I always say that, during the Halloween Extravaganza, I’m going to write some posts as well, but then I get so busy with all of this… and everything else… that I end up giving up on that idea, despite the list of “brilliant” ideas (cause anyone who knows me KNOWS that my brilliant ideas are anything but) to write about… This year, I’m making a point to share me as well.
Halloween is one of my THREE favorite holidays… well, two, but only because I can’t get people to celebrate my birthday the way that I think they should haha.
My love of Halloween came from my father (though my mother still appeases me, just as she did him when he was alive). Maaaaaaan, he did SUCH a good job when it came to decorating and adding the perfect scare factor. I even remember him turning on the record (yeah, I’m that old, and…?) of the scary music and making sure it was going as each trick-or-treater came to the door. This was HIS favorite thing.
Today is the anniversary of the day my father passed away and I’ve been thinking about him a lot lately, all the fun we had, all the things he taught me, his dad jokes (way before dad jokes became cool), and even the embarrassing moments that I laugh about now. I lucked out having a great dad, even if he wasn’t able to see my sister and I grow up.
One year, we had a Halloween party for Girl Scouts (if I remember correctly), neighbors, and trick-or-treaters, where my mom and dad worked for DAYS fixing up the garage and front yard to utter perfection.
(This was back before you had to worry about creepers, but my family was always very family-oriented, so we did these things with everyone’s family included.)
You came in costume, walked through all the scare (and some good fun) of the front yard, to the front of the garage, which was covered with black plastic sheeting and had strips hanging down over the “doorway,” to enter. Utter darkness… with a little bit of odd lighting throughout. And two tables… covered in black… and a lot of things you had to stick your hands into.
It. Was. Amazing.
Cold spaghetti noodles were intestines. Ketchup was blood. PEELED grapes were eyeballs. Almond shells for witches’ finger nails. Macaroni noodles that had cooled and stuck together sat on a platter to remind you of a brain.
Even though I knew what these things were, with those lights off, you really believed that they were what they said they were.
I remember being soooooo scared… and it was the best feeling in the world.
Everyone got candy just for showing up, but people who made it through the “garage of terror” got a little extra, and of course my mom had brownies and cookies and Halloween drinks set up for everyone who was sticking around.
We continued this tradition for a couple of years, and I never lost the excitement. In fact, thinking of it now, I still have the goosebumps and giddiness I had all those years ago.
Between that and all the amazing costumes he “messed up” – one year I was a Disney cheerleader with a Minnie Mouse sweatshirt and a cheerleader skirt, which he promptly fixed so I was a DEAD Disney cheerleader who had been run over by a car – I had the BEST Halloweens a kid could ask for.
James Walter Hyden March 10, 1948 to September 3, 1991 The Best Dad EVER
Tamsyn Webb has had to grow up fast. The dead walk, and they hunt the living. One of the few safe places left in England is Gravesend, a small village turned into a fortress. Trapped with hundreds of starving, scared survivors, it’s getting harder to tell who the monsters are—the ones beyond the walls, or those huddled behind them. When Tamsyn learns of a possible cure for the zombie virus, there’s only one option. She’ll have to jump the wall, with nothing but her bow, a quiver-full of arrows, and the terror in her gut. But even if she gets back to Gravesend in one piece, Tamsyn might just doom them all…
So, the story behind Quiver and Tamsyn Webb is a tangled one, covering four print editions, three publishers and various false starts!
Way back in 2009, I won a spot as a writer for the beloved and much lamented Aussie publisher Black House Comics when they put out a call for writers to work in a novella series, based around a zombie apocalypse. My first professional story Undead Camels Ate Their Flesh won me the job, and I jumped in wringing my hands, ready to begin.
I had many ideas for a zombie tale, and all of them Australian. Sadly these were passed on, as other writers were already working Australian settings into this global problem. At a loss, I picked England as my back-up plan, and then I was all “can’t do London, that was in 28 Days Later.”
Picking the brain (lol) of an expatriate English workmate, she suggested a village called Gravesend, and I was there in a flash, charting out the village on Google maps, erecting barricades and creating every logical problem I could throw at the survivors. I breathed as much life as I could into the characters, and gave as much love to the zombie genre as it ever gave to me.
The first novella, Gravesend, hit newsagents Australia-wide, near the comics and the soft-cover Westerns. I followed it with a sequel, and then another, and realized I was writing a novel by stealth. We stitched everything together into a beautiful corpse, added a fourth novella into a coda, and called it Quiver, meaning both fear and the thing that holds my heroine Tamsyn’s arrows.
