Halloween Extravaganza: INTERVIEW: Linda D. Addison

Meghan: Hello, Linda. Welcome to Meghan’s House of Books. Tell us a little bit about yourself.

Linda D. Addison: I’m the second oldest of 10 children, been making up fables since I can remember. Currently, I have over 350 poems, stories and articles in print. I write what sings in me, so I’ve created work that’s been labeled horror, fantasy, science-fiction. I’ve worked most of my life as a software developer, but now retired to write full-time.

Meghan: What are five things most people don’t know about you?

Linda D. Addison: Ok, here we go:

  • I’m a character in the Star Trek Wiki (“Linda Addison was a Human female who served in the Federation Starfleet in the 24th century.”).
  • I took belly dancing lessons years ago and had one public performance (at Necon).
  • In 11th grade, I won a scholarship to travel to western Europe with the World Youth Forum, which completely changed my life.
  • I’ve been practicing tai chi for more than 20 years.
  • I’m in IMDB as background cast from The Girl Next Door film (book by Jack Ketchum).

Meghan: What is the first book you remember reading?

Linda D. Addison: Fun with Dick and Jane. This was the first book I remember holding in school and thinking, I want to make these one day. I had no idea what that meant but I never forgot that moment.

Meghan: What are you reading now?

Linda D. Addison: For my own pleasure: at this very moment: I Am Not Your Final Girl poetry collection by Claire C. Holland, which I got into because of hearing her read one of her poems. After that I had to buy her book and I’m enjoying it very much. In general, I read several books at the same time, the ones started on the top of a tall pile: Pimp my Airship by Maurice Broaddus; Lady Bits by Kate Jonez; The King of the Wood by J. Edwin Buja. Outside of these I’m reading tons of poetry for the next issue of Space & Time Magazine.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Linda D. Addison: I read A Prayer for Owen Meany by John Irving in the early 1990’s and put me on the road to reading Irving. That book’s story and main character were so entirely different than anything I had been reading.

Meghan: What made you decide you want to write? When did you begin writing?

Linda D. Addison: My mother was a magnificent storyteller. I grew up believing everyone made up stories, so my imagination was always engaged, an overlay to reality like The Matrix. I had no choice but to write, it was the natural outcome for me as soon as I learned to put words to paper. My earliest memory of a story I wrote was a take off of Alice in Wonderland in elementary school.

Meghan: Do you have a special place you like to write?

Linda D. Addison: I like to write in my very comfy chair in living room where I can see the mountains. In a day I’ve been know to move to the dining room where I can see my courtyard; my office, even my bedroom has a writing corner. When I’m not home I can write anywhere as long as I have music on earphones.

Meghan: Do you have any quirks or processes that you go through when you write?

Linda D. Addison: I don’t have something I always do, but when I’m home I like to write either with silence, or music without vocals (like Miles Davis) or depending on what I’m writing, movies running with sound off (Star Wars, Alien, etc.).

Meghan: Is there anything about writing you find most challenging?

Linda D. Addison: Hmmm, just having enough time to get it down each day, it’s a balancing act between writing my stuff and being involved with other projects with other people.

Meghan: What’s the most satisfying thing you’ve written so far?

Linda D. Addison: The last thing I’ve completed, a poetry collection, The Place of Broken Things, released July 2019 written with Alessandro Manzetti. It was easy, fun and uplifting, we each wrote a third of the poems separately & a third together. Our voices/approaches were different enough to inspire each of us to create some weirdly, wonderful work.

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Linda D. Addison: This is the hardest questions to answer. I could write a book of lists. In elementary school I read every book of fables in our classrooms (Yellow, etc), Aesop’s Fables, filling my head with talking magical animals. Junior High, High School I read the science-fiction section of the library, A through Z, fantasy with dragons; non-genre authors like: Shakespeare, Poe, Kafka, Ralph Ellison, James Baldwin, Langston Hughes. The pattern of reading widely continues to this day, more than anything I struggle to find time to read and write.

Meghan: What do you think makes a good story?

Linda D. Addison: I’m a big character person—I can follow a story many places if you hook me into the character.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Linda D. Addison: I love characters who have levels of personality, willing to pay the price for what they want/need, whether they are perceived as good or bad, I like characters that have a bit of both, like real people. I try to do the same when I create my characters.

