Halloween Extravaganza: David A. Riley: STORY: Their Cramped Dark World

Their Cramped Dark World

It was obvious that something was wrong the moment they entered the empty house.

For a start off, it felt far from empty.

There were sounds everywhere.

“If those’re rats, I’m out of here,” Lenny muttered, his enthusiasm dampened suddenly by the scutterings that seemed to cascade all around them as they walked across the bare floorboards in their trainers. Lenny, the younger of the two boys by barely a month, was tall and gangly, with a livid rash of acne across both cheeks. His dark eyes glanced suspiciously about the ballroom-sized entrance hall as they paused inside it, listening.

Pete grinned. It was a broad, unmistakably roguish grin that somehow made him look older than his fifteen years, as if he’d been born before and could still remember far too much of a disreputably colourful past life.

“Rats are the last things you should be worried about here, Lenny.” He made a long, haunting moan that echoed eerily through the house.

“Bollocks,” Lenny retorted, anger mixed with the stirrings of doubt he had begun to feel as soon as they approached the old, abandoned house. Making plans was one thing. Carrying them out was something else, especially after dusk had darkened the two acres of woodland around the house into a motion-filled blackness of half-seen, menacing shapes. “We should have set out earlier,” he grumbled as he switched on his torch. “Besides, I bet none of the others turn up.”

“They’d better,” Pete said. “This lot cost me a fortune. Especially since I had to pay that old wino, Karl Ott, to buy them for me.” He lugged the rucksack he’d been carrying off his shoulders and lowered it to the floorboards. There was a clink of glass: two half bottles of vodka and a bottle of rum, with a mixture of cokes, Sprite and orangeade. On top was a box of candles in case the electricity in the house wasn’t working.

Lenny tried the light switch and the two boys were surprised when the electric chandelier above their heads came on, though half its bulbs were dead or missing.

“The rest of the gang should be here in another half hour,” Pete said. “I told them half five.”

In late October, though, it was dark not long after four. Now, with heavy clouds covering what little there was of the moon, it was all but black outside.

“It would have been better if we’d all come together,” Lenny grumbled.

“What, and miss out on getting into the party mood beforehand?” Pete brought out one of the bottles of vodka and a couple of glasses. “Coke or Sprite?”

Lenny grinned. “Coke.”

He accepted the brimming glass and sipped the dark, fizzy liquid inside it. “I can’t taste anything but coke,” he complained. “Did you pour in some vodka?”

“You saw me, dummy. Fifty-fifty. My dad says you can’t taste vodka anyway. Only what you mix with it.”

“Then what’s the point?”

“You’ll see the point when you’ve drunk it. When was the last time you got a buzz off cola?”

Dubious, Lenny drank some more. “I think I see what you mean,” he said a moment later.

“Here’s to Halloween,” Pete announced, raising his glass.

“Shouldn’t we wait for the others?”

“What for? We can have another toast then. There’s no law to say you can only toast something once. Come on, hurry up. We’ve time for a few more drinks before they get here.”

Draining his glass, Lenny handed it back to Pete for a refill. Somehow the creaks and scratchings inside the walls and in the ceiling didn’t quite seem so menacing anymore. He felt a mild glow start to grow inside him.

“It’s not hard to believe what happened here, is it?” Lenny said a few minutes and a third glass of vodka and coke later. The warm glow had now spread throughout most of his diaphragm.

“Did you ever doubt it?”

“Naw. But sometimes you wonder whether your parents enjoy embroidering it all a bit just to get you frightened. It’s kind of sick, isn’t it? A whole family slaughtered, one by one.”

“It was worse than that, Lenny.” The two boys were sat on the floor in the hallway, the surrounding doors into the other rooms still closed, sealed with festoons of dark grey cobwebs. Most of Pete’s face was in shadow as he leaned forward over his glass of coke.

“What d’you mean, worse? What could be worse than that?”

“Worse, ‘cause they weren’t just slaughtered. They were sacrificed, Lenny, one by one. Whoever killed them, tied them up first so they couldn’t move, then taped their mouths so none of them could cry for help. Or hear their screams as he worked on them.”

“Worked on them?”

“They were tortured to death, Lenny. It took hours. All night long it went on. There was blood everywhere. That’s why there are no carpets. They were drenched in it. Ruined. Even the floors were awash. If you look hard enough they say you can still see some of the stains.”

Lenny squirmed uncomfortably on the wooden floor, as if he could feel the old dried blood beneath his buttocks on the dark floorboards.

“You’re joshing me, aren’t you?”

“Why should I do that? It’s all for real. You could check it yourself if you wanted to. It’s there in the papers. Every last word. Twenty-five years ago to this night. On Halloween. And no one has ever been arrested for it.”

Lenny reached for another drink from his glass.

“Whoever did it must be getting on now. If he was only in his twenties then, he’d fifty now. Sheesh!”

“Fifty’s not old,” Pete said.

“My grandparents are fifty – and they’re old.”

Pete laughed. “Bet they’d be pleased if you told them that.”

“But it’s true,” Lenny insisted. “It’s too old for a murderer. Isn’t it?”

“You’re a scream, Lenny. A real scream. Did you know that?”

Lenny grunted.

“Anyway, it’s a long time ago.”

“And this house is still empty.”

“Not always,” Lenny said. “I remember people living here.”

“Maybe, but none of them ever stayed for long. That’s what I mean. None of them,” Pete added with an air of significance.

“Are you telling me this place is haunted?”

“Don’t you think so? Isn’t that why we’re here?”

Lenny shivered; his hand reached out instinctively for the vodka and coke. “Where are the others? They should be here by now.”

“They’ll be here. There’s plenty of time yet.”

“But it’s nearly six.”

“And so?”

Lenny shrugged. “It’s nearly six. That’s all I said. I thought at least one of them would’ve been here by now.”

“Perhaps they’ve chickened out? Perhaps they know too much about what happened all those years ago and are frightened to come here tonight.”

Lenny stared at him. “You’re joking, aren’t you?”

“Maybe.” Pete grinned, that same roguish, all-knowing grin he always used.

Lenny drank some more vodka and coke. He felt a little light-headed now.

“What’ll we do if they don’t come?” he asked.

“We’ll have a party of our own.”

“That’d be fun,” Lenny said, sarcastically.

Pete merely grinned.

“You did tell them all, didn’t you?” Lenny asked a few minutes later. The noises within the walls were still rustling disconcertingly all about them and he was beginning to feel nervous again despite the effects of the vodka.

“Of course I did.”

Lenny peered at his Timex. “It’s ten past now. Why aren’t they here?”

“Perhaps they’ve chickened out, like I said. Perhaps there’s only you and me with the balls to come here.”

Lenny reached for his glass. He wished he felt as tough about being in this place as Pete. But the non-stop sounds of hidden movement made him think too vividly of nasty, vicious swarms of rats inside the walls, of scores, perhaps hundreds of the verminous creatures hidden behind the dark wallpaper and wafer-thin, damp-riddled plaster, only feet away from them. With sharp teeth and sharper claws.

“You feeling a bit jittery?” Pete asked.

“Naw…” Even to his own ears, though, Lenny’s reply sounded weak. Unsure.

Pete laughed, quietly.

His laughter was beginning to get on Lenny’s nerves. He wondered if Pete had really invited the rest of them here. But why would he have lied about this? It didn’t make sense.

