a life of adventure first by getting a degree in geoscience, then by serving in the US Air Force, then by embarking on a career as a data analyst… hmmm… okay, let’s go back a bit to the part about how a lifetime of reading as many great stories (and many not so great stories) as he could have inspired Dan to write his own stories; stories that above all strive to be fun and entertaining reads. Dan currently resides with his family among the rugged, forested hills of his home state of Connecticut.

Ghosts of a Fallen Empire
In the distant future an isolated human world has survived the Nomad Wars and the Fall of Imperium. Together with their non-human allies, the Dussakairay and the Bregus, they repopulated and rebuilt their devastated region of the galaxy to form a 40 system Commonwealth. For over five centuries the people of the Commonwealth have known only peace and prosperity, but an ancient enemy has been watching from the ruins of the old Imperium, slowly rebuilding their forces, and waiting for their opportunity to reduce the Commonwealth to ashes. The founders of the Commonwealth may have given up their Imperium, but they did not give up all of the Imperium’s secrets. Now the only hope for the people of the Commonwealth lies with the Ghosts of a Fallen Empire.

The Haunted Library Anthology Volume 2
This anthology is a benefit anthology for the Tom Burnett Memorial Library in Iowa Park, Texas.

Is your library haunted? Are you sure? Many readers wander the shelves, returning over and over to the place their spirit calls home. Some of them are still in circulation, even after their bodies have checked out. Others are part of the deep archives from before the books moved in…

Join 11 authors as they explore haunts from the past, the future, and the dead.

Ghosts of Malta
Malta. Alchemists, Saints and Heroes have all made their way to this place, defended its walls, and added to its ranks of ghosts and lore.

Besieged, battered, and bombed, this archipelago has seen every tide of war, turmoil, and more than a few bits of piracy. It’s also been the land of courage, resilience, and grace under fire.

Ten authors have set out to bring you tales of the ghosts of Malta past, present, and future. Open the pages and meet the ancient guardians, ghost cats and inter dimensional spies that will be your guide…

SHORT STORY: That Time of Year Again by CM Saunders

I hope everyone enjoyed their Thanksgiving. I took a little bit of a break to enjoy my holiday and the several days of shopping that followed (I’m a manager in retail so it’s been a fun last few days). To continue on with my Halloween invasion of Christmas, I have a short little thing from author CM Saunders to share with you.

Halloween Drabble:
THAT TIME OF YEAR AGAIN
(100 Words)

The doorbell rings. It’s Halloween, which probably means the Trick or Treaters are here. Living alone means I’ll be up and down a lot tonight.

I open the door, and sure enough I’m confronted with three kids. We have a witch, a comedy Frankenstein, and a vampire in a cape. I think. I offer the group a handful of candy, which is snapped up greedily. As I’m closing the door, comedy Frankenstein says, “Where did your friend get that demon mask? It’s so cool.”

I’m confused. “What on earth are you talking about?”

“Your friend behind you wearing the mask.”    

(This story was first published in Every Day Fiction.)

Boo-graphy: Christian Saunders, a constant reader who writes fiction as C.M. Saunders, is a freelance journalist and editor from south Wales. His work has appeared in almost 100 magazines, ezines and anthologies worldwide including Fortean Times, the Literary Hatchet, ParABnormal, Fantastic Horror, Haunted MTL, Feverish Fiction and Crimson Streets, and he has held staff positions at several leading UK magazines ranging from Staff Writer to Associate Editor. His books have been both traditionally and independently published.

The fifth volume in my X series featuring ten (X, geddit?) slices of twisted horror and dark fiction plucked from the blood-soaked pages of ParABnormal magazine, Demonic Tome, Haunted MTL, Fantasia Diversity, and industry-defining anthologies including 100 Word Horrors, The Corona Book of Ghost Stories, DOA 3, and Trigger Warning: Body Horror.

Meet the local reporter on an assignment which takes him far beyond the realms of reality, join the fishing trip that goes sideways when a fish unlike any other is hooked, and find out the hidden cost of human trafficking in China. Along the way, meet the hiker who stumbles across something unexpected in the woods, the office worker who’s life is inexorably changed after a medical drug trial goes wrong, and many more.

Also features extensive notes, and original artwork by Stoker award-winning Greg Chapman.

