AUTHOR INTERVIEW: Eric Butler

Meghan: Hi, Eric. Welcome to Meghan’s (Haunted) House of Books AND our annual Halloween Extravaganza. It’s a pleasure to have you join us here today. What is your favorite part of Halloween?

Eric: Years ago I started to decorate my yard with recreations of famous horror movie characters. While the project has grown to an almost annoying level of work, the reaction of the trick โ€˜r treaters is worth it. Added to that, is the reaction of the neighborhood and people who have seen previous years as they begin to drive by the house to see if Iโ€™ve started to set up.

When my son was in school, the way his friends or classmates would let their parents know where he lived was to tell them he was at the โ€œscary houseโ€. Everyone in Elementary and Middle School called our house this.

One time when I was getting my wifeโ€™s sewing machine fixed in a little shop about 30 minutes away from my house, and one town over, the guy taking my information stopped and looked at me when I gave my street address. He said, โ€œYou know that house that does the Halloween stuff โ€ฆ that place is so cool. My kids make me start driving by there the first week of October to see if itโ€™s up.โ€ I offered a smile and said, โ€œYeah, thatโ€™s my house.โ€

Itโ€™s great to see all the parents, teenagers, and kids stop and take pictures and discuss their favorite scary movies.

Meghan: What is your favorite Halloween tradition?

Eric: My favorite tradition when my son was younger was taking him trick โ€˜r treating. Now though I think my favorite tradition is one I hated just 10 years ago โ€“ carving pumpkins. My family and friends get together the night before and everyone carves a pumpkin to display at my sonโ€™s Godparentsโ€™ house. I hated doing it in the beginning but Iโ€™ve embraced it as I look for unique and obscure stuff to carve now. Everyone always did cute and popular characters but I wanted to make sure horror movies were represented and started doing 2 or 3 every year to get more stuff out there. I enjoy seeing which ones get the biggest reaction.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Eric: Halloween was always special to me. Itโ€™s one of the few times my dad and I could come together over the horror genre. He hates anything scary but he loved coming up with awesome and terrifying costumes when I was younger. Plus thereโ€™s something magical about Halloween: the costumes, the sense of adventure when you head out to trick or treat, and the sense of the unknown that comes with it.

Meghan: What are you superstitious about?

Eric: Just about everything. Iโ€™m a โ€œknock on woodโ€ kind of guy. I like to think Iโ€™ve mellowed out on superstitions as Iโ€™ve grown older, but Iโ€™m sure my wife would say Iโ€™ve gotten worse.

Meghan: What/who is your favorite horror monster or villain?

Eric: This is a tough question and one Iโ€™m not sure I have a clear answer for. I love the old classics from Universal and redone at Hammer โ€“ The Wolfman, The Mummy, & The Creature from the Black Lagoon.

I think Vincent Priceโ€™s performance of Nicholas Medina in The Pit and the Pendulum is one of my favorite singular villain performances; although if we were being fair to the characters, he was much more the victim than the true villain. Yet in the end, Price is diabolical as he embraces his madness and takes actions into his own hands.

In more modern films, I find choosing a favorite monster like picking a favorite child, just impossible. If I had to rate the big 4 it would be Jason, Freddy, Michael, Leatherface, but that doesnโ€™t mean I love any of them more or less than the other. Iโ€™d throw in the Thing and the Jeepers Creepers monster as favorites, but Iโ€™m not sure Iโ€™d have the same top monster if you asked me tomorrow.

Meghan: Which unsolved murder fascinates you the most?

Eric: 6 & 8 are connected. When I was younger I had a fascination with serial killers. I read as much as I could and watched all the specials as I tried to understand what made these people tick. Now, Iโ€™m not sure I care but one killer has always intrigued me. Jack the Ripper.

I read everything I could get my hands on when I was a kid. I worked through the clues, and enthusiastically tried to solve the case โ€“ when I was 10. Now I am still interested, watching movies and documentaries on the subject whenever I have the time. But I stopped really researching it. I may have to go back and see if, with some distance and more life experience, I can piece it together.

Meghan: Which urban legend scares you the most?

Eric: I was always terrified of the people living in the sewers. When I was a kid, like 6 or so, I saw a TV ad for a Hill Street Blues episode when a group of homeless come from the sewers and take a police officer. They hold him underground and then cue the ominous music and fade to black. Since I wasnโ€™t old enough to watch or really care about the show, I never found out what happened to the guy. So in my imagination, they tortured, cooked, and ate this guy. So thatโ€™s the one that haunted me for a very long time.

Meghan: Who is your favorite serial killer and why?

Eric: So as I mentioned in 6, Iโ€™m not sure I have a list of favorite serial killers, but I do find the whole idea of Jack the Ripper to be fascinating. The setting, the conditions, the back story, and the brutality all add up to an amazing story.

Meghan: How old were you when you saw your first horror movie?

Eric: I remember seeing the last 5 minutes or so of Friday the 13th Part 2 on TMC. I was watching it while I was supposed to be watching cartoons or something. I think I was 7 or 8. It was both terrifying and thrilling to experience.

The first full-length horror movie I watched by myself was A Nightmare on Elm Street. I was home alone; my parents were at a party nearby. I think it was a premiere and I was 9ish. In my blog, I went over a list of movies that werenโ€™t horror but were scary that my father showed me at a young age. I believe these may be the movies that helped me develop a love for the horror genre. So I wasnโ€™t all that bothered by violence or nudity at this pointโ€ฆ or so I thought. Freddy and the idea of someone coming for you in your sleep really rocked my world. The scene where Tina is killed was the kicker, and I had all the lights on in the house and every stuffed animal I could find piled around me. I made sure our Doberman was sitting with me for the rest of the night until my parents got home. Funny thing, I finished the movie and had no trouble going to sleep. Most importantly, I was hooked.

