Christmas Takeover 18: A.S. Chambers: Christmas Fear

Christmas Fear

A Story by A.S. Chambers
2,399 words

โ€œYou want me to do what?โ€

I was stood on the deck of my pride and joy, Icarus, fastidiously removing any trace of smear or smudge from the brass safety rail when Suzi dropped the question. I turned, unkinked the knots in my back that seemed to be growing more numerous with each passing winter, placed my hands on my hips and stared at the young woman who stood in front of me, fidgeting.

Iโ€™ve known Suzi Maloney since she was knee high. Her mum and dad were old friends of mine from way back. Jackโ€™s been passed away some ten years now, so thereโ€™s just Suzi and her mum. Plus, Kendra, Suziโ€™s sweet little four-year-old bundle of energy and questions. You know the sort of stuff: โ€œWhat you doing that for? How fast can your boat go? Have you fought pirates? Have you got any liquorice?โ€

Not the sort of thing that her mum had just asked.

The dark-haired twenty-something was worrying at the edge of the sleeve of her thick parka as I held her with my disapproving stare. I was hoping for an explanation. Instead, she just kept tugging away at a rogue thread that was trying to escape the frayed edge of her coat, her eyes studiously avoiding mine.

I eventually let out a deep sigh, my warm breath fogging in the frigid air. โ€œSuzi?โ€

This time she indeed looked up and my heart ached as I saw the desperation in her dark eyes. โ€œI said that I need to hire Icarus. Buster has a very important business deal. He needs somewhere private to carry it out.โ€

โ€œIโ€™ll bet he does,โ€ I growled, and Suziโ€™s eyes suddenly shot away again. โ€œWhat is it this time? Timeshares on the Algarve? Holiday homes in Mull?โ€ Those were the usual things that darling Buster was usually pushing. Suziโ€™s latest paramour was one of those oily jerks who never quite stepped over the fine line of legality, but he definitely danced incredibly close, occasionally kicking a certain amount of sand on it to blur the edges. In the two months that he and Suzi had been dating, I had seen him leave a trail of disgruntled customers chewed up, spat out and empty of pocket with not a thing that they could do about it. He was certainly clever, Iโ€™d give him that, but he just stank of dishonesty and deceit.

I folded my arms and leant against my freshly polished safety rail, the cold harbour water lapping down below against the side of my yacht. โ€œTell me,โ€ I asked, โ€œwhy on earth do you go for these types? Is it the cars? The flash cash? Seriously, Suzi, didnโ€™t you learn when Kendraโ€™s dad skipped out on you when you were six months pregnant? Why canโ€™t you get yourself a nice lad?โ€

โ€œBuster is a nice lad,โ€ she protested. โ€œHe looks after me. With this deal, he says weโ€™ll be able to put thousands by for Kendraโ€™s uni fund. Plus, weโ€™ll be able to get her something sweet for Christmas, better than the usual tat that I can afford. Imagine the look on her face when she opens something worth having! Not like the battered second-hand garbage I got her last year.โ€

I shook my head. It was the same old story: the boys would let their eyes wander over Suzi, and they would like what they had seen, so they would get at her through her kid. Promising Kendra the world was guaranteed to make her mother more pliable than a ball of potterโ€™s clay. โ€œSo, whatโ€™s he planning this time? What luxury property is he selling off now?โ€

Suziโ€™s young face suddenly brightened and she rummaged around in her handbag as Christmas shoppers wandered past on the quayside, chattering brightly about their seasonal purchases or other festive crap. โ€œOh, itโ€™s nothing like that,โ€ the young woman explained, handing over an envelope she pulled out the bottomless depths of her ridiculously large handbag. โ€œBusterโ€™s been able to sign a deal with a bank to let him sell bonds that they back.โ€

Even before I opened the envelope, Suzi could not have failed to see the utter disbelief on my face. I ripped the envelope open and yanked the piece of paper out from inside. โ€œWhat the hell is this?โ€ I breathed as my eyes scanned the most godawful piece of fraud that I had ever lain eyes upon. โ€œSeriously, Suzi, have you even looked at this?โ€

And there, finally, was the flicker of doubt. It crossed her eyes like a gull skimming the prow of Icarus: brief, but definitely noticeable.

I pressed home my advantage.

