Halloween Extravaganza: David A. Riley: STORY: Their Cramped Dark World

Their Cramped Dark World

It was obvious that something was wrong the moment they entered the empty house.

For a start off, it felt far from empty.

There were sounds everywhere.

โ€œIf thoseโ€™re rats, Iโ€™m out of here,โ€ Lenny muttered, his enthusiasm dampened suddenly by the scutterings that seemed to cascade all around them as they walked across the bare floorboards in their trainers. Lenny, the younger of the two boys by barely a month, was tall and gangly, with a livid rash of acne across both cheeks. His dark eyes glanced suspiciously about the ballroom-sized entrance hall as they paused inside it, listening.

Pete grinned. It was a broad, unmistakably roguish grin that somehow made him look older than his fifteen years, as if heโ€™d been born before and could still remember far too much of a disreputably colourful past life.

โ€œRats are the last things you should be worried about here, Lenny.โ€ He made a long, haunting moan that echoed eerily through the house.

โ€œBollocks,โ€ Lenny retorted, anger mixed with the stirrings of doubt he had begun to feel as soon as they approached the old, abandoned house. Making plans was one thing. Carrying them out was something else, especially after dusk had darkened the two acres of woodland around the house into a motion-filled blackness of half-seen, menacing shapes. โ€œWe should have set out earlier,โ€ he grumbled as he switched on his torch. โ€œBesides, I bet none of the others turn up.โ€

โ€œTheyโ€™d better,โ€ Pete said. โ€œThis lot cost me a fortune. Especially since I had to pay that old wino, Karl Ott, to buy them for me.โ€ He lugged the rucksack heโ€™d been carrying off his shoulders and lowered it to the floorboards. There was a clink of glass: two half bottles of vodka and a bottle of rum, with a mixture of cokes, Sprite and orangeade. On top was a box of candles in case the electricity in the house wasnโ€™t working.

Lenny tried the light switch and the two boys were surprised when the electric chandelier above their heads came on, though half its bulbs were dead or missing.

โ€œThe rest of the gang should be here in another half hour,โ€ Pete said. โ€œI told them half five.โ€

In late October, though, it was dark not long after four. Now, with heavy clouds covering what little there was of the moon, it was all but black outside.

โ€œIt would have been better if weโ€™d all come together,โ€ Lenny grumbled.

โ€œWhat, and miss out on getting into the party mood beforehand?โ€ Pete brought out one of the bottles of vodka and a couple of glasses. โ€œCoke or Sprite?โ€

Lenny grinned. โ€œCoke.โ€

He accepted the brimming glass and sipped the dark, fizzy liquid inside it. โ€œI canโ€™t taste anything but coke,โ€ he complained. โ€œDid you pour in some vodka?โ€

โ€œYou saw me, dummy. Fifty-fifty. My dad says you canโ€™t taste vodka anyway. Only what you mix with it.โ€

โ€œThen whatโ€™s the point?โ€

โ€œYouโ€™ll see the point when youโ€™ve drunk it. When was the last time you got a buzz off cola?โ€

Dubious, Lenny drank some more. โ€œI think I see what you mean,โ€ he said a moment later.

โ€œHereโ€™s to Halloween,โ€ Pete announced, raising his glass.

โ€œShouldnโ€™t we wait for the others?โ€

โ€œWhat for? We can have another toast then. Thereโ€™s no law to say you can only toast something once. Come on, hurry up. Weโ€™ve time for a few more drinks before they get here.โ€

Draining his glass, Lenny handed it back to Pete for a refill. Somehow the creaks and scratchings inside the walls and in the ceiling didnโ€™t quite seem so menacing anymore. He felt a mild glow start to grow inside him.

โ€œItโ€™s not hard to believe what happened here, is it?โ€ Lenny said a few minutes and a third glass of vodka and coke later. The warm glow had now spread throughout most of his diaphragm.

โ€œDid you ever doubt it?โ€

โ€œNaw. But sometimes you wonder whether your parents enjoy embroidering it all a bit just to get you frightened. Itโ€™s kind of sick, isnโ€™t it? A whole family slaughtered, one by one.โ€

โ€œIt was worse than that, Lenny.โ€ The two boys were sat on the floor in the hallway, the surrounding doors into the other rooms still closed, sealed with festoons of dark grey cobwebs. Most of Peteโ€™s face was in shadow as he leaned forward over his glass of coke.

โ€œWhat dโ€™you mean, worse? What could be worse than that?โ€

โ€œWorse, โ€˜cause they werenโ€™t just slaughtered. They were sacrificed, Lenny, one by one. Whoever killed them, tied them up first so they couldnโ€™t move, then taped their mouths so none of them could cry for help. Or hear their screams as he worked on them.โ€

โ€œWorked on them?โ€

โ€œThey were tortured to death, Lenny. It took hours. All night long it went on. There was blood everywhere. Thatโ€™s why there are no carpets. They were drenched in it. Ruined. Even the floors were awash. If you look hard enough they say you can still see some of the stains.โ€

Lenny squirmed uncomfortably on the wooden floor, as if he could feel the old dried blood beneath his buttocks on the dark floorboards.

โ€œYouโ€™re joshing me, arenโ€™t you?โ€

โ€œWhy should I do that? Itโ€™s all for real. You could check it yourself if you wanted to. Itโ€™s there in the papers. Every last word. Twenty-five years ago to this night. On Halloween. And no one has ever been arrested for it.โ€

Lenny reached for another drink from his glass.

โ€œWhoever did it must be getting on now. If he was only in his twenties then, heโ€™d fifty now. Sheesh!โ€

โ€œFiftyโ€™s not old,โ€ Pete said.

โ€œMy grandparents are fifty – and theyโ€™re old.โ€

Pete laughed. โ€œBet theyโ€™d be pleased if you told them that.โ€

โ€œBut itโ€™s true,โ€ Lenny insisted. โ€œItโ€™s too old for a murderer. Isnโ€™t it?โ€

โ€œYouโ€™re a scream, Lenny. A real scream. Did you know that?โ€

Lenny grunted.

โ€œAnyway, itโ€™s a long time ago.โ€

โ€œAnd this house is still empty.โ€

โ€œNot always,โ€ Lenny said. โ€œI remember people living here.โ€

โ€œMaybe, but none of them ever stayed for long. Thatโ€™s what I mean. None of them,โ€ Pete added with an air of significance.

โ€œAre you telling me this place is haunted?โ€

โ€œDonโ€™t you think so? Isnโ€™t that why weโ€™re here?โ€

Lenny shivered; his hand reached out instinctively for the vodka and coke. โ€œWhere are the others? They should be here by now.โ€

โ€œTheyโ€™ll be here. Thereโ€™s plenty of time yet.โ€

โ€œBut itโ€™s nearly six.โ€

โ€œAnd so?โ€

Lenny shrugged. โ€œItโ€™s nearly six. Thatโ€™s all I said. I thought at least one of them wouldโ€™ve been here by now.โ€

โ€œPerhaps theyโ€™ve chickened out? Perhaps they know too much about what happened all those years ago and are frightened to come here tonight.โ€

Lenny stared at him. โ€œYouโ€™re joking, arenโ€™t you?โ€

โ€œMaybe.โ€ Pete grinned, that same roguish, all-knowing grin he always used.

Lenny drank some more vodka and coke. He felt a little light-headed now.

โ€œWhatโ€™ll we do if they donโ€™t come?โ€ he asked.

โ€œWeโ€™ll have a party of our own.โ€

โ€œThatโ€™d be fun,โ€ Lenny said, sarcastically.

Pete merely grinned.

โ€œYou did tell them all, didnโ€™t you?โ€ Lenny asked a few minutes later. The noises within the walls were still rustling disconcertingly all about them and he was beginning to feel nervous again despite the effects of the vodka.

โ€œOf course I did.โ€

Lenny peered at his Timex. โ€œItโ€™s ten past now. Why arenโ€™t they here?โ€

โ€œPerhaps theyโ€™ve chickened out, like I said. Perhaps thereโ€™s only you and me with the balls to come here.โ€

Lenny reached for his glass. He wished he felt as tough about being in this place as Pete. But the non-stop sounds of hidden movement made him think too vividly of nasty, vicious swarms of rats inside the walls, of scores, perhaps hundreds of the verminous creatures hidden behind the dark wallpaper and wafer-thin, damp-riddled plaster, only feet away from them. With sharp teeth and sharper claws.

โ€œYou feeling a bit jittery?โ€ Pete asked.

โ€œNawโ€ฆโ€ Even to his own ears, though, Lennyโ€™s reply sounded weak. Unsure.

Pete laughed, quietly.

His laughter was beginning to get on Lennyโ€™s nerves. He wondered if Pete had really invited the rest of them here. But why would he have lied about this? It didnโ€™t make sense.

Unless, Lenny wondered, Pete had some secret reason for wanting to be alone with him here tonight which Lenny would never have agreed to if he had known about it. Unless, Lenny thought, with a sudden shock of insight that left him feeling nauseated, Pete fancied him in some way.

Lenny looked at his friend. Was it possible that Pete was secretly queer?

He didnโ€™t look that way. But could he be sure? He knew so little about that kind of thing, and what he did know was probably a load of nonsense. He was only too aware how talk about stuff like that got distorted, with all sorts of myths and rumours and misinformation. Perhaps Pete was gay. Heโ€™d a bloody strange grin, that was for sure. And he didnโ€™t seem at all concerned that none of the others had turned up tonightโ€“ as if he had known all along there would only be the two of them here.

Lenny reached again for his vodka and coke, though he wasnโ€™t sure if drinking any more of the stuff was a good idea.

โ€œAre you worried?โ€ Pete asked.