The novella was shortlisted for an award. The book sold out at the launch. I had plans for a sequel, and then sadly the publisher, Black House Comics, shut their doors, as the powerhouse Baden was simply overworked and couldn’t do it anymore.
Fast forward a few years, and I teamed up with Jason Franks, another Black House orphan, and we two Jasons formed Argonautica Press, where we determined to revive our moribund books and add new stuff. The sequel, Go To Hell, fell out of my head, and I found myself doing new and brave things to the zombie genre, dialing everything up to a Spinal Tap eleven.
We sourced new covers and did all those terrifying small-press things, determined to handsell and find new audiences – and then bloody COVID hit.
We had boxes of books in the shed and nowhere to sell them.
Then, the ray of light in the form of an alliance between Argonautica and Outland Entertainment, who have not only taken on our titles, but are giving them snazzy new covers and finding them a new audience in the US. At home, our conventions began to reopen, and we’re finally shifting our stock into the hands of eager readers, and by all accounts Tamsyn’s zombie adventures are continuing to be well-received.
Next up, I am beginning work on book #3 titled Dead Last, where we learn just how Tamsyn might be able to fix everything – or destroy everyone.
Jason Fischer is a writer who lives near Adelaide, South Australia. He has won the Colin Thiele Literature Scholarship, an Aurealis Award and the Writers of the Future Contest. In Jason’s jack-of-all-trades writing career he has worked on comics, apps, television, short stories, novellas and novels. Jason also facilitates writing workshops, is an enthusiastic mentor, and loves anything to do with the written or spoken word.
Jason is also the founder and CEO of Spectrum Writing, a service that teaches professional writing skills to people on the Autism Spectrum.
He plays a LOT of Dungeons and Dragons, has a passion for godawful puns, and is known to sing karaoke until the small hours.
MEGHAN: Hi, Clay. Welcome to Meghan’s HAUNTED House of Books. We’re happy to have you here today. Let’s start with an easy one… What is your favorite part of Halloween?
CLAY: I love taking my kids trick or treating… I loved it as a kid and now I get to relive vicariously through their candy-snatching as their chaperone.
MEGHAN: Do you get scared easily?
CLAY: I do. My flight-or-fight response is permanently flipped on to flight flight flight…
MEGHAN: What is the scariest movie you’ve ever seen and why?
CLAY: It’s impossible to narrow it down to just one! The original Black Christmas is a top contender. The original Texas Chain Saw Massacre is profoundly upsetting. Let’s Scare Jessica to Death haunts me.
MEGHAN: Which horror movie murder did you find the most disturbing?
CLAY: Two pop into my mind. The opening double-homicide that kicks off The Last House on the Left is excruciating to me. I’ve only ever watched that film once and I never want to watch it again. And then there’s the closing moments of Martyrs. That’s such a tough one for me, I can’t do it again.
MEGHAN: Is there a horror movie you refused to watch because the commercials scared you too much?
CLAY: I’m pretty sheepish around extreme violence for violence’s sake, so there are certain films that I just know are not going to be for me… If they’re films that make it to the multiplex, I can usually take it, but there are those underground movies (I’m looking at you, A Serbian Film) I just know to avoid.
MEGHAN: If you got trapped in one scary movie, which would you choose?
CLAY: A nice one? Twilight, perhaps? I always wanted to be one of The Lost Boys… Maybe that one?
MEGHAN: If you were stuck as the protagonist in any horror movie, which would you choose?
CLAY: Flatliners would be fun, the original, just so I could go to med school and get free therapy.
MEGHAN: What is your all-time favorite scary monster or creature of the night?
MEGHAN: What is your favorite Halloween tradition?
CLAY: Carving pumpkin! Every year we host a pumpkin-carving party. BYOP (bring your own pumpkin)!
MEGHAN: What is your favorite horror or Halloween-themed song?
CLAY: My son got obsessed with Monster Mash, so that was on heavy rotation in our house for a while…
MEGHAN: Which horror novel unsettled you the most?
CLAY: Geek Love by Katherine Dunn. Hands down my favorite. There are more disturbing books (I’m looking at you, Jack Ketchum), but this book took its unsettling storyline and elevated it to something heartbreaking, which I absolutely love.
MEGHAN: What is the creepiest thing that’s ever happened while you were alone?
CLAY: Solo parenting can be pretty creepy…
MEGHAN: Which unsolved mystery fascinates you the most?
CLAY: I’ve been obsessed with the Alaskan Triangle… Where did all of those people go?!
