GUEST POST: Matthew R. Davis

13 Fun Fright Flicks for Halloween

Halloween is as much about fun as it is frights, so here’s a list of films to get you cackling through the chaos. I’ve avoided the obvious choices, so no Shaun of the Dead, Scream, Trick ‘r Treat, etc. (even if Shaun is one of the best films of all time, hands down). Here, you’ll find a baker’s dozen of rollicking romps and silly shocks, all dressed in the finest Halloween regalia, and I’ve even included some streaming options if that’s your thing… but I should warn you, Halloween itself plays almost no part in these films. Themes are hard, man! Here’s your effing lot.

DEMONS (1985)
Lamberto Bava’s Demons lays on the cheese thick and fast, taking everything we’d come to expect from producer/co-writer Dario Argento’s oeuvre and amping the ridiculous action up to 11. A group of unsuspecting folk enter the Metropol for a free screening of a new horror flick, only to find the nightmare bursting off the celluloid to run amok in the theatre. Cue special effects that range from laughably daft to outright eerie, a soundtrack that cuts between a very ‘80s synth score by Goblin’s Claudio Simonetti and rockers like Mötley Crüe’s “Save Our Souls” and Billy Idol’s “White Wedding”, and outlandish elements such as a working dirt bike in the cinema lobby and an unexplained final-act helicopter crash in the amphitheatre. A perfect beer and pizza flick!

Stream Demons on Shudder

NIGHT OF THE CREEPS (1986)
Featuring a standout turn from Tom Atkins as the endlessly quotable Detective Ray Cameron, Night of the Creeps delivers a fun 1980s update of 1950s SF/horror larks that never knowingly takes itself seriously. A college hazing prank gone wrong looses alien brain parasites upon a small town, turning the infected into murderous zombies whose rampage leads to college girls accessorising their prom dresses with flamethrowers. Writer/director Fred Dekker channels youthful joy into an enjoyable romp that throws in B&W ‘50s flashbacks, Hawaiian dream sequences, a disabled best friend who brings both laughs and pathos, and exploding heads by the dozen. If you don’t answer the phone with the words “thrill me” after watching this, you’re doing it all wrong.

Stream Night of the Creeps on Shudder

TRICK OR TREAT (1986)
We’ll be moving on from the ‘80s in due course, but first, here’s a treat (or trick) for fans of cheesy heavy metal. Sneering hairspray rocker Sammi Curr dies before the release of his new album Songs in the Key of Death, but his biggest fan soon realises the gig he had planned for the local high school’s Halloween dance will be going ahead regardless – and Curr’s set is going to kill. Featuring cameos from Gene Simmons as rock DJ Nuke and Ozzy Osbourne as a fundamentalist preacher set on abolishing rock n’ roll, Charles Martin Smith’s Trick or Treat brings a knowing wit to its cheap pyrotechnics as it follows many a disgruntled teen’s arc from investing whole-heartedly in rebel music to eventually discarding it for the trappings of maturity. Don’t believe that hype, though – metal is forever!

THE LAIR OF THE WHITE WORM (1988)
Ken Russell’s delirious adaptation of Bram Stoker’s 1911 novel is as outrageous and enjoyable as you’d expect, contrasting venomous visions of Romans ravishing nuns amidst blood and fire with the bucolic sleepiness of a small English village. When a giant serpentine skull is unearthed at an archaeological gig, the appetites of ancient worm deity Dionin accelerate to envelop humble innkeeper and rich gentry alike. A fresh-faced Peter Capaldi (twenty-five years away from headlining Doctor Who) brings the modest heroism, Hugh Grant plays his charming, dapper-but-practical toff to the hilt, and Amanda Donohoe is having such a blast as the seductive villainess Miss Marsh that her sharp turns into sheer snake-eyed terror are all the more disturbing. The Lair of the White Worm is a fever dream from which you’ll wake laughing… in a pool of cold sweat.

