AUTHOR INTERVIEW: A.J. Brown

Meghan: Hi AJ. Welcome back to Meghan’s House of Books and our annual Halloween Extravaganza. It’s always great having you on. What is your favorite part of Halloween?

AJ: Iโ€™ve always loved Halloween, the scary movies, the costumes and makeup, the candy and scaring people, but for me, Halloween is the last fun day before the holiday season starts in November. Itโ€™s also the time of year I visit a friendโ€™s grave. He died on Halloween in 1995 and my wife and I visit his grave on Halloween every year. We take a candy bar and toast our friend, then we eat the candy. Itโ€™s kind of sombre but itโ€™s tradition for us now.

Meghan: What is your favorite Halloween tradition?

AJ: Watching Itโ€™s the Great Pumpkin Charlie Brown. Iโ€™ve seen it every year as far back as I can remember. I love that show.

Meghan: If Halloween is your favorite holiday (or even second favorite holiday), why?

AJ: Itโ€™s the one day and night you can celebrate the creepier things and not have someone look at you like youโ€™re cuckoo for Cocoa Puffs. Itโ€™s the one time of year that people actually talk about scary things. I like scary things, creepy things, monsters and things that go bump in the night. Itโ€™s the single most awesome day of the year.

Meghan: What are you superstitious about?

AJ: Iโ€™ve never really been superstitious. A lot of members of my family are/were, but I thought some of the things they were superstitious about were silly. Never let a black cat cross your path? Iโ€™m going to pick that cat up and pet it. Donโ€™t walk under a ladder? Iโ€™ll walk under it. So many people make superstitions out to be scary, but I never thought they were. I write stories about them.

Meghan: What/who is your favorite horror monster or villain?

AJ: Whew, thatโ€™s a good question. For monster, Iโ€™ve always thought Pennywise the Dancing Clown from Stephen Kingโ€™s IT was terrifying. But heโ€™s a monster and monsters have weaknesses. However, I find human bad guys far more terrifying than the monsters. For villain? Thatโ€™s The Joker from Batman, hands down. Heโ€™s maniacal and you never know what to expect from him. Heโ€™s terrifying like nothing else.

Meghan: Which unsolved murder fascinates you the most?

AJ: The Jack the Ripper murders. There are so many theories about who committed the crimes, but nothing definitive that actually points to a culprit. I donโ€™t think it will ever be solved.

Meghan: Which urban legend scares you the most?

AJ: Honestly, urban legends, like superstitions, donโ€™t scare me. They fascinate me and Iโ€™ve gone to a few places here in South Carolina where a ghosts is seen on a certain night or lights will chase you or your car will die on a railroad track only to be pushed to safety by a bunch of unseen children. But I have never gotten scared by them. If anything, I always hope to see a ghost or something in those places.

Meghan: Who is your favorite serial killer and why?

AJ: Wow, thatโ€™s another tough one. Ed Gein. Leatherface and Buffalo Bill (from Silence of the Lamb) are loosely based on him. But other than that, Iโ€™m not so sure Gein was all together there in the head. Iโ€™m not entirely certain his mental capacity was like that of a โ€˜normalโ€™ individual. That makes his case more fascinating.

Meghan: How old were you when you saw your first horror movie? How old were you when you read your first horror book?

AJ: I was nine and the movie was Salemโ€™s Lot, a miniseries. There was a scene where the Glick Brothers ran through the woods and one of them was snatched up and killed. He later showed up at his brotherโ€™s hospital window and scratched on the window. โ€œLet me in. Let me in,โ€ he said and when the brother opened the window, he killed him. That scared the s#%t out of me, not because it was particularly scary, but because my older brother and I always cut through a set of woods on the way home from school. He also would leave the house in the middle of the night when he was nine and ten and eleven. When he came back, he would tap on my window and say, โ€œJeff, let me in, let me in.โ€ A few nights after watching the movie, he skipped out of the house and came tapping on my window. I grabbed my pillow and clutched it so tight to my chest it was almost a part of me. But I didnโ€™t get up and I didnโ€™t open that window… and he got in a lot of trouble when Dad caught him.

I read Kingโ€™s Carrie when I was eight. I loved it. I thought it was mean how they treated Carrie White and I loved how she got revenge on her tormentors, especially her crazy mother. Itโ€™s really the book that propelled me to a love of horror fiction more than anything else.

Meghan: Which horror novel unsettled you the most?