Unless, Lenny wondered, Pete had some secret reason for wanting to be alone with him here tonight which Lenny would never have agreed to if he had known about it. Unless, Lenny thought, with a sudden shock of insight that left him feeling nauseated, Pete fancied him in some way.

Lenny looked at his friend. Was it possible that Pete was secretly queer?

He didn’t look that way. But could he be sure? He knew so little about that kind of thing, and what he did know was probably a load of nonsense. He was only too aware how talk about stuff like that got distorted, with all sorts of myths and rumours and misinformation. Perhaps Pete was gay. He’d a bloody strange grin, that was for sure. And he didn’t seem at all concerned that none of the others had turned up tonight– as if he had known all along there would only be the two of them here.

Lenny reached again for his vodka and coke, though he wasn’t sure if drinking any more of the stuff was a good idea.

“Are you worried?” Pete asked.

“About what?”

“About this place. About its history. About what went on here twenty-five years ago. What else did you think I meant?” Pete narrowed his eyes.

“Nothing,” Lenny said. “Just what you said. What happened here. The murders.”

“Bloody gruesome, eh?” Pete laughed. The sound echoed through the empty house and for the briefest of instants Lenny was sure the rustling ceased, as if whatever was making the sounds had heard him and paused – to listen.

“I think I’ve had enough of it here,” Lenny said suddenly. “If the rest aren’t coming, it’s going to be a bloody bore. We might as well go home and watch TV.”

“You chickening out too?”

“I’m here, aren’t I? I wasn’t scared to come here. I’d have stayed here too if there was any point. But two of us doesn’t make a party, whatever you say. And now it’s getting cold and there’s nowhere to sit except on the floor. And I don’t care much for those rats.”

“What rats?”

“Those fucking rats scuttering inside the walls, for God’s sake. Can’t you hear them too?”

Pete shrugged. “To be honest, Lenny, I’d forgotten about them. Got used to the sounds, I suppose. Just background noise. White noise, don’t they call it? Anyway, they’re harmless. Have you ever heard of anyone you know being attacked by rats? They’re only aggressive if they’re cornered. Everyone knows that. Leave them alone and they’ll leave you alone. It’s as simple as that.”

“So you’re an expert on rats now?”

Pete frowned; his grin gone. “Have I upset you, Lenny? Have I said something to annoy you? To piss you off?”

“No.”

“Sounds to me like I have. Sounds to me like that’s why you want to leave. We’ve not even been here an hour yet. There’s still plenty of time for the others to arrive.”

“Bollocks. None of them are coming. They’d have been here by now if they were. At least one of them would have turned up.”

“You trying to imply something?”

Lenny shrugged. “Maybe.”

“Like what?”

“Just leave it. I’m fed up with this place. And that vodka’s making me feel sick.”

“Like what, I said, Lenny?”

“Fuck it.” Lenny got to his feet. “I’m off.”

“Like fuck you are.” Pete stood up too, his aggression obvious to Lenny. What good humour he’d had before had gone. There was a dangerous tautness about his face, which disconcerted Lenny. He had never seen anything like this about his friend before. It was almost as if he had found himself alone with a stranger.

“What’s up with you, Pete?”

“Up with me?” The teenager smiled. It was a tense smile, as unlike anything he would have normally given as a grimace. There was no humour in the expression. There was no humour in it at all.

Feeling suddenly afraid, Lenny abruptly made for the outside door, but Pete moved even more quickly, cutting him off, as if he had half expected him to do what he did.

“Not so fucking quick,” Pete snarled. He swung a fist at Lenny’s face. It was so unexpected that Lenny could barely react before he felt Pete’s knuckles crack like a heavy mallet against his jaw. The next thing he knew he was falling, dizzy with shock, nausea and a sudden sense of unreality, as the floorboards loomed against the side of his face. Almost at once Pete was astride him. The weight of his body forced Lenny down onto the hard floorboards, winding him. Still dazed, Lenny felt his hands being pulled in front of him. Something thin was tugged tight around his wrists, forcing them together. He struggled to sit up when he saw that a narrow strip of plastic, like the kind his father used for tying up plants in their yard, was being pulled around his wrists, then locked into place. He tried to push it apart, but the plastic tie was far too strong and cut his skin.

“Pete! What are you doing?”

His friend reached into one of the pockets of his jacket and pulled out a roll of gaffer tape. He tore off a six-inch strip of it, held it for a second above Lenny’s face, as if gauging his target, then tugged it tight across his mouth. Lenny tried to scream, but his lips couldn’t move beneath the vile-smelling tape.

“That’s better,” Pete said, finally. He eased himself up, then stepped back, grabbed a hold of Lenny’s feet and forced them together. Before Lenny could do anything to resist him, another, heavier plastic tie had been secured around his ankles. It was so tight it hurt as it bit into him.

“Had enough?” Pete asked.

Lenny tried to say something, but his lips were squashed beneath the unyielding tape gummed across them. The skin around them felt as if it would tear if he tried to force them open.

“Resistance is futile,” Pete said, grinning once more, his voice familiar to both of them as a Borg from Star Trek. The sudden humour sounded misplaced and false to Lenny as he uselessly struggled against the plastic ties around his wrists and ankles and realised just how painful it was to try to snap them.

“Do you think our unknown, unscrupulous friend, all those years ago, used plastic ties and gaffer tape to immobilise his victims?” Pete asked. “He might have had gaffer tape, I suppose. It could have been around then. I don’t know. I don’t suppose plastic ties were, though. Do you?”

Pete turned, retraced his steps to the pack he’d brought their drinks in and squatted down to search inside it till he found what he wanted, then slowly rose to his feet once more, a look of triumph on his face. Lenny squirmed on the floor to watch him, his heart thumping so loud in his ears it almost blotted out the rat-like scratchings inside the walls. Deep grunts of panic came from inside his throat when he saw the knife Pete held in his hands. He fondled it almost like he would a pet as he stared at Lenny over it. It gleamed like very expensive steel. And its edge looked sharp.

“Bet he’d have given his high teeth for something like this,” Pete said. “Cost an arm and a leg. Paid for it with my dad’s credit card on the internet. But he buys so much expensive crud using it he’ll never notice one more item he never bought himself.”

Pete pointed the knife at Lenny’s face, clearly enjoying the sight as his friend’s eyes opened wide in abject terror, staring back at it, unable to look away.

“You know, Lenny, I often think I’ve been here before. Somehow I’ve always felt like that. My mother told me that when my gran first saw me as a newborn baby, she said, “He’s been here before, this one. He’s been here before.” D’you know that, Lenny? Even my gran recognised this wasn’t my first life. It’s not my second, either. I’ve been here lots of times before. Lots and lots of times.” He took a step nearer. “And every time I’ve been here, I’ve had this task, this very important task to do, to ensure I’ll be able to come back again. I’ve done it so often over the years it comes to me in my dreams, time and time again, as clear as I can see you now, to make sure I can’t ignore it.” He hunkered down beside Lenny’s head. “But I’d never ignore it. That’s why there’s only you and me, why no one else was told about us coming to this place tonight. No one knows we’re here, Lenny. It’s a secret. A secret between you and me. And you’ll never tell, will you, Lenny?” Pete snickered. “That’s a bit of a no brainer, if ever there was one, I know, but I couldn’t resist it.” His hand flicked out and the point of the hunting knife sliced a line across Lenny’s forehead. Lenny would have screamed at the sudden, intense pain, as a trickle of blood pulsed out of the cut and dripped into one eye, but the gaffer tape kept his straining lips gummed together.