Stream The Lair of the White Worm on Shudder

FRANKENHOOKER (1990)
You won’t find any frights here, but you will laugh your head off – and if you’re unlucky, someone will come along to sew it back on the wrong body. After an horrific lawnmower accident leaves his fiancée in pieces, a backyard scientist resolves to build her a new body, and what follows is an orgy of homemade super-crack, exploding sex workers, relaxation techniques involving trepanation by power drill, and a patchwork prostitute tottering around on stacked heels looking for fatal “dates”. Frank Henenlotter’s ludicrous body-horror is a welcome shock of lightning for those seeking bad-taste titillation on Halloween. Also, I just can’t help myself, so here’s a crap joke: Frankenhooker; or, the Modern Promiscuous.

Stream Frankenhooker on Shudder

BRAINDEAD (1992)
If you’re only familiar with Peter Jackson through his epic Tolkien adaptations, watching his early films must be like discovering your favourite classical composer used to be in a smutty grindcore band. After she’s bitten by a Sumatran Rat Monkey, downtrodden Lionel finds his nasty mother taking a turn for the worse and must go to extreme lengths to keep her and her ever-increasing horde of zombie victims under wraps, even if it means strapping a lawnmower to his chest to cut swathes through the undead or stabbing his way free from a monstrous womb. Jackson masterfully steers this flick from a comedy of manners set in 1950s New Zealand to a hilariously over-the-top rampage that soaks the screen in more red stuff than any movie before or since. This is splatter that matters.

Stream Dead Alive (aka Braindead) on Vudu

SCOOBY-DOO ON ZOMBIE ISLAND (1998)
When it comes to spooky fun, how can you go past the family-animation gateway to horror that is Scooby-Doo? The gang reunite to shoot some footage for Daphne’s TV show in New Orleans, only to find themselves up against a threat that, for once, proves to be much more than a small business owner trying to scare off competition by skulking around in a monster suit – this time, the creeps are real. Scooby-Doo on Zombie Island is highly regarded amongst fans for its (slightly) darker tone, which prefigures the show’s future exploration of more layered and “adult” plots in the excellent Mystery Incorporated. Jeepers, jinkies, and zoinks, oh my!

Stream Scooby-Doo on Zombie Island on Roku

CUT (2000)
Time for some tongue-in-cheek slasher hijinks, and you can keep your Scream franchise and subsequent knock-offs – Cut may not be better, but it’s at least a flavour you might not have tried before. An Australian film crew decides to finish shooting the incomplete horror feature Hot Blooded!, which has long been regarded as cursed, and naturally, slaughter ensues as the movie’s masked killer returns to wreak havoc on the set. If you’re not sufficiently intrigued by the casting of Molly Ringwald as a bullish diva looking to reignite her career, perhaps you’d be interested in watching Kylie Minogue meet a gruesome death – and this was all shot by Kimble Rendall here in my home state of South Australia. Frights, camera – slashin’!

Stream Cut on Vimeo

GHOSTS OF MARS (2001)
That’s right, my friends, we’re going there – I consider Ghosts of Mars to be an underrated and highly enjoyable horror flick, not a patch on John Carpenter’s prior classics but easily worth ninety minutes of your time. When a mining crew unleashes a horde of ravenous spirits on Mars, it’s up to Natasha Henstridge’s team to save the day, and if nothing else, it’s a whole lot of fun watching Pam Grier, Ice Cube, and a pre-fame Jason Statham chew the scenery like catering had taken the day off. Carpenter throws a bunch of intriguing ideas at the screen – a subtly matriarchal society, the use of illegal narcotics providing unexpected salvation for one character – as well as a whole lot of severed heads and tribal scarification. If you’ve heard about the toxic reception but haven’t tried it yourself, you might find that, like me, you disagree with the critical consensus.