โ€œAbout what?โ€

โ€œAbout this place. About its history. About what went on here twenty-five years ago. What else did you think I meant?โ€ Pete narrowed his eyes.

โ€œNothing,โ€ Lenny said. โ€œJust what you said. What happened here. The murders.โ€

โ€œBloody gruesome, eh?โ€ Pete laughed. The sound echoed through the empty house and for the briefest of instants Lenny was sure the rustling ceased, as if whatever was making the sounds had heard him and paused – to listen.

โ€œI think Iโ€™ve had enough of it here,โ€ Lenny said suddenly. โ€œIf the rest arenโ€™t coming, itโ€™s going to be a bloody bore. We might as well go home and watch TV.โ€

โ€œYou chickening out too?โ€

โ€œIโ€™m here, arenโ€™t I? I wasnโ€™t scared to come here. Iโ€™d have stayed here too if there was any point. But two of us doesnโ€™t make a party, whatever you say. And now itโ€™s getting cold and thereโ€™s nowhere to sit except on the floor. And I donโ€™t care much for those rats.โ€

โ€œWhat rats?โ€

โ€œThose fucking rats scuttering inside the walls, for Godโ€™s sake. Canโ€™t you hear them too?โ€

Pete shrugged. โ€œTo be honest, Lenny, Iโ€™d forgotten about them. Got used to the sounds, I suppose. Just background noise. White noise, donโ€™t they call it? Anyway, theyโ€™re harmless. Have you ever heard of anyone you know being attacked by rats? Theyโ€™re only aggressive if theyโ€™re cornered. Everyone knows that. Leave them alone and theyโ€™ll leave you alone. Itโ€™s as simple as that.โ€

โ€œSo youโ€™re an expert on rats now?โ€

Pete frowned; his grin gone. โ€œHave I upset you, Lenny? Have I said something to annoy you? To piss you off?โ€

โ€œNo.โ€

โ€œSounds to me like I have. Sounds to me like thatโ€™s why you want to leave. Weโ€™ve not even been here an hour yet. Thereโ€™s still plenty of time for the others to arrive.โ€

โ€œBollocks. None of them are coming. Theyโ€™d have been here by now if they were. At least one of them would have turned up.โ€

โ€œYou trying to imply something?โ€

Lenny shrugged. โ€œMaybe.โ€

โ€œLike what?โ€

โ€œJust leave it. Iโ€™m fed up with this place. And that vodkaโ€™s making me feel sick.โ€

โ€œLike what, I said, Lenny?โ€

โ€œFuck it.โ€ Lenny got to his feet. โ€œIโ€™m off.โ€

โ€œLike fuck you are.โ€ Pete stood up too, his aggression obvious to Lenny. What good humour heโ€™d had before had gone. There was a dangerous tautness about his face, which disconcerted Lenny. He had never seen anything like this about his friend before. It was almost as if he had found himself alone with a stranger.

โ€œWhatโ€™s up with you, Pete?โ€

โ€œUp with me?โ€ The teenager smiled. It was a tense smile, as unlike anything he would have normally given as a grimace. There was no humour in the expression. There was no humour in it at all.

Feeling suddenly afraid, Lenny abruptly made for the outside door, but Pete moved even more quickly, cutting him off, as if he had half expected him to do what he did.

โ€œNot so fucking quick,โ€ Pete snarled. He swung a fist at Lennyโ€™s face. It was so unexpected that Lenny could barely react before he felt Peteโ€™s knuckles crack like a heavy mallet against his jaw. The next thing he knew he was falling, dizzy with shock, nausea and a sudden sense of unreality, as the floorboards loomed against the side of his face. Almost at once Pete was astride him. The weight of his body forced Lenny down onto the hard floorboards, winding him. Still dazed, Lenny felt his hands being pulled in front of him. Something thin was tugged tight around his wrists, forcing them together. He struggled to sit up when he saw that a narrow strip of plastic, like the kind his father used for tying up plants in their yard, was being pulled around his wrists, then locked into place. He tried to push it apart, but the plastic tie was far too strong and cut his skin.

โ€œPete! What are you doing?โ€

His friend reached into one of the pockets of his jacket and pulled out a roll of gaffer tape. He tore off a six-inch strip of it, held it for a second above Lennyโ€™s face, as if gauging his target, then tugged it tight across his mouth. Lenny tried to scream, but his lips couldnโ€™t move beneath the vile-smelling tape.

โ€œThatโ€™s better,โ€ Pete said, finally. He eased himself up, then stepped back, grabbed a hold of Lennyโ€™s feet and forced them together. Before Lenny could do anything to resist him, another, heavier plastic tie had been secured around his ankles. It was so tight it hurt as it bit into him.

โ€œHad enough?โ€ Pete asked.

Lenny tried to say something, but his lips were squashed beneath the unyielding tape gummed across them. The skin around them felt as if it would tear if he tried to force them open.

โ€œResistance is futile,โ€ Pete said, grinning once more, his voice familiar to both of them as a Borg from Star Trek. The sudden humour sounded misplaced and false to Lenny as he uselessly struggled against the plastic ties around his wrists and ankles and realised just how painful it was to try to snap them.

โ€œDo you think our unknown, unscrupulous friend, all those years ago, used plastic ties and gaffer tape to immobilise his victims?โ€ Pete asked. โ€œHe might have had gaffer tape, I suppose. It could have been around then. I donโ€™t know. I donโ€™t suppose plastic ties were, though. Do you?โ€

Pete turned, retraced his steps to the pack heโ€™d brought their drinks in and squatted down to search inside it till he found what he wanted, then slowly rose to his feet once more, a look of triumph on his face. Lenny squirmed on the floor to watch him, his heart thumping so loud in his ears it almost blotted out the rat-like scratchings inside the walls. Deep grunts of panic came from inside his throat when he saw the knife Pete held in his hands. He fondled it almost like he would a pet as he stared at Lenny over it. It gleamed like very expensive steel. And its edge looked sharp.

โ€œBet heโ€™d have given his high teeth for something like this,โ€ Pete said. โ€œCost an arm and a leg. Paid for it with my dadโ€™s credit card on the internet. But he buys so much expensive crud using it heโ€™ll never notice one more item he never bought himself.โ€

Pete pointed the knife at Lennyโ€™s face, clearly enjoying the sight as his friendโ€™s eyes opened wide in abject terror, staring back at it, unable to look away.

โ€œYou know, Lenny, I often think Iโ€™ve been here before. Somehow Iโ€™ve always felt like that. My mother told me that when my gran first saw me as a newborn baby, she said, โ€œHeโ€™s been here before, this one. Heโ€™s been here before.โ€ Dโ€™you know that, Lenny? Even my gran recognised this wasnโ€™t my first life. Itโ€™s not my second, either. Iโ€™ve been here lots of times before. Lots and lots of times.โ€ He took a step nearer. โ€œAnd every time Iโ€™ve been here, Iโ€™ve had this task, this very important task to do, to ensure Iโ€™ll be able to come back again. Iโ€™ve done it so often over the years it comes to me in my dreams, time and time again, as clear as I can see you now, to make sure I canโ€™t ignore it.โ€ He hunkered down beside Lennyโ€™s head. โ€œBut Iโ€™d never ignore it. Thatโ€™s why thereโ€™s only you and me, why no one else was told about us coming to this place tonight. No one knows weโ€™re here, Lenny. Itโ€™s a secret. A secret between you and me. And youโ€™ll never tell, will you, Lenny?โ€ Pete snickered. โ€œThatโ€™s a bit of a no brainer, if ever there was one, I know, but I couldnโ€™t resist it.โ€ His hand flicked out and the point of the hunting knife sliced a line across Lennyโ€™s forehead. Lenny would have screamed at the sudden, intense pain, as a trickle of blood pulsed out of the cut and dripped into one eye, but the gaffer tape kept his straining lips gummed together.

โ€œShush, shush,โ€ Pete whispered. โ€œIโ€™ve not begun yet. Thereโ€™s someone here youโ€™ve yet to meet before the real thing starts.โ€ He cocked his head to one side. โ€œYouโ€™ve heard it, though. That scuttering.โ€ Pete stood up. Behind him, from the wall, Lenny saw something move where the old wallpaper seemed to hang open now like a dislodged curtain. From beyond it, something large and grey, like a huge, misshapen rat moved out into the light of the room. There were others, smaller, huddled behind it. Their dark eyes, gleaming like soiled rubies, stared at Lenny.

โ€œThey like the blood,โ€ Pete said as he crouched beside him again. โ€œEspecially Him. Heโ€™s old. So old you couldnโ€™t imagine it. He was brought to this place so long ago, too, when I was in a different body, with a different name. So long ago even I canโ€™t remember what name I had, thereโ€™ve been so many in between. But it doesnโ€™t matter. What does is His power. Thatโ€™s old as well. As old as the world. Perhaps older. When others like Him were plentiful. When they ruled. As one day, if Mankind has its suicidal way and we destroy what we have of this world, Heโ€™ll rule again.โ€

Lenny struggled to scream as he watched the creature move across the floorboards, as large as a pig, its ugly, scaly rat-like face etched with countless sores and wrinkles. Most of the thick grey hair had fallen away from its corpulent body, baring the glistening skin beneath. If he had not been gagged, he would have shouted at Pete that he was mad, that this ugly creature wasnโ€™t what he seemed to think it was, but some insane monster that had fooled him. It wasnโ€™t godlike. It wasnโ€™t godlike at all. Just some pathetic old demon. How he sensed or knew this, he wasnโ€™t sure. Instinct, perhaps. Some old race memory from a time when things like this had flourished. He didnโ€™t know. All he knew with certainty was that Pete had been taken in by it. That it needed him to provide it with the worship it craved – it and its hideous, ugly children.