AJ: I donโ€™t know if I would consider it a horror novel, but The Wasp Factory by Iain Banks was disturbing. The story itself is great, but when you get to the end and Banks revealed what he had left little hints about along the way, it blew my mind and made me think โ€˜oh wow, this is worse than I thought.โ€™ Masterful story telling.

Meghan: Which horror movie scarred you for life?

AJ: Salemโ€™s Lot is the only horror movie that ever scared me and that one scene… whew… that one scene still haunts me.

Meghan: What is your favorite Halloween costume?

AJ: Iโ€™ve always wanted to dress up as a zombie, but I never have. I wouldnโ€™t want to be one of those painted green zombies, either. Make me like one from The Walking Dead.

Meghan: What is your favorite Halloween-themed song?

AJ: This is Halloween by Marilyn Manson. I sing it throughout the year.

Meghan: What is your favorite Halloween candy or treat? What is your most disappointing?

AJ: Favorite? Candy corn. Most disappointing? Black licorice. Hate it. Hate it. Hate it.

Meghan: Thanks for stopping by. Before you go: What are your go-to Halloween movies?

AJ: Hocus Pocus is a fun movie, and as I mentioned before, Itโ€™s the Great Pumpkin, Charlie Brown is my favorite Halloween themed movie. Also, put Monster House in there as well. As you can see, I really donโ€™t find many horror movies that great. Give me a good, enjoyable story. Most Halloween movies and books donโ€™t do that, at least for me.


Boo-graphy:
A.J. Brown is a southern-born writer whoย tellsย emotionally charged, character driven stories that often delve into the dark parts of the human psyche. Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex. More than 200 of his stories have been published in various online and print publications. If you would like to learn more about A.J. you can check out his website, Type AJ Negative. You can also find him on Facebook and on Amazon Amazon Author Page.

Five Deaths
Andrew Colson never intended to kill anyone. The dead that haunted his childhood had other plans.

The first ghost to appear to him was Billy Jumper, a four-year-old special needs child murdered by his stepfather in a drunken fit. Billy was followed by Sarah Lockingham and Janie Whiteside, then the one person who he loved most, his father.

After the death of a close friend, Andrew learns what the ghosts want from him and sets out to fulfill their needs. In doing so, Andrew discovers a devastating truth that may push him beyond setting things right for the dead. It might lead him to revenge.

Christmas Takeover 6: A.J. Brown: Unknown Boy, Aged Four or Five

Unknown Boy, Aged Four or Five

A Story by A.J. Brown
2,835 words

Marcia looked out the windshield at the throngs of people standing outside the toy store. They were wrapped in coats and hats, many of them wearing gloves, some wearing scarves. The sun was still an hour away from getting up, itself, yet people lined the sidewalk and stood in the parking lot six and seven deep. Few people talked, and those who did used soft, almost hushed tones, as if they had secrets they wanted no one to know.

She took a deep breath, the cold filling her lungs. There was no way she would find what she wanted with this many people here. She shook her head, flipped her hair back over her shoulders and let the breath out. Her hands were buried deep in her jacket pockets. Even with gloves on, she felt the cold in her fingers. Her bottom lip quivered. Occasionally, her teeth clattered together.

โ€œI should have done this sooner,โ€ she whispered to herself.

But she knew she couldnโ€™t. It had to be on this day. It had to take place on Christmas Eve. She stood near her car, debating getting in and coming back later when the rush of last day shoppers had done their worst. Instead, she looked at her watch, one her sister, Donna, gave her. Minnie mouse made up the face, her arms the ticking hands of the watch. There was no digital display that told her the time. It was all lines and numbers and a simple glance at it wouldnโ€™t do the trick. She had to really look at it. Minnie told her it was one minute until six. When the clock rolled over one more time, she walked toward the crowd.

At the toy storeโ€™s door stood two young women who might have been in high school, or possibly college. They wore red Christmas caps and the storeโ€™s light blue shirts with the logo on the frontโ€”two kids on a teeter totterโ€”the name Teeter Totterโ€™s Toys in black print above it. They looked at each other. One nodded and they grabbed the handles of the glass double doors. They pulled and the doors came open. People pushed forward, the quiet murmurs from earlier suddenly a rush of thumping feet and people yelling as they hurried toward the doors.

โ€œWeโ€™re going to be like sardines in there,โ€ Marcia whispered and stayed back.