“Shush, shush,” Pete whispered. “I’ve not begun yet. There’s someone here you’ve yet to meet before the real thing starts.” He cocked his head to one side. “You’ve heard it, though. That scuttering.” Pete stood up. Behind him, from the wall, Lenny saw something move where the old wallpaper seemed to hang open now like a dislodged curtain. From beyond it, something large and grey, like a huge, misshapen rat moved out into the light of the room. There were others, smaller, huddled behind it. Their dark eyes, gleaming like soiled rubies, stared at Lenny.

“They like the blood,” Pete said as he crouched beside him again. “Especially Him. He’s old. So old you couldn’t imagine it. He was brought to this place so long ago, too, when I was in a different body, with a different name. So long ago even I can’t remember what name I had, there’ve been so many in between. But it doesn’t matter. What does is His power. That’s old as well. As old as the world. Perhaps older. When others like Him were plentiful. When they ruled. As one day, if Mankind has its suicidal way and we destroy what we have of this world, He’ll rule again.”

Lenny struggled to scream as he watched the creature move across the floorboards, as large as a pig, its ugly, scaly rat-like face etched with countless sores and wrinkles. Most of the thick grey hair had fallen away from its corpulent body, baring the glistening skin beneath. If he had not been gagged, he would have shouted at Pete that he was mad, that this ugly creature wasn’t what he seemed to think it was, but some insane monster that had fooled him. It wasn’t godlike. It wasn’t godlike at all. Just some pathetic old demon. How he sensed or knew this, he wasn’t sure. Instinct, perhaps. Some old race memory from a time when things like this had flourished. He didn’t know. All he knew with certainty was that Pete had been taken in by it. That it needed him to provide it with the worship it craved – it and its hideous, ugly children.

Though rat-like in shape, as it moved out into the light, Lenny realised the thing had no mouth as such, just tubular, fleshy tendrils. Each, though, ended in what looked like a mouth – mouths that opened and closed as it slowly, furtively moved towards him.

Again, Pete sliced at Lenny with his knife, cutting deep into one of his hands. Blood pulsed from the wound. And the rat-like creature moved in, its tendrils dipping into the blood as it spread across the floorboards. Lenny’s body tensed with horror and disgust as he heard the hideous slurping sounds from the tendrils as they sucked at the pool of blood. And the other, smaller, rat-like creatures scuttled forwards, drawn by it.

In sheer desperation Lenny struggled to free his lips from the gaffer tape, chewing at what snippets he could draw between his teeth. He fought against the pain as Pete sliced away his jacket and t-shirt so he could make further gashes in his body.

“Part of it is your pain,” Pete told him, as if this expiated him. “He needs to feel that – that and your fear. He feeds off them both.”

Several times during the next few hours Lenny blacked out, either from nausea or pain or both. Each time Pete waited till he was conscious again, then started once more, cut after cut, till the floor surrounding them was thick with blood. The other creatures had moved in on the pool as it spread across the room and had begun to feed from it.

Almost too weak from blood loss to feel much pain anymore, it was only then that Lenny was able to force his mouth open. The gaffer tape was sodden with spit and weakened where he had gnawed at it.

But by then he could barely talk, let alone scream for help, and Pete merely glanced at him as he carved more cuts in his chest.

“Pete…” Lenny’s voice was a ragged croak, barely intelligible. “Pete…”

“Too late to plead for your life, Lenny. Far too late for that, I’m afraid. He must feed. And so must they. I’m held to do it. I always have been. And always will.”

“Twenty five years ago,” Lenny whispered. “You did it twenty-five years ago.”

Pete glanced down at him, smiled, then moved the knife speculatively across his friend’s abdomen.

“You’re fifteen now. How long did your old self live after what he did here?”

Pete shrugged. “How long is a piece of string, Lenny?”

Midnight had come and gone, and still Pete worked, his face lost in the intensity of it. Lenny died not long afterwards. And as he died, so the blood flowed slowly, then stopped.

Pete looked around at the creatures. His creatures. His Gods.

The large one stared up at him from the blood it had been drinking.

“I’ve served you well,” Pete said. “Again.” He smiled, roguishly.

Something heavy moved across his foot. He looked down and saw one of the smaller creatures climb across it. Others milled around his ankles. And for a moment he felt uneasy. But it was always like this. They were thanking him for what he had done for them.

The large one, his God, stared up at him, though, its dark red eyes unwavering as it moved towards him. There was more to be done. Just what, he was unsure. But there was more, he was certain. He felt himself being pushed by the others; their bodies as big as well fed cats. Then he remembered. This was his moment of rebirth – the moment he would enter the darkness of the void. The moment he would leave this shallow husk till the time was right to return. Ten years he had hung in the void before till he entered this body. His time to let go of this body was now.

Was now.

Pete screamed as his God lunged at him. It claws dug deep into his chest, as it dragged him back towards the gap within the wall. The others scrabbled about his feet, biting and nipping and scratching him.

“No!” Pete screamed as he remembered it all, all those times in the past. He had to go with them now, into their cramped dark world. But he didn’t want to go into that void again where they would feed off his flesh and blood, revived and hungry.

His final act of sacrifice.

“Till next time,” he heard himself scream in despair.

As his eyes stared in horror at the grim darkness between the walls where they were dragging him.

Where he would feed and sustain them and make them fat for years to come.

David A. Riley writes horror, fantasy and SF stories. In 1995, along with his wife, Linden, he edited and published a fantasy/SF magazine, Beyond. His first professionally published story was in The 11th Pan Book of Horror in 1970. This was reprinted in 2012 in The Century’s Best Horror Fiction edited by John Pelan for Cemetery Dance. He has had numerous stories published by Doubleday, DAW, Corgi, Sphere, Roc, Playboy Paperbacks, Robinsons, etc., and in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, Fantasy Tales. His first collection of stories (4 long stories and a novelette) was published by Hazardous Press in 2012, His Own Mad Demons. A Lovecraftian novel, The Return, was published by Blood Bound Books in the States in 2013. A second collection of his stories, all of which were professionally published prior to 2000, The Lurkers in the Abyss & Other Tales of Terror, was launched at the World Fantasy Convention in 2013. His fantasy novel, Goblin Mire, was published by Parallel Universe Publications in 2015. Their Cramped Dark World is his third collection of short stories. With his wife, Linden, he runs a small press called Parallel Universe Publications, which has so far published ten books. His stories have been translated into Italian, German, Spanish and Russian.

The Return

It was never going to be easy to return for one last look at the streets where he spent his childhood years. Even knowing this, Gary still felt he had to make the effort, just this once, to see if they were really as bad as he remembered. In a few months demolition was due to start on Grudge End… When Gary Morgan travels north to lie low after a gangland shooting in London, a childhood friend is violently maimed within hours of his arrival. Decades after escaping the blight of his hometown, he finds himself ensnared in a place he hates more than any other.Feuding families, bloodthirsty syndicates, and hostile forces older than mankind all play a role in the escalating chaos surrounding Gary Morgan. Now he must unravel the mysteries of Grudge End and his own past or meet his doom in the grip of an ancient, unimaginable evil.