Though rat-like in shape, as it moved out into the light, Lenny realised the thing had no mouth as such, just tubular, fleshy tendrils. Each, though, ended in what looked like a mouth – mouths that opened and closed as it slowly, furtively moved towards him.

Again, Pete sliced at Lenny with his knife, cutting deep into one of his hands. Blood pulsed from the wound. And the rat-like creature moved in, its tendrils dipping into the blood as it spread across the floorboards. Lennyโ€™s body tensed with horror and disgust as he heard the hideous slurping sounds from the tendrils as they sucked at the pool of blood. And the other, smaller, rat-like creatures scuttled forwards, drawn by it.

In sheer desperation Lenny struggled to free his lips from the gaffer tape, chewing at what snippets he could draw between his teeth. He fought against the pain as Pete sliced away his jacket and t-shirt so he could make further gashes in his body.

โ€œPart of it is your pain,โ€ Pete told him, as if this expiated him. โ€œHe needs to feel that โ€“ that and your fear. He feeds off them both.โ€

Several times during the next few hours Lenny blacked out, either from nausea or pain or both. Each time Pete waited till he was conscious again, then started once more, cut after cut, till the floor surrounding them was thick with blood. The other creatures had moved in on the pool as it spread across the room and had begun to feed from it.

Almost too weak from blood loss to feel much pain anymore, it was only then that Lenny was able to force his mouth open. The gaffer tape was sodden with spit and weakened where he had gnawed at it.

But by then he could barely talk, let alone scream for help, and Pete merely glanced at him as he carved more cuts in his chest.

โ€œPeteโ€ฆโ€ Lennyโ€™s voice was a ragged croak, barely intelligible. โ€œPeteโ€ฆโ€

โ€œToo late to plead for your life, Lenny. Far too late for that, Iโ€™m afraid. He must feed. And so must they. Iโ€™m held to do it. I always have been. And always will.โ€

โ€œTwenty five years ago,โ€ Lenny whispered. โ€œYou did it twenty-five years ago.โ€

Pete glanced down at him, smiled, then moved the knife speculatively across his friendโ€™s abdomen.

โ€œYouโ€™re fifteen now. How long did your old self live after what he did here?โ€

Pete shrugged. โ€œHow long is a piece of string, Lenny?โ€

Midnight had come and gone, and still Pete worked, his face lost in the intensity of it. Lenny died not long afterwards. And as he died, so the blood flowed slowly, then stopped.

Pete looked around at the creatures. His creatures. His Gods.

The large one stared up at him from the blood it had been drinking.

โ€œIโ€™ve served you well,โ€ Pete said. โ€œAgain.โ€ He smiled, roguishly.

Something heavy moved across his foot. He looked down and saw one of the smaller creatures climb across it. Others milled around his ankles. And for a moment he felt uneasy. But it was always like this. They were thanking him for what he had done for them.

The large one, his God, stared up at him, though, its dark red eyes unwavering as it moved towards him. There was more to be done. Just what, he was unsure. But there was more, he was certain. He felt himself being pushed by the others; their bodies as big as well fed cats. Then he remembered. This was his moment of rebirth โ€“ the moment he would enter the darkness of the void. The moment he would leave this shallow husk till the time was right to return. Ten years he had hung in the void before till he entered this body. His time to let go of this body was now.

Was now.

Pete screamed as his God lunged at him. It claws dug deep into his chest, as it dragged him back towards the gap within the wall. The others scrabbled about his feet, biting and nipping and scratching him.

โ€œNo!โ€ Pete screamed as he remembered it all, all those times in the past. He had to go with them now, into their cramped dark world. But he didnโ€™t want to go into that void again where they would feed off his flesh and blood, revived and hungry.

His final act of sacrifice.

โ€œTill next time,โ€ he heard himself scream in despair.

As his eyes stared in horror at the grim darkness between the walls where they were dragging him.

Where he would feed and sustain them and make them fat for years to come.

David A. Riley writes horror, fantasy and SF stories. In 1995, along with his wife, Linden, he edited and published a fantasy/SF magazine, Beyond. His first professionally published story was in The 11th Pan Book of Horror in 1970. This was reprinted in 2012 in The Century’s Best Horror Fiction edited by John Pelan for Cemetery Dance. He has had numerous stories published by Doubleday, DAW, Corgi, Sphere, Roc, Playboy Paperbacks, Robinsons, etc., and in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, Fantasy Tales. His first collection of stories (4 long stories and a novelette) was published by Hazardous Press in 2012, His Own Mad Demons. A Lovecraftian novel, The Return, was published by Blood Bound Books in the States in 2013. A second collection of his stories, all of which were professionally published prior to 2000, The Lurkers in the Abyss & Other Tales of Terror, was launched at the World Fantasy Convention in 2013. His fantasy novel, Goblin Mire, was published by Parallel Universe Publications in 2015. Their Cramped Dark World is his third collection of short stories. With his wife, Linden, he runs a small press called Parallel Universe Publications, which has so far published ten books. His stories have been translated into Italian, German, Spanish and Russian.

The Return

It was never going to be easy to return for one last look at the streets where he spent his childhood years. Even knowing this, Gary still felt he had to make the effort, just this once, to see if they were really as bad as he remembered. In a few months demolition was due to start on Grudge End… When Gary Morgan travels north to lie low after a gangland shooting in London, a childhood friend is violently maimed within hours of his arrival. Decades after escaping the blight of his hometown, he finds himself ensnared in a place he hates more than any other.Feuding families, bloodthirsty syndicates, and hostile forces older than mankind all play a role in the escalating chaos surrounding Gary Morgan. Now he must unravel the mysteries of Grudge End and his own past or meet his doom in the grip of an ancient, unimaginable evil.

Moloch’s Children

Elm Tree House had a sinister history but few realised the true demonic power that lurked within its forbidding depths till it was taken over by a cult determined to make use of its horrendous secret.

Goblin Mire

Many years have passed since Elves defeated and killed the last Goblin king. Now the Goblins are growing stronger in their mire, and Mickle Gorestab, one of the few remaining veterans of that war, is determined they will fight once more, this time aided by a renegade Elf who has delved into forbidden sorcery and hates his kind even more than his Goblin allies. Murder, treachery and the darkest of all magics follow in a maelstrom of blood, violence and unexpected alliances. Facing up to the cold cruelty of the Elves, Mickle Gorestab stands out as the epitome of grim, barbaric heroism, determined to see the wrongs of his race avenged and a restoration of the Goblin King.

Into the Dark

There’s a serial killer at loose in London. Janice, who has a chronic fear of the dark, stumbles into a relationship with the man who may secretly be the murderer. Neither know that in the North of England, in a place previously owned by his dead mother, activities are taking place that may unleash a horror that could spell the end of civilisation in Britain – an ancient evil that would make the activities of any serial killer look like child’s play by comparison. Could a psychotic killer be the only man capable of ending this? Andrew Jennings is also known as David A. Riley.

The Lurkers in the Abyss & Other Tales of Terror

David A. Riley began writing horror stories while still at school and had his first professional sale to Pan Books in 1969, which was The Lurkers in the Abyss, published in The Eleventh Pan Book of Horror Stories. This story was chosen for inclusion in The Century’s Best Horror Fiction in 2012. Over the years he has had numerous stories published in Britain and the United States plus translations into German, Spanish, Italian and Russian. His fiction has appeared in World of Horror, Fear, Whispers, Fantasy Tales, Aboriginal Science Fiction, Dark Discoveries and Lovecraft e-Zine. His first collection, His Own Mad Demons was published by Hazardous Press in 2012. The Return, a Lovecraftian horror novel was published by Blood Bound Books in 2013. This second collection brings together under one cover seventeen of the author’s best blood-curdling stories.

Their Cramped Dark World & Other Tales

Their Cramped Dark World and Other Tales is David A. Riley’s third collection of short fiction, spanning 40 years of publication, from appearances in New Writings in Horror & the Supernatural #1 in 1971, to the Ninth Black Book of Horror in 2012.He has had numerous stories published by Doubleday, DAW, Corgi, Sphere, Roc, Playboy Paperbacks, Robinsons, etc., and in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, and Fantasy Tales. His stories have been translated into Italian, German, Spanish and Russian. His Lovecraftian crime noir horror novel, The Return, was published by Blood Bound Books in 2013. His fantasy novel, Goblin Mire, was published by Parallel Universe Publications in 2015.Table of Contents Hoody (first published in When Graveyards Yawn, Crowswing Books, 2006) A Bottle of Spirits (first published in New Writings in Horror & the Supernatural 2, 1972) No Sense in Being Hungry, She Thought (first published in Peeping Tom #20, 1996) Now and Forever More (first published in The Second Black Book of Horror, 2008) Romero’s Children (first published in The Seventh Black Book of Horror, 2010) Swan Song (first published in the Ninth Black Book of Horror, 2012) The Farmhouse (first published in New Writings in Horror & the Supernatural 1, 1971) The Last Coach Trip (first published in The Eighth Black Book of Horror, 2011) The Satyr’s Head (first published in The Satyr’s Head & Other Tales of Terror, 1975) Their Cramped Dark World (first published in The Sixth Black Book of Horror, 2010).

His Own Mad Demons

David A. Rileyโ€™s first professionally published story was in the 11th Pan Book of Horror in 1970. Since then he has been published in numerous anthologies from ROC Books, DAW Books, Robinson Books, Corgi Books, Doubleday, Playboy Paperbacks, and Sphere. Two recent notable anthologies in which he has appeared are The Centuryโ€™s Best Horror Fiction from Cemetery Dance, and Otto Penslerโ€™s Zombies! Zombies! Zombies! from Vintage Books.In 1995, David and his wife Linden edited and published Beyond, a fantasy/SF magazine. His stories have been published in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, Fantasy Tales and World of Horror.His Own Mad Demons contains his stories โ€œLock-Inโ€, โ€œThe Worst of All Possible Placesโ€, โ€œThe Fragile Mask on His Faceโ€, โ€œTheir Own Mad Demonsโ€, and โ€œThe True Spiritโ€.