Meghan: Which horror novel unsettled you the most?

Eric: The Exorcist is the one that freaked me out the most, but I was 10 or 11 when I read it. My mother played a part in this particular book freaking me out. I was up late reading, into the good parts and I decided I needed some water. My mom and I were the only ones home as my father was off on a business trip. My bedroom was at the end of an L-shaped hall. I left my room, walked the turn (where my parentsโ€™ room was), and turned to walk to the end of the hall where there was a door that opened to the rest of the house. Because it was so late, I was trying to be quiet. As I turned the knob to open the door, my mom put her hand on my shoulder, totally unaware of what I was doing or what I had just read.

It always surprised me that no one called the Base Police that night as Iโ€™m sure I screamed louder than I ever had before or ever would again. If the door wasnโ€™t in front of me, I may have just run and kept going until I couldnโ€™t run anymore. Of course, my mother is the kind of person who screams at anything that shocks her or startles her, so Iโ€™m sure she yelled as well. Iโ€™m just happy I didnโ€™t piss myself, lol.

Meghan: Which horror movie scarred you for life?

Eric: Iโ€™m not sure any scarred me for life. Off the top of my head, I can think of 3 that left an impression on me in the theater. I saw Event Horizon in a newly constructed super theater. Now when you go to the theater you expect a totally immersed experience. That wasnโ€™t always the case, in fact, Iโ€™ve been to theaters where there 1 working speaker โ€“ and we liked it fine. But in the 90s big movie houses started popping up with huge screens and so many speakers, Marshmello would be jealous.

The reason Event Horizon left an impression, other than itโ€™s awesome, was the use of sound throughout the speakers. It added a new level of unexpected pleasure to the horror experience.

The second movie that comes to mind is The Strangers. It stood out because of the way the director and editor were able to add to the tension and build a tangible sense of dread throughout the theater. I mean, it tells you at the beginning how itโ€™s going to end, and yet they still do an amazing job of putting you on the edge of your seat.

The last movie is the Blair Witch Project. I saw this one opening night with 3 friends in a packed theater. Iโ€™m not sure there was one open seat by the time it started. Sometimes with a full house, youโ€™ll get a couple of people who throughout the film pull your attention away, not this night. It was one of those unique experiences where the entire theater bought into the experience. It was amazing. Everyone laughed, gasped, jumped, and lost their minds at the exact time; most important, they did it at the correct times. And the endingโ€ฆ so perfect for that environment; it ended, the room exploded in loud voices and screams of horror and everyone ran to leave the theater. It was like someone had announced a bomb threat, thatโ€™s how fast the place emptied.

You donโ€™t get that at home. Hell, you rarely get it at the theater, but when you do it is such a sweet memory.

Meghan: What is your favorite Halloween costume?

Eric: I hate dressing up now. Iโ€™m a fuddy-duddy as the kids like to say. I loved costumes as a kid and I even won for scariest costume when I was 10. It was a pain, literally, to get in and out of, but it was pretty cool. I was wrapped like a mummy, but my face looked like all the skin had been burned off and it was just red muscle and flesh. I also dressed up as a werewolf once, and that was a cool costume.

That said, my favorite costume was my sonโ€™s first Halloween. He was a big kid and already walking when the time came. In fact, he was so big heโ€™d outgrown the 18-month old costume I got him the year before thinking heโ€™d be a cute gorilla. So we went to the store and got him an alligator costume. It had a long tail, I think it helped with balance, but with my son, it just added to the memory of how cute he was as it swished back and forth as he ran down the hall all dressed up to trick โ€˜r treat.

The next year he was a dragon and I was a skeleton knight and his mom was a witch. I think that was the last time we dressed upโ€ฆ at least themed.

Meghan: What is your favorite Halloween-themed song?

Eric: Itโ€™s probably Time Warp from Rocky Horror or This is Halloween from Nightmare Before Christmas. That said, Iโ€™m a big music fan and like most of the themed or monster stuff.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Eric: Favorite is Snickers or Twizzlers. Iโ€™m a big guy so Iโ€™m not really disappointed with any candy choice, but my least favorite would be Mounds or Almond Joy.

Meghan: Thanks again, Eric, for stopping by. Before we go, what movies and books should we stay awake on Halloween enjoying?

Eric: There are so many to choose fromโ€ฆ movie Iโ€™d say Trick โ€˜r Treat as #1, then Iโ€™d go with Halloween 3 or 2. Just depends if Iโ€™m in the mood for a slasher movie or supernatural.

Books that take place at Halloween or in October that I like or think people should check out โ€“ Dark Harvest by Norman Partridge / A Night in the Lonesome October by Roger Zelazny / Allhallowโ€™s Eve by Richard Laymon.

Lastly, when I was a kid we didnโ€™t have all these ways to watch things. Most people didnโ€™t own a lot of VHS tapes, and there were no streaming services so when holidays approached you would know that one of the big 3 networks would play some of the old (and create new) classics. Usually, it would be a few days before the big day and many times they would be on back to back depending on who had the rights and what else was being shown. 2 that I enjoyed when I was a kid and make a point to still watch today are Itโ€™s the Great Pumpkin, Charlie Brown & Garfield In Disguise Halloween Special. And so with that, Iโ€™ll leave you with words of wisdom from everyoneโ€™s favorite fat cat: Candy, Candy, Candy, Candyโ€ฆ


Boo-graphy:
Eric Butler is an Army brat who now calls Texas home. A lifelong fan of horror and pop culture, he finally decided to sit in front of a computer to share all the stories rattling around his head. He lives with his incredibly patient wife and teenage son in a house overrun with Huskies and cats.