MEGHAN: What is the spookiest ghost story that you have ever heard?
CLAY: Not the spookiest, but for me, the campfire tale that had the most impact on me as a child was the story of Taily-Po. It’s an Appalachian folktale about a hunter who stumbles upon something that he probably shouldn’t have. When I first heard that story around the campfire as a kid, it changed my life forever. I’ll always go to bat for the Wendigo, the folktale behind it.
MEGHAN: Okay… let’s have some fun: In a zombie apocalypse, what is your weapon of choice? CLAY: Something long and stabby. MEGHAN: Would you rather get bitten by a vampire or a werewolf? CLAY: Vampire. MEGHAN: Would you rather fight a zombie apocalypse or an alien invasion? CLAY: Zombie? MEGHAN: Would you rather drink zombie juice or eat dead bodies from the graveyard? CLAY: Ewww… Why?! Dead bodies in the graveyard, I guess. MEGHAN: Would you rather stay at the Poltergeist house or the Amityville house for a week? CLAY: Poltergeist house! MEGHAN: Would you rather chew on a bitter melon with chilies or maggot-infested cheese? CLAY: Bitter melon! MEGHAN: Would you rather drink from a witch’s cauldron or lick cotton candy made of spider webs? CLAY: I love the idea of cotton candy made of spider webs! That should make its way into a story…
MEGHAN: Clay, I can’t wait to read your spider web cotton candy story so… yeah… you should get to writing haha. Thanks for stopping by today. It’s been great!
I thought we were NEVER going to get to September, but here we are… the beginning of fall AND the beginning of this year’s Halloween Extravaganza.
I have a nice line-up of authors this year, and a few bloggers are stopping by, all with some interesting things up their sleeves. So make sure you come back every day… you don’t want to miss a thing.
For those of y’all on Facebook, we do have a group for it again this year – everyone is welcome to join…
If you are looking for Halloween Extravaganzas past, you can find them in two places. Here on Meghan’s HAUNTED House of Books, you can find them out on the lanai. On The Gal in the Blue Mask, which was my previous book blog, you can find them by clicking the link in the attic. Once there, you will find a drop down menu with a special page just for them.
I hope you enjoy… and thank you for joining in our frivolities once again. We love… having you here.
It’s not often that I get sent a handful of questions, but each time, it is super exciting to take part. This year, along with an author interview and guest post (a true story), Jeff decided that he wanted to send over a set of questions for ME. And what a great set of questions it was. So, without further ado…
Jeff: What inspired you to create your blog?
Me: I wanted a place that was mine where I could talk books. At the beginning of The Gal in the Blue Mask, which was the blog before Meghan’s House of Books, Goodreads was a rather dramatic place to hang out. Authors and bloggers/reviewers were bickering and both sides were being rather unpleasant to the other, doing things I considered very wrong. I wanted a safe place, a happy place, where I made the rules and everyone was welcome.
In 2019, after a couple of years of just feeling lost when it came to blogging, I decided to rebrand myself as Meghan’s House of Books. It wasn’t that I didn’t love The Gal anymore – I do, and it still exists, for always – but I just felt like I had grown out of it. And so the front doors of “my house” were opened…
Jeff: How do you get your blog noticed? Marketing, blog-to-blog outreach, word of mouth?
Meghan: To be honest, it’s mostly word of mouth. I don’t really fit in with the other bloggers, or so it seems. I’ve tried to make friends with fellow book bloggers, even ones that like the same kinds of books I do, and I’ve done all the stuff they say to do – comment, like, follow – but I’ve never really clicked with most of them. Never really been given the chance. Not sure if that’s a good thing or a bad thing…
Jeff: What are some interesting things you’ve learned from talking with authors?
Meghan:
They’re all just normal people.
They don’t always know what they are doing.
The anxiety is real with them as well. (They don’t often see themselves as we do, and question whether they are any good at all.)
Jeff: How do you respond to people who say horror is for disturbed minds?
Meghan: I ask them if they’ve actually read a book in the genre and often suggest a few that they should read because, to me, horror is a way to handle the horrific of the world, a way for us to better understand the “disturbed minds” out there. Not all horror is gore for gore’s sake, which I know turns a lot of people off, or extreme. A lot of horror is psychological or things that can actually happen. Those things say with you long after you close the cover of the book or the credits finish rolling.
Jeff: Why do some people dislike Halloween? Are they afraid of something?