Halloween Extravaganza: Edmund Stone: STORY: Blackjacks Revenge

Blackjack’s Revenge

I’ve always thought Halloween droll. A holiday for children and way beneath a man like me, a college professor with a master’s degree. But here I am, picking out a pumpkin to carve from the local farmer’s market. I came with my trusted friend, Bojangles. All twenty pounds of the best little Jack Russell Terrier a man could own.

This small New England town is full of charm and since Iโ€™m new to this block, I thought it a good idea to blend in. Some of the displays people put on their front porches would be better suited for Better Homes and Gardens magazine. They really get into Halloween here. Even though I despise the holiday, I donโ€™t want a good egging or toilet paper draped around my house. So, why not?

I peruse through the selection, while the smell of hot apple cider and fresh baked donuts prick my nose. Bojangles pulls at his leash, trying to veer me in the direction of the heavenly aroma. But I persist with my hunt. I canโ€™t find the one I like. I want it to be right. A pumpkin to say, โ€œHello, Iโ€™ve arrived people!โ€ The bigger and gaudier, the better. Iโ€™ll decorate smaller pumpkins and gourds around it. Itโ€™ll look like Halloween meets harvest moon. I should get some good nods around the neighborhood.

A farmer spots me and jumps out of his lawn chair, nearly tipping it backwards. Heโ€™s the typical bumpkin with bib overalls, chewing on a toothpick or piece of straw. I notice his hat has a logo; McCormickโ€™s farm. He puts a grubby hand out but I only smile. He looks down at his hand, seeming a bit confused, then tucks it away in his pocket.

โ€œMawninโ€™, young fella! Can I help you find somethinโ€™?โ€ he says in a Yankee accent.

โ€œYes. I think Iโ€™ll take about twenty gourds. I need lots of them for the porch I have.โ€

โ€œI got all yaw need. What about punkins? Canโ€™t have a good porch decoration without a nice punkin.โ€

I look around his display but find nothing large enough to suit my needs. Then, just beyond his cart, I see it! The one Iโ€™m looking for. Itโ€™s large, with nodules adorning it. They look like warts. Itโ€™s a witch pumpkin. Perfect!

โ€œIโ€™ll take that one!โ€ I say, pointing behind the man.

โ€œWhich one?โ€ the man says, turning to look over his shoulder. His eyes widen. โ€œWhy, Iโ€™m not sure where that come from. Maude? You know anything about the warty punkin over there?โ€ he says to an old woman in a rocking chair close by.

โ€œBilly left it this mawninโ€™, brought a whole wagon of โ€˜em. Thatโ€™s the last one, fer now. Said heโ€™d bring more tommaw mawninโ€™โ€ she said, never lifting her head.

โ€œHmm, musta come from the patch over next to the cemetery,โ€ he says, taking off his hat and scratching his head. โ€œWell then, fella. Looks like you got yerself a nice punkin!โ€

I bid the farmer farewell, as he finishes loading my car, then stop for a few of those donuts and some cider. Two for me and one for Bojangles, who yips in appreciation. When I get home, I consider the porch layout before putting the pumpkins and gourds there. I notice my neighborโ€™s porch and see a fodder shock. Why didnโ€™t I think of that? Oh well, I have more gourds to go around my large pumpkin than they do.

I set everything down and go in the house for a carving knife. As Iโ€™m looking through drawers something hits the window. I stop. Then hear it again. Are the kids starting early? I walk over and peek out the front window. Nothing. All I see is the porch with my large pumpkin in the middle. I do notice some of the gourds are out of place, scattered about the porch.

โ€œHmm, odd. I was sure I put them in tight around the pumpkin,โ€ I say aloud. โ€œBetter check.

I put on my shoes and jacket, then walk onto the porch with Bojangles on my heels. I start to pick up the gourds. While Iโ€™m stooped over one hits me on the backside. I turn to see who the culprit is. No one is there. Bojangles is barking furiously at the bottom step.

Damn kids, but, where are they? I pick up one of the gourds and ease down the porch steps. If they want to play, Iโ€™ll play. They canโ€™t outsmart me. One of those little pricks is going to eat a gourd.

I ease around the end of the porch, holding the small projectile over my head. I lunge forward, letting the squash fly from my hand.

โ€œTake that, you asshole!โ€ I say. I see no one, except Bojangles running into the yard, after the gourd, barking the whole way. Then, I hear a noise from the front porch. Ah-ha, they doubled back. I run toward it and Iโ€™m faced with a bombardment of gourds. Three of them come flying over my head, as I duck for cover. My dog jumps up and grabs one out of the air, as if it were a tennis ball.

โ€œHey! Get off my porch! Iโ€™m going to call your parents!โ€

I hear no response, only laughter. A strange kind of laughter. It doesnโ€™t sound like a kid. Bojangles barks, as he runs up the steps to the porch. I run close behind him. When I get to the top step, Iโ€™m confronted with a sight I canโ€™t believe. The large pumpkin is staring at me. It has dark eyes and a mouth full of yellow teeth. It grins, then produces a gourd from its mouth, spitting it at me. The thing nearly takes my head off!

โ€œThe Hell!?โ€ I say, as I jump back, stumbling down the steps, scraping my knee. I land in the grass on my side. Bojangles steps in front of me, his chest swelled, yapping hoarse barks. I look at the pumpkin. Its moving now, rolling toward the steps! It plops down each one and stops at the bottom. The thing considers me with empty black eyes and dripping teeth.

โ€œBlackjack is back!โ€ the large pumpkin calls out.

Then it rolls toward me, chomping. I get to my feet, stumbling backward, falling then getting up again. What the hell is happening? What is this creature? Bojangles makes a surprised yelp as I pick him up. I make a dash for the car, aware its right behind me. I reach into my pocket. The keys! Theyโ€™re in the house! Along with my cell phone. Damn!

I turn to see the pumpkin opening its large mouth. Damn if the thing isnโ€™t growing! Itโ€™s as tall as a man now, at least six feet, and just as wide! It chomps down, as I move behind the car. Its teeth take off the side mirror. The sound of screeching metal and cracking plastic pierces my ears. The big squash rolls around the front of the car. Itโ€™s not as fast now but picking up speed, adjusting to its rapid growth. Bojangles is pulling at my arms, frantically barking, trying to break free. I hold on, I wonโ€™t let that thing have my dog!

I scan the area, looking for help. No one is on the street. Itโ€™s Halloween for Godโ€™s sake, you think someone would be out! I must get out of here! I see a bike leaning next to a light pole. Itโ€™s a BMX style, only twenty inches tall, much too small for me, but better than trying to outrun this thing. Thankfully, the bike has a basket. I jump on. Putting Bojangles on the front and start to pedal. Out of the corner of my eye, I see a kid running toward me.

โ€œHey, mister! You stole my bike!โ€

โ€œRun, kid!โ€ I say. The kid looks to the street and seeing the chomping jack-o-lantern rolling toward him, decides to make a run for the bushes. Too late! The thing swallows the kid up to his midsection. He didnโ€™t even have time to scream. Legs dangle from the pumpkinโ€™s mouth. Another chomp, and the kid is gone!

โ€œBlackjack!โ€ it screams.

My, God! What am I going to do! I must get away, but I have no idea where Iโ€™m going. I donโ€™t know this town. My only hope is, Blackjack doesnโ€™t either. I look over my shoulder and pedal faster, as the monster is bearing down on me. What is this thing, and why is it chasing me? Is this revenge for hating Halloween?

I furiously rotate my legs, until my feet can no longer stay up with the pedals, so I start to coast. I see cars, coming fast at me. I canโ€™t get to the brake. Iโ€™m surely going to die! A car screeches to a halt right in front of me. I swerve into an alleyway, Bojangles is standing in the basket, protesting the insurrection. Blackjack rolls onto the carโ€™s hood, smashing the windshield and getting to the people inside. I keep pedaling, hearing the screams behind me. I want to stop but know I can do nothing to help them. I must keep pedaling!

I emerge from the alley and see a cemetery. The gate looks too small for the creature to enter. I may be safe there. I ride the bike through the entrance. Throwing it down, I quickly close the gate and latch it. In the distance, I hear the creature bellow out, an inhuman cry! Cars are crashing, and people are screaming! I cover my ears. Iโ€™m shaking and sweating, trying to catch my breath after the ride. I hold my little dog close for comfort. Heโ€™s stopped barking but utters a light growl.

I feel safer now. Looking around the cemetery, I notice the strangest thing, there are vines growing everywhere; pumpkin vines. They snake throughout the ground and into the graves. Then I see where they are coming from. Thereโ€™s a fenced in field next to the cemetery with a sign hanging from the metal lattice. It reads:

McCORMICK FARMS
EXPERIMENTAL CROPS

I raise my hands, letting out an exasperated sigh. I should have known those country bumpkins had something to do with this. Monsanto probably paid them to grow this stupid stuff!

I notice the pumpkins growing on the vines have lumpy protrusions all over them. Just like my pumpkin! Many of the vines growing into the graves have been picked clean. One I notice especially. Its growing into a grave, the earth looking recently disturbed. It has an ominous grave marker that says:

Here Lies the Body of Jack Burton
Better known as Blackjack Burton
The deadliest pirate and outlaw in
New England

Blackjack? No, thatโ€™s not possible. How could a GMO pumpkin take on the personality of a dead pirate? This is insane! Then I see something to help verify my suspicions. A bunching of vines growing over a post. This doesnโ€™t seem out of place, but on closer inspection, I see itโ€™s no post at all. Itโ€™s a man in a uniform. Heโ€™s covered with vines up to his neck and his expression is one of pure terror. His mouth is open, and vines are growing into it and down his throat. I turn away, starting to wretch, but then gather myself. Part of his outfit is showing through the vines. Itโ€™s his name tag. It says, Bill.