Donn, TX
Thereโ€™s a place in Texas the locals avoid at all cost, where the lost go missing and the damned reside. You wonโ€™t find it on any map, there are no road signs to guide you, and once there, may God have mercy on your soul. For when the scarecrow awakens, the harvest of the living begins.

Welcome to Donn, TX
Gateway to Hell

1952
On the back roads of Texas, Debbie grows ill and her husband, Jerry, stops at the only motel theyโ€™ve seen for miles. He hopes a little rest will help calm her stomach, but in Donn, TX, there can be no rest once the harvest begins.

1969
Frank is back from Vietnam but struggling to reconnect with the world he once knew. Jane is convinced a road trip to Houston will help them both find the connection they are missing. First, they need to drop off her younger sister and her best friend at the university, and then the honeymoon the war put on hold can finally begin.

Except now they are lost on the back roads, and each mile brings them closer to Donn. If only they hadnโ€™t exited the highway โ€ฆ

But now itโ€™s too late; for the harvest is nearing its end, and the scarecrow requires its due.

AUTHOR INTERVIEW: Lex H. Jones

Meghan: Hey Lex! Welcome to Meghan’s House of Books. You haven’t been here yet, but were a regular over on The Gal in the Blue Mask. It’s a little different here, but definitely interesting. We appreciate you stopping by today. What is your favorite part of Halloween?

Lex: I love decorating the house for the big Halloween party I host every year. โ€œTrick or Treatingโ€ isnโ€™t really a huge thing in Britain in the way it is in America, so you donโ€™t generally see a lot of houses that have really gone crazy with it. The ones that do tend to be having some sort of party, whether itโ€™s for children of adults. Having grown up watching American films and shows, I always wanted to do big Halloween parties with everything from theme music, themed foods, games, costumes, and of course decorations inside and out. Now that I own my own house, I get to that every year.

Meghan: What is your favorite Halloween tradition?

Lex: Planning the decorating for the house. I like planning and organizing, it helps me enjoy things better as I donโ€™t do well with outright spontaneity and chaos. So Iโ€™ll have a notebook with sections for each room (and the garden), and Iโ€™ll work out a different theme for each. After Iโ€™ve worked that out, Iโ€™ll see what I can get from the shops, how much of it I might need, and then as a rule, buy far more than that. I always end up needing more cobweb. However much cobweb you think youโ€™ve bought, I promise you itโ€™s not enough.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

Lex: Itโ€™s my second, as my first is Christmas. I know a lot of people donโ€™t like Christmas and have their own reasons for that, and thatโ€™s fine. But I love it and always have.

Halloween, though, comes a close second as itโ€™s the time of year when everyone is suddenly โ€˜intoโ€™ the stuff that Iโ€™ve always liked. I particularly liked, as a child, that for one month of the year the shops would suddenly be full of skeletons and ghosts and such. Essentially all the kinds of toys and decorations that I coveted the year round.

Meghan: What are you superstitious about?

Lex: To be honest, Iโ€™m not. Iโ€™m an absolutely rational atheist (not the militant dickhead kind like Dawkins, donโ€™t worry) so I donโ€™t really do superstitions. The one thing I have which is kind of close to that, is we have a phrase you hear a lot in Britain is โ€œdonโ€™t speak ill of the deadโ€. Now from a purely โ€˜absolute honestyโ€™ point of view (which Iโ€™m often guilty of, given that Iโ€™m autistic) I admit that I find it odd when I hear folk describing a dead man as an absolute angel, when in life heโ€™d been an unrepentant career criminal. But, itโ€™s not about them. Theyโ€™re dead, they canโ€™t hear and donโ€™t care. But their relatives, already grieving from their loss, donโ€™t need to hear someone bad-mouthing them. So we tell little lies and say they were nicer than they were. Or, at the least, donโ€™t point out the (still true) bad things about them. I always try to adhere to that. But itโ€™s out of politeness to the living, rather than fearing the wrath of the dead.

Meghan: What/who is your favorite horror monster or villain?

Lex: I love ghosts. Theyโ€™ve always been my favorite. Just the ethereal nature of them, the floatiness, the fact theyโ€™re sort of there and sort of not. I find anything purely physical less frightening as a โ€˜monsterโ€™, because ultimately itโ€™s just another thing to shoot or stab or run away from. Yeah a werewolf is scary, but ultimately itโ€™s a just a big dog isnโ€™t it? A zombie is just a diseased human. These things still exist within the confines of the natural world and must operate within it. Shoot it in the head and itโ€™s done. Get home and lock the doors and youโ€™re safe. But a ghost? Well thatโ€™s a different matter entirely.

Meghan: Which unsolved murder fascinates you the most?

Lex: Itโ€™s probably an obvious one to say, but the Jack The Ripper murders. Itโ€™s not as though thereโ€™s no information about them, because actually thereโ€™s a fair bit. And many expert criminologists and investigators and outright historians have dug into it to try and figure out the case. And yet they never come up with the same answer. I do think weโ€™ll never know the truth of that one.

Meghan: Which urban legend scares you the most?