Meghan: There’s a reason that one of my questions in this year’s interview was why Halloween was their favorite (or second favorite) holiday. It’s one of my top two and I wanted to see if people felt the same way about it as I do. To me, Halloween is a lifestyle, and there are horror things up in my home office year round. I’m a spooky girl all year, until November 1st when I become all Christmas all day, and around January 10th I go right back to being a spooky girl. I think people dislike Halloween because they were brought up being told to not like it or that it is evil or they just don’t understand it. Halloween is a time when you get to be a little different, when you get to dress up and pretend you are not the same boring person you are every other day, when you get to enjoy being scared and the things that go bump in the night. “Are they afraid of something?” That’s a great question. Maybe they are afraid of the things that COULD be in the dark. Or maybe they’re just afraid of being judged for liking something that usually the “nerds” are the ones enjoying or because they think it’s kids’ stuff. Maybe they’re afraid to let go and enjoy themselves. And, as I said above, maybe they just don’t understand it.
Jeff: What if Halloween represented a dark side of life that we’ve repressed over the years? What do you think would be scary if we fell back into believing our older superstitions?
Meghan: I’ve never really found Halloween or superstitions scary. Old wives’ tales are often something that has worked over time and handed down through generations (i.e. chicken soup curing a cold). Some are based on religious beliefs (i.e. Friday the 13th and not walking under a ladder). Some were used to scare children into behaving themselves, and they had to have worked or they wouldn’t have stuck.
I grew up in a very religious household, and am still religious. Sometimes I think that we SHOULD fall back into believing our old superstitions. Let’s take Krampus for an example. Kids used to behave because they were truly afraid of being on that bad list. They believed (and maybe it was based on a true story at some point in time) that Santa would send Krampus to get them if they misbehaved. And there are lots of Christmas stories like that – Gryla, the mother of the Yule Lads, who kidnaps, cooks, and eats children; Pere Fouettard, who is St Nicholas’ servant, with the sole job of dispensing punishment to bad children on St Nicholas Day; Perchta, who rewards and punishes during the 12 days of Christmas, best known for ripping out the internal organs and replacing them with trash; and, of course, the Yule Cat, who can apparently smell laziness on a child, who are then sacrificed to him.
Jeff: What do you think Halloween will be like 100 years from now?
Meghan: Less fun? Everything is so politically charged these days, and people are so offended/triggered that the fun is being drained from things like Halloween. We’re told that we shouldn’t like things because of this or reason or this reason. Those of us who have heard this our whole lives are fighting back, but in 100 years, who will be around to defend the weird and wonderful that we love all year round?
Jeff: What can writers do to improve their stories?
Meghan: Since I am an editor, one with over 20 years experience that includes working for two of the big five, I’m going to say that the best way they can improve their stories is to hire a well-read editor and listen to what they have to say. Now I know there are some people that think they don’t need an editor, that say it is an expense they can ignore, especially if they are a self published author, but a good editor is really worth their weight in gold.
I’ve heard horror stories – trust me – which is why I say to talk to the person before you decide to hire them. Let them tell you what they can do for you, let them tell you about their education, their training, and what they have edited so far. (You can even ask to talk to one or two of the authors that they have worked with.) Get to know the person and decide if the two of you would make a good team or not – and I say team because that is basically what the two of you will be, especially if you are writing a trilogy or series, as you’ll want to have the same eyes looking at it each time to ensure consistency and continuity.
I will tell you that a good editor WILL discuss things with you, WILL explain why changes are necessary. YOU will learn from them and THEY will learn from you. It will be a true partnership, but the story will ALWAYS be yours. They will help to make your story better all while retaining your voice. They will never change things (other than misspellings and punctuation) without talking to you first. And they will be available to talk to you at least once during the project. You have to be able to trust them because, in essence, you are trusting them with your baby, so don’t ignore those little things that make you question.
If you simply cannot afford an editor, which is understandable, you should (at the very least) get a good BETA reader. (Note: Some editors do provide a BETA read for a cheaper price, where they will give you an honest opinion of the story in front of them and point out any major flaws with the story.) It doesn’t necessarily have to be an editor, but it should be a well-read person who you can trust to be completely honest with you and invested in your success. Honesty is the only way you are going to learn and your story is going to get better. (And I suggest that you sit down with their notes with an open mind because they really are just trying to help you.)
[Here’s my chance to plug me for a change: Any author that mentions this interview gets 20% off their first edit project with MeghanH Editing.]
Jeff: What are some of the best story hooks you’ve ever read?