After most of the patrons had gone inside, Marcia made her way to the doors, took another breath, bracing herself for the craziness she was about to face, and stepped inside. One of the two womenโ€”clearly a teenager who didnโ€™t wish to be thereโ€”greeted her with a โ€˜Welcome to Teeter Totterโ€™s Toys.โ€™ Though she smiled, Marcia thought it was forced.

โ€œThank you,โ€ she said and left the small entrance way and stepped fully into the store.

It was worse than she feared. People pushed by one another without an โ€˜excuse me,โ€™ or a โ€˜pardon meโ€™ or anything even close. Some folks with buggies had no problems bumping into others to get them out the way. She thought there might be a couple of fights as some customers gave dirty looks or snippy, sarcastic remarks.

Marcia eased her way by the other shoppers, detouring in and out of aisles where the crowds were the worst. A few times she had been bumped into by other shoppers and once, a buggy clipped her heel. She glanced back then to see a stuffy looking woman wearing too much makeup and smelling of too much perfume. The woman gave her a dirty look, then shoved by her, bumping into others as she went. She was, in Marciaโ€™s mind, the equivalent to a semi on the interstate: Iโ€™m bigger than you, so get out of my way or I will run you over.

Though she walked and shuffled nonstop, it took twenty minutes to get to the back of the store where the stuffed toys were. Thankfully, there were only a handful of people in the section that boasted the toys that werenโ€™t highly sought after and worthy of being fought over. She thought it a shame that so few people thought their children might like one of the plush bears, dogs, rabbits and kitty cats.

Marcia frowned. The pickings were thin. All the rabbits and doggies were gone. There were still a couple of kitty cats, but none that screamed โ€˜buy me.โ€™ The small teddy bears were mostly the same, each one a solid color, either white, brown, tan or gray with a bowtie around their necks, glass eyes, pink stitched noses and mouths. She shook her head and stood straight; her hands went to her hips. She knelt down, then got on her knees. Near the back of the bottom shelf was a teddy bear much like the others, only pink and without a bowtie around its neck. She smiled. It was perfect for one of the two gifts she needed. Still, there was the other one, the one she knew would be harder to pick.

Marcia left the aisle and went to the next one over. No stuffed animals. The next one over from that one also held no stuffed animals. Neither did the next two. She backtracked and looked at the original aisle of misfit stuffed toys. She dropped to her knees again and searched through the various teddy bears near the front of the bottom shelf. She pushed them aside, shoving them all over to the side of the shelf that had been completely empty. Just as she began to give up, Marcia saw it, the animal that called to her, that said, โ€˜Iโ€™m the one.โ€™ She reached for it, pulled it free.

It was a white lamb. Its eyes sparkled blue. Its lips and nose were the same pink stitched type as on the teddy bears. On the tips of each foot was a split hoof. Its tail was a curly-q and the fur was fluffy and soft. Marcia hugged it and knew it was the one.

She didnโ€™t mind standing in line for almost an hour, occasionally listening to someone argue with one of the workers or another customer. She didnโ€™t mind putting the purchase on her credit card, something she rarely did. She didnโ€™t mind sitting in traffic for another hour, trying to get out of the mall area, even as other people honked their horns and cut in front of her. One woman with gray hair who could have been a grandmother flipped her off before cutting in front of her, almost hitting her car. She didnโ€™t mind that she got home well after lunch, her hands hurting from her grip on the steering wheel, muscles bunched up in her neck from tension. She didnโ€™t even mind that she would have to get up early again the next day to make the two-hour drive to Century Falls, South Carolina, a little do nothing town on the edge of the nowhere. She was happyโ€”well, as happy as she could be on this day. She found the toys she hoped to find, which was better than not finding them. It was a small measure of joy she claimed for the season.

Morning came too soon for her after a night of very little sleep. She had stared at the ceiling fan that hadnโ€™t been on since early October. To her the five blades appeared skeletal. Though that uneased her, she had a hard time looking away from it. When she finally pulled her gaze away, she reached over, shut the alarm off on the clock and swung her legs from the bed. The sigh that came from her was neither frustrated nor tired. It was sad.

Marcia stood, stretched and left the bedroom. Half an hour later, after brushing her teeth and her hair and putting on jeans, a sweater and her old sneakers, she grabbed her coat, keys, the two stuffed animals and left home. It was barely half past five when she hit the road.

She drove in silence. No Christmas music on the radio, no talking heads discussing politics, religion or sports. It was just her, her thoughts and the sound of the car as it sped along in the darkness, its headlights casting two bright cones of light that came together out in front of her. She passed few cars going in the opposite direction, the rest of the world still, somehow, asleep at that hour of morning.