Lex: Thereโ€™s that one about a man waiting for a phone call that will tell him if heโ€™s about to lose his business or not. The thing heโ€™s worked all his life for. If he gets a call at 4pm then heโ€™s fine. If he doesnโ€™t, heโ€™s lost everything. The story goes that 4pm comes, the phone fails to ring, so he goes up to the roof and jumps off. As heโ€™s falling past his office window, he hears the phone ring. They were a couple of minutes late.

Now, like any urban legend, itโ€™s absolute nonsense. How would we know any of this, for one thing? But what makes this one chilling to me is because, nonsense it may be, but itโ€™s a cautionary tale about giving up too quickly. How many times do you nearly give up on that dream or ambition today, only for something amazing to happen next week which really pushes it along? As shitty as today may be, you have no idea how good tomorrow might be. So donโ€™t ever give up.

Meghan: Who is your favorite serial killer and why?

Lex: Boring as it may sound, I donโ€™t have one. Iโ€™m not really โ€˜intoโ€™ serial killers, they donโ€™t interest me that much, so Iโ€™d struggle to pick any out of a lineup. Manson seems vaguely interesting to me, I guess, because he wasnโ€™t the typical serial killer and was more of a cult leader. Iโ€™m fascinated by cults, because I never quite understand how people can fall into them. Seemingly intelligent people can fall down these rabbit holes of absolute nonsense and refuse to climb out of it, even when their own health is at stake.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

Lex: As a child I had that classic โ€˜slightly older friendโ€™ who was a gateway to more grown-up things that Iโ€™d otherwise not have access to. Through him I saw bits and pieces from Alien, A Nightmare On Elm Street, Fright Night and The Terminator, but the first horror film I saw all the way through was Predator. Now, I know thereโ€™ll be some debate about whether this is horror, sci-fi, action, or a mix of all three. But I think itโ€™s fair to class it as horror. Predator was shown to me (probably far too young, aged about 8, I think) by my grandad. He loved horror movies and knew I was into monsters, so without my parentsโ€™ knowledge he showed it to me one day. And I loved it.

My first horror book was a book of ghost stories called Ghostly Tales, which I was bought when I was four or five, I think. It was a beautiful hard cover book with illustrations (I still have a copy, actually). The stories, whilst ostensibly for children, were actually legitimately quite chilling. I must have read that thing so many times, as I remember having to stick some of the pages back into the spine with sticky tape.

Meghan: Which horror novel unsettled you the most?

Lex: I remember reading Slugs by Shaun Hutson, again probably far too young, and finding it very off-putting. Iโ€™d never liked slugs as a creature in the real world. They just donโ€™t look right. I think it was horror writer Arthur Machen who once described the eerie nature of slugs and snails and grubs in some of his writing, saying that they look like something from another world. Something that we, as denizens of the upper world, shouldnโ€™t see, shouldnโ€™t encounter. Theyโ€™re things of darkness and slime, devoid of structure and organs and movements in the way the creatures above the ground are formed. Itโ€™s the same as when we see creatures that live deep under the ocean, and they lack any sort of cuteness, resembling instead some nightmare beings from a realm that we should avoid at all costs. Slugs were always like that to me, as a child. As an adult Iโ€™ve got a garden now so I regularly have to move them away from my plants, so Iโ€™ve gotten over my dislike of them somewhat through necessity. But Hutsonโ€™s book takes a creature that I already found disturbing, and made them into a carnivorous source of actual horror.

Meghan: Which horror movie scarred you for life?

Lex: I think the first time I saw The Fly (the 1980s version, not the B-Movie original) it stuck with me a long while. I always find body horror has that effect on me, because itโ€™s the worst kind of thing imaginable. Itโ€™s not a foe to be fought, a monster to be hacked at or a demon to be exorcised. Itโ€™s the betrayal of your own body, twisted and broken into something it shouldnโ€™t be. Iโ€™ve lost too many people close to me through dreadful illnesses, and body horror is always a little too close to that for me, so I tend to steer clear of it these days.

Meghan: What is your favorite Halloween costume?

Lex: A couple of years back, when it was the 20th Anniversary of Buffy starting, I think, we decided to have a Buffy/Angel themed Halloween party. Everyone dressed as different characters, and I went as Spike. Heโ€™d always been my favorite character on the show. My friend Zoe was coming as Drusilla, which I didnโ€™t know, so that worked out perfectly for photos. I put a picture of me and her together on Twitter, and the actual Drusilla, Juliette Landau, commented to say how great we looked. I particularly enjoyed wearing that costume because, prosthetics aside, it wasnโ€™t particularly uncomfortable. Often the costumes that look the best are the most uncomfortable to wear, so itโ€™s nice when you find one thatโ€™s a good compromise.

Meghan: What is your favorite Halloween-themed song?

Lex: I donโ€™t know if youโ€™d call it strictly Halloween-themed, but โ€˜Killing Moonโ€™ by Echo and The Bunnymen. I just feel like, from the 80s onwards, if you watch pretty much any film or show set at Halloween, youโ€™d hear that song. It was ingrained in my psyche as the perfect Halloween Party song, so when I started hosting my own such events I whacked it straight on the playlist.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

Lex: Donโ€™t be too horrified, but we donโ€™t really get Halloween-specific sweets in the UK! What tends to happen is, stuff thatโ€™s available all year round, will have a slight Halloween makeover. So the chocolate mini rolls with jam in them now have green-colored jam instead. The gingerbread men will have little fangs added to their smiles. Thatโ€™s about the best we get. Weep for us.

Meghan: Before you go, can you share with us your top 5 Halloween movies?