โ€œBanks donโ€™t let other people sell their merchandise. They keep a very tight rein on those things. Theyโ€™re not going to want to share the profits.โ€

โ€œBut Buster said…โ€ Her voice drifted off.

โ€œWhat? That it was a swell idea? That it would be the last scam he would have to pull?โ€ I waved the A4 sheet in front of her. โ€œCome on, Suzi. Itโ€™s time to wake up. Heโ€™s using you. You need to go to the police. Thereโ€™s no way heโ€™s doing anything remotely legal here.โ€

Suzi chewed her bottom lip and my heart sank.

It was a habit that I had seen before from her many times as a kid. Whenever she got caught doing something she knew to be wrong, the lip would get tugged and bitten as the guilt wormed away inside of her.

โ€œSuzi, what is it?โ€

โ€œBuster said that the bank needed an up-front payment to release the bonds into his business.โ€ I groaned. โ€œHow much?โ€

โ€œIt… it was just fifty pounds. He said that it was a guarantee and would be paid back once we had sold the bonds for them. He said it was all above board.โ€

I turned the letter over in my hand. The thick paper and the cream, embossed envelope felt expensive. Obviously, Buster hadnโ€™t wanted to stump up the cash himself this close to Christmas. Perhaps he was too busy saving up for a flash new car to park under his tree? โ€œDid the money come direct from your bank account?โ€

She nodded.

There was no way that we could go to the police now.

โ€œOkay, so this is what we do. We need to get him to back off. You tell him that everything should be fine here, but that I need to have a small chat with him over the fine details. Health and safety, you know? Can you do that, sweetie?โ€

Another silent nod.

โ€œGood girl. Get him back here tonight at six. โ€œIโ€™ll sort this for you.โ€

Iโ€™ll sort this for you.

Those were the last words that I ever heard my old man say.

When I was still a kid of single digits, my Nana, Dadโ€™s mum, lived with us. She was the oldest person that I knew. Her hair was pure white and incredibly thin, her skin wrinkled and she smelt funny. She stayed in bed all day, reading her bible and saying her rosary. I once asked her why she did this and she said that she had nothing else to do at her age, so she might as well make sure that she was right with God when he came for her.

Then, one winter, she fell ill. Seriously ill.

Her skin turned a pale grey and her jaw became slack, dribble running from the edge of her lips. She could hardly talk and obviously my dad was worried.

It was the day before Christmas and there had been a hell of a snow storm the night before. We lived out in the countryside, miles from nowhere. It was one of the perks of Dad being the senior partner in the townโ€™s largest legal practice. However, it meant that our nearest neighbour was only vaguely visible over on the next hill. The phone was out due to the heavy snow having brought down the lines, so we could not call for a doctor or an ambulance. Dad decided that he had to go into town and get help for his mother, so he pulled on his warmest clothes and climbed the stairs to her bedroom. Bending over, kissing her softly on the forehead, he whispered the same words that I would say to a desperate young mother sixty years later.

Then he turned, left the house, drove off in the car and I never saw him again.

He was found dead in a frozen ditch the next day. Christmas Day.

Not only that, but an hour or so after he left the house, there was an almighty scream from Nanaโ€™s room. Mum and I hurried up the stairs. I was smaller, faster, so I got their first. What I saw would haunt me for the rest of my life. The elderly woman who had been quietly making peace with her maker was sat upright against the quilted headboard of the bed, her arm stretched out with her fingers splayed wide. Her dead face was set in an horrific, contorted scream of terror.

So, no, Iโ€™m not a big fan of the festive season. Whether it brings credit card debt or family anguish, Christmas sucks.

Six oโ€™clock and Suzi arrived dead on the dot with dear old Buster. Suziโ€™s latest is one of those who has a wide, insincere smile permanently fixed to his orange face. The guy is just awash with teeth, bronzer and expensive cologne. Hell, it was almost Christmas and he looked like he was partying in Bermuda!