Table of Contents:
Demon Tree
Revenge of the Toothfish
Surzhai
The Sharpest Tool
Something Bad
Down the Road
Coming Around
Where a Town Once Stood
The Last Night Shift
Subject #270374
Afterword

GUEST MOVIE REVIEW: An American Werewolf in London

In the final part of CM Saunders’ five-part series, he talks about An American Werewolf in London. I hope you enjoyed this series as much as I did and please follow the link at the end so you can see some other movie reviews he’s done.

Top 5 Eighties Horror Flicks #1

Title: An American Werewolf in London
Year of Release: 1981
Director: John Landis
Length: 97 mins
Starring: David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine

It’s been a long month. So far in our countdown of the top 5 Eighties Horror Flicks we’ve met vampires, ancient forest-dwelling spirits, vengeful ghosts, and all kinds of other nasties. A lot of blood has been spilled. It’s all been building up to this, the final instalment. Number one on the list, top of the pile, king of the hill. Some films you see during those impressionable childhood years make an indelible mark on you. Others scar you for life. For me, An American werewolf in London undoubtedly belongs in the latter category, and not just because I was obsessed with Jenny Agutter.

          It should need no introduction, but for those unfamiliar with it, the film starts with a pair of American tourists David (Naughton) and Jack (Dunne) hiking across the Yorkshire Moors (this part was actually filmed on the Black Mountains in Wales). When night falls they take refuge in a charming little pub called the Slaughtered Lamb, where they find Rik Mayall having a game of darts and Brian Glover in a particularly prickly mood, but leave when things turn frosty with the words “Stay on the path!” ringing in their ears. Needless to say, they don’t heed the warning and and find themselves lost on the moors. As if that wasn’t bad enough, things take a huge downward turn when they are attacked and Jack is ripped to pieces by a huge wild animal, later revealed to be a werewolf. There’s no helping Jack, but a crowd from the pub arrive and kill the werewolf just in time to save David.

          Some time later David wakes up in a hospital in London. We don’t know how he got there, or why he was taken there rather than somewhere closer as it’s about 200 miles from Yorkshire to the capital as the crow flies and you’d pass a few dozen hospitals on the way. But let’s not focus too much on pesky common sense and practicalities. It’s a werewolf film for fuck’s sake. Jack returns from the dead as either a ghost or a hallucination (we are never really told which) to warn his friend that next time there is a full moon, he too will turn into a werewolf. The banter between David and Dead Jack, fast, witty, and shot-through with humour, form some of my favourite parts of the film (example: “Have you ever talked to a corpse? It’s boring!”).

          The anticipated change does indeed occur in a gut-wrenching yet iconic sequence which won an Academy Award for special effects (the man responsible, Rick Baker, went on to win six more from eleven nominations. A record.) and David goes on a bloody rampage across London’s West End. One of the defining scenes was set and filmed at Tottenham Court Road tube station, and anyone who has ever used that particular transport hub will surely agree that the only time you are likely to see it quite so empty is when there is a blood-crazed werewolf riding the escalator. Here’s the scene, in all its glory:

          The next we see of David he’s waking up naked in the wolf enclosure of the local zoo, and as soon as he’s dressed again he sets about piecing together the events of the night before with the help of Alice (Agutter), a nurse who he somehow managed to pull whilst being laid up at the hospital. It has to be said that she takes all the “I’m a werewolf” stuff remarkably well, which was just one more reason to love the woman.

          One of the most terrifying scenes ever committed to celluloid is the dream sequence where David witnesses his family being brutally slayed by a bunch of mutant Nazi demons brandishing machine guns in a home invasion. It’s as weird as it is shocking, and has been the cause of endless debate over the years. Was it included just for the shock factor? An extra element of controversy (as if it were needed)? Or is it a remnant of a sub-plot which was otherwise edited out?

          It’s interesting to note that earlier on in proceedings, nurse Alice and her friend make what appears to be an off-hand Jewish remark dressed up as a dick joke, and the movie has been lauded in certain circles as a significant piece of Jewish cinema. A little digging reveals John Landis was born into a Jewish family, and with that kernel of knowledge, the sub-text swims into focus. David (the name of the first monarch of the Israelite tribes) is a walking allegory for Judaism itself. A displaced, wounded hero, a stranger in a strange land, struggling to come to terms with a tragic past. This article does a pretty good job of further exploring the Jewish connection, which I’d never even considered until I re-watched it recently and started wondering what the fuck those mutant Nazi demons with machine guns had to do with anything.