Lex:


Boo-graphy:
Lex H Jones is a British author, horror fan and rock music enthusiast who lives in Sheffield, North England.

He has written articles for premier horror websites the Gingernuts of Horror and the Horrifically Horrifying Horror Blog, and appeared on multiple podcasts covering various subjects such as books, films, video games and music.

Lexโ€™s first novel, Nick and Abe, a religious fantasy about God and the Devil spending a year on earth as mortal men, was published in 2016. This was followed in 2019 by noir crime novel The Other Side of the Mirror and illustrated childrenโ€™s weird fiction book The Old One and The Sea. His latest release is a collection of ghost stories, Whistling Past The Graveyard. Lex also has a growing number of short horror stories published in collections alongside some of the greats of the genre, and in 2020 he co-created the comic strip series The Anti-Climactic Adventures of Detective Vampire with Liam โ€˜Paisโ€™ Hill.

When not working on his own writing, Lex also contributes to the proofing and editing process for other authors.

Facebook
Amazon
Twitter

Whistling Past the Graveyard
A hilltop cemetery where the dead just wonโ€™t stay sleeping. An ill-fated voyage to an uncharted region off the coast of Iceland. An English village reminded of its heritage through the discovery of ancient bones.These tales and more can be found within the first short story collection from author Lex H Jones. Light the fire, make yourself a comforting drink, make sure the doors and windows are lined with salt, and settle in to enjoy this gathering of haunts and horrors.

GUEST POST: Zach Jenkins

TCK Drive In

After a crazy year and a half, the film industry has taken many turns. From distribution delays and same day streaming, the horror genre is no different with films like Candyman and Halloween Kills/Ends being pushed back over a year. Drive-Ins have been a beacon for genre films with having film festivals and showing classic films. The industry has struggled from an in-theater aspect but with the reemergence of drive-ins, horror fans alike have piled into their cars to watch their favorite films from the comfort of their cars.

Drive-Ins were slowly dying out and disappearing all together, but with the resurgence they have packed in fields with different generations of movie lovers. In October of 2020, my local drive in was showing anything from A Nightmare On Elm Street, Friday The 13th, Halloween 4, The Nightmare Before Christmas, and even first showings for local films. The importance of these institutions are vital because of the nostalgia and the environment that shapes our childhood.

If you have a local drive-in, please support it even after the pandemic because there is nothing like watching movies in or out of your car under the stars. What is everyone’s favorite drive-in memory? Also feel free to shout-out your local drive-in or chat about your favorite movies in Thrills, Chills, and Kills on Facebook with us!


Boo-graphy:
Hello everyone, my name is Zach and I am a co-founder of Thrills, Chills, and Kills. I am the goofiest one of the bunch yet least likely to get injured from inanimate objects. I may have the least experience in writing (as you can probably tell) I make up for it in creative vision (most of the time). Horror has been in my veins for as long as I have been alive.ย  Having watched Halloween around a million times by now, I could probably quote every scene.ย 

I am also an aspiring filmmaker. I have completed 2 short films already and have ideas for several more films in this warped brain of mine. My first film The Mind’s Window is a 13 minute short about being locked in a space not knowing what is lurking on the outside. You can watch it on YouTube for the time being. I have always wanted to make a film that I’m proud of and I told myself this is the time to start. I have another film that is fully shot but is in editing purgatory at the moment.ย 

I love this community and our group so much. My wonderful girlfriend and team captain, Paige, is the reason I have this opportunity to have this horror fun filled life.

Twitter
Clubhouse
Thrills, Chills & Kills

Christmas Takeover 30: Tim Waggoner: The Anti-Claus

The Anti-Claus

A Story by Tim Waggoner
3,403 words

Jessica had one bad habit: she always ran late in the morning. She was on time for everything else the rest of the day โ€“ never missed a meeting at work, never showed up late for drinks or dinner with friends. But whatever the first thing she had to do in the morning was, she was late for it. Always. Sheโ€™d tried all kinds of things to break this habit. She went to bed early, set multiple alarms on her phone, got up early, drank stronger coffee in the morning, exercised, ate a good breakfast . . . But nothing helped. It was like her brain was unable to adjust to living by the clock until she was out in the world and doing things.

Today was no exception. She worked as a financial advisor, and she had an appointment with a client at nine a.m. Her Lexusโ€™ dashboard clock told her it was 9:18, and she wasnโ€™t even halfway to work yet. Lila โ€“ her supervisor โ€“ was going to kill her. Lila had lost patience with her tardiness and sheโ€™d taken to recording the precise time of her arrival each day. Jessica thought Lila was creating a paper trail so sheโ€™d have the documentation necessary to fire her. But Lila had it in for her for personal reasons, too. She resented the fact that clients preferred to work with her, which was only natural considering what a tight-ass, humorless bitch Lila was.

Rush hour traffic was bad enough, but it didnโ€™t help that today was December 24th, Christmas Eve. The traffic was a nightmare, the streets clogged with vehicles as people rushed around making last minute preparations for tomorrow or heading for the airport to catch a flight to visit family in some other part of the country. Why the hell did people wait until the day before the holiday to get shit done? Why didnโ€™t they โ€“

Jessica saw the crimson flare of brake lights ahead of her, and she jammed her foot down on her own brakes. But sheโ€™d been going too fast, had been riding the ass of the car ahead of her, and the front end of her Lexus collided with the back end of the other vehicle with a jarring whump.

Shit! she thought. Shit, shit, shit!