Stream Ghosts of Mars on Hulu

THE HAUNTED WORLD OF EL SUPERBEASTO (2009)
If you’re in the mood for something crass and entirely lacking in socially redeeming features, look no further than Rob Zombie’s outrageous adventure in animated sleaze. Celebrity luchador lunkhead El Superbeasto follows his lust for super-stripper Velvet Von Black (and anything else with boobs and a pulse) into the path of Doctor Satan’s clumsy quest to gain all the sudsy powers of Hell, with his sexy spy stepsister Suzi-X riding shotgun to pull his irons out of the fire. Packed full of horror references, silly songs, and game-for-anything celebrity voices, The Haunted World of El Superbeasto threatens to throttle good taste at every turn. All together now: “Zombie Nazis, f**kin’ up my day now…”

Stream The Haunted World of El Superbeasto on Roku

DETENTION (2011)
Why be just one thing when you can be everything – that seems to be the driving thought behind Detention, Joseph Kahn’s sensory overload of a film. A grotesque serial killer called Cinderhella is on the loose, but that’s merely a distraction from time-travel shenanigans involving a stuffed bear, personality swaps, wardrobe malfunctions, and a character once teasingly nicknamed TV Hand. More of a teen comedy on steroids and hallucinogens than a horror flick, Detention throws so much at the viewer that they might end up wishing they too could time-travel, if only to make sense of the increasingly convoluted plot. Kinetic, crazy, and a whole lot of fun.

Stream Detention on Shudder

HAPPY DEATH DAY (2017)
Here’s a slasher that proves more interested in character development and even – gasp! – a dash of pathos than outright slaughter. Self-centred college student Tree Gelbman wakes up in a boy’s dorm-room bed and takes a walk of shame that ends in her murder at the hands of a killer in a baby-face mask, only to begin the same deadly day again and again until she works out how to use her knowledge of events to combat her murderer, experiencing some much-needed personal growth along the way. Christopher Landon’s horror-comedy charms more than one expects, and for those who want to know more, there’s a sequel that flips everything on its head. Fun fact: this is one of those rare films that features a bong as a murder weapon.

Stream Happy Death Day on Netflix

SCARE ME (2020)
Telling scary stories is an integral part of Halloween, and here’s a film that builds upon that tradition in a most amusing fashion. When struggling writer/actor Fred finds himself trapped by a thunderstorm in a cabin with successful horror author Fanny, the two try to frighten each other by making up terror tales – but the biggest threat may lie in Fred’s frustration with Fanny’s acerbic nature and his own feelings of failure and entitlement. Writer/director/actor Josh Ruben’s Scare Me relies upon the rapid wordplay of its lead actors, and while he acquits himself well, it’s Aya Cash (Stormfront from The Boys) who carries the film with her vibrant performance of the acidic Fanny. Add an unexpected sting in the tail, and you have a funny and satisfying addition to the horror-comedy canon.

Stream Scare Me on Shudder

BONUS FLICK:
THE LEGEND OF SLEEPY HOLLOW (1949)
This animated segment – one half of The Adventures of Ichabod and Mr. Toad – was something I saw a few times in my childhood, and it never failed to provide me with much amusement and a little healthy fear. Lanky bookworm Ichabod Crane vies for the hand of Katrina von Tassel, so his rival Brom Bones regales him with the tale of the Headless Horseman… and later that night, he discovers for himself just how much truth is held in the tale. The only selection here suitable for a family audience, The Legend of Sleepy Hollow comes highly recommended for anyone looking to pique their children’s budding interest in spooky fun.

Stream The Adventures of Ichabod and Mr. Toad on Disney+


Boo-graphy:
Matthew R. Davis is an author and musician based in Adelaide, South Australia, whose novelette “Heritage Hill” (found in Outback Horrors Down Under: An Anthology of Antipodean Terrors, edited by Steve Dillon, published by Things in the Well Publications) was shortlisted for a 2020 Shirley Jackson Award and the WSFA Small Press Award. His books are the horror collection If Only Tonight We Could Sleep (Things in the Well, 2020) and the novel Midnight in the Chapel of Love (JournalStone, 2021). Find out more at his website.

Midnight in the Chapel of Love
THE MAN: Jonny Trotter has spent the last fifteen years running from tragic memories of the country town where he grew up—but the black envelopes pushed under his door won’t let him forget, and now that his father has died, he can run no more.

THE TOWN: Returning to Waterwich for the funeral and wake with his partner Sloane, Jonny must confront old resentments, his estranged best friends Brendan and Coralie, a strange, veiled woman the locals call the White Widow…and the mystery surrounding the fate of his first lover, Jessica Grzelak.