Meghan: Which, of all your characters, do you think is the most like you?

Linda D. Addison: I can’t think of one particular character who is most like me, there’s a little bit of me in many of my stories, some emotion/reaction/memory of mine.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Linda D. Addison: A bad cover is not good for anyone. I’ve read work with covers that weren’t as professional as they could be, so it won’t stop me, but I know it turns off others. I’m very happy with the covers of my books; they have been published by small/medium presses and I’ve had input, final sign off on them. They are each special in a different way. The cover to How To Recognize A Demon Has Become Your Friend by Jill Bauman always attracts people when I do signings.

The cover of The Place of Broken Things, was created by Adrian Borda, an artist bought to my attention by Alessandro Manzetti (co-creator of book) and we decided together which piece of art to use. I’m absolutely delighted with the cover art, it’s a great representation of the title: that broken place, that broken character.

Meghan: What have you learned creating your books?

Linda D. Addison: Each book teaches me something different. There’s are many steps that go into going from the first sentence/poem line to a finished manuscript. I’m constantly looking to increase my technique and editing abilities. The main things: write my first draft as wild as I want; re-write/edit like a warrior; get someone with edit skills for a final read. When looking for a market/publisher spend time checking for a good fit. Good production is important (including covers). Marketing/Sales, I”m always learning something new about using social media to help get the word out.

Meghan: What has been the hardest scene for you to write so far?

Linda D. Addison: The poem “Philly’s Little Boy” in the book The Place of Broken Things was very emotional because I read how children were treated in American slavery to incorporate real details.

Meghan: What makes your books different from others out there in this genre?

Linda D. Addison: It’s difficult to step outside my writing but I’ve been told my poetry is accessible because of the emotion it invokes and my genre fiction reflects real human situations.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Linda D. Addison: Book titles are very important, they set the mood for the reader, draw them in. It’s been easy for me to select titles since they come to the surface as the book is written. For collections that include poetry, the book title is often the title of a poem. I even have a document full of possible titles, like lines of poems. Alessandro and I had a title for our collection before we even started writing; the first poem we wrote was The Place of Broken Things. The words in the title set the open tone for what we wrote from then on.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Linda D. Addison: I started writing poetry mostly and it was very easy, like listening to a song. Writing short stories sometimes took more work (outlining, editing, etc). The last couple of years even writing fiction has also become very organic. Now I’m completing my first novel (well, the first I would let anyone read) and to my delight it’s been flowing very nicely.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Linda D. Addison: Most of my books are considered horror, which is more psychological than graphic. My science-fiction is mostly about characters than things. I don’t know what my target audience would be but I hope readers are touched/inspired/entertained.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Linda D. Addison: I have lots of poems that were taken out of collections because they didn’t work, and bits and pieces of stories that haven’t been finished. These are things that might be useful in the future so they’re never thrown away for good.

Meghan: What is in your “trunk”?

Linda D. Addison: There are stories I’ve published that I want to expand into longer pieces (ex. “Whispers During Still Moments”, my vampire story in the Dark Thirst anthology).

Meghan: What can we expect from you in the future?

Linda D. Addison: I’m very excited about having a poem in the next issue of Weird Tales Magazine #364. Look for a story of mine in “New Scary Tales to Tell in the Dark” anthology (HarperCollins, 2020), which was a blast writing.

Movies have always been inspiring for me so I’m beyond thrilled about Mourning Meal, a film inspired by my poem of the same title, being released in 2020 by award winning producer, screenwriter Jamal Hodge. My poem, with the fantastic actor Rüya Koman, is the first episode of a 2020 web series called “Poetry & Death” also by Jamal Hodge.

Meghan: Where can we find you?

Linda D. Addison: Website ** Facebook ** Twitter

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Linda D. Addison: I have three words for my fans: “I love you”.

Linda D. Addison, award-winning author of four collections, including How to Recognize A Demon Has Become Your Friend, the first African-American recipient of the HWA Bram Stoker Award, received the 2016 HWA Mentor of the Year Award and the 2018 HWA Lifetime Achievement Award. Check out her latest poetry in The Place of Broken Things, writen with Alessandro Manzetti (Crystal Lake Publishing, 2019). She is excited about the 2020 release of a film (inspired by my poem of same name) Mourning Meal, by producer and director Jamal Hodge.