Moloch’s Children

Elm Tree House had a sinister history but few realised the true demonic power that lurked within its forbidding depths till it was taken over by a cult determined to make use of its horrendous secret.

Goblin Mire

Many years have passed since Elves defeated and killed the last Goblin king. Now the Goblins are growing stronger in their mire, and Mickle Gorestab, one of the few remaining veterans of that war, is determined they will fight once more, this time aided by a renegade Elf who has delved into forbidden sorcery and hates his kind even more than his Goblin allies. Murder, treachery and the darkest of all magics follow in a maelstrom of blood, violence and unexpected alliances. Facing up to the cold cruelty of the Elves, Mickle Gorestab stands out as the epitome of grim, barbaric heroism, determined to see the wrongs of his race avenged and a restoration of the Goblin King.

Into the Dark

There’s a serial killer at loose in London. Janice, who has a chronic fear of the dark, stumbles into a relationship with the man who may secretly be the murderer. Neither know that in the North of England, in a place previously owned by his dead mother, activities are taking place that may unleash a horror that could spell the end of civilisation in Britain – an ancient evil that would make the activities of any serial killer look like child’s play by comparison. Could a psychotic killer be the only man capable of ending this? Andrew Jennings is also known as David A. Riley.

The Lurkers in the Abyss & Other Tales of Terror

David A. Riley began writing horror stories while still at school and had his first professional sale to Pan Books in 1969, which was The Lurkers in the Abyss, published in The Eleventh Pan Book of Horror Stories. This story was chosen for inclusion in The Century’s Best Horror Fiction in 2012. Over the years he has had numerous stories published in Britain and the United States plus translations into German, Spanish, Italian and Russian. His fiction has appeared in World of Horror, Fear, Whispers, Fantasy Tales, Aboriginal Science Fiction, Dark Discoveries and Lovecraft e-Zine. His first collection, His Own Mad Demons was published by Hazardous Press in 2012. The Return, a Lovecraftian horror novel was published by Blood Bound Books in 2013. This second collection brings together under one cover seventeen of the author’s best blood-curdling stories.

Their Cramped Dark World & Other Tales

Their Cramped Dark World and Other Tales is David A. Riley’s third collection of short fiction, spanning 40 years of publication, from appearances in New Writings in Horror & the Supernatural #1 in 1971, to the Ninth Black Book of Horror in 2012.He has had numerous stories published by Doubleday, DAW, Corgi, Sphere, Roc, Playboy Paperbacks, Robinsons, etc., and in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, and Fantasy Tales. His stories have been translated into Italian, German, Spanish and Russian. His Lovecraftian crime noir horror novel, The Return, was published by Blood Bound Books in 2013. His fantasy novel, Goblin Mire, was published by Parallel Universe Publications in 2015.Table of Contents Hoody (first published in When Graveyards Yawn, Crowswing Books, 2006) A Bottle of Spirits (first published in New Writings in Horror & the Supernatural 2, 1972) No Sense in Being Hungry, She Thought (first published in Peeping Tom #20, 1996) Now and Forever More (first published in The Second Black Book of Horror, 2008) Romero’s Children (first published in The Seventh Black Book of Horror, 2010) Swan Song (first published in the Ninth Black Book of Horror, 2012) The Farmhouse (first published in New Writings in Horror & the Supernatural 1, 1971) The Last Coach Trip (first published in The Eighth Black Book of Horror, 2011) The Satyr’s Head (first published in The Satyr’s Head & Other Tales of Terror, 1975) Their Cramped Dark World (first published in The Sixth Black Book of Horror, 2010).

His Own Mad Demons

David A. Riley’s first professionally published story was in the 11th Pan Book of Horror in 1970. Since then he has been published in numerous anthologies from ROC Books, DAW Books, Robinson Books, Corgi Books, Doubleday, Playboy Paperbacks, and Sphere. Two recent notable anthologies in which he has appeared are The Century’s Best Horror Fiction from Cemetery Dance, and Otto Pensler’s Zombies! Zombies! Zombies! from Vintage Books.In 1995, David and his wife Linden edited and published Beyond, a fantasy/SF magazine. His stories have been published in magazines such as Aboriginal Science Fiction, Dark Discoveries, Fear, Fantasy Tales and World of Horror.His Own Mad Demons contains his stories “Lock-In”, “The Worst of All Possible Places”, “The Fragile Mask on His Face”, “Their Own Mad Demons”, and “The True Spirit”.

Halloween Extravaganza: Jeffrey J. Mariotte: October

October

October.

The time of year when people’s thoughts turn to ghosts and goblins, witches and vampires, zombies and werewolves, and—scariest of all—”Sexy Mr. Rogers” costumes. Seriously. If you haven’t seen it, don’t Google it, because then you’ll never be able to unsee it.

Some people’s thoughts turn toward those things in October, anyway.

But some of us think about those things all year long. I’m one of them. October’s just when everybody else is on the same wavelength.

See, I’m a writer. I don’t necessarily call myself a horror writer, because I’ve written a whole lot of books. Many are horror, but others are thrillers, mysteries, westerns, superhero novels… you name it, I’ve probably done it.

Since May of this year, I’ve had six books published, all of them horror, but not one of them about vampires, zombies, werewolves, or ghosts. One—Year of the Wicked—is about witches. Season of the Wolf is about big, scary wolves, but not werewolves. The Slab, Missing White Girl, River Runs Red, and Cold Black Hearts are about ancient world-building and world-destroying gods, demons, sorcerers, dark magic, psychic experimentation—and also people: real people in a real world who are affected by these phenomena.

Over the course of my career, I have written about vampires, and zombies, and the like, but I prefer to make up my own terrors rather than rely on the traditional ones. And I’ve written a time or two about ghosts. But the truth is, as much as I love a good ghost story, they’re hard for me to write about. Maybe that’s because of all those supernatural entities, I’ve had personal experience with only one of them.

Ghosts.

Or have I? All these years later, I’m not entirely convinced. But I’m not not convinced, either—and that, I think, is important.

Here’s what happened. In the summer between my junior and senior years of high school, my family moved from Virginia to Germany. My father worked for the Department of Defense, and he’d loved Europe since World War II, so when he was offered a posting there, he took it.

We lived in a hotel for the first couple of weeks, while my parents looked for a home in the city. Then a coworker of my father’s had to go back to the U.S. for a few months, so offered us his house to stay in while we hunted for a permanent place. We took it, but it had only two bedrooms. My parents got one, my little sister the other. There was a large, furnished, one-room basement, and that was where I would sleep.

Or that was the theory, anyway.

My first night there, I didn’t sleep. At all.

I couldn’t.

Remember, I’d been in Germany for weeks at this point. And I’d lived in Europe before. I wasn’t suffering from jet lag, or nervous excitement, or anything like that. I’d been sleeping fine in the hotel.

But in that basement, I couldn’t. I felt scared, anxious, upset.

I felt like I wasn’t alone, but I couldn’t see who was in there with me.

I lay awake. I wandered around, checking out the bookshelves. I lay down again, tried to sleep, couldn’t. I had never felt so uncomfortable being in a room, or anyplace, in my life, and haven’t since.

For the rest of our time in that house, I slept on a couch upstairs, in the living room.