THE GIRL: A morbid and reckless city girl banished to the country to live with her aunt, Jessica loved to push the limits and explore the shadows—and no one has seen her since the night of her high school formal, the night she and Jonny went looking for the Chapel.

THE CHAPEL: Rumored to be found in the woods outside Waterwich, mentioned in playground rhymes about local lovebirds Billy and Poppy and their killing spree in 1964, the Chapel is said to be an ancient, sacred place that can only be entered by lovers—a test that can only be passed if their bond is pure and true.

THE TRUTH: Before he can move on to a future with Sloane, Jonny must first face the terrible truth of his past—and if he can’t bring it out into the light at last, it might just pull him and everything he loves down into the dark forever.

AUTHOR INTERVIEW: John Everson

Meghan: Hey, John! Welcome back to Meghan’s (Haunted) House of Books. What is your favorite part of Halloween?

John: The imagery! Halloween is when all of the gothic, spooky stuff comes out to play. Haunted houses, giant spiderwebs, eerie candlelight emanating from grotesquely carved pumpkins… I love it all. In Chicagoland, the weather turns from the fading light of summer to the crisp and bone-chilling cool breezes that signal the coming of winter, and the leaves that were so vibrantly red and orange just a couple weeks before litter the ground as brown, dried husks. Desiccated memories of the vibrance of summer. Halloween is the between time, the dying time between the days of warmth and sunlight and the frozen deathscape that freezes and kills the land in December and January. I can’t imagine Halloween in a warmer climate because the weather provides as much a part of the chill as the dying landscape and early nightfalls.

Meghan: What is your favorite Halloween tradition?

John: My personal Halloween tradition is pretty standard — I watch horror movies. I do that year-round, of course, but I used to spend a whole weekend binging on horror movies leading up to Halloween, which was awesome. I’d get through a handful each day. I haven’t been able to wallow in the creepy crazy for that much dedicated time the past few years… but one of these days I’ll be able to do nothing but watch old Euro-horror movies for a solid weekend to celebrate Halloween again! And host the Halloween movie nights for friends that I used to before everyone’s lives got so crazy busy we couldn’t get them scheduled anymore!

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

John: I love everything spooky, supernatural and gothic, and Halloween is the one time of year that everyone in the world gives a nod to the creepy stuff that I love to see and talk about all year round. For a little while, everyone is into horror movies and lawns are decorated with all manner of “haunted house” style decorations. I love it.

Meghan: What are you superstitious about?

John: I don’t know that I’m really superstitious. But sometimes I do wonder if my pinball machines are possessed by a spirit who likes to taunt me. Anyone who knows me knows I love pinball almost as much as horror and music, and I own five classic machines in my basement that I play all the time. Some nights, particularly if I hit the restart button because I start a game with a bad ball and don’t feel like finishing the game with a handicap, it’s almost like the machine knows I’m “cheating” and starting over – and the next half dozen balls will all go straight down the middle or side with no chance for me to hit them with the flipper. It’s as if the game demon says “oh, you want a do-over do you? Take that. And that. And that. C’mon, can’t you handle it sucker?” It’s creepy when it feels like the game suddenly turns on you and consistently does unusual things with the ball.

Meghan: What/who is your favorite horror monster or villain?

John: The title character of The Living Dead Girl by French director Jean Rollin. She is both a horrific and pathetic character – a “zombie/ghoul” who slowly comes back from the dead and rebels against her blood-drinking nature and her best friend who feeds her with victims out of misguided love.

Meghan: Which unsolved murder fascinates you the most?

John: I honestly couldn’t name one. I don’t ever read or watch anything about “true crime.”

Meghan: Which urban legend scares you the most?

John: Bloody Mary used to creep the hell out of me as a kid. Some people call her Mary Worth. The whole idea of going into a dark candlelit room, saying her name in the mirror multiple times and having her spirit come through the mirror in answer to potentially claw your eyes out… it’s such a perfect way to build dread. Kids do it on a dare, but all you need is just a hair of fear that the legend could be true and by the time you say Bloody Mary’s name the third time, your heart is racing.