โ€œWell, hi there, Harry!โ€ he grinned, his snake eyes not once leaving me. โ€œI believe youโ€™ve agreed to host my little shindig.โ€

I stroked my rough beard with my gnarled fingers. โ€œAbout that. Not happening.โ€

There was the slight hint of surprise in the corner of his eyes, but still that damned smile did not flicker. โ€œOh? And why would that be? Itโ€™ll be a great evening, so much fun.โ€

โ€œNo, Buster,โ€ even saying the stupid name made me feel nauseous, โ€œwhat will be fun is if you get all your shit together and just get the hell out of here. Youโ€™re a fraud and this time youโ€™ve gone too far. How dare you use Suzi like this?โ€

He chuckled to himself. โ€œWell now, Harry, I donโ€™t see why I should follow you up on your advice.โ€

โ€œYou know who I am. You know who my father was. People respect me, people who matter. You may be able to twist and manipulate the facts to keep you out of legal trouble, but I can make it so that life here is extremely uncomfortable for you.โ€

There was a pause, then Buster took one step closer to me, his bright blue eyes fixed on my face. โ€œDo you know whatโ€™s uncomfortable, Harry? Iโ€™ll tell you whatโ€™s uncomfortable. Feeling me chowing down on your soul, thatโ€™s what.โ€

Well, this conversation had just taken an unexpected twist.

Buster nodded. โ€œMmmm… yes, there we go. That sense of unexpected doubt and fear. Delicious. Now, for the last few years Iโ€™ve been dining mainly on greed. The modern society are so hard to scare these days, what with their precious internet and darling television. They just donโ€™t get me and my old kind anymore. No, but they get greed and, once itโ€™s been stoked up in them, Iโ€™ll quite happily slurp away all that bitter brew.

โ€œBut fear… Now fear is something else. It slips off the plate in waves, so sweet, so moist.โ€ His tongue slid across his thick lips which seemed more engorged than they had been just a moment ago. โ€œYesss… so sweet. It really hits the spot. Just like it did when I appeared to your dear old Nana. I walked up to the side of her bed and peered deep into her frail eyes. Do you know what she saw in mine?

โ€œNothing.”

โ€œAll that reading. All those prayers as those stupid beads clicked away. All for nothing.โ€

He licked his lips once more and this time there was no mistaking just how plump his fat lips had become. Whatโ€™s more, his tongue had changed colour from pink to a dark purple. It seemed to snake around his bright, white teeth.

Buster chuckled again, but this time it was more of a sibilant hiss. โ€œOh, yes. Thereโ€™s the good stuff. I can smell it all over you. You reek of it. It makes me so hungry…โ€ And, with that, his tongue shot out of his mouth and lashed itself around my neck. I gagged and fell to my knees, my old hands trying desperately to unwrap the muscular noose, but it was wet and slippery so my fingers could gain no purchase. Buster continued to chuckle in his weird sibilant hiss. His eyes faded from blue to orange and I was aware of a green mist beginning to permeate from his tanned skin.

I was also aware of Suzi behind him. She had reached into that abyssal handbag of hers and damn me for lying if she didnโ€™t draw out a knife. I couldnโ€™t tell what sort it was as my vision began to blur, but I could see the sharp blade glint against the twinkling fairy lights of the festively decorated quay.

I reached out towards her as she drew the weapon up and tried to cry out that this was not a good idea, but my words failed as the blade arced down into the meaty shoulder of boyfriend Buster, or whatever the hell he was.

There was a blinding flash and I was aware of a powerful force crumpling me down onto the deck as the tongue released its grip around my neck. I was also aware of a womanโ€™s scream and the sound of Suzi careering over the safety rail into the frigid wintry waters.

I forced my old body to take control of itself and dragged myself past where Buster had once stood. I hauled myself up against the railings and peered down into the black depths. I could not see her. She must have fallen like a stone and plummeted downwards, taking in water as she fell.

I thought about her four-year-old daughter sat at home waiting for her mother to return and I cursed Christmas even more.

Lancaster’s master of the macabre is well known for marking his home town’s place on the horror map of the United Kingdom. His Sam Spallucci books, with their quirky blend of urban fantasy, film noir and dry humour, have gained a cult following over the last few years with fans journeying from around the country to see where reality meets an ever expanding universe of vampires, werewolves, angels and a plethora of other supernatural characters.

Halloween Extravaganza: A.S. Chambers: What Lurks in the Shadows of Lancaster?

A.S. Chamber’s popular main character, Sam Spallucci, is a paranormal investigator in Lancaster (UK). Here he explains to us why this character works so well in that particular place.