Remember, I was a teenage boy. Privacy was important. The couch was too short, and by being in the living room, my sleep was disturbed anytime somebody else in the family wanted to use it. It sucked.

But it was better than that basement. I couldn’t go back down there.

It wasn’t until decades later—long after I’d left for college in California, then stayed, and my parents had retired and moved, with my sister, to South Carolina—that my mother told me the story. In that city, she’d learned, there had only been one murder in nearly a hundred years.

It happened in that basement.

Locals avoided that house, which is why it was rented to Americans stationed there temporarily. Its owners wouldn’t live in it, nobody who knew its history would rent it.

Was it a ghost? I never saw anything down there. Never felt like it was trying to communicate with me, or to harm me. But it was a presence, nonetheless. A psychic memory, for want of a better description. There was nothing there, but…there was something there. And whatever it was, or wasn’t, it disturbed the hell out of me.

I’ve never had any other ghostly experiences, before or since. I’ve stayed in “haunted hotels,” and nada, even though there are dozens or hundreds of recorded stories about sometimes terrifying encounters in them. In one hotel, a close friend felt like there was a presence lying on top of her, bearing down on her with weight far beyond what its size would suggest, smashing her into the mattress. She only stayed the one night, and wouldn’t go back.

I’ve stayed there several nights, on many different occasions, and visited the place more than that, eaten in its restaurant, enjoyed cultural events, even signed books there. Nothing.

Another friend, in a different haunted hotel, was knocked flat by something that grabbed her legs and tried to drag her under the bed. Others witnessed the attack and caught her, pulling her out.

And just a couple of weeks ago, my wife, the fantastic author and poet Marsheila Rockwell, had cervical spine surgery. Part of the procedure involved having bone from a cadaver inserted into her spine, where the discs between the vertebrae were gone. After the surgery, she was sent to a facility—not a hospital, but a place that functions as both rehab and hospice—for overnight observation, to make sure there were no ill effects from the procedure. I slept beside her bed in an uncomfortable pull-out bed. At one point during the night, she woke up with a firm but gentle hand on her shoulder. She could hear me sleeping in the pull-out, so she knew it wasn’t me. A nurse, then? She took off the thin sweater she’d put over her eyes, to block out the light, and nobody was there. The hand was gone. But she’d felt it, even after awakening.

Was that a ghost? Whose? We were in a facility where people go to die. And she had the bones of a dead person in her neck. Given that the hand felt like a nurse’s—so comforting, not jarring, not an attack—I like to think it was someone telling her not to worry, the surgery was successful, she’ll be fine.

So, yeah, October. Ghosts and goblins, and so on.

Except goblins, I’m pretty sure, aren’t real.

Jeffrey J. Mariotte has written more than seventy books, including original supernatural thrillers River Runs Red, Missing White Girl, and Cold Black Hearts, horror epic The Slab, and the Stoker Award-nominated teen horror quartet Dark Vengeance. Other works include the acclaimed thrillers Empty Rooms and The Devil’s Bait, and—with his wife and writing partner Marsheila (Marcy) Rockwell—the science fiction thriller 7 SYKOS and Mafia III: Plain of Jars, the authorized prequel to the hit video game, as well as numerous shorter works. He has also written novels set in the worlds of Star Trek, CSI, NCIS, Narcos, Deadlands, 30 Days of Night, Spider-Man, Conan, Buffy the Vampire Slayer and Angel, and more. Two of his novels have won Scribe Awards for Best Original Novel, presented by the International Association of Media Tie-In Writers.

He is also the author of many comic books and graphic novels, including the original Western series Desperadoes, some of which have been nominated for Stoker and International Horror Guild Awards. Other comics work includes the horror series Fade to Black, action-adventure series Garrison, and the original graphic novel Zombie Cop.

He is a member of the International Thriller Writers, Sisters in Crime, the Western Writers of America, Western Fictioneers, and the International Association of Media Tie-In Writers. He has worked in virtually every aspect of the book businesses, as a bookseller, VP of Marketing for Image Comics/WildStorm, Senior Editor for DC Comics/WildStorm, and the first Editor-in-Chief for IDW Publishing. When he’s not writing, reading, or editing something, he’s probably out enjoying the desert landscape around the Arizona home he shares with his family and dog and cats. Find him online at his website, Facebook, and Twitter.

Cold Black Hearts

A murder investigation brings former police detective Annie O’Brien in contact with the supernatural forces that destroyed the town of New Dominion nearly 100 years earlier.

Missing White Girl

A bestselling Young Adult author takes an adult turn. 

Bram Stoker Award-nominated author Jeffrey Mariotte delivers a novel of heartstopping horror. When a girl is kidnapped and her family murdered, Sheriff’s Lieutenant Buck Shelton is drawn into a bloody supernatural showdown between good and evil-with an innocent girl.

River Runs Red

A new novel of gripping terror from the author of Missing White Girl.

Within the caves of a small Texas town lies a pool of strange, luminescent water. Twenty years ago, three teenagers were inhabited by a malevolent force living in the caves. Now, they’ve returned to the site as combatants in a supernatural war that flows through the raging currents of the world’s rivers.

Season of the Wolf

When Alex Converse, heir to a coal company fortune, visits Silver Gap, Colorado to make an environmentally themed documentary film, he’s hoping to change some minds and to soothe his own troubled conscience. But there’s more going on—in his mind, and in Silver Gap—than Alex knows. People are dying and women are disappearing. Some of the killers have fur, fangs, and claws—but some don’t. What is Alex’s connection to the missing women? Will anyone live long enough to find out? And what’s up with those wolves?

Season of the Wolf is a heart-stopping supernatural thriller about climate change, the human capacity for evil, and the epic struggle between a small town’s citizens and impossible creatures from the dawn of history.

The Slab

Three veterans of different wars, their lives once saved by magic, find themselves brought together in one of the most strange, remote, and cruel parts of the California desert. As serial killers ply their deadly trade, a young woman, abducted and endangered, seeks her own brand of justice for those who threatened her, and an ancient evil sprouts from beneath desert sands, these three war veterans must learn to embrace the terrifying bond they share. Written in powerful prose as dry and dangerous as its desert setting, The Slab, for all its horrors, is ultimately an epic tale of hope and redemption.

Year of the Wicked: Witch Season 1-4: Summer, Fall, Winter, Spring

In the tradition of The Chilling Adventures of Sabrina and Riverdale, this magical bind-up includes all four novels in the Witch Season series filled with spellbinding romance, revenge, and of course, witches!

A witches’ war is brewing…

And it’s coming straight towards Kerry and her friends at their summertime home. Along with it is Daniel Blessing. Mysterious, charismatic, and handsome Daniel is on the run from a powerful witch named Season.

Kerry and her friends don’t believe in witches and spells, but Kerry can’t help believing in Daniel… and falling for him.

But falling for Daniel pulls Kerry into a feud his family has been waging for generations. A dark feud of passion, magic, and revenge. Suddenly it becomes clear that Season isn’t after just Daniel, she wants Kerry and her friends dead too. Because, though Kerry doesn’t know it yet, she might just be the only one with the power to uncover the truth—and end the witches’ war once and for all.