Meghan: I am drawn to horror that is set during either Halloween or Christmas, and I absolutely love stories where the setting is a carnival/circus or something haunted (homes, asylums, hospitals). (There should be more carnival/circus horror, people!!) At the same time, I am often truly put off if there is a vampire, werewolf, or zombie involved, which saddens me, especially with vampires and werewolves, because those were the things I loved as a kid. They have just become so… boring… for me, but there are times I give those a try, hoping for something different, hoping for something to grab my attention and pull me in like they did when I was younger.
You’re looking for specifics here, though, so let me pull out a few that have stayed on my favorites list over time.
I love when a stranger comes back to get revenge years later, causing the main character to suffer in the same way that they once tormented the stranger. Even better if there’s been enough time between the two events for the main character to have forgotten or almost forgotten what had happened. A good example of this would be Desolation by Kristopher Rufty. Even better because his story is told from both sides.
I also love watching the main character slowly go insane. That’s a fear I think a lot of people have in life, that they will slowly lose their mind, and it’s interesting to see when done well – and it sicks with you. A good example of this is Six Dead Spots by Gregor Xane.
I know I said that I am bored with werewolves, but maybe it’s because I’m looking for something different. A few years ago I read one by Jonathan Janz (Wolf Land) where the victims became werewolves themselves.
I find stalker stories interesting. I read one not too long ago where a man puts a spell on the woman he loves, and after she loses her memory, pretends to be her lover. As the story goes on, she slowly starts finding out more and more about the man and what he would do to keep the woman of his dreams while she also starts… changing. I was hooked. (The book in question was Rose by Rami Ungar.)
I’ll tell you right now – if you put Krampus or any of his ilk in a story, you’ll have me from page one. I was just “surprised” by a short story in The Best of Indie Horror: Christmas Edition (published by KJK Publishing, edited by Kevin J Kennedy) – I can’t tell you which one because I don’t want to spoil the surprise for you, but I would definitely suggest picking that anthology up (I’ll be reviewing it shortly).
Along the same path, and even though it’s not necessarily horror – well… maybe… possibly… – if you put any holiday character into a book and give them a backstory not expected (for example, the Claus series by Tony Bertauski), you’ll have a hard time not catching my attention.
I guess, you could say, that it’s the psychological horror that really gets me – the things that could actually happen to someone, taken to that next level, the things that stay with you long after you have finished reading the story, that are the hooks I like best.
Jeff: What’s more important to you – characters or plot?
Meghan: Both? You sort of need both to make a gripping story, but I guess if I HAVE to chose one or the other, I’ll say that characters are the most important. Without characters, the plot won’t matter at all. And if the characters we are supposed to love are dreadful, then we really won’t care what happens to them, no matter how good the plot is.
Jeff: What got you interested in horror?
Meghan: My father. He was always reading or watching something interesting. Usually something I wasn’t supposed to be reading or watching. He told me one time that horror was a good scary because I can be scared but not hurt by the things that happen in books and movies.
My first “horror” movie was Jaws. I’ve told this story a billion times, but what’s one more time? We were at my mom and dad’s best friend’s house. The husband and the oldest son (who I had a crush on at a very young age) were watching the movie, and though my mother told me that I would probably not like it, I decided to watch it with them anyway. I honestly can’t tell you much about the movie, nothing beyond the shark and how scared I was, and I have never attempted the movie again. It didn’t help that the same oldest son told me that the light in the deep end of the pool was Jaw’s eyeball. Seriously. His EYEBALL. It took me a good year before I would set foot inot that pool again. One day, there was some work being done on the pool and my dad pointed at the hole and said, “See? It can’t be Jaw’s eyeball. There’s no body.” Now, up until that point, and quite a few more points over the years, I thought my dad was the smartest man on the planet. At that moment, though, I seriously questioned how smart he was. It could still be Jaw’s eyeball without his body there. And sometimes, in the dark, out of the corner of my eye, I swear I see that big eyeball winking at me…
Jeff: What stories can be written in horror that can’t be expressed in other genres?
Meghan: That’s a very good question. I honestly believe that only horror can really go into the depth of someone’s soul, only horror can really explore our true fears. Horror is that one step further, that one step that other genres are afraid to take, with characters that are not afraid to take themselves to that next level, that aren’t afraid to let themselves be depraved or evil, and on the other side, aren’t afraid to feel that depravity and that evil to cone out fine, but often changed, on the other side. I think that all stories in other genres have the potential of being horror, but only horror allows that exploration, only horror creates the opportunity feel that fear (in safety), and really, it’s only horror that gets away with all of the above because it is expected and accepted.