The sun was up and trying to peek through the heavy clouds by the time she turned off the interstate and onto the secondary road that would lead her to her destination. She drove through the little town of Century Falls, the small houses all tucked in, some of the Christmas lights still on, having been lit throughout the night, maybe as a beacon for Santa Clause. She went across the overpass where a big, black man sat on a five gallon paint bucket and stared off into nowhere. She drove down a road with sleepy houses on either side. She made a left and drove a couple of blocks. She made a right and slowed to a crawl. Then she came to a complete stop.

The iron gates stood open, the blacktop of the road giving way to gravel and dirt at the entrance. That path went straight with other ones branching off like dead limbs on a dead tree, winding their way through the cemetery, its headstones like leaves along the road. The clouds hung thick in the sky, hiding the sunโ€™s face away and promising snow at some point that day.

Marcia took several deep breaths. Tears prickled at the corners of her eyes.

Just turn around. Go home. You donโ€™t have to do this.

โ€œYes, I do,โ€ she said to her thoughts. โ€œI must.โ€

Marcia let off the brake. The car rolled forward and crossed into the cemetery. She had dreaded this day all year long, dreaded it, not because it was a cemetery, but because of the memories it represented. She eased along the path, veering off to the right on one of its many side roads. She drove, not quite to the end but close enough she could see a walled off section that dated back to the early 1800โ€™s. This is where she parked, along a grassy patch where no bodies lay beneath.

She stared out the windshield. It was dirty and there was a crack she never noticed before in the lower right corner. The wipers looked too worn to do much good against any type of precipitation, rain or snow.

โ€œCome on,โ€ she said and grabbed the lamb. It was colder out in the open cemetery on Christmas day than it had been in the parking lot of an old toy store the morning before. A soft breeze blew through the graveyard, sending sharp chills through her body. She zipped her coat up and her body gave a shiver. Marcia crossed the lawn, passing gravestone after gravestone, touching some as she went. Finally, she stopped near a chipped marker with the carving of a square wooden wagon on it. Just below the wagon was the word UNKNOWN BOY. Below the name were the words, AGED FOUR OR FIVE.

The first time she came here was eleven years previous. Donna had been six then and her hair had been pulled back into a ponytail that bobbed when she walked. Her green eyes dazzled, and she had been excited to go on one of Marciaโ€™s Christmas traditions, this time to the little cemetery in Century Falls.

Donna had a fake flower in one hand and she gripped Marciaโ€™s hand with her other one.

โ€œWhy are we here?โ€ she asked in all her innocence. She was looking up at Marcia, her eyes wide and full of so much wonder.

โ€œOne of the things I do at Christmas is visit a cemeteryโ€”usually one Iโ€™ve never been to. I take a flower with me. Then I search the headstones for the grave of a person I think would like a visitor. I place the flower on the grave and tell the person, โ€˜Merry Christmas.โ€™โ€

โ€œWhy do you do that?โ€

Marcia smiled. โ€œBecause everyone should receive love on Christmas day.โ€ That wasnโ€™t the total truth, but it was really all Donna needed to know. She didnโ€™t need to know a friend of hers does something similar at the cemetery where her father was buried, telling the dead, โ€˜Someone loves youโ€™ instead of โ€˜Merry Christmas.โ€™

โ€œOh.โ€ Donna stared at her flower for a minute. It was pink and white with bright green petals lined in a lighter green. Then she looked up with that wide-eyed innocent look of hers. โ€œCan I pick the grave?โ€

โ€œSure,โ€ Marcia responded. โ€œGo. Find the lucky person.โ€

Donna hurried toward the rows and rows of graves. She searched, diligently, pondering each stone by tapping her chin with the index finger of her right hand. She asked questions about the names and ages of each person. Then she came across the stone with the wagon on it.

โ€œWhat does that say, Marcia?โ€

โ€œUnknown boy. Aged four or five.โ€

โ€œHe doesnโ€™t have a name?โ€

โ€œI guess not.โ€

โ€œAnd he was four or five?โ€

โ€œI guess so.โ€

โ€œWhat does that mean?โ€

โ€œI guess they didnโ€™t know who the boy was, and they thought he was maybe four or five years old when he died.โ€

โ€œThatโ€™s younger than me.โ€

โ€œIt is.โ€

Donna looked at the flower again, then placed it at the base of the headstone. โ€œMerry Christmas, Unknown,โ€ she whispered, and patted the top of the stone three times gently.