โ€œWell, Billy, I guess youโ€™re not bringing the next shipment in the morning after all,โ€ I say to him.

A thought strikes me, what about the other pumpkins? Who will be the unwitting sap to get one, and will they be targeted also? I must do something! But what? Fumbling through my pocket, I find a box of matches. The one I was going to light the jack-o-lantern with. Iโ€™ll burn the whole patch, then no one will get an evil squash!

I sit Bojangles on the ground and go to the edge of the fence. I strike one of the matches. A whisper of smoke begins to rise. Its then I feel it, the hot wind, a smell of sulfur behind me. I turn to see Blackjack. Heโ€™s larger than before, at least ten feet tall, and just as wide; warts surround his eyes and all along his side. Theyโ€™re seeping yellow goo! He doesnโ€™t look happy. He blows the flame out before the fire has a chance to spread. His frown turns into a large smile with blood-stained yellow teeth.

โ€œHa ha ha. Blackjack is back!โ€ he says to me. I jump into the pumpkin patch to take refuge. Bojangles runs ahead of me, disappearing into the brush.

โ€œBrotherโ€™s arise!โ€

I gasp as I see who heโ€™s talking too. The pumpkins in the patch start to move, vines wriggle toward me, taking my arms and holding them. I pull an arm loose, breaking a few. But they quickly regroup and pull me back. In my struggle, I drop the matches onto the grass. All the while Blackjack is getting closer. His mouth in a snarled grin. A large tongue snakes out from between his teeth and licks my face. The irony is not lost on me. Iโ€™m about to be eaten by a pie ingredient!

I look to my feet and see the matches. If only I can get free. Blackjack is almost on me. He opens his mouth and I can smell the horrid odor of rotted meat and decaying vegetables. Blood and pieces of flesh are stuck in his teeth. I close my eyes and wait for the worst. Then the brush begins to move, something is coming up quick. Blackjack and the rest of the pumpkin hoard look to the commotion. Like a cannonball emerging from a barrel, Bojangles flies from the undergrowth and attacks Blackjack.

โ€œGood boy, Bojangles!โ€ I say. The pumpkins release me and go for the pup, who is now chewing and burrowing his way into the side of Blackjack. The large pumpkin begins to scream, and the other pumpkins try to lend aid. But Bojangles is too fast. Heโ€™s inside Blackjack before they get to him.

Blackjack screams, bouncing erratically from side to side. The pumpkins hesitate, not sure if they should help their leader or stop me. I see my chance and grab the matches. I light one and then the whole box, sending it hurling into the dry underbrush. The wind picks up and the flames begin to fan out through the patch.

The pumpkins scream, as the flames lick at their heads. They begin to explode from the expanding heat, and whatever chemicals they are saturated in, starting a chain reaction. Screams of anguish rise from the patch, as vines wither. I look for Bojangles but donโ€™t see him. Blackjack is tittering back and forth. He opens his mouth as if to say something and out pops an orange covered Jack Russel Terrier. He jumps into my arms. I clean the strings from his eyes and he licks my face in appreciation. The flames rise around us and I feel the heat on my skin.

โ€œCโ€™mon, boy! We have to go!โ€ I say to my pup.

My shoes crunch the dry grass with flames traveling close behind. I hold my breath, shielding Bojangles from the intense heat. We step into the cemetery and I exhale the breath in my lungs. Bojangles is voicing his anger in the form of raspy protest barks. I turn toward the patch to see a large pumpkin bursting from the field, flames surrounding it; mouth open and ready to bite.

โ€œBlackjack is back!โ€

I turn to run, as Bojangles jumps from my arms, leaping toward Blackjack.

โ€œBojangles! No!โ€ I scream.

He jumps into the open mouth of the great pumpkin. Blackjack snaps his teeth together and grins.

โ€œMmm, tasty,โ€ He says, as he laughs.

An October wind picks up, blowing the flames out on Blackjack, but giving fuel to the fire in the field behind him. It chills me to the bone, as he rolls toward me, Iโ€™m sure to deal the death blow, just as he did to my pup. Then he stops, looking at me with a pained expression. In the distance, I hear the faint yapping of a small dog.

โ€œBojangles?โ€

The little terrier comes bursting out of Blackjackโ€™s eye. The pumpkin screams, rolling and undulating to the side; his eye spewing orange and black liquid. The gargantuan squash lands in the fire and begins to spin, protesting the barrage of heat. But to no avail, he succumbs to the torrid blaze, as pieces of pumpkin burst in every direction.

โ€œI think we can say the pumpkin pie is burnt. Hunh, Bojangles?โ€ I say relieved, as he licks my face. The flames rise high into the dusky Autumn sky. Small sparks fly above them and go out, raining ash below. I sigh and turn to the road. Bojangles is at my feet, yipping and dancing in approval. We walk down the main street through town. My dog begins to bark and growl.

โ€œWhat is it boy? That old pumpkin wonโ€™t bother us anymore.โ€

Then I see it. People running. A car screeches onto the road and swerves into a pole, knocking it down. An electric line sparks, as it falls across the street. It looks like a large black snake wriggling on the ground. It moves along until it hits the car. I see something rolls out that makes my blood go cold. Itโ€™s a warty pumpkin. Itโ€™s grinning with blood stained teeth. It hits the electric line and explodes along with the car. Bojangles is barking incessantly. I step back and look around at the houses. There are no pumpkins for decoration anywhere to be seen. I call for Bojangles to jump into my arms. I stroke his fur.

โ€œOh my, boy. This is going to be a long night.โ€

Edmund Stone is a writer and poet of horror and fantasy living in a quaint river town in the Ohio Valley. He writes at night, spinning tales of strange worlds and horrifying encounters with the unknown. He lives with his wife, a son, four dogs and a group of mischievous cats. He also has two wonderful daughters, and three granddaughters, who he likes to tell scary stories, then send them home to their parents.

Edmund is an active member of The Write Practice, a member only writerโ€™s forum, where he served as a judge for their Summer contest 2018. Edmundโ€™s poetry is featured in the Horror Zine, Summer 2017 issue and in issue #6 of Jitter by Jitter Press. He has two poems in issue 39, one poem in issue 41, and a story in issue 42, of Sirenโ€™s Call ezine. He also has three short stories in separate anthologies, See Through My Eyes by Fantasia Divinity, Yearโ€™s Best Body Horror anthology 2017 by Gehenna & Hinnom, and Hellโ€™s Talisman anthology by Schreyer Ink Publishing. Most of these stories can also be read in Hush my Little Baby: A Collection by Edmund Stone.

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Halloween Extravaganza: Mr Michael Squid: STORY: The Crochet Grandpa

And here, story number three. I hope you are enjoying these as much as I am…

The Crochet Grandpa

My grandma Florence passed away last weekend, and after the service concluded, we all drove teary-eyed to her old house to pick up keepsakes. My sister Lucy got the heavy, bronze Art Deco lamp we used to marvel at, and my parents picked up her old photo albums. I headed up into the attic to look for mementos small enough for my little apartment, and I opened a chest that Iโ€™d found by the window. My heart pounded and I gasped for air, processing suppressed memories of what lay folded in that chest.

The highlights of my childhood had always been of sleeping over grandma and grandpaโ€™s house for a week at a time during fall and winter, when my mom was out-of-state for work. My sister Lucy and I would get so excited on our way to the grandparents house, eager to watch R-rated action movies with grandpa Abe while grandma prepared a delicious dinner. Iโ€™d cozy up on the footrest of grandpaโ€™s plush, la-z-boy recliner while Lucy bounced on the long sofa set in a sugar high. Weโ€™d eat plenty of iced cream and chocolaty cereals, and we’d live like spoiled royalty when there. When grandpa began struggling to stay awake and slowing down, he saw a doctor who explained he urgently needed a pacemaker. He went under for the surgery one day and he never woke up.

Grandma Florence was absolutely devastated. The two of them had been together since high school, and she fell into an overwhelming depression soon after his death. Weโ€™d visit every so often to try and cheer her up, but even as a child of seven, I could tell by her distant gaze that she was absolutely heartbroken. Almost half a year later, my aunt announced she was pregnant, and my grandma began crocheting little hoodies and beanies for my cousin to wear when he arrived. Her hobby became an obsession after her loss, and she began to crochet mittens, scarves and sweaters for the unborn kid, mailing them practically faster than my aunt could unwrap them.

At the end of September, my parents suggested my sister and I spend a week at grandmaโ€™s place for the first time since losing grandpa. We packed our clothes and books into the station wagon and then bounced along during the bumpy car ride through the countryside to grandmaโ€™s place with building excitement. Soon enough, that small little farmhouse with old windows and floors that creaked appeared on the horizon. As a kid, that little house seemed like a massive mansion of awaiting adventure as weโ€™d pull into the driveway.

It was a Friday evening, the sun just beginning to sink orange on the horizon. We were greeted by our lone grandmaโ€™s glowing smile and twinkling eyes amid her silver, tied up hair. The car heaved to a stop and we rushed out the back doors and up into her open arms for hugs. My sister and I giggled as we ran in and kicked off our boots, just like old times as the parents talked. As we entered the living room, however, I stopped in my tracks and froze at the sight of that thing on grandpaโ€™s blue, plush recliner.