If you think about it, a good romance can lead to a horrific murder spree if we find out that the beautiful woman he fell in love with doesn’t even know he exists. A good science fiction can become horrific if, rather than the people on the spaceship becoming friends with the new alien life they have just encountered, they choose to repeat atrocities from the past and wipe those beings and their planet from space. The cozy mystery can lead to a horrific story if the witty chef who solves crimes in her spare time ends up being the murderer and takes her killing fetish to the extreme, all while setting innocent people up for the murders that she is committing. A fantasy needs to just up it’s Brothers Grimm-anti to cross the line into horror.
Jeff: The lines between horror and other genres often become blurred. What do you think real horror is?
Meghan: This is the one question that I truly struggled to answer, but knowing how annoyed I get when someone doesn’t answer all of the questions in an interview I worked hard to put together, there was no way I was going to do that to you.
Horror is very hard to define because of those blurred lines and each person you ask is going to have a different answer as horror means something different to each individual. Why? Because we all fear different things.
I personally think real horror challenges our belief of what is good and what is evil. Therefore, I think the horror genre is the epitome of that uncertainty. And many of its themes are things that are considered socially unacceptable. As I’ve said elsewhere in this interview, horror gives us a chance to figure things out, to analyze, to really look in-depth at the things that scare us and see it in a different light, to see the wizard behind the curtain.
Jeff: Considering the awful truth of what can happen in this world, how far do you think a horror writer can go to describe the truth before it’s considered unacceptable?
Meghan: I think that as long as it is in some way believable, that if some part of it *could* happen, there will always be someone (or a group of someones) who will accept it no matter how far the author takes it. I think there should be horror that fits in with the horrors of the world because those stories will help us to better understand it. Authors just need to keep in mind that not everyone sees the same horror in things, not everyone has the same story. Current things, full of all kinds of emotion, where the true facts are not always known, are harder for people to stomach than, say, something that happened in the past. Your “horror” may not be my “horror.” We saw that when we look back at WWII. People who went through the events, who were in countries where the events took place, understood the atrocities on a completely different level than those who did not. The war itself was hard on everyone, and a lot of people lost their lives, but it wasn’t until after the war ended – years after the war ended – that the true evil and depravity was shown to life. It wasn’t something that you saw on the news, it wasn’t something that was happening to your neighbor or your family (at least for a lot of people), and even when it was, people did know know what was *really* happening at the other end of a train. People were conditioned to believe that what they were doing was right, and some truly believed that one people were lower than another. Some people did things because they had no choice, or they had to make the decision to do what they had in order to save their lives and the lives of their loved ones. Other people believe it could not have possibly happened because how could we do something like that to our fellow man?
Jeff: What do you think most future horror stories will evolve into? More towards “I’m all alone” or a cosmic-level dread?
Meghan: We’ve found out, most of us, during this global pandemic, that being “all alone” is actually quite nice and easily sustainable. We’ve found out, most of us, that we don’t need other people physically in our lives, and with the options to have things, including groceries and food, delivered to your home, there’s a good few of us that would love living like that the rest of our lives, only having to venture out if we need to. We all have friends that live all over the world, friends we can talk to every day, friends we can see every day. Hell, we’ve even had holidays across the world while sitting in each other’s living rooms. Being “all alone” just isn’t scary anymore.
I think the “new scary” is definitely cosmic horror. Now we’re venturing into things that before we THOUGHT could NEVER happen. (But then we also thought that a global pandemic could never happen. Also: locusts in Africa, devastating fires in both Australia and California, murder hornets, ebola. So maybe a giant octopus creature *could* come from the ocean depths. I mean, it *could*… right?) Cosmic horror makes readers uncomfortable (in a good way), plunges common fears and anxieties into the minds o readers, and focuses on the mysterious and the unfathomable, rather than violence and bloodshed. It makes us realize that, in the great scheme of things, we’re really not very important after all. Maybe that’s the scariest thing of all.
The Captivating Flames of Madness — This book’s title comes from the reality that – like a moth to the flame – we’re all just one event, mishap, or decision away from things that could change our lives forever.
What would you do if fate led you astray into a grim world where you encountered vengeful ghosts, homicidal maniacs, ancient gods, apocalyptic nightmares, dark magic, deadly space aliens, and more?
If you dare, why not find out?
Read for yourself the twenty-two gloriously provocative tales that dwell within this book – but be warned, some of my dear readers have experienced lasting nightmares…
Meghan's House of Books 