She put her car in park and activated the hazard lights. She checked the rearview mirror to make sure the traffic was giving her car a wide enough berth so she wouldnโ€™t be hit the instant she got out of the car. It looked safe enough, so she opened the door and stepped out into the cold morning air. It was a gray day โ€“ cloud cover, but no snow โ€“ and a sharp, biting wind was blowing from the east. Jessica wore a light jacket. She hated the way she looked in bulky winter coats, but now she wished sheโ€™d dressed for practicality instead of vanity. The wind hit her exposed skin like tiny daggers of ice, and she wouldโ€™ve killed for a nice thick parka right then.

The car sheโ€™d hit was a big beast of a vehicle, a Cadillac, maybe, but there was no metal logo affixed to the back of the car to indicate its make. Maybe the logo had been knocked off in the collision? The vehicle was black, blacker than black, so dark that it seemed to swallow light instead of reflect it. The blackness seemed to pull at her, to demand she keep her gaze fixed on it, to step closer, touch it . . . She took a step forward, raised her hand, but then she realized what she was doing. She squeezed her eyes shut, dropped her arm, and gave her head a quick shake to clear it. When she opened her eyes, the blackness of the car still pulled at her, but not as strongly as before, and she was able to resist it. Shivering โ€“ only partially due to the cold โ€“ she stepped to the front of the vehicle to assess the damage.

She hadnโ€™t been driving too fast, or else her carโ€™s airbags wouldโ€™ve activated, and she expected the damage to her Lexus to be relatively minimal. So she was shocked to see the entire front end of her vehicle had been pushed in, as if sheโ€™d hit a brick wall going sixty miles per hour.

Fuck, she thought. Sheโ€™d had the car less than a year. Sure, it had been โ€œcertified pre-ownedโ€ instead of brand new, but it had been new to her, a symbol of how hard sheโ€™d worked and how much sheโ€™d accomplished. And now it looked as if that symbol was totaled.

Merry goddamned Christmas, Jessica.

She looked at the black car then and saw that it didnโ€™t have so much as a scratch on it. What the hell was the thing made of? Granite?

She heard a car door open, and she turned to see a man getting out of the front passenger side of the big black car. He was tall and thin, with stick-like limbs that seemed longer than they shouldโ€™ve been. His head was oddly shaped โ€“ kind of like a light bulb with an unkempt mass of dingy gray hair on top โ€“ and his neck was so thick Jessica didnโ€™t see how it could possibly support his head. His features were overlarge and prominent โ€“ eyes, nose, mouth, and ears bigger than they shouldโ€™ve been โ€“ and he had a mustache and goatee that were the same dishwater-gray as his hair. He was dressed in what she thought of as a morticianโ€™s suit: black jacket, white shirt, black tie, black slacks, black shoes. His clothing wasnโ€™t as dark as his vehicleโ€™s paint job, but it was close.

He started toward her, moving with a surprising grace for a man who was all straight lines and angles, and his light bulb-shaped face broke into a smile, as if he was about to greet a long-lost friend instead of the driver of the car that had rear-ended his vehicle.

โ€œAre you injured?โ€ the man asked as he reached her.

Sheโ€™d expected his voice to be as strange as the rest of him, but it was a pleasant baritone, the sort of voice a radio or TV announcer might possess.

โ€œNo, Iโ€™m fine.โ€

He pursed his lips as if in disappointment.

โ€œAh, well. Maybe next time.โ€

She couldnโ€™t believe what heโ€™d said, thought sheโ€™d surely misheard, but he continued before she could say anything,

โ€œI apologize for my driver braking so abruptly. His eyesight isnโ€™t what it used to be, and he thought he saw an animal dash across the road in front of us. He has a . . . reluctance to kill an innocent creature.โ€

He chuckled, as if amused by the notion. He then turned his gaze to the crumpled front end of her Lexus.

โ€œMy, my, my. This looks rather serious.โ€

He bent to examine the front end of her car. After several seconds, he straightened and smiled.

โ€œYou canโ€™t drive for shit, can you?โ€

Jessicaโ€™s mouth dropped open in shock. This was followed by quick, hot anger.

โ€œIโ€™m not the one who slammed on the brakes in heavy morning traffic,โ€ she said.

Ignoring her, the man examined his vehicle. He ran long, thin fingers across its trunk, and she thought she heard soft clicking sounds as they moved, as if his hand were a crab skittering across the metal.

โ€œI think you may have actually scratched the paint. You mustโ€™ve hit us harder than I thought.โ€ He looked at her, smile widening, revealing crooked, yellow teeth. โ€œGood for you!โ€

He clapped his hands together as if the slight damage to his car delighted him.

It was then she realized his vehicle had no license plate. She hadnโ€™t noticed in the post-accident confusion, and at first she thought the plate mustโ€™ve been knocked off by the impact of her Lexus striking his car. But she didnโ€™t see any place where a plate had been attached to the vehicle. Did that mean it had never had one?

The man rubbed his crab hands together.

โ€œSo . . . what would you like me to take?โ€

Jessica stared at him, unable to process his words. She understood them, of course, but she had no idea what they meant.

โ€œI . . .โ€ She frowned. โ€œWhat?โ€

The man released a breathy bark of a sound, which she thought might be a laugh.

โ€œMy apologies! I should introduce myself. My name is Arland Merriman, and I am the Anti-Claus.โ€

He extended one of his skeletal hands for her to shake, but when she made no move to touch it, he lowered his hand and continued speaking as if nothing had happened.