As they walked back to the car, Marcia holding tight to Donnaโ€™s little hand, she asked, โ€œWhy did you tap the headstone three times just now.โ€

Donna looked up, those green eyes full of that innocence. โ€œThree taps means I love you.โ€

Marcia smiled, repeated her little sister, โ€œThree taps means I love you.โ€

โ€œYes,โ€ Donna responded, as if Marcia had asked a question. Then she asked one of her own. โ€œCan we come back next year, but bring him a toy instead of a flower?โ€

Marcia nodded, her smile growing wider. โ€œOf course.โ€

Thatโ€™s what they did. On Christmas Eve the next year, they went to the toy storeโ€”the same one Marcia has gone to since.

โ€œWhat type of toy would you like to get him?โ€

โ€œA stuffed animal.โ€

โ€œA stuffed animal it is, then.โ€

โ€œBut it canโ€™t be just any stuffed animal. It has to be the right one.โ€

Like when searching the graves the year before, Donna took her time seeking out the right stuffed animal. When she found it, her eyes shimmered, and her smile was as bright as it had ever been. It had been a unicorn, one with a spiral horn jutting from its forehead. Its eyes were brown, and its mane wasnโ€™t so much flowing as it was fluffy. They went to the cemetery, parked near the back on a patch of grass where no graves were. Donna placed the stuffed unicorn by the headstone, said, โ€œMerry Christmas, Unknown,โ€ then tapped the top of the marker three times. I. Love. You.

That was a long time ago, and so much had changed since the first year Donna went with her and now. Marcia stood in front of Unknown with the lamb in her hand and tears spilling down her cheeks. Her heart hurt, but she thought it would break later. She knelt, set the lamb in front of the headstone, said, โ€œMerry Christmas, Unknown,โ€ and then stood straight again. She tapped the top of the headstone gently three times. When she took a deep breath this time, she let it go with a rattle and a sob.

Marcia tucked her hands into her pockets, protecting them from the cold. She hunched her shoulders and walked away. When she reached her car, she looked back, saw the little ghost of a boy standing at his grave. He was pale and his hair was black. He wore a white button-down shirt and dirty black pants. His eyes held bruised bags beneath them. He was holding the lamb in his arms. When he looked up, he raised a hand in a wave.

Marciaโ€™s breath caught in her throat. Her hand lifted and her fingers moved in a slight wave. She watched as the boy faded, leaving behind the stuffed animal where she had placed it.

Marcia got into her car and looked at the stuffed bear on the passengerโ€™s seat. Fresh tears formed in her eyes. It was time to make the drive home, to a different cemetery, one with a grave still not a year old. She will go and sit next to it, ignoring the cold. She will set the pink teddy bear on the grave and she will say, โ€œMerry Christmas, Donna.โ€ Then she will pat the headstone gently three times.

And she will cry.

A.J. Brown is a southern-born writer who tells emotionally charged, character driven stories that often delve into the dark parts of the human psyche. Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex. More than 200 of his stories have been published in various online and print publications.

Website ** Blog ** Amazon ** Facebook ** Twitter ** Instagram ** Email

Halloween Extravaganza: A.J. Brown: Halloween

A.J. Brown joins us today to tell us a little bit about his favorite holiday and the story of a really good friend of his, now gone.


Halloween is my favorite day of the year. It also used to be Chris Dunneโ€™s favorite day. I say used to be because Chris died on Halloween night in 1995. For the record, this is not a lead in to a fictional story of some movie slasher who wears a mask and carries a chainsaw or machete or has Wolverine type claws on his fingertips. Please, understand that now before you read any further.

I donโ€™t want to tell you the story of Chrisโ€™s death, though I have to, somewhat, so you understand. Iโ€™ve already written a book about his death and the events leading up to it. For those who donโ€™t know, he died of a gunshot wound to the head. Iโ€™m going to leave out the rest of the details. If you want those, you can pick up Closing the Wound and read all about it.

What I want to write about here today is the irony of something he did, something I helped him do. Stick with me for a few paragraphs and Iโ€™ll try to make this as painless as possible.