How to Recognize a Demon Has Become Your Friend

Who doesn’t need to know How To Recognize A Demon Has Become Your Friend? From the first African-American to receive the HWA Bram Stoker award, this collection of both horror and science fiction short stories and poetry reveals demons in the most likely people (like a jealous ghost across the street) or in unlikely places (like the dimension-shifting dreams of an American Indian). Recognition is the first step, what you do with your friends/demons after that is up to you.

The Place of Broken Things

Bram Stoker Award® winners Linda D. Addison and Alessandro Manzetti use their unique voices to create a dark, surrealistic poetry collection exploring the many ways shattered bodies, minds, and souls endure. 

They created poems of visionary imagery encompassing death, gods, goddesses and shadowy, Kafkaesque futures by inspiring each other, along with inspiration from others (Allen Ginsberg, Pablo Neruda, Phillis Wheatley, etc.).

Construction of The Place started with the first bitten apple dropped in the Garden. The foundation defined by the crushed, forgotten, and rejected. Filled with timeless space, its walls weep with the blood of brutality, the tears of the innocent, and predatory desire. Enter and let it whisper dark secrets to you.

Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

Halloween Extravaganza: INTERVIEW: Kelli Owen

Meghan: Hi, Kelli. It’s been awhile since we sat down together. What’s been going on since we last spoke?

Kelli Owen: To start off with a bang, I got a chapbook banned on Amazon last spring. They’d been selling it for three years and then one day some guy named Charlie V with too much power and not enough friends decided to ban it, block me from selling it, and make my life an interesting factoid. In the end, I published it at a local printer and now offer it through my website. Sorry, Charlie.

Shortly after that, Passages, book 2 in the Wilted Lily series, came out. And in doing so, turned into a series rather than a sequel.

And several short stories have happened—two came out last year, two will this year, and one is slatted for an early next year release. I know, that’s only five, the sixth piece I was ticking off on my fingers was actually an essay rather than a story—released last year as well.

Meghan: Who are you outside of writing?

Kelli Owen: Depends on the moment. I wear many hats, including writing. I’m an accountant (by day), a grandmother, a perpetual 12-year-old full of wonder and questions, a curious but cautious explorer, and a fun-crazy (not to be confused with scary-crazy) girl just trying to absorb it all.

Meghan: How do you feel about friends and close relatives reading your work?

Kelli Owen: I think it’s great. Readers are readers, and not in the sense of “please read my book” but rather in a “reading is becoming rare and any reader is a good thing” kind of way. If I happen to know them and they happen to read my fiction, awesome. I hope they like it.

Meghan: Is being a writer a gift or a curse?

Kelli Owen: Neither. It just is. It can however be an intrusive inconvenience. When you’re actively working on something but are away from it for whatever reason (life, dinner, shower, out with friends) and suddenly have to stop what you’re doing to write notes. That can be fun. And there’s those moments when you’re mid-sentence or watching a movie and just drift off because suddenly you’re plotting or planning or have dialogue running through your head. I still wouldn’t say curse, but I’d definitely suggest it’s an adventure. Just having the imagination that goes with writing can fall into both categories, and usually at the worst times.

Meghan: How has your environment and upbringing colored your writing?

Kelli Owen: My father loved thrillers and horror novels, introducing me to everything from Lovecraft to Dean Koontz. My mother loved horror movies, and supported my love of all things creepy—though with a raised eyebrow on occasion. While I did read my way through a fantasy phase, writing fantasy was as brief as a firefly’s blinky butt. Thrillers and horror were the things that moved me from a very young age, and made me want to move others. The atmosphere in my house nurtured it, never suggesting I “write something nicer” or otherwise steering my interests, themes or topics.

Meghan: What’s the strangest thing you have ever had to research for your books?

Kelli Owen: Returning blood to a liquid state after it has clotted. Even typing that is gross and reminds me of some of the nastiness of that research. Thank goodness I found a lovely phlebotomist to make friends with who could answer all the questions with science and make it less gross for me, even though I turned around and wrote it with gore and upped the gross factor for the readers.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Kelli Owen: The first paragraph. I will write and rewrite and rewrite it. Then I’ll move past it and come back, and rewrite it. And rewrite it again. I honestly rewrite that first paragraph at least six times before I get to the end. I never start a piece of fiction without knowing the end, and the middle is the fun part where I have a rough sketch and let the characters tell me the details, but that beginning? It has to not only punch, it has to lead into the middle and the eventual end with grace.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

Kelli Owen: I outline, or what I call an outline. It’s more of a list of scenes and/or conversations, in order, which does usually get followed fairly closely.