Meghan: Who is your favorite serial killer and why?

John: Again… don’t like true crime stuff, so none of them. I read “escapist” supernatural horror so that I don’t have to be faced with the real life monsters that walk the earth.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

John: Geez, I couldn’t answer that with any surety. I’ve watched the old black and white classic horrors since I can remember. We had WGN – Channel 9 TV in Chicago that used to play a Creature Features program on Friday or Saturday nights that I saw a lot while I was in grade school. I do remember being in probably 3rd or 4th grade and watching a PBS color production of Dracula that I really thought was great at the time. Loved the whole gothic setting with coffins and dusty castles. That probably set the stage for my love of Hammer Films later in life.

As far as first horror book… again, my memory just doesn’t go that far back! I remember reading ghost story books I bought from the Scholastic Book catalog in grade school and loving the spooky factor. And I remember buying a complete collection of Edgar Allan Poe’s fiction at a garage sale once and reading and re-reading that book (which is still on my shelf). Maybe one of the earliest printed impacts on me was a comic book that I bought in probably first or second grade. It might have been an Eerie Tales or something like that. I don’t really remember the stories, but I do know they stuck with me a long time and I still retain one image of a skeletal woman in a bridal headdress driving down the street at the end of one. Apparently whatever that twist was creeped me out enough to remember a snippet of that image almost 50 years later.

Meghan: Which horror novel unsettled you the most?

John: Probably Clive Barker’s The Damnation Game. It was the first novel of his I read, and I read it during one of my first trips away from home alone when I was probably 22 – I’d flown to Memphis to spend a weekend with some other journalists on a “PR junket” hosted by the city. We went there to see Graceland and the Handy Blues awards and to generally get a 36-hour tour of the city to go home and write travel stories about how great Memphis was for our newspapers. I remember the first night I was in the hotel room alone, reading that novel and the scene about people being skinned alive and when I turned out the lights to go to sleep… I was severely creeped out!

Meghan: Which horror movie scarred you for life?

John: I don’t know about “scarred” but Alien impacted me severely. The atmosphere, the slow brooding, building suspense, the wildly otherworldly and ominous spaceship architecture… it was a genius sci-fi horror film and has been in my top 5 horror and top 5 sci-fi movie lists since the day I first saw it. It’s an unsettling, scary and darkly beautiful film.

Meghan: What is your favorite Halloween costume?

John: I have never been a “dress up” person myself, but I do appreciate creative costumes and makeup. Always love good zombie, ghoul or witch makeup!

Meghan: What is your favorite Halloween-themed song?

John: That one’s easy. “(Every Day is) Halloween” by Ministry. It’s an amazing track both for the Halloween theme and for synth pop. One of my favorite dance club tracks ever, bar none.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

John: Best treat is definitely Almond Joy bars. Worst? Dental floss. (Assholes).

Meghan: Thanks for stopping by, John. It is ALWAYS a pleasure to have you visit. One more thing before you go: What are you top 10 go-to Halloween movies?

John: I am a huge movie buff, and literally own hundreds of horror and giallo DVDs and Blu-Rays. That makes it super hard to pick a top 5 or 10 or even 25… There are so many good ones. So… I’ve tried to note the movies that have really stuck with me the most across multiple genres of horror. Films that I’ve watched multiple times. There are dozens of films I could point to as “oh yeah, that’s a great one!” but here are films that really moved me. From the extreme horror of the French new wave in the 90s with High Tension and Martyrs to the claustrophobic indie horror of Cronenberg’s early Rabid and Shivers, I come back to these again and again. Though my main favorites tend to be older – ‘70s and ‘80s films are my jam. I’m not that much of a modern horror fan. My “Top 3” below are films that have all actually been my #1 at one time or another. I used to say Alien until the Suspiria 4K remaster happened a few years ago! And Jean Rollin’s sexy and horrible beautiful pathos of Living Dead Girl has occupied my #2 or #3 spot since I first saw it some 20 years ago:

Best Movies:
SuspiriaDario Argento (1977)
AlienRidley Scott (1979)
The Living Dead GirlJean Rollin (1982)
The BeyondLucio Fulci (1981)
The Night Evelyn Came Out of the GraveEmilio Miraglia (1971)
PhantasmDon Coscarelli (1979)
Night of the Living DeadGeorge Romero (1968)
RabidDavid Cronenberg (1977)
DagonStuart Gordon (2001)
MartyrsPascal Laugier (2008)

I have to give honorary mentions to horror-humor films which I think live in a class by themselves:
BeetlejuiceTim Burton (1988)
Shaun of the DeadEdgar Wright (2004)
Dead AlivePeter Jackson (1992)
Evil Dead IISam Raimi (1987)
ScreamWes Craven (1996)


Boo-graphy:
John Everson is the Bram Stoker Award-winning author of the novels Covenant, Sacrifice, The 13th, Siren, and The Pumpkin Man, all released by Dorchester/Leisure Books in paperback. His sixth novel, NightWhere, was a 2012 Bram Stoker Award Finalist. Other novels include The Family Tree, Violet Eyes, Redemption, and The House By The Cemetery. His 11th novel, The Devil’s Equinox, was released by Flame Tree Press in June 2019. He is also the creator of the characters Danika and Mila Dubov, now seen on the new Netflix series V-Wars, based on the books and comics created and edited by Jonathan Maberry.

A wide selection of his short fiction has been collected in six short story collections – Sacrificing Virgins (Samhain Publishing, 2015), Deadly Nightlusts (Blasphemous Books, 2010), Creeptych (Delirium Books, 2010), Needles & Sins (Necro Books, 2007), Vigilantes of Love (Twilight Tales, 2003) and Cage of Bones & Other Deadly Obsessions (Delirium Books, 2000).

John is also the editor of the anthologies Sins of the Sirens (Dark Arts Books, 2008) and In Delirium II (Delirium Books, 2007) and co-editor of the Spooks! ghost story anthology (Twilight Tales, 2004). In 2006, he co-founded Dark Arts Books to produce trade paperback collections spotlighting the cutting edge work of some of the best authors working in short dark fantasy fiction today.

John shares a deep purple den in Naperville, Illinois with a cockatoo and cockatiel, a disparate collection of fake skulls, twisted skeletal fairies, Alan Clark illustrations and a large stuffed Eeyore. There’s also a mounted Chinese fowling spider named Stoker courtesy of fellow horror author Charlee Jacob, an ever-growing shelf of custom mix CDs and an acoustic guitar that he can’t really play but that his son likes to hear him beat on anyway. Sometimes his wife is surprised to find him shuffling through more public areas of the house, but it’s usually only to brew another cup of coffee. In order to avoid the onerous task of writing, he records pop-rock songs in a hidden home studio, experiments with the insatiable culinary joys of the jalapeno, designs book covers for a variety of small presses, loses hours in expanding an array of gardens and chases frequent excursions into the bizarre visual headspace of ’70s euro-horror DVDs with a shot of Makers Mark and a pint of Revolution Anti-Hero IPA.

Website

Voodoo Heart
When Detective Lawrence Ribaud wakes alone in a bloody bed with his wife missing, he knows this is more than just a mysterious case of murder. His wife is the latest victim in a string of bizarre disappearances. All across New Orleans, on one night each month, people are vanishing, leaving behind nothing but a pool of blood on the bedsheets… and an abandoned heart. Ribaud doesn’t believe in voodoo, but he soon finds himself moving through the underbelly of a secret society of snakes, sacrifices and obscene rituals in search of the mysterious Black Queen … and the curse of her Voodoo Heart.

The Devil’s Equinox
Austin secretly wishes his wife would drop dead. He even says so one boozy midnight at the bar to a sultry stranger with a mysterious tattoo. When his wife later introduces that stranger as Regina, their new neighbor, Austin hopes she will be a good influence on his wife. Instead, one night he comes home to find his wife dead. Soon he’s entranced with Regina, who introduces him to a strange world of bloodletting, rituals and magic. A world that puts everything he loves in peril. Can Austin save his daughter, and himself, before the planets align for the Devil’s Equinox?