Most of you know me as an author of dark stories, most of which are considered horror. Before I began writing, I used to draw. My favorite things to draw were superheroes. I have entire sketch pads dedicated to just superheroes. One Sunday at church I wasnโ€™t feeling the message. Iโ€™m not going to lie here, the sermon was boring and the preacher lost me at hello. On the back of the bulletin I drew a picture of a man holding a balloon and floating awayโ€”it was what I wanted to do right then: float away. It was nothing special, just a sketched out person holding a balloon, shaded to look like it could have been red or blue or some other dark color.

After church, in the car as I took Chris home, he said to me, โ€œThatโ€™s a pretty cool drawing you did in church.โ€

Part of me was embarrassed that he saw it. The other part was flattered. However, Iโ€™ve never been good at taking compliments, so I played it off with, โ€œItโ€™s just a sketch. I do them all the time.โ€

Thatโ€™s when Chris asked me, โ€œCan you teach me how to draw like that?โ€

I shrugged. โ€œSure. Why not?โ€

A couple of weeks later, he came to my house. We sat at a picnic table in the backyard, each of us with paper and pencils in front of us. I showed him the basics of drawing, using shapes, like ovals, squares, rectangles and triangles. He drew those shapes on his paper, just as I had on mine. I showed him how to connect the shapes and add depth and layers to the drawing. He seemed to really enjoy creating something from a piece of paper and a wooden stick with lead in it.

That began a run of a few weeks where he came over on either Saturday or Sunday and we would draw together, me showing him and him learning and getting better.

Abruptly, those lessons stopped when he met Chris Pettite. He was a year older and looked like a weaselโ€”literally, his face had the shape of a weaselโ€™s. He was also a bad boy. He didnโ€™t play by the rules and he was good at manipulation. (For the sake of the rest of this part, I will refer to the boys as CD for Dunne and CP for Pettite, otherwise there is the potential for a lot of confusion.) It was mid-summer when they met and CDโ€™s life changed.

CD left the church we all attended. He started skipping school. He stopped hanging around all of his old friends. His skin took on a different appearance, almost waxy, as if he no longer took showers. The skin beneath his eyes always seemed to have gray or bruised bags beneath them. There was speculation that he was using drugs and doing things he shouldnโ€™t be. During that time period, he turned sixteen, and what can you tell a sixteen-year-old rebellious boy? Nothing. Thatโ€™s the answer. Not a thing.


On Halloween morning in 1995 I talked to him around eight. It was the last time I talked to him. Around twelve or so hours later, CD would be dead.


Just writing that sentence gave me goosebumps and brought tears to my eyes.

Before I go, I want to tell you about the irony of Chrisโ€™s death and drawing superheroes. Chris, as I stated earlier, loved Halloween. He loved horror movies and the darker side of entertainment. The last time he came to my house for a drawing session, he left a few pictures in a brown letter-sized envelope. I didnโ€™t think anything of it and I put it in my portfolio of pictures. Years later, after I wrote the original form of Closing the Wound, I came across that envelope. Not knowing what was in it or who it even came from, I opened it.

My heart stopped. Well, I believe it stopped. If not, it missed a good chance to do so. There were three pictures, one that held a word and two that were actual pictures. The first one I saw made my stomach drop into my thighs. It was a picture of a coffin. Above it was the word FUNERAL. The second was the single word, which was the same one on the coffin picture and on the last one as well. The third image was of this big, muscle bound hero with a spike on the backside of each hand. He had a little, bald head and a huge body.

As I stared at the pictures, the only thoughts I had were I taught my friend how to draw a coffin and a hero who went by the name of Funeral. In writing, we call this foreshadowing. In life, we call it heart wrenching. Iโ€™ll never say my friend had a death wish, but you have to admit, thatโ€™s kind of what it looked like when I found those pictures.

Chris loved the darker things in life. He loved Halloween. In hindsight, he might have even foreshadowed his own death.

I leave you with this: though my friend is gone and has been for many years, I still think about him on a regular basis, especially on Halloween. So, this year, if you wouldnโ€™t mind, get your favorite candy bar and raise it in the air for my friend, Chris.

I hope you all have a wonderful Halloween. As for me, I will, even as I remember my friend.

Until we meet again, my friends, be kind to one another.

A.J.

A.J. Brown is a southern-born writer who tells emotionally charged, character driven stories that often delve into the dark parts of the human psyche. Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex. More than 200 of his stories have been published in various online and print publications.