I usually know the story before I know the characters. I know this thing is happening in the universe, then I work out who is present for it, whom among them have insight and therefore voice. Story arc and character arc often work in opposite directions, passing each other somewhere in the outlines.

Once all that is ready, and that dang first paragraph is good, then yes, I just start. It becomes a living thing to the point that one of my biggest issues is tense change—because it’s happening present time in my mind but I write mostly in past tense, so I’ll catch myself switching between them.

Meghan: What do you do when characters don’t follow the outline/plan?

Kelli Owen: Smile, sit back, and follow them with glee. I love when characters come to life and start surprising me, and my outlines generally allow for it to happen. Only rarely have I had to reel a character back in, and it usually causes me to pause and wonder why they went off that way.

Meghan: What do you do to motivate yourself to sit down and write?

Kelli Owen: Deadlines work! Haha. I’m actually blessed, and I say it that way because I know there are many who aren’t and I don’t want to get slapped by colleagues. When it’s time to write, I can basically just do that. I start the music, read what I previously wrote, and then continue the story.

Meghan: Are you an avid reader?

Kelli Owen: Oh I used to be such an insanely voracious reader. For years, I read enough to keep the TBR pile(s) under control. Now, I’m pulled so many ways for time, I have three different TBR piles, and while I am reading from each of them (the top book), I’m not doing it anywhere near the speed I would like.

Meghan: What kind of books do you absolutely love to read?

Kelli Owen: I still love the thrillers and horror. Dark stories about normal people in screwed up situations. Wicked twists or supernatural undertones, paranormal or apocalyptic, I’ll take anything that falls under dark, but is only one step left of reality.

Meghan: How do you feel about movies based on books?

Kelli Owen: I think people could enjoy both more if they all just remembered it’s two different mediums and sometimes you need to make changes because things don’t translate one way or the other. That said, I think there should be more movies based on books. Hollywood is so fixated with built-in audiences and unwarranted remakes, I swear they’ve all burned down their bookshelves. There are so so many books, in just the last twenty years, that would make amazing movies, but unless they’re agented or connected, they’ll never be seen that way. It’s a shame.

Meghan: Have you ever killed a main character?

Kelli Owen: Absolutely. One I knew was going to happen from the beginning, the other was a bit of a surprise (see that question above about characters going off script). And of course, in the Atrocious Alphabet, the coloring book based on a horror poem I wrote, pretty much everyone dies.

Meghan: Do you enjoy making your characters suffer?

Kelli Owen: It sounds so dirty when you say it that way, but yes. It’s my job. By definition, a thriller or horror story is boiled down to: something has gone wrong and it affects the protagonist. For a short story you can end there, but for longer works, usually more things goes wrong. A lot more if there are layers and/or multiple characters in the mix. Do I enjoy it? I don’t necessarily enjoy the issue or problem at the core, but seeing how it affects the characters, or how they’re going to deal with it, is always interesting.

Meghan: What’s the weirdest character concept that you’ve ever come up with?

Kelli Owen: “Weird” is a subjective term, and in the realm of the darker genres, it’s actually normal, or at the very least expected. So I’m not sure how to answer this. Re-inventing vampires (in Teeth) who don’t burn in the sun or fear the cross, perhaps? I also have a school full of psychically gifted kids, with some new twists on paranormal abilities (Passages).

Meghan: What’s the best piece of feedback you’ve ever received? What’s the worst?

Kelli Owen: Actually, I recently had an editor question the tone of the ending to a short story, and it made me rethink it and change it—strengthening the entire story. We’ll call that the best. The worst? I don’t know if there is such a thing. There’s feedback you disagree with, or decide not to heed, but I wouldn’t necessarily call it bad. And oddly, can’t think of anything I disagreed with hard enough to even mention.

Meghan: What do your fans mean to you?