Propped upright in the seat was a human-sized doll made of frizzy yarn, with crocheted pink skin and a white, tasseled mustache resembling grandpaโ€™s. My jaw hung down as I realized it was wearing my grandpaโ€™s khakis and striped yellow button-down shirt. My little sister looked as confused as I. Curiosity led us around the recliner and we stared into the life-sized dollโ€™s woven yarn face. It looked somehow obscene, the tiny button eyes sat in thick, pink lids over a horrid mouth that didnโ€™t look right. We screamed as cold, wrinkled hands slid onto our shoulders from behind us.

โ€œOh, donโ€™t be frightened, heโ€™s just a doll!โ€ grandma sang in a chipper tone. Perhaps I might not have been so upset if sheโ€™d captured the likeness of our grandpa Abe, but that pink thing sheโ€™d woven together on that couch held only the slightest resemblance. On that minimal face was a lopsided, pink triangle nose and small, beady eyes. Under the white yarn mustache, a mouth of white, oval teeth were framed by puffy, pink lips that looked far creepier than grandpaโ€™s warm smile she’d tried to capture.

That evening in the kitchen, I poked at a melting lump of ice cream in a bowl with my spoon as we talked about what we were going to ask Santa for, come Christmas time. I tried to just enjoy the company of my grandma, and I was truly glad she seemed happy again, but my gaze kept drifting to that stitched, pink hand on the recliner armrest, visible from my seat in the kitchen. It was freaky-looking and unsettling, yet it seemed to fill some void left by Abeโ€™s death for her, so I just bit my tongue as the evening slipped into night.

We eventually headed back to the living room to watch some low-budget movie Lucy had picked from the shelf of VHS tapes, and I exhaled with relief when grandma picked up that large, creepy, crochet man and took it out of the room, aware I was staying clear of it. I watched the face of that doll as she walked away with it, its head staring over her shoulder as if watching me.

My sister conked out for the night soon after my grandma while I stayed up late, enthralled by the glow of GoldenEye on the large-screen TV in the den. As the credits eventually rolled and I was transported back to life as a small child, I pressed stop on the remote and felt small and vulnerable in the dark shadows of the house. I practically tiptoed over the carpet into the shadowy hall, trying to get that awful face of that giant doll out of my head. I climbed the soft, carpeted stairs quickly, and I ran into the guest room and dove under the covers after shutting the door completely.

I woke in the dead of night from a creaking sound from inside the bedroom. I stared at Lucyโ€™s bed and saw she was fast asleep, balled up under the layered blankets with just a tuft of her blonde hair sticking out from under them. My eyes fought to adjust to the dim, blue light of the room, and I strained to lift my head as I noticed the door. It was cracked slightly, maybe 2 inches at the most, but in that thin sliver, I saw that beady, crochet eye, watching me. I donโ€™t remember falling asleep that night. I just remember staring at that eye in the gap of the door for hours, filled with absolute terror. Iโ€™d prayed my mind was playing tricks as time stretched on. I eventually passed out from exhaustion.

The next day I was woken by the smell of bacon and pancakes. I was under-slept and on edge, and the clatter of dishes startled me as I meandered downstairs to the kitchen to join grandma and Lucy at the kitchen table. I thanked her for the plate of syrupy goodness and loaded my fork with a whopping, fluffy bite. Grandma tousled the hair on my sleepy head before she walked over to get the orange juice. I was about to bite in when I looked past the kitchen into the dining room and I dropped my fork with a loud clang. Seated there at the long, dining room table was that horrifying crochet man, propped upright and facing me, those little, unfeeling eyes locked onto mine.

โ€œGrandma, itโ€™s staring at me!โ€ I finally blurted out and felt warm, salty tears flow down my face. โ€œIt was looking in at me in our room last night and I couldnโ€™t sleep!โ€ I cried, wiping my snotty nose with my sleeve. My grandmother rushed back over to hug my head in her soft, wrinkly arms.

โ€œOh my sweet dear, itโ€™s just a doll! Like all those stuffed animals I made you as a kid, thereโ€™s nothing to be afraid of.โ€ She tried to console me by walking over and picking it up from the seat and bringing it over to me. โ€œJust touch it, youโ€™ll see. Itโ€™s just wire, yarn and stuffing, nothing to be afraid of, honey.โ€ She pulled my small hand over to touch the woven skin and I squeezed, feeling the soft cotton like the stuffed animals Iโ€™d owned as a child. I breathed out in relief, realizing how silly and scared I was acting, but then felt something inside that arm twitch and I screamed.

It felt like a thin, bony catโ€™s leg but much, much longer. Lean muscle tensed and flexed and I saw the arm bend slightly at the crook of the elbow in reaction. I screamed and scrambled back on the old linoleum kitchen floor, staring at the large, crochet grandpa doll that sat there, staring dead into my eyes with that terrible, toothy face. Grandma lifted me by the shoulders, trying to calm me down with her back to that dummy. I screamed as I watched the long, crocheted limbs bend back, as if something was wearing that mesh-work man like a costume worn the wrong way. The large doll rapidly scampered the few feet around the corner on all four, backward-bending limbs, and I blacked out.

When I woke up, I was in the guest bedroom, my mother standing over me, wiping the sweat from my head. Iโ€™d a high fever, and they attributed what I saw to my temperature and a โ€˜childโ€™s imaginationโ€™, despite my insistence it was real. I drooled as I cried hysterically, telling my mom that the doll was alive, I saw it move on its own, I had felt it. My parents repeatedly told me there was a wire armature within to keep the form, and apologized extensively to my grandma. They decided to drive us back early due to my fever. My resentment for them not believing me quickly vanished after Iโ€™d gotten well, when I realized how absolutely absurd it all sounded.

I saw my grandma plenty after that weekend, but never saw that doll again. she told me she put it in storage because of my episode that day. โ€œNothing scares my favorite grandson and gets away with it,โ€ sheโ€™d said with a sly smile, and with that it was gone and quickly forgotten. The years passed and I spent plenty of time with my grandmother, listening to her sage advice as I fell in and out of love and changed multiple jobs after landing in the city. Iโ€™d bring her desserts my fiancรฉe baked years later when she became too sore from arthritis to cook. My grandma was my favorite person until her passing last week in her sleep. A week before today.

30 years after that weekend, I stared down at that folded, life-sized doll in the chest, reliving those disturbing memories that flooded back. Opening that lid had released a pungent, gamy smell that lingered in the dusty, attic air. Along the interior of the wooden chest were dozens of long claw marks, gouging splintered grooves out from the old wood. My eyes widened and my heart pounded as I looked down at the bottom right corner of the chest, which had burst outward from the inside. Old, white stuffing trailed out from the chest along the dusty planks of the attic, over to the broken glass windowpane overlooking the woods beyond.

I canโ€™t stop replaying the horrifying events of that weekend, that now seem unquestionably real, over and over again. I canโ€™t tell whether something somehow grew to adulthood inside of that cotton to fill out the shape, or whether something had slipped inside it at some point. Iโ€™m pretty sure I donโ€™t want to know the answer. What I do know is I havenโ€™t yet found a keepsake from grandmaโ€™s possessions.

Just something I desperately need to burn.

Mr. Michael Squid will drag you deep into a well of unfiltered nightmares. Horror without seatbelts or breaks that will make you think and make you terrified.

The First Cryogenically Frozen Person Has Been Revived

A breakthrough in cryonics unfolds in a horrific tale of unexpected chaos. A discovery of unaired television shows reveals an sinister plot to cover up the existence of dangerous artifacts. This is a collection of chilling tales of nightmarish worlds hidden just below the surface.

Where the Light Stops Dead

A collection of 50 creeping horror stories that dig deep into your mind and won’t let go. 50 unconnected tales that will unsettle and horrify, reaching beyond common tropes as different narrators pull you into their nightmarish situations and malevolent minds.

Halloween Extravaganza: Mr Michael Squid: STORY: The Gristmill Cyclops

Here is Mr Michael Squid’s second offering…


The Gristmill Cyclops

Cancer is the first thing I learned to truly hate at the age of 9. Iโ€™d curse its name and punch the bark of trees in the woods next to my home until my red knuckles split and bruised. My mother tried to tell me about foster families that would love me and care for me, but each time Iโ€™d storm out into those woods, suffocated by the thought of losing her. Iโ€™d sit and lean on the trees feeling so small.

I spent every day after school getting lost in those woods, eager to escape my frustrations. The babbling waters of the creek would whisper comfort and the trees would sway like welcoming arms. Fantasy wore thin with the onset of hunger, however, and Iโ€™d eventually trudge back home through the fallen leaves to my sick mother.

One day she came back from the hospital with glassy eyes. That evening she told me it had spread throughout her body. She presented a will for me to look at, her face looking paper-thin over her skull. I bolted out the door and ran farther into those trees than Iโ€™d ever gone.

That was the day I found the mill.

The trees thickened yet I struggled on, running from a pain no nine-year-old should face. The dappling of sun scattered sparingly on the forest floor as I pushed through dense clusters of trees. Eventually I stumbled upon a derelict stone building, overgrown with ivy and dark, twisted branches. Ancient stonework crumbled under the sagging wooden roof, and a splintered waterwheel sat warped and rotten in a dried up creek. It was an old grain mill, abandoned for decades and overrun with trees. The beauty of nature reclaiming the stone building was timeless and almost magical, but as I looked closer at the cracked door, I saw a wide, staring eye.

My blood chilled and I began to run, but then a deep, creaky voice called out to me โ€œWait.โ€ I froze in my worn out boots then turned to face the doorway.

โ€œWhy are you here, boy?โ€ asked the gravelly voice.

I watched the door with a pattering heart as it creaked open slightly, revealing a tall silhouette; only the sliver of his yellow eye and a filthy grey beard were illuminated in the shadows.