          When it was released in 1981, An American Werewolf in London formed one third of a holy trinity of werewolf films, which all came out the same year, the others being Wolfen and The Howling (see number three on our list!). Director John Landis (who is more commonly associated with comedy having been involved with such seminal films as Animal House, The Blues Brothers, and Trading Places) claimed he was inspired to write the script after working on the film Kelly’s Heros in Yugoslavia. Whilst out driving, he stumbled across a group of gypsies performing a ritual on a corpse so it wouldn’t ‘rise again,’ which must have been quite the mindfuck.

          At first he had trouble securing finances, with most would-be investors claiming the script was too frightening to be a comedy and too funny to be frightening, before PolyGram Pictures eventually put up the $10 million budget. Happily, their faith was repayed as the movie became a box office smash grossing over $62 million worldwide. It is now rightfully hailed as one of the greatest horror movies ever made.

          In contrast, a 1997 sequel, An American Werewolf in Paris, which featured a completely different cast and crew, was a critical and commercial failure. As a curious postscript, in 2016 it was reported that John Landis’s son Max was writing and directing a remake. There’s been nothing but the sound of crickets ever since.        

Trivia Corner:

Landis has expressed regret over cutting certain sequences from the final cut of the film in order to earn an R rating in the US. The sex scene between Alex and David was edited to be less explicit, and a scene showing the homeless men along the Thames being attacked was cut after a test audience reacted negatively to it. Yet another cut scene showed the undead Jack eating a piece of toast which falls out of a hole in his torn throat.

On the 13th of every month I put a fresh spin on a classic movie in my RetView series over at my blog. Go here to check out the archive:

Boo-graphy: Christian Saunders, a constant reader who writes fiction as C.M. Saunders, is a freelance journalist and editor from south Wales. His work has appeared in almost 100 magazines, ezines and anthologies worldwide including Fortean Times, the Literary Hatchet, ParABnormal, Fantastic Horror, Haunted MTL, Feverish Fiction and Crimson Streets, and he has held staff positions at several leading UK magazines ranging from Staff Writer to Associate Editor. His books have been both traditionally and independently published.

The fifth volume in my X series featuring ten (X, geddit?) slices of twisted horror and dark fiction plucked from the blood-soaked pages of ParABnormal magazine, Demonic Tome, Haunted MTL, Fantasia Diversity, and industry-defining anthologies including 100 Word Horrors, The Corona Book of Ghost Stories, DOA 3, and Trigger Warning: Body Horror.

Meet the local reporter on an assignment which takes him far beyond the realms of reality, join the fishing trip that goes sideways when a fish unlike any other is hooked, and find out the hidden cost of human trafficking in China. Along the way, meet the hiker who stumbles across something unexpected in the woods, the office worker who’s life is inexorably changed after a medical drug trial goes wrong, and many more.

Also features extensive notes, and original artwork by Stoker award-winning Greg Chapman.

Table of Contents:
Demon Tree
Revenge of the Toothfish
Surzhai
The Sharpest Tool
Something Bad
Down the Road
Coming Around
Where a Town Once Stood
The Last Night Shift
Subject #270374
Afterword

X X2 X3 X4 X5

GUEST MOVIE REVIEW: The Evil Dead

In the fourth part of CM Saunders’ five-part series, he talks about another one of my favorites, The Evil Dead.

Top 5 Eighties Horror Flicks #2

Title: The Evil Dead
Year of Release: 1981
Director: Sam Raimi
Length: 85 mins
Starring: Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich, Theresa Tilly

I remember the first time I ever saw The Evil Dead. I was in my early teens, and my folks had gone on holiday leaving me home alone. I scared myself so much that I stayed awake the entire night with every light in the house switched on. Apart from an early encounter with An American Werewolf in London, that was my first experience of being absolutely shit scared by a film. During subsequent viewings, I learned to appreciate the crude humour as well as other aspects like the kick-ass script and innovative cinematography. But that first time, it was all about pure, unadulterated fear. I was absolutely terrified, and traumatised for weeks afterwards. At that tender age, I had no idea a piece of art could stir such visceral emotions. It was epic.