Halloween Extravaganza: Tristan Drue Rogers: Deciding Not to Take Halloween for Granted Anymore

Deciding Not to Take Halloween
for Granted Anymore

Ever since I was a boy, Halloween was the big event, the bees knees, the great horror spooktacular, the horrific—dastardly—candy-having marathon of fun and games, and then some, if I do say so myself. As I’ve grown older, though, the joy in which I have for the holiday has become few and far between, depending on the year and whether or not someone in my life had convinced me to go out and actually live life in the night during it or not, perhaps instead choosing to stay home to probably sleep early in order to be in tip-top shape for work the following morning. After having this sad state of affairs brought to my attention, please allow me to lament that fact.

My earliest memory of Halloween was probably similar to many other young children, that of being horrified in person due to a jump scare by a grown man in a rubber mask, bringing myself and whichever family member my age that was with me to screams so loud and so bloody-murder-style distraught that dogs in the next district started to howl at a moon that wasn’t there. However rocky the start, my mother made sure to provide much more cherished incentives to celebrate. She would deck out our home—trailer, house, apartment, it didn’t matter—with cobwebs, all manner of skulls, baroque drinking glasses filled with gooey eyeballs, paintings that looked normal until viewed at an angle (which would then unnerve the onlooker as if they’re being watched), make-shift witch umbrellas (the handles were made of her legs, as were her shoes with the popular imagery of the witch herself), crystal balls, and so many books without stories filled with edible bugs and other creepy models of deliciousness. I could spend an entire essay describing the amount of effort that my mother went into the holidays, this goes for Christmas, Thanksgiving, and even the Fourth of July, but October 31st was something special. My mother made us active participants in the structure of the world we lived in when it came to the entirety of that month. I remember many a night sitting with my mom at the table—Monster Mash coming from the speakers—as she had my siblings and I tie a loop of string around a tissue filled with paper before we would use our permanent markers to make darkened eyes and mouths. We’d hang them from the ceiling using clear tape, each in a spot of our choosing for the adults to ever be bombarded with ghosts on high. It was a magical land of character archetypes that if not for Halloween and my mother’s intense appreciating and fostering of its traditions and imagery that I’d likely never have deep dived into stories about werewolves, Frankenstein’s monster, beautiful mermaids that are actually disgusting sea creatures, killer dolls, vampires, and the ilk; later, these led into mythology and other forms of storytelling that inspired much of my writing thereafter. That which makes us scared and reflects our fears of the mundane world, twisted and formed into something that at face value already adds a higher level of mystique and wonder to it are all things that a growing child can really sink their teeth into.

My mother had costumes for us and our friends, too, out the wazzoo. Did you want to be a super hero? Bam, Superman and Batman, there you go. Did you want to be scary? Heck yeah, here’s a Grim Reaper outfit, a scythe, and skeleton mask with a button attached through your sleeve that will make it look like blood was gushing from your skull. Would you rather be a zombie or paint something on your face? She had paint made specifically for your skin back when that stuff was hard to come by. Mom thought of everything, so much so that I’m sure I’m forgetting something.

Well out of high school and still at home, I’d show up from work in October and the decorations, which weren’t there that morning, miraculously covered the house. Every year, with my participation and enthusiasm slowly draining, as if a grain of sand intermittently pushed the value of it further from my understanding and eventually it all began fizzling out into oblivion. Mostly, the last time I visited my mother during Halloween, only a miniature haunted house remained upon the dining room table.

One year, a group of friends had asked me to go out with them, so I dressed as a greaser, partying it up with my drunken cohorts downtown, and after leaving to go to another late night after party, I had a gun pulled on me (check that story out in issue 22 of Weird Mask)—I wasn’t home, so I got into trouble again and again trying to be cool, forgetting what the holiday was really about. It wasn’t the scares, or the costumes, or even the candy. It was about joining my family in on the fun.

My wife asked me years ago when we started dating (and every year since) to help her set up around the house. She had her own set of reused cobwebs from a box marked with a sketch of a jack o’ lantern and I didn’t have any pep whatsoever. Next year, I helped in placing the window stickers that had a variety of cartoon ghosts printed inside the plastic, which started to make me smile and the kitschy candy jars reminded me of my mother, but I was too old for this pretend stuff. “This was the real world and it’s serious business,” said the fiction writer without an ounce of irony. We had wooded and stuffed black cats and bats that needed somewhere to live, nightly horror movies to watch, and Stephen King books to read. One year, we didn’t have money to spend on costumes, let alone did I ever dress up anyway, so my wife and her sister had the brilliant idea to dress in our best fall clothes and started to paint these brown paper bags in whatever designs we wanted. It was a real treat and a hit with our friends. I don’t know if my wife had intended to or not, but she brought that wide-eyed little kid back from the grave, digging him out with a shovel, and offered him a wobbly bowl of Jell-O-brains. He was back and he wasn’t going anywhere, especially now that we have a son who could join in. It was like my heart learned how to smile once more at the grotesque and the slimy, and rediscovered something far more meaningful that I had truly lost: the enriching warmth that is spending time with loved ones as we celebrate the holidays without a care in the world.

Now, I’m going to be 30 years old soon and my son was 10 months old when Halloween hit. A lot of my time aside from work has been thinking about the direction in which I want to raise my child. Of course I want him to have good manners, understand the value of standing your ground, and to know when to show kindness, but I also want him to experience the absolutely ghoulish spirit of Halloween that I knew when I was a kid, which I wish I had kept up on. I’ve got a lot of time to catch up with! I want him to read Casper, watch Stranger Things, light candles that could bring old spirits back—and Hell, I just might grab an old Ouija board for kicks, man. Recently, I haven’t even shaved my beard in a good while just so that I could be Tormund from Game of Thrones for Halloween and perhaps after we’ve raided the Spirit store, we’ll find an appropriate wildling costume for my son, or maybe an old lady costume with a walker that has miniature tennis balls at the bottom, or I don’t know, Ron Swanson or something. More than likely, my wife will create something one of a kind for him from scratch.

Literally, the world of family horror is at our fingertips, limited only within the utmost of our own creativity. I have finally decided not to take Halloween for granted anymore. I want to be kickass for Halloween, just like my mom.

Tristan Drue Rogers is an author living in Texas. His stories have been featured in fanzines such as Weird Mask and M, literary magazines such as Genre: Urban Arts, and horror anthologies such as Deep Fried Horror and 100 Word Horrors Book 3. His novel Brothers of Blood is available now in paperback and e-book.

Brothers of Blood

Brothers of Blood follows Belle Whynecrow in her final year of highschool. Her best friends Josue, Xavier, and Jesus the hobo welcome the new kid, Chris, with welcome arms. The only catch? To quell their boredom, Belle tells them to create a kill list, marking off the names as they complete their goal before senior year ends. While struggling to pass their classes with flying colors, this band of merry murderers seems to be on a delightfully bloody roll until Belle’s long imprisoned older brother, Beau, arrives at her doorstep. Now a devout man of God, the brotherhood schemes for his return to his original, and highly exaggerated, bloodlust. That is, if Chris’s jealousy doesn’t destroy Belle’s ranking in the gang first. Not everyone will survive, but those who do will certainly have a year to remember because those that kill together live forever.

Halloween Extravaganza: Carlos Colon: Old Man Jack

Old Man Jack

One of the advantages of living in a high-rise apartment building during Halloween was efficiency. Growing up in the Bronx in the late sixties and early seventies, my family lived in one that had16 apartments on each floor. The tenement itself had 18 floors, which meant that before we trick-or-treaters would even step out into the crisp October air, we would have already visited close to 300 neighboring households offering generous amounts of sugar-loaded goodies.