โ€œPlease donโ€™t feel awkward for never having hear of me. I donโ€™t enjoy the fame of my opposite number.โ€ He leaned forward, as if to impart a secret. โ€œItโ€™s all part of the โ€˜antiโ€™ thing, you know. Heโ€™s famous, Iโ€™m anonymous. But donโ€™t worry. I like it that way.โ€

Jessica was beginning to regret getting out of her car, and she definitely regretted leaving her phone in her purse on the passenger seat. Whoever this odd man was, it was clear there was something wrong with him mentally, and she wanted to call the police.

Merriman went on.

โ€œMy opposite has a list and checks it twice, but I only visit with those I meet by chance. Like someone who rams into the back of my car on Deprivation Day.โ€

She looked at him blankly.

โ€œYou know it as Christmas Eve. But itโ€™s a special day all its own, I assure you. After midnight, my opposite will begin bringing so-called gifts to the deserving people of the world. Usually useless junk that no one really needs, but which inject a small amount of temporary joy into their otherwise meaningless, empty lives. The universe exists in a state of carefully maintained balance. So if my opposite gives . . .โ€

He stressed this last word, urging her to complete the thought. She didnโ€™t think she could speak, but she was surprised to hear herself say, โ€œYou take.โ€

โ€œExactly!โ€ He grinned in delight. โ€œAnd where my opposite selects what to give you, I give you a choice of what you want to lose.โ€

He reached into the inner pocket of his jacket, withdrew what looked like a business card, and held it out for Jessica to take. She didnโ€™t move at first, so Merriman took hold of her wrist. She expected his fingers to be ice-cold, but his touch burned and she drew in a hissing breath of pain. Of course heโ€™s the opposite of cold, she thought. Heโ€™s the Anti-Claus. He lifted her hand and deposited the card on her palm. She was grateful when he let go of her wrist. The skin still hurt, but it no longer felt as if her flesh was on fire.

She looked down at the card and saw it was blank. She turned it over and saw it was also blank on the other side.

โ€œYou have until midnight โ€“ when my day ends and his begins โ€“ to decide what youโ€™d like me to remove from your life. The only rules are that it must belong to you and you must write the name of it on this card. Either side will do.โ€

The unreality of this encounter was getting to her, and although on some level of her mind, she knew what was happening was absolutely, undeniably real, she needed to believe that Merriman was crazy, or that this was some kind of elaborate prank. Anything, just so long as she could tell herself that there was no such thing as the Anti-Claus and that the card heโ€™d given her was just a plain, ordinary blank piece of cardstock, nothing more.โ€

She looked into his oversized eyes, which were the same color as his hair and beard, the same color as the overcast sky above, and smiled as if she was in on the joke and intended to play along.

โ€œWhat happens if midnight comes and I havenโ€™t written anything on the card?โ€

Merrimanโ€™s smile โ€“ already wider than a normal personโ€™s โ€“ stretched even further until the tender skin at the corners of his mouth split and blood trickled forth.

โ€œThen I choose something of yours to take. And believe me, you donโ€™t want that to happen.โ€

Jessicaโ€™s smile faded and despite her attempt to make herself believe this was nothing but a bizarre practical joke, she felt a hot flush pass through her body. Not a chill, not from the Anti-Claus.

The driverโ€™s door of the large black car opened and a figure emerged. The driver wore a chaufferโ€™s uniform, but while his body appeared human, his head was that of a stag. It lolled to the side, antlers broken and short, tongue protruding from the side of a blood-flecked mouth, eyes milky white.

Like roadkill, she thought. Her stomach lurched, and she thought she was going to vomit.

The driver walked to Merriman, head flopping bonelessly as he came. When he reached his employer, he raised his arm and with the opposite hand โ€“ which possessed a hoof instead of fingers โ€“ he tapped the face of the wristwatch he wore.

โ€œAh, yes. Thanks for the reminder, Hobart.โ€

The hideous thing turned and headed back to the car without saying a word. Jessica was profoundly thankful the creature hadnโ€™t spoken. She didnโ€™t want to hear what sort of voice would issue from the thingโ€™s throat.

โ€œIโ€™m afraid I must take my leave,โ€ Merriman said. โ€œI have many other cards to pass out before midnight, after all. I wish you a most lamentable Deprivation Day, Jessica.โ€ He nodded goodbye, turned, and started walking toward his vehicle. When he reached the front passenger door, he opened it and started to climb inside. But then he stopped and turned back to look at her. โ€œRemember to fill out your card. If you donโ€™t, Iโ€™ll be paying you a visit later.โ€

He grinned so wide this time that the skin of his face tore from the edges of his mouth all the way to his ears. Blood flowed from the wounds, but she could still see his teeth. All of them.


Jessica watched the blacker-than-black car drive away, its engine eerily silent. She then returned to her Lexus, got in, gripped the steering wheel, and sat for several moments, breath coming in rapid huh-huh-huh-huhs, heart keeping time with the rhythm. When sheโ€™d calmed down a little, she turned off the carโ€™s hazard lights. Sheโ€™d left the engine running as sheโ€™d spoken to Merriman, and she put the Lexus in gear and started driving forward. The engine didnโ€™t sound good, and the steering was wonky, but the car moved, and that was all she cared about now.

She’d put the blank card on the passenger seat when sheโ€™d gotten in, and she glanced at it quickly, as if to make sure it was still there, still real. It was. She reached over, picked it up, and slipped it into her purse.

If she didnโ€™t want Merriman to pay her visit later tonight, she had to write something on the card. Something she wanted to be rid of. She didnโ€™t bother telling herself that Merriman and his grotesque driver hadnโ€™t been real, that theyโ€™d been hallucinations, that sheโ€™d gone crazy. The damage to her car was real enough, and even if Merriman wasnโ€™t the Anti-Claus and no harm would come to her if she didnโ€™t write something on the card, she wasnโ€™t going to chance it. Sheโ€™d do anything to avoid seeing Merriman and his deer-headed driver again.