A question I am frequently asked is, โ€œWhy have you set stories about a paranormal investigator in Lancaster of all places?โ€

When I first moved to this hidden jewel of the North West, tucked away to the side of the M6, I was but a mere university undergraduate. Living on the campus a few miles south of the city, I rarely ventured into town. However, when I did, it was normally at night time to frequent the pubs and clubs. I was soon drawn into a world the like of which I had never experienced before. Having grown up in a small market town which had undergone numerous rejuvenations, I had only ever heard of these mystical little routes between buildings known as alleys and had never actually seen them up close.

Lancaster was (and still is) full of them.

The city’s heyday was in Georgian times when the majority of the hoi polloi wandered around on foot. Only the rich had access to carriages and, as a result, most of the main roads were narrow and the small footpaths that connected them were even more of a squeeze. Wandering around as a bright-eyed fresher, I could not help but be attracted to these tiny veins and arteries of my new home. As I passed one in the middle of the night, I could easily imagine what creatures might lurk down its shadowy depths and I would automatically cross to a lighter side of the high street to avoid being dragged away for some nocturnal creature’s midnight snack.

Time and familiarity tend to eradicate childish fears. So it was that, in my twenties, I started to see these little footpaths as less a potential lair for the undead and more a quick shortcut home from work. They lost their edge and became just like everything else in my early working years, part of the norm. I would stroll down them without giving a thought to ghosties or beasties that might have dwelt along their cobbled paths.

Then, when I stumbled rather bemusedly into my thirties, I began to hear tell of stories regarding Lancaster’s past. Tales that portrayed the city as less of a sparkling diamond, but more of a mysterious dark orb. There were ghosts that wandered the dressing rooms of the Grand Theatre. There was the screaming head that rolled down Castle Hill.

And who, in Lancashire, has not heard about the fate of the Pendle Witches? Members of two families whose feud boiled over into allegations of Satanism and witchcraft, leading them to be incarcerated at Lancaster Castle before gruesome deaths and executions.

So it was that I started to re-evaluate my sanitised view of my city and began to once more regard its shadowy alleys with a dose of caution and a certain amount of trepidation. These were footways that had known history, and not just the peaceful type where every-day folk merrily went about their business. There were murders, deaths and destruction that had bled their way into the very cobblestones upon which I walked.

So, when I get asked the aforementioned question, I tell those who enquire to come to Lancaster. Visit this place steeped in blood-stained history and walk down its alleyways at night. Then they will see how it might just be possible that there is a werewolf roaming Williamson Park, that a vampire might happen to run a local comic shop or that maybe, just maybe, the crazy woman singing on the street corner could very well be descended from the Pendle Witches.

Lancaster’s master of the macabre is well known for marking his home town’s place on the horror map of the United Kingdom. His Sam Spallucci books, with their quirky blend of urban fantasy, film noir and dry humour, have gained a cult following over the last few years with fans journeying from around the country to see where reality meets an ever expanding universe of vampires, werewolves, angels and a plethora of other supernatural characters.

He has a dark and brooding website.

Children of Cain: A Vampire Omnibus

For the first time, A.S.Chambers collects the popular stories of the vampires that feature in the expanded universe of his paranormal investigator, Sam Spallucci. Follow Justice the Wild West gunslinger as he tries to come to terms with his newfound supernatural abilities and heavy weight of being a king in waiting. Then, when finally reunited with his father and newborn sister, tragedy strikes. Accompany Nightingale, the all too human regent, as she creates her first offspring before attempting to train him to shrug off his own human nature. Go out for a night on the tiles with party-loving Scorpion and Tigress, the mute blonde and the bouncy redhead, as they hunt down an unsuspecting victim, before travelling back in time to when their supernatural lives crashed into the peaceful solitude of a medieval craftsman.Also includes a new foreword by the author.

Songbird: A Nightingale Story

Follow a young Nightingale through the late Victorian era as she escapes from abject poverty to become the ruler of the secretive vampire society known to its members as the Children of Cain. She travels from begging on the streets to a life of servitude under a sadistic parish priest before being liberated under the light of the moon by the vampire king, Doulos. With her new father, she travels to the Wild West in search of her older sibling, only to be cast into a tale of tragedy and bloodshed. 

Songbird – A Nightingale Story is set in the same universe as the Sam Spallucci series and is penned by Lancasterโ€™s master of the macabre, A.S. Chambers.