โ€œYou look sadโ€ the voice spoke low and soft, โ€œI am sad too. My animals are hungry and Iโ€™m too weak to reach their feed. Iโ€™m afraid Iโ€™ll lose them.โ€ His voice was tender, tinged with the bitter pain, but his reply only angered me. I lashed out, unable to hold my tongue.

โ€œMy mother is dying, I donโ€™t care about your stupid animals!โ€ I screamed and collapsed to my knees weeping as snot and tears swirled salty streams down my chin.

โ€œIโ€™m sorry,โ€ the voice continued, โ€œI lost my parents in a fire when I was around your age, I lost my place in society as well because of the scars from those flames. I know what loss is.โ€

The door opened fully, and I saw a deformed, hideous face. His left side was missing an eye, and a gaping wound cut through his skull to his jaw as if half of his face had been eaten away around the shiny, pink skin. I was shocked at the twisted appearance of the one-eyed man, but I didnโ€™t run.

โ€œIโ€™ve been unable to find a job or a friend all these cold and lonesome years. Only the animals stay with me, regardless of what I look like. Thatโ€™s why they are so important to me.โ€

My heart opened in empathy, his animals were all he had since he was nine, my age. My problems seemed smaller and I walked up a few paces, embarrassed for snapping so coldly.

โ€œI-Iโ€™m sorry. Iโ€™m sorry your life has been so hard,โ€ I stuttered.

โ€œDonโ€™t feel sorry for me. Iโ€™ve seen the flowers bloom in the spring and the trees shift hue in spectacles of beauty. Iโ€™ve heard birds sing ballads so divine theyโ€™ve made me weep. Iโ€™ve watched a doe teach her fawn to walk on the frozen creek when it still ran, and they have all since become my family. For every moment of pain and loss there has been one of happiness and tranquility. Sometimes we need to shed tears in order to water new seeds.โ€

The old man opened the door and walked slowly inside to fetch a cup from the counter as he continued speaking. I kept my distance but walked closer to hear, watching him as he hunkered down into a creaking chair and sipped from a dirty old cup.

โ€œThis mill was the one job I could keep, looking the way I do. I would work alone with the animals and leave sacks of grain for the pickup each week in this gristmill. But once the river ran dry, the work was gone. I expected to die soon after, but look at me.โ€

I nearly jumped back as he threw something towards me, thumping the ground then rolling to my feet, only to realize it was a round apple. I picked it up, turning the small green apple streaked with red blush in my fingers. I looked up to see the apple tree twisting up through the old millโ€™s cracking roof.

โ€œSome things burn brightly to help others grow,โ€ he said solemnly, looking up at the sun.

I knew he wasnโ€™t talking about the apple tree that had overtaken the decrepit mill. He was talking about my sick mom and me. I tried to squeeze my eyes shut but the tears trickled down regardless. As much as it hurt to face the truth, I knew his words were needed. I wiped my snotty nose with my tattered sleeve. The man walked further in and I heard a weak animalโ€™s cry, and curiosity pulled my feet up to the door of the worn-out structure as he kept talking.

โ€œPlease come in, donโ€™t be afraid. Iโ€™ve been screamed at, attacked, insulted and called a monster. Iโ€™ve shed many tears from this one eye. Sometimes monsters look like the ordinary people. Beautiful women with makeup and jewelry signing deals to bulldoze the trees and blacken the air. Handsome, rich men in shiny suits that take everything from the people who work hard.โ€

The air was musty and thick in the old mill and as I peeked in the door. I saw a large, open chamber with hay on the ground, and heard weak animal cries. I no longer feared the old man, I felt bad for him, and I spotted the large feed bags high on a shelf, dusty and out of reach. I walked a bit inside towards the forms of the animals lying on the hay in shadow, whimpering. Once inside, I was startled by his low voice just behind me at the door. I spun around.

The tall man stood over me, his wide, glaring eye next to the hole eaten into his scarred face over a horrible, wide grin. The padlock in his wrinkled, knobby fingers slipped into metal loops on the door as he continued.

โ€œAnd sometimes they look like me.โ€

Click

The padlock snapped shut on the metal latch screwed into the wooden door. I tripped backwards into the hay, towards what I thought were animals. I saw the split flesh and gagged mouths and pleading, horrified eyes. They were people, naked, filthy and hog-tied with chunks of the flesh from their calves and forearms hacked away. The bloody white of bone sat exposed in pits of crusted blood and oozing infection. I screamed as the tall old man wheezed a phlegm-filled, raspy laugh, damaged by decades of grain dust.

The manโ€™s sinewy arms reached for me as he approached, and I ran from him, among the butchered victims squirming in the filthy hay. The smell of death was unbearable, and I saw a few burned, blackened bodies crawling with maggots in a corner near a high open window, likely there to vent the pungent stench.

The one-eyed man charged at me with a wide grin of rotted, yellow teeth, and I squeezed the small apple in my hand that heโ€™d rolled to me earlier. My heart thundered in my small chest as I threw the apple hard and true. A loud thuck accompanied an angry howl as it slammed the manโ€™s one eye, and he shrieked in pain, clawing up at his face with gnarled fingers. I ran to the pile of bruised, decaying corpses under the window, knowing it was the only way out.

My fight-or-flight response drove as I scampered up the slippery skin, crunching the bones within and I vomited from the smell of the soft, ripping flesh between my desperate fingers. I found footholds in exposed ribs and cracking spines in the charred, mushy meat as I climbed. My fingernails bent back in excruciating pain as I clawed up the stone wall from the shaky stack of rotted bodies. He was almost on me.

Adrenaline pumped through me as I pulled myself up and over the sill, falling out the high window. A painful thud knocked the air out of me and I hit the ground and rolled on the dry leaves before rising in pain. I ran, covered in rancid fluids, screaming through the woods like a madman. I finally made it back home and into the arms of my worried mother.

We called the police, but he was already gone by the time they’d reached the mill. The decomposing remains of twelve adults and two children were discovered, but the two women and a man who were found alive were expected to recover, though in need of partial amputation of their butchered limbs.

I lost my mother just two months later, but we had profound, deep talks about love and life before then. We shared dreams, secrets and smiles, and I promised her Iโ€™d be safe, and she promised sheโ€™d always be with me. I stopped running away from the emotions and started listening to her wisdom and advice. She had wanted to prepare me for life without her as best as she could in the limited time she had left, and I treasured each moment with her until she died.

The body of that murderer, dubbed โ€œThe Gristmill Cyclopsโ€ by the local papers, was discovered by a hiker soon after. He was found to be the same 9-year-old child who had gone missing after killing and eating pieces of his parents back in 1953. The fire that took half his face was accidental, a result of him attempting to cook their bodies. His only recorded words before escaping the paramedics in ’57 were included in the article. My hair stood on end as I read the familiar quote in that vile context. โ€œSome things burn brightly to help others grow.

Mr. Michael Squid will drag you deep into a well of unfiltered nightmares. Horror without seatbelts or breaks that will make you think and make you terrified.

The First Cryogenically Frozen Person Has Been Revived

A breakthrough in cryonics unfolds in a horrific tale of unexpected chaos. A discovery of unaired television shows reveals an sinister plot to cover up the existence of dangerous artifacts. This is a collection of chilling tales of nightmarish worlds hidden just below the surface.

Where the Light Stops Dead

A collection of 50 creeping horror stories that dig deep into your mind and won’t let go. 50 unconnected tales that will unsettle and horrify, reaching beyond common tropes as different narrators pull you into their nightmarish situations and malevolent minds.

Halloween Extravaganza: Mr Michael Squid: STORY: The Place Where Reality Broke

Mr. Michael Squid has honored us with three stories to wet our taste buds on his work. Sit back and enjoy the first of the three…


The Place Where Reality Broke

It started with a strange text from Bill, my good friend and fellow Gunnison, Colorado native. Every Sunday, he’d send me a text reading “Pool?” and we’d meet up at a little dive bar to shoot a few games. It was essentially just an excuse to get loaded and gripe about our jobs, but I was fine with that. This Sunday he texted me as per usual, but something was clearly up.

“Can I stop by?” the text read. This was odd. Heโ€™d only ever been by my place a few times to give me a ride when my car was being fixed.

“I guess, what for?” I responded, but he didnโ€™t reply back. About five minutes later I heard my gravel driveway crunch under the tires of his truck. Heโ€™s a ten-minute drive down Owl Creek from me, so it was clear he mustโ€™ve been either idling nearby or driving over when heโ€™d texted. I slipped on my boots and flannel and headed out into the fresh mountain air to greet him.

Bill is a 30-year-old with a barrel chest and a frizzy, copper beard. Heโ€™s a burly guy who never backs down in an argument and I never saw him scared. Not until he stepped out of his vehicle and watched me with round, nervous eyes.

โ€œTook your sweet time driving over here,โ€ I tried to joke, but it fell flat. Bill approached with an intense, distracted gaze I’d never before seen on his usually jovial face. I only then noticed his tattooed hands were trembling at his sides, shaking like he was wrought with Parkinson’s.

โ€œI need you to see something. Something in the woods. I feel like Iโ€™m losing my goddamn mind.โ€ Billโ€™s face was pale and creased with worry behind that burly beard.

My stomach squirmed. Had he done something bad? Had he hurt someone?

โ€œBill, whatโ€™s going on. Talk to me.โ€

โ€œJustโ€ฆ come with me and tell me you see what I see when we get there?โ€ He rubbed his jacketed elbows as if it was cold, but it was a sunny 68ยฐ. Only a few streaked clouds trailed across the sprawling Colorado sky.

โ€œSure thing, I can do that Bill. Are you in some kind of trouble?โ€ I had to ask.