If I had to pin down the single most frightening aspect of the whole movie, it would be the trapdoor to the cellar. As innocuous as it probably sounds if you haven’t seen the movie, it still gives me chills thinking about it now. In my fevered imagination it came to represent the thin barrier between good and evil, or life and death. I’d love to live off-grid in a secluded log cabin in the woods. But if it has a trap door to the cellar, you can fucking keep it.

Wait a minute, I’m getting ahead of myself. Let’s rewind a little. If you haven’t seen it, (why?), The Evil Dead goes something like this…

Five college students go on vacation to a secluded log cabin in the woods. You know they’re going to have sex and take drugs, which is bad, obvs, so you know some terrible shit is going to befall them. As I mentioned, the cabin has a trapdoor leading to the cellar. You can probably attach any one of a dozen metaphor to not just the trapdoor, but the cellar. It could represent hell (the underworld), the subconscious mind, or any number of other things. But for the sake of argument, let’s just call it what it is. It’s a trapdoor. And as you can probably tell by the way I’m still obsessing over it, it scarred me for life.

Obviously, the students go exploring, and find some audio tapes made by a researcher who talks about something called the Book of the Dead, a book of spells and incantations bound in human flesh and written in human blood. Incidentally, the original script called for the characters to be smoking marijuana when they are first listening to the tape. The actors decided to try this for real, and the entire scene had to be later re-shot due to their uncontrollable behaviour.

The tapes summon a demonic entity (or entities) and one by one the students become possessed. The next thing you know, people are speaking in tongues and getting raped by trees left, right and centre. The scene where Cheryl (Sandweiss) initially falls under the influence, levitates, and stabs her friend through the ankle with a pencil before being locked in the cellar is utterly horrifying. She keeps pushing her hands through the gap in the trapdoor and making gurgling noises. Ew. As you can probably imagine, things deteriorate drastically from that point on and pretty soon Ash (Campbell in his defining role) is locked in a nightmarish battle for survival. Things don’t improve much when he realises the only defence against his group of possessed ex-friends is to dismember them with a chainsaw. Needless to say, it gets messy. Really messy.

The only thing letting the side down is the quality of the special effects, which though innovative for the time, sometimes come across as slightly cheap and tacky. But you have to remember The Evil Dead was made over forty years ago and cost around $350,000. Finances were such an issue that the crew consisted almost entirely of acquaintances of Raimi and Campbell, who had met at high school.

Upon release, the film was met with a lot of controversy, mainly because Raimi had made it as gruesome as possible with neither interest in nor fear of censorship. Writer Bruce Kawin described The Evil Dead as one of the most notorious splatter films of its day, along with Cannibal Holocaust and I Spit on Your Grave. Largely as a result of an appearance at the 1982 Cannes Film Festival (where it was seen, and emphatically endorsed by one Stephen King) the movie did manage to generate around $2.6m, small potatoes in comparison with the $212m raked in by that year’s biggest hit Raiders of the Lost Ark.

In the UK, the film was trimmed by 49 seconds before it was granted an X certificate for cinema release. A campaign by pro-censorship organization NVLA led to it being labelled a “video nasty” and when the Video Recordings Act was passed in 1984, the video version was removed from circulation. In 1990, a further 66 seconds were trimmed from the already-censored version and it was eventually granted an 18 certificate for home video release. In 2000, the uncut version was finally released. In the US, the film received an immediate ‘X’ rating, which has since been converted to NC-17 for “substantial graphic horror violence and gore”. It remains banned either theatrically or on video in some countries.

Even the censored version is preferable to the 2013 big-budget re-boot, largely because of the unpolished, rough-and-ready approach. It’s no surprise, either, that none of the original cast with the exception of Campbell went on to have much of an impact on the Hollywood A-list. 

Trivia Corner:

The cabin (near Morristown, Tennessee) used as the film’s set was also lodging for the 13 crew members, with several people sleeping in the same room. Living conditions were terrible, and the crew frequently argued. The cabin didn’t have plumbing, so the actors went days without showering, and fell ill frequently due to the freezing weather. By the end of production, they were burning furniture to stay warm. Ironically, the cabin didn’t have a cellar, most of the cellar scenes being filmed in a farmhouse owned by producer Rob Tapert’s family in Michigan.