Sam Spallucci 1: The Casebook of Sam Spallucci

Welcome to the world of Samuel C Spallucci; whiskey drinking, chain-smoking, trumpet playing, sci-fi watching investigator of the paranormal.

When we start a new job all we normally encounter is overbearing managers, jealous co-workers and a dodgy toilet that needs that certain wiggle to make it flush. During Sam’s first week, based in the small university city of Lancaster, he is abducted by a cult of Satanic actors, has to baby-sit a new-born vampire, investigates a teenage poltergeist and escapes the clutches of a werewolf that works in a local zoo.

Not your usual first week on a new job, but certainly one you will never forget.

Contains the stories:
The Case of the Satanic Suburban Sitcom
The Case of the Vexed Vampire
The Case of the Fastidious Phantom
The Case of the Paranoid Poltergeist
The Case of the Werewolf of Williamson Park

Halloween Extravaganza: INTERVIEW: A.S. Chambers

Meghan: Hi, Austin. Itโ€™s been awhile since we sat down together. Whatโ€™s been going on since we last spoke?

A.S. Chambers: Well, I seem to have been majorly busy. I now have four Sam Spallucci novels out, with a fifth one on the way. 2019 also saw the publication of a collection of vampire short stories entitled Children of Cain and a stand-alone novella Songbird, both of which are set in the same universe. Also, at the end of 2018, my fourth short horror anthology, Mourning Has Broken, hit the shelves.

Meghan: Who are you outside of writing?

A.S. Chambers: What is this thing called โ€œoutside of writingโ€? I have to say that it more or less dominates my life. For me, itโ€™s a nine to five thing. If it wasnโ€™t, then life would just elbow its way in and stop anything from getting written down. I have to be ruthlessly strict with myself and make sure that I approach my writing in a determined, professional manner. Having said that, I do chill out in the evenings. This summer Iโ€™ve been doing up my garden, planting in lots of flowering plants. I also love to go walking. I live in Lancashire in the UK and there is just a mass of beautiful open countryside to go and enjoy.

Meghan: How do you feel about friends and close relatives reading your work?

A.S. Chambers: They donโ€™t read it until itโ€™s finished. I tend to very secretive and keep the work closely under wraps, probably in case I have a major change of mind and swerve plots off in a completely different path. Once itโ€™s finished, I have no problem. They can read away.

Meghan: Is being a writer a gift or a curse?

A.S. Chambers: I fail to see how writing could ever be a curse. You are creating something from within you, expressing it and putting it down on paper. This is a wondrous thing, an art form. It takes a long time to perfect and there can be times when you feel like screaming, but all beautiful things take a lot of work and effort to get right. They should never be rushed.

Meghan: How has your environment and upbringing colored your writing?

A.S. Chambers: I hold fast by the old motto, โ€œWrite about what you know.โ€ I live in the beautiful city of Lancaster, so my urban fantasy books about the paranormal investigator Sam Spallucci are set here. I draw upon local places and even local people and events. My upbringing has also had a profound effect. Sam shares certain parts of my life: the death of his father, his education, his health. I know these things about him in an incredibly intimate way, so I can really use them to make him feel alive as a person.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

A.S. Chambers: Ooooooโ€ฆ Thatโ€™s a good question. I wouldnโ€™t say it was strange, but I had to research the workings of the Victorian household and their use of servants for my vampire novella, Songbird. It was fascinating. The conditions that the young girls were forced to live and work in were deplorable. It was very close to a being a slave.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

A.S. Chambers: If I had to choose one of the three, it would probably be the middle. I wouldnโ€™t say itโ€™s the hardest, per se, but certainly the most time consuming. I always know how my stories are going to start and finish. It is up to my characters to develop the journey between the two points. When I start a novel, I always have certain scenes in my head. I make sure that I write these down first, then I see how my characters would join the dots by moving between them. As that happens, the story develops.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

A.S. Chambers: I always start with characters. My works are very much character-led. Sam is at the forefront and his friends and acquaintances around him. Itโ€™s normally a case of, โ€œWell what shall we do to them this time?โ€ Once I have certain pertinent scenes written, I then sketch a rough outline, highlighting flashpoints in the story which I will need to write next as they will be pivotal to plot and character development. After that, I reassess the outline and start ticking off โ€œjoining scenesโ€ and develop other areas of the story which start to call out to me.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

A.S. Chambers: Go with the flow. You canโ€™t fit a square peg in a round hole. If Iโ€™m writing something and think to myself, โ€œNope. They would not be doing that,โ€ then I stop and have a break. Go for a walk and see the world through the characterโ€™s eyes. I then come back, start the scene afresh and let the character lead me down the rabbit hole.