The convenience of having our apartments in the same building also enabled us to go to our rooms and empty out our pillow cases before we ran back out to reload. And being that we lived near other apartment buildings, more opportunities awaited outside to add to the following day’s tummy ache.

For me, the building was enough. October days seemed colder back then and the material from those cheap costumes we used to get at Woolworth’s were about as thick as toilet paper. And let us not forget the thin elastic band that was stapled to the plastic mask that had cut-out holes for your eyes, nose, and mouth. They always broke off upon the slightest stretch which meant you’d have to walk around holding your mask up. Another thing was, that if the cold weather gave you a runny nose, that mask would collect all of your sticky muck and press it right back against your face. That’s why I didn’t mind if Halloween landed on a bad-weather day. I usually did all my one-stop trick-or-treating right there in the building where I lived. I mean, really, was there any need to go anywhere else after raiding close to 300 apartments?

Most of the tenants were tolerant of the hyped-up kids running the halls and many were generous with all the M&M’s, Sugar Babies, Tootsie Rolls and, of course, my personal favorites, the candy corn. (Man, I loved those things. Even now in my older years, if I see a dish or a bowl full of those, I leave nothing for the unfortunate person who might have wanted some after me). Of course, some tenants gave more than others. Mrs. Jack, an elderly lady on the twelfth floor, was everyone’s favorite. She would give out a bag with a variety of candies and toys that made us feel like we visited Mrs. Claus before Christmas – much better than the other lady a few floors below that only gave out a single lollipop. But Mrs. Jack, she was a must stop for every trick-or-treater in our building. We all knew that we would never be disappointed after ringing her bell, and that she never seemed to run out of goodies.

Her real name wasn’t Mrs. Jack. We actually didn’t know what her real name was. Truthfully, outside of the fact that her apartment was the go-to place for Halloween, kids our age didn’t care very much for any other details. We gave her that name because of her scary husband, who we used to call Old Man Jack. Reflecting back now as an adult, he was just a harmless, older man who was unfairly labeled by us kids, who were intimidated by his slow, hunched-over walk and the out-of-sync limp that accompanied it. He also had a unibrow that resembled a five-inch, overfed caterpillar crawling across his forehead. Jack’s head also shook continuously. The cause could have been a variety of medical conditions, but to us it resembled someone who was about to erupt in a fit of anger. But Mrs. Jack had a kind, cherub-like face under a short, silver hairdo that we always found approachable, even though we often wondered about how she paired up with the ogre that shared the apartment with her.

By the time I reached my pre-teens, I, like other kids my age, started getting lazy with the costumes; maybe a cowboy hat with a neckerchief, or perhaps a drawn-on mustache with a pair of glasses. The last year, before I finally decided I was too old to be soliciting candy with kids half my size, word got out that Mrs. Jack passed away shortly after Labor Day weekend. I would like to say that we were saddened by the loss of our kind neighbor, but the truth is that the sensitivity gene still hadn’t blossomed in me or any of my fellow apartment raiders. We were more mournful about not receiving Mrs. Jack’s treat bag that year.

Buffoons that my pack of acne-challenged delinquents were, we dared each other to knock on Old Man Jack’s door to see if he would answer. Who knows, we figured. Maybe he’d keep up the tradition. Like I said, that sensitivity gene… When none of us volunteered, we played a game of odds and evens and once-twice-three, guess who lost.

Unlike the rest of the group, I didn’t really find it to be a big deal to ring Old Man Jack’s doorbell. I figured he either wouldn’t answer the door, or if he did, he would just say he had no candy. The other kids were more skittish about it and huddled by the hallway exit a few yards away. When the first clicks and drags of his unlocking deadbolt echoed in the hall, my giggling cohorts edged the exit door open preparing for a quick escape.

When the apartment door slowly opened, Jack looked up and down at the silly, middle-schooler out in the hall wearing a Superman t-shirt (I went all out that year). Internally, I felt ridiculous and made the decision right there that this would be the last year I would roam the halls for Halloween. Externally, I held out my almost-full pillow case and muttered a barely audible, “Trick or treat”.

Jack studied me for what was probably only a few seconds. Yet it felt like an eternity. “You want candy,” he finally said, not like he was asking, but more like he was acknowledging. I suddenly felt like an unseemly intruder (which I was), but rather than send me away, he opened the door wider and pointed to an upright piano where about two dozen of Mrs. Jack’s treat bags were placed on the bench. Beside the bench where shopping bags full of unopened packages of candy that she never got a chance to sort out.

“We never had any children,” said Jack, his head shaking as his unibrow took an upward turn. “She always liked when they came this time of year.” I stared at all the lollipops, chocolates, and jelly candies (Chuckles! Another one of my favorites! I even liked the black ones!). There was so much! She must have cleared out the supermarket shelves! “Go ahead, take it all. Share it with your friends,” he said, explaining that I was the only one to come to his door. No one else dared, or more likely, the other kids were respectful enough not to bother this man who was in mourning.

Above the piano, on the wall, were some black and white photos that appeared to be over fifty years old. There was a wedding photo of him and Mrs. Jack. They looked like they were in their teens. In the photo, since he was not hunched over, he appeared much taller than I ever pictured him to be. And since Mrs. Jack was very petite, it made him even more imposing.

My attention then shifted to a series of pictures of Jack in military uniform. “You were in the army?” Jack nodded and explained that he was a fighter pilot in the U.S. Army during World War I. His hunched over back, his limp and even the constant shaking of his head were the results of a spinal injury he suffered when his plane was shot down.

The piano against the wall also seemed from another era, though it was well maintained. “You play the piano?” I asked.

Mr. Jack smiled, the first time I ever saw him do so. “A little bit. But she played much better,” he said, pointing to a youthful picture of Mrs. Jack that looked like it was taken in a studio. She couldn’t have been more than twenty years old, was my guess.

The old man was hurting, even at my dense young age, I was able to see it.

The doorbell rang. “Trick or treat!” It was my friends; I recognized their voices. They were probably worried, or just curious.

Jack gestured to the door. “Let them in. They can help you with the candy.”

To my friends’ surprise, I was still in one piece and not devoured by the boogie man we laughed about all those years. When I explained to them that Jack was letting us all have the candy. They joyously dashed to the piano hauled them away. As my buddies relieved Jack’s apartment of all the sweets, Jack looked longingly at his wedding photo.

In just the few minutes I was there, I learned that this man was not a caricature like we’d been making him out to be all these years. He was a man who’d had a colorful life. A man that suffered a devastating loss. A man that deserved respect. Suddenly, I recognized myself as the snot-nosed little shit that I was.

Candy? It just didn’t seem that important any more. Somehow, the excitement was gone.

Just five weeks later, with Christmas rapidly approaching, Jack followed his Mrs. into the world that comes after this one. They say it happens that way with older married couples. When one passes, the other one quickly follows. “Natural causes” is what they said, but I believe he was unable to face another holiday without his wife and just willed his body to die.

Less than a year later, puberty would arrive and my body would start the conversion process of me physically becoming a man. But there are more components to becoming a man than growing hair in new places and having your voice change. It’s also about seeing the world differently. I would like to think that I took my first step that Halloween night.