On the 13th of every month I put a fresh spin on a classic movie in my RetView series over at my blog. Go here to check out the archive.

Boo-graphy: Christian Saunders, a constant reader who writes fiction as C.M. Saunders, is a freelance journalist and editor from south Wales. His work has appeared in almost 100 magazines, ezines and anthologies worldwide including Fortean Times, the Literary Hatchet, ParABnormal, Fantastic Horror, Haunted MTL, Feverish Fiction and Crimson Streets, and he has held staff positions at several leading UK magazines ranging from Staff Writer to Associate Editor. His books have been both traditionally and independently published.

The fifth volume in my X series featuring ten (X, geddit?) slices of twisted horror and dark fiction plucked from the blood-soaked pages of ParABnormal magazine, Demonic Tome, Haunted MTL, Fantasia Diversity, and industry-defining anthologies including 100 Word Horrors, The Corona Book of Ghost Stories, DOA 3, and Trigger Warning: Body Horror.

Meet the local reporter on an assignment which takes him far beyond the realms of reality, join the fishing trip that goes sideways when a fish unlike any other is hooked, and find out the hidden cost of human trafficking in China. Along the way, meet the hiker who stumbles across something unexpected in the woods, the office worker who’s life is inexorably changed after a medical drug trial goes wrong, and many more.

Also features extensive notes, and original artwork by Stoker award-winning Greg Chapman.

Table of Contents:
Demon Tree
Revenge of the Toothfish
Surzhai
The Sharpest Tool
Something Bad
Down the Road
Coming Around
Where a Town Once Stood
The Last Night Shift
Subject #270374
Afterword

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GUEST MOVIE REVIEW: The Howling

In the third part of CM Saunders’ five-part series, he talks about The Howling.

Top 5 Eighties Horror Flicks #3

Title: The Howling
Year of Release: 1981
Director: Joe Dante
Length: 89 minutes
Starring: Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Slim Pickens, John Carradine, Elisabeth Brooks

Humour, often coupled with OTT excess, was a common staple in eighties horror movies. It was symptomatic of the times, when a large percentage of people had more money than they knew what to do with and many were off their tits on coke. It was a good time. This humour seems especially suited to werewolf movies as if someone way back in the day decided there was something knee-slappingly funny about people transforming into humungous wolf-like creatures and ripping innocent bystanders into bloody pieces.

While far more subtle than some examples, the humour is still evident in Joe Dante’s classic The Howling. The script, adapted from Gary Brandner’s novel by screenwriter John Sayles who had previously worked with Dante on tongue-in-cheek classic Piranha, positively drips with satire (“You were raised in LA, the wildest thing you ever heard was Wolfman Jack.”) and the humour moves centre-stage right at the very end, as if the makers simply couldn’t contain themselves any longer. But let’s not get ahead of ourselves. The fact is that even now, over four decades after it was first released, The Howling is still a brutal, terrifying, and deeply disturbing journey into the dark heart of the lycanthrope legend which has long been considered a metaphor for the beast lurking inside all of us, something which is hinted at several times throughout the movie. If you’ve never seen it, that’s something you need to rectify.

Karen White (Scream Queen Dee Wallace, star of horror staples Cujo, the original Hills Have Eyes, and Critters, but probably best known for her role in E.T.) is a television news anchor in LA who thinks she is being stalked by a serial killer. In conjunction with the police and TV crews, she takes part in a sting operation, agreeing to meet the murderer in a sleazy porno cinema. In the ensuing kerfuffle, the serial killer is shot dead by cops, but Karen is left severely traumatised by it all and suffering from PTSD and amnesia. Her therapist (Macnee, that bloke off the Avengers) suggests she and her husband (Stone) spend some time at an exclusive retreat in the countryside to help her recovery, something they are only too happy to do. Big mistake. The Colony, as they call it, is full of colourful characters, one of them being a nymphomaniac called Marsha (Brooks) who tries to seduce Karen’s husband. When he rejects her advances, she follows him into the woods and scratches his arm, thereby ‘turning’ him. They later do it next to a bonfire (snigger) in one of those scenes that you probably rewound way too much as a horny teenager, before getting creeped out by the fact that by the time they finish shagging you are essentially watching a couple of Furries getting some in make up and monster suits.