Meghan: What do you do to motivate yourself to sit down and write?

A.S. Chambers: I donโ€™t need motivation. I need peace, quiet and nice coffee. I have never had problems making myself write. It is one of the greatest pleasures in my life. However, due to my health, I do get very fatigued, so I have to make sure that I donโ€™t overdo it and I take regular breaks. This keeps the whole process fresh and enjoyable.

Meghan: Are you an avid reader?

A.S. Chambers: Oh yes. Itโ€™s kind of hard to move for books in my house. They cover almost every wall.

Meghan: What kind of books do you absolutely love to read?

A.S. Chambers: I tend to read absolutely anything. I feel itโ€™s really important to give anything a shot at least once because you donโ€™t know whether youโ€™ll like it if you just avoid it. Personally, I love Philip K Dick and Ray Bradbury. They both have a wonderfully quirky yet clean style which has me gripped from the moment I start reading. I also enjoy the Kathy Reichs Temperance Brennan books. They are good, character driven stories which I feel carry me along on an interesting ride as I try to solve the case before the heroine. However, two series which stand out the most for me are the Dexter books by Jeff Lindsay and the Barney Thomson novels by Douglas Lindsay (no relation to Jeff). Again, very character driven and thoroughly enjoyable. The Barney Thomson books, especially, stand out as they are so surreal at times due to the things that Douglas puts his characters through and you canโ€™t help but laugh out loud.

Meghan: How do you feel about movies based on books?

A.S. Chambers: Absolutely depends on the movie. For example, The Long Midnight of Barney Thomson was adapted by Robert Carlyle and was an absolute hoot. They changed a considerable amount to bring it to life, but the feel and the atmosphere was exactly the same as the book. Likewise, Blade Runner. One of my favourite films, the original plot of the book is almost totally unrecognisable compared to the film, but the feel and the texture remain. However, you do get those productions where you think to yourself, โ€œDear Lord. Have you actually read the book?โ€

Meghan: Have you ever killed a main character?

A.S. Chambers: Technically no (Sam was โ€œkilledโ€ but went back and changed history), but I have killed off side characters who readers liked. At the end of the day, the stories need to have a real feel to them to engage people. One of the truths of life is that bad things can happen to nice people. You need a certain amount of peril.

Meghan: Do you enjoy making your characters suffer?

A.S. Chambers: I wouldnโ€™t say that I enjoy making them suffer, but like in the previous question, bad things can happen to nice people in real life, so fiction has to follow that too. We are the sum of our experiences, bad as well as good. The way that my characters react to suffering will ultimately determine what path they will choose. (Hmmmโ€ฆ I wonder if that could be some sort of spoiler?)

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

A.S. Chambers: A Bondage-loving Banshee. I had a twenty-something who had been cursed by her mate and every time she got โ€œarousedโ€ would scream and kill electronic devices in the surrounding area. Needless to say, she was fun to create.

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received? Whatโ€™s the worst?

A.S. Chambers: My short story Needs Must was published in a charity anthology some years back and one reviewer singled it out saying that โ€œThis is what horror should be.โ€ Canโ€™t really get much better than that. Then there was the person who read Casebook and grumbled that there was very little historical matter about Lancaster. I think he had probably been reading the wrong sort of bookโ€ฆ

Meghan: What do your fans mean to you?