โ€œNo, nothing like that. Just come and take a look at something. Please.โ€ Bill turned back to his truck. I begrudgingly followed over and climbed in, smelling the bitter stink of cigarettes and spilled whiskey. Bill pulled a Winston from the pack and lit up. Iโ€™d never seen him smoke before, not once. As soon as I shut the heavy door with a clunk, he put the truck in drive.

The pines sped by in a blur as he drove, his gaze fixed ahead. The cigarette was clamped tightly in his lips, burning down as he gazed ahead with a thousand-yard stare. I expected him to tell me what this was all about, but he just drove silently as anxiety bubbled up in my gut. Before long, he turned on to 133 and kept driving deeper into the middle of nowhere.

โ€œWhere are we going man?โ€ I was nervous by that point, a little scared even.

โ€œJust up ahead.โ€ The scrub gave way to spruces which grew in dense clusters. Soon, Bill turned off the road and we jostled around like rag dolls within the shaking vehicle. Bill parked on the shoulder, switched the car off and yanked up the e-brake. He hopped out of the truck and I followed, compelled by the curiosity of what this was all about.

โ€œFollow me.โ€ His voice was atonal and cold.

โ€œLook, youโ€™re just kind of worrying me,โ€ I responded, but Bill just hiked down into the swaying trees. I followed close behind through the thicket, crunching pine cones with my boots, and I listened. It was ominously quiet, not a bird chirped. Then Bill spoke.

โ€œI was out here hunting. Tagged an eight-point buck, right? I followed it down here,โ€ he said, leading me through low-hanging branches that clawed at my flannel. I began to worry that heโ€™d accidentally shot someone. Still, I held that thought inside as I followed his steady march down through the slope of trees.

โ€œIt starts hereโ€ Bill raised his eyebrows as he turned to face me.

โ€œWhat does?โ€ I asked, but then noticed it. The tangy smell of ozone filled my nostrils and I felt a subtle vibration in my bones. With each step, green pine needles on the trees seemed denser and more oddly patterned.

Bill reached a calloused hand down to the forest floor, picking up a pine cone from the scattered debris of dead leaves and coiling pine needles. He locked eyes with me to make sure I was watching, and then he lobbed the pine cone underhand across the clearing.

It coasted and slowed in mid-air to a complete stop. Four and a half feet off the ground.

I tilted my head as if it might help to process the impossible sight. It didnโ€™t.

โ€œYou see that too?โ€ Billโ€™s voice was dripping with eagerness. โ€œTell me you see it too.โ€

โ€œI see it. Howโ€”โ€ I asked in a whisper. I walked towards the pine cone that hovered effortlessly in the air as if reality itself had been paused. It was impossible, beautiful and surreal. It scared the hell out of me. I lifted a hand up and felt the hairs on my arm stand up. It was a lovely day in an Aspen forest clearing, but the air was cold and dense.

I reached my index finger slowly out to the pine cone, feeling a tingle in my nerves and a bassy rumble from within my bones. With a tiny tap of my finger, the woody thing skidded through the air, coasting a few inches forward before slowing once again to a stop.

โ€œI thought I was going crazy,โ€ Bill explained, and he smiled the unnerving grin of a madman. His smile dropped instantly, however, once the agonized cry burst out of the shadows ahead. It sounded like an animalโ€™s scream. Pained and bleating, the cry echoed from the spears of pines that led further down into the ravine.

โ€œThe buck. Jesus, itโ€™s still alive.โ€ Billโ€™s head shook slowly from side to side as he continued carefully down into the shadows of the path. I followed, but couldn’t help but stop to marvel at the levitating pine cone as I walked past. My mind scrambled to understand how gravity didnโ€™t apply to it. It was magical, unlike anything Iโ€™d ever witnessed. I tapped it with my finger once again, watching it coast impossibly through the air before slowing once again to a complete stop. When I looked back up to Bill, he’d vanished into the trees ahead.

โ€œBill?โ€ I called out, carefully stepping down the slope into the shadowy copse of trees. With each step deeper within, things seemed to change.

That sharp ozone smell grew in intensity and the temperature dropped. Goosebumps covered my arms and my breaths manifested in visible puffs of vapor.

โ€œBill!โ€ I shouted into the darkness and took another step down the hill. The green pine needles shifted in color ahead to a brilliant tint. With each steady footfall of my boots, that color intensified and the branches of needles seemed to warp and shift in shape. Branches furled into themselves like fiddlehead ferns, rolling into themselves in a spiraling fractal pattern. It was unlike anything Iโ€™d ever seen. Then I tried to call out to Bill, but my voice came out wrong.

The sound was rearranged and minced into some strange string of vowels and consonants that were alien, like a sample stretched, looped and divided into itself via computer software. Then, in the void of black shadows dividing the twisted masses that no longer looked like trees, I saw movement. A single shaft of light pierced the canopy of spiralled leaves, giving a glimpse of something within the darkness ahead.

Its body was a dense cluster of pink, fractalized limbs. Arms sprouted smaller arms and jittery fingers which searched blindly. It was a collage of parts growing from each other ad infinitum, sprouting smaller and smaller versions of themselves. Arms, feet, fingers, toes in clustered coils of flesh. In the center of the sculptural horror of parts was that awful face.

A meaty tentacle of quivering mouths filled with twisting patterns of teeth spilled forth from vulgar slices in the meat of the head. Then the toothy spirals of mouths screamed an awful sound. It was that same choppy squall from before, but it was more apparent then, seeing the shapes of human features that grew endless smaller echoes of themselves. My racing mind finally grasped what exactly I was looking at. It was Bill.

I watched in horror, stumbling back on my heels away from the area that had warped my friend into that thing. Then time itself seemed to step backwards. Bill and I were meters back, and I was once again following him inside the cluster of pines.

That howlโ€”Billโ€™s howlโ€” rang out from deeper within the trees once again. Bill turned slightly to face me as he repeated those words once again.

โ€œThe buck. Jesus, itโ€™s still alive.โ€ Billโ€™s head shook slowly from side to side as he continued down into the shadows of the path down.

โ€œSTOP! Bill, donโ€™t move!โ€ I shouted, and Bill turned to face me, worry and sadness twisting his anguished face. โ€œCome here, hurryโ€ I pleaded, but it was no use.

Faster than I could blink, I was staring at the melange of flailing limbs clustered together in that abstract horror. I scrambled backwards, my feet staggering and tripping as the incline seemed to shift and warp with every rapid jump back and forth in time.

My legs struggled to keep up with each new position theyโ€™d find themselves in, causing me to stumble and nearly fall. I knew I would tumble deeper into that anomaly if I lost my footing, so I used my arms to help stabilize myself, digging my fingers into the loose topsoil. I realized Bill had likely fallen deeper within that anomalous area sometime before that first jump in time occurred. My heart raced as that horrible pained howl gurgled from within. Another jump backwards. Bill’s voice repeated.

โ€œThe buck. Jesus, itโ€™s stillโ€”โ€

His voice was quickly cut off by that shrill screaming as everything leaped forward. I stared at the hideous thing and scrambled away. The jumps were getting exponentially quicker. Everything was collapsing into a tightening pattern of smaller moments. Time itself was dividing into a repeating fractal.

โ€œThe buck. Jeโ€”โ€

screaming

โ€œThe bโ€”โ€

Screaming

โ€œThโ€”โ€

โ€”

Soon there was only that shrill, pained screaming. I ran back, stumbling as I fled, eager to escape a similar fate, but not before getting a look at what had become of him.

Fingers sprouted smaller nubs that spiralled out ad infinitum. Fleshy fern-like coils sprouted from his shoulders, knuckles and jaw. His wide eyes pleaded for mercy: his flesh was bent and jagged, and his skull erupted with smaller bulging formations that streamed glistening red trails. Snapped bones jutted through his skin in web-like patterns that curled inward, and his muscles spasmed from the pain, unable to function. The grisly, surreal form of my mutilated friend then screamed a sound I will struggle to forget as long as I live. I ran. I abandoned him and I ran.

I eventually made it back to Billโ€™s truck and scrambled inside. I cried into his steering wheel, trying to figure out a way to get him out of there, but I knew he was beyond saving. Bill was gone.

Bill always kept a key in the sun visor. I fumbled around and found it, plunging it into the ignition with a shaky hand as tears blurred my vision. I cursed and punched the wheel, but nothing could be done. “I’m sorry,” I said aloud to my helpless friend, then I drove away from that godforsaken place.


I spent the next few days replaying those nightmarish events in my head and scouring the web for anything to help me understand them. I only found articles referencing a mild earthquake and subsequent landslides we experienced a few years back, something I’d thought little about at the time. One such article read as follows:

Posted: 5:51 AM, Nov 11, 2016 Updated: 8:10 AM, Nov 11, 2016

MONTROSE, Colo. — An earthquake hit on the north side of the Black Canyon of the Gunnison area early Friday morning. The earthquake hit between the gorge and Green Mountain NW, directly east of Olathe, according to coordinates released by the United State Geological Survey. The earthquake struck at 1:28 a.m. The quake was centered about 2.1 km underground.

Something long-buried was unearthed in that earthquake. Something that was buried deep for a reason.

Mr. Michael Squid will drag you deep into a well of unfiltered nightmares. Horror without seatbelts or breaks that will make you think and make you terrified.

The First Cryogenically Frozen Person Has Been Revived

A breakthrough in cryonics unfolds in a horrific tale of unexpected chaos. A discovery of unaired television shows reveals an sinister plot to cover up the existence of dangerous artifacts. This is a collection of chilling tales of nightmarish worlds hidden just below the surface.

Where the Light Stops Dead

A collection of 50 creeping horror stories that dig deep into your mind and won’t let go. 50 unconnected tales that will unsettle and horrify, reaching beyond common tropes as different narrators pull you into their nightmarish situations and malevolent minds.