Website ** Blog ** Amazon ** Facebook ** Twitter ** Instagram ** Email

Halloween Extravaganza: INTERVIEW: A.J. Brown

A.J. Brown is back for round three of the interviews, which is really exciting. If you’re not following him on social media – and reading his stuff – you are surely missing out. Not only talented, but a great conversationalist, motivational and thought-provoking.


Meghan: What are your go-to horror films?

A.J. Brown: Lost Boys is one of my favorites. And World War Z. Sadly, I donโ€™t find many horror movies scary. I wish I did.

Meghan: What makes the horror genre so special?

A.J. Brown: Scaring people is hard. I think the original intent of horror was to scare people, unsettle them, make them think about the darker things of life. Horror doesnโ€™t shy away from taboo subject matters. Itโ€™s not politically correct. I feel horror is truer to real life than any other genre. Thatโ€™s pretty special, if you ask me. Oh wait. You did.

Meghan: Have any new authors grasped your interest recently?

A.J. Brown: Pete Molnar. Holy cow. His book Broken Birds is great.

Meghan: How big of a part does music play in creating your โ€œzoneโ€?

A.J. Brown: Music is a HUGE part of creating the writing zone. Each story has a soundtrack, whether I realize it at first or not.

Meghan: What do you listen to while writing?

A.J. Brown: It really depends on my mood and the story, but most of the time, I listen to Metallicaโ€™s instrumentals. Not having lyrics in my head as I write makes it easier and I love the ebbs and flows of Metallicaโ€™s music.

Meghan: How active are you on social media?

A.J. Brown: Iโ€™m not very active on Twitterโ€”I just donโ€™t get it. Iโ€™m somewhat active on Instagramโ€”Iโ€™m still trying to figure it out. I am very active on Facebook, both on my personal page and my author page. Though I think advertising on social media is often a waste of time and falls on blind eyes, I like to engage with people, let them see who I amโ€”this is my way of getting readers comfortable with me, and hopefully, get them to purchase a few books from time to time.

Meghan: How do you think it affects the way you write?

A.J. Brown: Occasionally, I get an idea from social media, but it really doesnโ€™t influence me much.

Meghan: What is your writing Kryptonite?

A.J. Brown: Marketing. I suck at it.

Meghan: If you were making a movie of your latest story/book, who would you cast?

A.J. Brown: My latest book is Interrogations and it continues the Hank Walker saga, so it would have to be Matthew McConaughey.

Meghan: If you had the choice to rewrite any of your books, which one would it be and why?

A.J. Brown: I wouldnโ€™t. The stories are the way they are.

Meghan: What would the main character in your latest story/book have to say about you?

A.J. Brown: Heโ€™d say I was a jerk for putting him through all of the drama and death. He probably wants to kill me, to be honest.

Meghan: Did you hide any secrets in your books that only a few people will find?

A.J. Brown: Oh yeah. I do that in a lot of my stories.

Meghan: How much of yourself do you put in your books?

A.J. Brown: Thereโ€™s a little of me in every story. There has to be. I think authors are influenced by the lives they have lived, the things they have seen, heard, touched, tasted and smelled. Some stories, like Dredging Up Memories and Coryโ€™s Way have a lot more of me in them, but every story has something from my life as an influence.

Meghan: Have you ever incorporated something that happened to you in real life into your novels?

A.J. Brown: Yes. The two bullies from Coryโ€™s Way were real bullies from my childhood. A scene from a novel I wrote appears, almost exactly like it happened when I was a kid. My novella, Closing the Wound, is the true story of a kid who was murdered in 1995โ€”I knew the kid and it was a devastating event.

Meghan: Are your characters based off real people, or did they all come entirely from your imagination?

A.J. Brown: A little bit of both. I think every character we create is based, loosely, on other people, their characteristics, mannerisms, appearance. Someone or quite a few someones had to influence them.

Meghan: How do you think youโ€™ve evolved creatively?

A.J. Brown: I used to write crap. Now, I donโ€™t. The longer answer is Iโ€™ve learned what telling a story truly is. Itโ€™s not a matter of just putting words to paper, but putting words that make sense and carry a story forward that matters. Cheesy B movies influenced a lot of my earlier stuff, and thatโ€™s not necessarily a good thing. Now, lifeโ€”real lifeโ€”pushes a lot of my creativity.

Meghan: What is the most difficult part of your artistic process?

A.J. Brown: Keeping my butt in the seat. I want to write all day, but focusing on it long enough to get more than a few hundred to a thousand words in one sitting is difficult. Itโ€™s amazing that Iโ€™ve finished as many pieces as I have.