A.S. Chambers: They mean a hell of a lot. Itโ€™s great seeing them getting hyped about a new book or theorising about whatโ€™s going to happen. Iโ€™ve even had one come to an event cosplaying as the werewolf of Williamson Park. How cool is that? As an author, itโ€™s so satisfying having people (many of whom I have never met) becoming totally invested in characters and storylines that I have created.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

A.S. Chambers: Easy one. In the later Barney Thomson books, Douglas Lindsay created a hunchbacked, deaf barberโ€™s assistant called Igor, whose job is just to sweep up in the barbershop. All the guy can say is, โ€œArf,โ€ and yet everyone knows exactly what he means and, on top of this, he is a hit with the ladies. Pure genius and, in my opinion, the best character in all the books I have ever read.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

A.S. Chambers: I couldnโ€™t possibly write in a series that has already been established by another author. It would feel like I had broken into his house, crept into his bed room and stolen all his kinky underwear that he wears at those special kind of parties. So, Iโ€™ll just stick my own series about the down at heel paranormal investigator, Sam Spallucci.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

A.S. Chambers: I am actually working on one at the moment. In the next Sam Spallucci book, Troubled Souls, Sam will get transported back to Victorian Morecambe where he will team up with a pair of detectives, Mulberry and Touchstone, who were created by the wonderful Peter Cakebread and first appeared in his book The Morecambe Medium. We are basically taking the story and writing it from our own charactersโ€™ points of view. Samโ€™s adventure will appear in Troubled Souls as The Case of the Time Travelling Tea Room and Peterโ€™s will be published at a later date.

Meghan: What can we expect from you in the future?

A.S. Chambers: Like Iโ€™ve mentioned a few times already, I am currently working on Sam Spallucci: Troubled Souls. This is the fifth book in Samโ€™s series and will contain angels, haunted checkouts, Indian burial grounds and at least two serial killers. I also have my fifth short story anthology at the editing process and I am working on a Young Adult set of stories set in Samโ€™s universe.

Meghan: Where can we find you?

A.S. Chambers: Website ** Facebook ** Twitter ** Instagram ** Blog

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

A.S. Chambers: In the immortal word of Igor from the Barney Thomson books, โ€œArf!โ€ I think that covers it all.

Lancaster’s master of the macabre is well known for marking his home town’s place on the horror map of the United Kingdom. His Sam Spallucci books, with their quirky blend of urban fantasy, film noir and dry humour, have gained a cult following over the last few years with fans journeying from around the country to see where reality meets an ever expanding universe of vampires, werewolves, angels and a plethora of other supernatural characters.

He has a dark and brooding website.

Children of Cain: A Vampire Omnibus

For the first time, A.S.Chambers collects the popular stories of the vampires that feature in the expanded universe of his paranormal investigator, Sam Spallucci. Follow Justice the Wild West gunslinger as he tries to come to terms with his newfound supernatural abilities and heavy weight of being a king in waiting. Then, when finally reunited with his father and newborn sister, tragedy strikes. Accompany Nightingale, the all too human regent, as she creates her first offspring before attempting to train him to shrug off his own human nature. Go out for a night on the tiles with party-loving Scorpion and Tigress, the mute blonde and the bouncy redhead, as they hunt down an unsuspecting victim, before travelling back in time to when their supernatural lives crashed into the peaceful solitude of a medieval craftsman.Also includes a new foreword by the author.

Songbird: A Nightingale Story

Follow a young Nightingale through the late Victorian era as she escapes from abject poverty to become the ruler of the secretive vampire society known to its members as the Children of Cain. She travels from begging on the streets to a life of servitude under a sadistic parish priest before being liberated under the light of the moon by the vampire king, Doulos. With her new father, she travels to the Wild West in search of her older sibling, only to be cast into a tale of tragedy and bloodshed. 

Songbird – A Nightingale Story is set in the same universe as the Sam Spallucci series and is penned by Lancasterโ€™s master of the macabre, A.S. Chambers.

Sam Spallucci 1: The Casebook of Sam Spallucci

Welcome to the world of Samuel C Spallucci; whiskey drinking, chain-smoking, trumpet playing, sci-fi watching investigator of the paranormal.

When we start a new job all we normally encounter is overbearing managers, jealous co-workers and a dodgy toilet that needs that certain wiggle to make it flush. During Sam’s first week, based in the small university city of Lancaster, he is abducted by a cult of Satanic actors, has to baby-sit a new-born vampire, investigates a teenage poltergeist and escapes the clutches of a werewolf that works in a local zoo.

Not your usual first week on a new job, but certainly one you will never forget.

Contains the stories:
The Case of the Satanic Suburban Sitcom
The Case of the Vexed Vampire
The Case of the Fastidious Phantom
The Case of the Paranoid Poltergeist
The Case of the Werewolf of Williamson Park