Could she write something innocuous on the card? There was a bland painting in the reception area where she worked, a water tower surrounded by bright blue sky and fluffy white clouds. She didnโ€™t like the thing, hated having to look at it whenever she passed through the reception area. Maybe if she wrote Ugly-ass water tower painting in Reception on the card, it wouldnโ€™t be hanging on the wall when she returned to the office after Christmas. She wouldnโ€™t have to see Merriman again, and the workplace would be improved, at least for her.

No, that wouldnโ€™t work. Merriman had said that whatever she chose had to belong to her. She didnโ€™t own the painting. It belonged to the office.

She wracked her brain, trying to come up with something to write on the card, but she couldnโ€™t think of anything. She feared there was some sort of catch to what Merriman had told her, that if she didnโ€™t choose something important enough, heโ€™d come to visit her anyway. Say she wrote My old toaster on the card. She could imagine Merriman coming to her apartment sometime before midnight. Heโ€™d knock, sheโ€™d open the door, and heโ€™d say something like A toaster? Itโ€™s called Deprivation Day, Jessica. Do you think losing a toaster really qualifies as you being deprived?

And then heโ€™d reach for her with his blazing-hot crablike hands, while behind him in the hall, his driver with the dead deer head โ€“ Hobart โ€“ would let out a wet, snuffling laugh.

She began trembling then, and she continued to do so the rest of the way to work.


“I’m used to you being late, but this is a personal worst for you.”

Lila Robinson was waiting inside Jessicaโ€™s office when sheโ€™d arrived. She sat at Jessicaโ€™s desk, a small notebook open in front of her. She checked the time on her phone and then, using one of Jessicaโ€™s pens, she noted the exact time.

Lila was a petite woman in her late fifties, with short brown hair. She wore a bit too much makeup in a futile attempt to make her look a few years younger. She wore a navy-blue blazer over a white blouse, and while Jessica couldnโ€™t see them at the moment, she knew the woman also wore navy-blue slacks and sensible black shoes. Sheโ€™d never worn a skirt to the office the entire time Jessica had worked here.

She’d considered calling off sick and going home, but she didnโ€™t want to be alone right now, wanted to be around other people. Now she regretted her choice.

“Sorry. I got into an accident on the way here. Slowed me down.”

Her voice was toneless, matter-of-fact. After seeing Merriman and Hobart, Lila didnโ€™t scare her anymore.

Lila seemed put out by Jessicaโ€™s lack of reaction to her words. She threw the pen down on the desk, grabbed the notebook, closed it, stood, came out from behind the desk, and walked over to Jessica until they were practically standing nose to nose.

โ€œIโ€™m sorry you were in an accident.โ€ Lila sounded doubtful, as if she didnโ€™t believe Jessicaโ€™s story. โ€œBut you couldโ€™ve called to let us know. Instead you come strolling in over an hour late. Your client got tired of waiting for you and left. I tried to convince him to speak to another of our advisors, but he declined. โ€˜I think Iโ€™ll take my business elsewhere,โ€™ he said and then left. This is your last warning, Jessica. If you come in late again, for any reason, I will fire you. Do you understand?โ€

Jessica had heard every word, but she was so preoccupied by her experience with Merriman that she couldnโ€™t bring herself to care. Lilaโ€™s face reddened with anger.

โ€œArenโ€™t you going to say anything? No? Iโ€™m your supervisor, Jessica. The least you could do is give me the courtesy of a response.โ€

Jessica looked at Lila as if noticing her for the first time since entering the office. She smiled slowly.

โ€œYou are, arenโ€™t you?โ€

Lila frowned. โ€œAre what?โ€

โ€œMy supervisor. Mine.โ€

Lila took a step back from Jessica, as if disturbed by something she saw on the other womanโ€™s face.

โ€œJust remember what I said.โ€

She walked past Jessica. She paused at the doorway, glanced back briefly, then left.

Jessica, still smiling, put her purse on top of her desk and sat down. She picked up the pen that Lila had used to record her time of arrival, then reached into her purse to withdraw the blank card Merriman had given her. She placed it on the desk in front of her, held it still with the tips of her fingers, and began to write.

Tim Waggoner’s first novel came out in 2001, and since then he’s published over forty novels and five collections of short stories. He writes original dark fantasy and horror, as well as media tie-ins. His novels include Like Death, considered a modern classic in the genre, and the popular Nekropolis series of urban fantasy novels. He’s written tie-in fiction based on Supernatural, Grimm, The X-Files, Alien, Doctor Who, A Nightmare on Elm Street, and Transformers, among others, and he’s written novelizations for films such as Kingsman: the Golden Circle and Resident Evil: the Final Chapter. His articles on writing have appeared in Writer’s Digest, Writer’s Journal, Writer’s Workshop of Horror, Horror 101, and Where Nightmares Come From. In 2017 he received the Bram Stoker Award for Superior Achievement in Long Fiction, and he’s been a finalist multiple times for both the Shirley Jackson Award and the Scribe Award. His fiction has received numerous Honorable Mentions in volumes of Best Horror of the Year, and heโ€™s had several stories selected for inclusion in volumes of Yearโ€™s Best Hardcore Horror. In addition to writing, he’s also a full-time tenured professor who teaches creative writing and composition at Sinclair College in Dayton, Ohio.