Anyway, Karen soon begins to suspect that something sketchy is going on not just with her husband, but at the retreat as a whole, and calls in a little help from her friends. That’s when things get interesting, if they weren’t interesting enough before.

There’s no getting around it, by today’s standards The Howling comes across terribly dated in parts. But the script is extremely well-written, the cast is a who’s who acting talent and, though Rick Baker deservedly won an Oscar for his creature effects on An American Werewolf in London a year later, Rob Bottin’s work here is just as impressive. You can achieve quite a lot with tiny inflatable air bags under latex skin. He lets the side down somewhat in the climactic scene where Karen, now also changed, morphs into something resembling a cocker spaniel live on air which is more hilarious than frightening, but we’ll let that one slide. I prefer to think that particular scene (a late addition tagged on to the end while Wallace was filming Cujo) is meant as one of those era-defining tongue-in-cheek moments.

An earlier section where the werewolf attacks Karen’s friend at a secluded cabin in the woods is straight-up terrifying, as is the part where our heroine comes face to face with the monster for the first time and watches transfixed as it transforms in front of her. The suspense is maintained throughout, and the action rarely lets up. There’s also a fair bit of sex and nudity which led to some reviewers, somewhat unfairly, dubbing it ‘erotic horror’. Dante (who also directed Gremlins, Innerspace and Burying the Ex, amongst others) fits all the pieces together nicely, and shows neat little touches here and there, like having Little Red Riding Hood playing in the background at one point and naming many characters after directors who made other werewolf films, like George Waggner, who directed The Wolf Man (1941). In keeping with this theme, the consensus on review aggregate site Rotten Tomatoes (where it holds a respectable 74% approval rating) reads: “The Howling packs enough laughs into its lycanthropic carnage to distinguish it from other werewolf entries, with impressive visual effects adding some bite.”

Brilliant.

Unsurprisingly, due to its success, The Howling spawned a sequel (Howling II: Your Sister is a Werewolf) in 1985. What is surprising, however, is that despite the sequel being a total flop it then led to a bunch more, none of which were very good. The most recent was the eighth installment released in 2011. In January 2020 it was announced that Andy Muschietti, director of Mama (2013) and It (2017) had been hired to direct a remake for Netflix. That should be fine, as long as they don’t decide to remake the other seven.                

Trivia Corner:

Dee Wallace and Christopher Stone were married in RL, having met on an episode of CHiPs before filming started on The Howling. They were together until his death from a werewolf bite (not really. It was a heart attack) in 1995.

On the 13th of every month I put a fresh spin on a classic movie in my RetView series over at my blog. Go here to check out the archive.

Boo-graphy: Christian Saunders, a constant reader who writes fiction as C.M. Saunders, is a freelance journalist and editor from south Wales. His work has appeared in almost 100 magazines, ezines and anthologies worldwide including Fortean Times, the Literary Hatchet, ParABnormal, Fantastic Horror, Haunted MTL, Feverish Fiction and Crimson Streets, and he has held staff positions at several leading UK magazines ranging from Staff Writer to Associate Editor. His books have been both traditionally and independently published.

The fifth volume in my X series featuring ten (X, geddit?) slices of twisted horror and dark fiction plucked from the blood-soaked pages of ParABnormal magazine, Demonic Tome, Haunted MTL, Fantasia Diversity, and industry-defining anthologies including 100 Word Horrors, The Corona Book of Ghost Stories, DOA 3, and Trigger Warning: Body Horror.

Meet the local reporter on an assignment which takes him far beyond the realms of reality, join the fishing trip that goes sideways when a fish unlike any other is hooked, and find out the hidden cost of human trafficking in China. Along the way, meet the hiker who stumbles across something unexpected in the woods, the office worker who’s life is inexorably changed after a medical drug trial goes wrong, and many more.

Also features extensive notes, and original artwork by Stoker award-winning Greg Chapman.

Table of Contents:
Demon Tree
Revenge of the Toothfish
Surzhai
The Sharpest Tool
Something Bad
Down the Road
Coming Around
Where a Town Once Stood
The Last Night Shift
Subject #270374
Afterword

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