Meghan: Does writing energize or exhaust you?

A.J. Brown: Both. When I get in a particularly good flow where words are just pouring onto the paper, then I donโ€™t want to stop and I get excited for the written word. On the other hand, if I am struggling through a piece, I know itโ€™s not going to be all that great and it gets more and more difficult to finish the piece, and that is exhausting. Itโ€™s almost like the writing is work during those times.

Meghan: Do you read your book reviews?

A.J. Brown: Yes. I read all of them. If someone took the time to read my book and leave a review, they deserve, at the very least, me to read what they have to say.

Meghan: How do you deal with the bad ones?

A.J. Brown: I look at what they said and see if there is a way to improve on telling stories. Most of the negative reviews I have received have given reasons why the story wasnโ€™t liked. Those are things I can focus on for other stories.

Meghan: Have you ever learned something from a negative review and incorporated it into your writing?

A.J. Brown: Most definitely.

Meghan: What are your ambitions for your writing career?

A.J. Brown: I want people to read my words. I want them to be moved by my stories. I want them to feel something when they read what I write. I would be lying if I said I didnโ€™t want people to buy my books and to be a popular writer, but if someone reads one of my stories and then tells three of his or her friends, then they tell three of their friends, and so on, then popularity will grow and people will buy the books. Thatโ€™s not a bad thing.

Meghan: What does โ€œliterary successโ€ look like to you?

A.J. Brown: Being read by a lot of people would be nice. Success isnโ€™t always about moneyโ€”itโ€™s about how you are viewed and if people want what you write. Itโ€™s about moving someone to tears. If you can touch someoneโ€™s heart, you are a success.

A.J. Brown is a southern-born writer who tells emotionally charged, character driven stories that often delve into the dark parts of the human psyche. Though he writes mostly darker stories, he does so without unnecessary gore, coarse language, or sex. More than 200 of his stories have been published in various online and print publications.

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Interrogations

Hank Walker woke up in a bed in survivor camp. He should have been dead, and a short time after that, he should have risen and joined the ranks of the shambling bitersโ€”those who had died and come back seeking the flesh of the living. Instead, he woke up alive and in a safe place. 

Or is it truly safe? 

Ruled by Harrison Avis, a militaristic leader, Hank realizes quickly Fort Survivor S.C. #3 might not be so safe after all, especially for those who do not find favor with Avis. 

When a member of the camp is exiled to the outside world, Hank launches a plan to expose Avis as corrupt. Itโ€™s a plan with possible grave consequences for all involved. Though he knows the dangers of failing, Hank is willing to take the risk to protect what remains of his family, if not from Harrison Avis, then from himself. 

Closing the Wound

On a Saturday morning in early February of 2002, the phone rang. How was I supposed to know the voice on the other end would ask a question I dreaded answering? 

“What happened that night?” 

That night was Halloween of 1995, when a young man was brutally murdered. 

Swallowed by a rush of memories and the word, Goodbye, I took a trip to the past, where some wounds never heal. This is my story.

Cory’s Way

After his father leaves in the middle of the night, Cory Maddox and his mom, Gina, are forced to start over. Left alone while Gina tries to work her way out of debt, Cory deals with life as the new kid in school with no friends. Fleeing from the school bullies, Cory ends up under an overpass where an old homeless man lives. After being saved from the bullies, Cory and the homeless man, Mr. Washington, become friends.

But things donโ€™t get any easier for Cory. Children are disappearing from around the state, and the bullies havenโ€™t forgotten his escape the first time they went after him. And there is something wrong with Mr. Washingtonโ€ฆsomething terribly wrong. 

Accompanied by his only two friends and the unlikeliest of allies, Cory sets out to keep a promise to the ailing homeless man. Will Cory and his friends find a way to keep the promise, or will the journey prove too difficult for them?

Dredging Up Memories

In the best of times, loneliness is difficult. At the end of time it can be deadly. Hank Walker is alone and struggling not just with the undead but with depression that threatens to swallow him. Searching for the family he sent away at the beginning of the rise of the dead, Hank is left to deal with loneliness, desperation, and his own memories that haunt him. The dead are everywhere. The few people still alive are scattered, and the ones Hank comes across may be more dangerous than the biters. With an unlikely traveling companion, Hankโ€™s search takes him across the state of South Carolina and to the depths of darkness like nothing he has ever experienced before. Can Hank find his family and survive the biters? Or does he completely unravel in the world of the dead?