Kelli Owen: Everything. I’m delighted to have them, and am constantly humbled by their kind words. I have included them in my works via submitted names for characters, and thanked them in the acknowledgements.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Kelli Owen: Odd Thomas. And you should know, in my head, I answered that with definitive vulgarity punctuating those words. I’d make him a teacher at McMillan Hall (Passages) and have a lovely time with scenes in his classroom.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

Kelli Owen: There’s not a lot of series (I’ve read) which are still open ended enough to take somewhere. Though it may be more fun to hijack someone else’s work and write a sequel. In that case, I would love to take Jack Ketchum’s Off Season—which is one of my all time favorite books—and continue the story beyond his existing sequel (Offspring) to round it out to a three-part series.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

Kelli Owen: I would have loved to write with Dallas, aka Jack Ketchum, but sadly that window has closed. As both a hero and a mentor, and later a friend, it would have been a beautiful opportunity to see how his magic was created from the inside. What would we have written about? Easy. Life askew, washed in horrific Technicolor. Also, see the previous question.

Meghan: What can we expect from you in the future?

Kelli Owen: For starters, what I thought was a simple sequel to Wilted Lilies became book two in a series. So after Passages there will be at least three more, which are currently plotted. While those will likely remain novella length to fit the theme so far, anything could happen. Outside of that, I’m very excited about my next two novels—a coming of age tale, followed by what I hope is a truly scary ghost story. I’ve made a career out of making people nervous or uncomfortable, let’s see if I can’t make their hearts race and perhaps scare them…

Meghan: Where can we find you?

Kelli Owen:

Facebook (author page) ** Facebook (discussion group)
Twitter ** Instagram ** Goodreads

And of course, my website where you can find links to other bits and pieces of me scattered about the web. Also, depending on when this is published, I will be at four signings this Halloween season, please see website for details.

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview or the last?

Kelli Owen: Thank you so much for reaching out to me to come back and be part of the extravaganza again, I’m delighted to be included. To the fans, thank you so much for reading—please tip your waitress (ahem, please leave reviews, it’s lifeblood in this business). And may everyone have a safe and spooky Halloween!

Kelli Owen is the author of more than a dozen books, including the novels Teeth and Floaters, and fan-favorite apocalyptic novella Waiting Out Winter, and the Wilted Lily Series. Her fiction spans the genres from thrillers to psychological horror, with an occasional bloodbath, and an even rarer happy ending. She was an editor and reviewer for over a decade, and has attended countless writing conventions, participated on dozens of panels, and spoken at the CIA Headquarters in Langley, VA regarding both her writing and the field in general. Visit her website for more information.

Teeth

All myths have a kernel of truth. The truth is: vampires are real.

They’ve always been here, but only came out of hiding in the last century. They are not what Hollywood would have you believe. They are not what is written in lore or whispered by the superstitious.

They look and act like humans. They live and love and die like humans. Puberty is just a bit more stressful for those with the recessive gene. And while some teenagers worry about high school, others dread their next set of teeth.

Vampires are real, but in a social climate still struggling to accept that truth, do teeth alone make them monsters?

Wilted Lily 1: Wilted Lilies

It’s not that Lily May Holloway is a broken, battered teenager recently escaped from her kidnapper. 

It’s not that she may or may not have killed him to escape. 

The question on Detective Travis Butler’s mind is — what exactly does the death of little Tommy Jenkins have to do with her kidnapper? 

And why does the man behind the one-way glass want the detective to entertain Lily’s tales of speaking to the dead… and being able to hear the thoughts of the living?

Wilted Lily 2: Passages

Lily May Holloway can hear the thoughts of the living, and speak to the dead. She’s done so since she was little, and been shunned for it.

As a new student at McMillan Hall, a private school with other teens who possess a variety of psychic gifts, she finds she isn’t necessarily unique. Or safe.

Acceptance is no longer her only concern. 

Staying alive is.

Passages, book 2 of the Wilted Lily series, picks up where Wilted Lilies left off…

Left for Dead/Fall from Grace

LEFT FOR DEAD

When Susan’s 8-year-old daughter is brutally attacked, she becomes consumed by her need for revenge but mere punishment is not enough. Susan learns that sometimes those being given the lessons are not those doing the learning.

FALL FROM GRACE

Grace has spent seven years adjusting to the tragedies of her youth. She has become a smart, sexy, complex teenager, who is nothing short of dangerous, as she teeters on the edge of the abyss and smiles at the monsters inside.