“You’re Carlos, right?” he said to me, as I left with my sack full of candy. It was unexpected. I had never imagined that he would know my name. I nodded, and then he surprised me again. “Habla español, Carlos?” The words were pronounced effortlessly without any hint of an accent.

I don’t know why I stuttered, but I did. “Uh, yeah, uh, do you?”

He smiled, “German, Italian and a little bit of French, too.”

These days they call some guy in a beer commercial the most interesting man in the world. Back then, I would have made a case for the piano-playing, fighter pilot that spoke five different languages that was standing before me. It then occurred to me that none of us ever bothered to learn what his real name was, so I asked. “Excuse me, sir, but what is your name.”

The unibrow rose for a moment and then he smiled again. “Jack,” he said with a wink, before slowly closing the door.

After receiving extraordinary praise from literary critics and the unexpected devotion of readers to his sullen, but oddly endearing, foul-mouthed anti-hero Nicky Negrón, Carlos Colón knew he had little choice but to begin working on a follow-up to his debut novel Sangre: The Color of Dying. Since then Carlos has been dividing time between work on the sequel, Sangre: The Wrong Side of Tomorrow, while also adapting the first book into a graphic novel for a limited-edition series. And since there has also been interest in adapting “Sangre” into a television series, Carlos has also been writing scripts for a proposed first season. Having dipped his toes into the new media, Carlos also formed Ventana Luz Productions, LLC and co-executive produced “Bite”, which won the Best Comedy Short award at the 2018 Culver City Film Festival.

Born in Spanish Harlem and raised by Puerto Rican parents in the South Bronx, Carlos began writing comic strips in his pre-teens and drew attention in school by writing dramatic short stories. His teachers quickly noticed and nicknamed him Hemingway. After graduating from Herbert H. Lehman College, CUNY in the Bronx, Carlos dabbled in screenwriting for a few years before settling into the insurance business. Several decades later, Carlos returned to the entertainment business when he formed the retro rock ‘n’ roll band, the Jersey Shore Roustabouts which produced two albums. After performing their farewell concert in July of 2018, Carlos then took a short break before returning with a new rockabilly group called the Blue Suede Quartet.

When not busy with his multiple projects, Carlos enjoys time enjoying the Jersey Shore area where he resides with his Maria, his wife of 39 years and their cat, Tuco.

Sangre: The Color of Dying

Introducing Nicky Negron, a Bronx-born, Puerto Rican salesman who has suffered enough tragedy for multiple lifetimes.After a business dinner in New York City, Nicky’s life is cut shortat the hands of a ravishing undead woman at the Ritz-Carlton, resulting in a public sex scandal that leaves a legacy of humiliation for his surviving wife and children. When herises from the dead, he becomes a night predatorthat feeds on human bloodas well. The difference is, Nicky has agenetic resistance that retains his humanity – a trait that makes him reluctant to victimize innocents. Hampered by conscience, he instead decides to feed on what he deems are the undesirables of society-prisoners, sexual predators, domestic abusers and others that lower the quality of life around him.

Sangre: The Color of Dying features rough language, jaw-dropping sex, and abhorrent acts of violence, but its real emphasis is on the human being living inside the undead night stalker. Nicky values his family, his ethnicity, and is determined to hold on to his humanity, even if it’s just by rooting for the Mets, watching old Seinfeld episodes or reminiscing about the love he once shared with his wife. Readers are already falling in love with Nicky and this thrilling tale that takes supernatural horror in a completely new direction!”

Sangre: The Wrong Side of Tomorrow

The harrowing saga of Nicky Negron’s tortured soul continues as the inner and outer demons shadowing Newark, New Jersey’s undead vigilante have no intention of letting him rest in peace. Knowing his paranormal existence can only lead to complications, Nicky tries not to draw too much attention to himself. This becomes difficult as he learns that he has captured the interest of an unrelenting federal agent. Suspected of being an assassin for a South American drug cartel, Nicky finds himself dealing with the exact kind of scrutiny he’s been trying to avoid since he was turned almost thirty years ago. It complicates matters even more when Nicky is confronted with another undead presence that is threatening to commit atrocities to the children of a friend Nicky had sworn to protect. This pits the foul-mouthed night stalker, Nicky Negron, against the most horrifying monsters – both the human and non-human variety. An absolute rollercoaster of a novel, Sangre: The Wrong Side of Tomorrow delivers even more suspense, insight, laughs, and emotional wallop than its predecessor. Nicky is back! See you on the other side…

Halloween Extravaganza: Ronald Kelly: My Top 10 Favorite Halloween Stuff of the 60s and 70s!

My Top 10 Favorite Halloween Stuff of the 60s & 70s

Having grown up in the mid-1960s and early 1970s, Halloween seemed distinctly different than it does now. First, it was much more carefree and simplistic. Now days Mom and Dad have to follow you from street to street in the mini-van or even accompany you to the door of the neighbor’s house to insure that no creepy pedophile nabs you, locks the door, and whisks you away to the basement. Either that, or you simply do Trunk or Treat at the local church parking lot or do the candy thing, store-to-store, at some safe outlet mall. When I was a kid, we’d don our costumes, grab our T&T bags, and plunge headlong into the darkness, while our folks stayed behind to pass out treats to equally adventurous young’uns. And there was no day-glow orange, glow-sticks, or flashlights to distinguish us from the darkness. We were creatures of the night! We didn’t want anyone to see us until we appeared at the glass of the storm door and heralded our arrival with a hearty “Trick r’ Treat!”

Also, kids these days don’t seem to give Halloween a second thought until a day or two before the grand event. When I was a kid, we planned weeks… maybe months – ahead; indulging, scheming, soaking it all in in. Anticipating the coming of dusk on All-Hallows Eve and the delightfully spooky festivities that night would bring. In celebration of those bygone days of childhoods past, I present to you my Top 10 Halloween Stuff of the 60s and 70s

Halloween Decorations

Back when I was a kid, we didn’t have seven-foot blow-ups in the yard, synthetic spiderwebs, or zombie arms sprouting out of the autumn leaves (although that would have been cool!). Halloween decorations were much simpler. Of course, there was the traditional jack-o-lantern to sit on the front porch. As for other decorations to embellish your “haunted house” you would usually go to your local Woolworth’s or five-and-dime store and get cardboard decorations to hang in your windows or on your walls. Witches, black cats, leering pumpkins, bats… the theme was pretty much set in stone (and there was the occasional Devil every now and then). But it was what graced your front door, to welcome hordes of trick-or-treaters, that mattered most. For our family it was the “Life-Sized Articulated Glow-in-the-Dark Skeleton”. To tell the truth, it wasn’t exactly “life-sized”. It was usually only five feet tall… but if it had been anatomically scaled to my mother, who was four foot, eleven and a half, then it would have been right on the money. The Glow Skeleton came in two different hues; bone yellow and ghoulish fluorescent green (my personal preference). My brother and I would usually pressure Dad into buying two skeletons; one for the front door and one for our bedroom door. Incidentally, my love of the Glow Skeleton later inspired me to write my Halloween short story, Mister Glow-Bones in my collection of Halloween stories and essays, Mister Glow-Bones & Other Halloween Tales.

Halloween Costumes in a Box

When you were a little kid in the 60s and 70s, more than likely the folks would buy you the tried-and-true Halloween Costume in a Box. This consisted of a hard-shell mask (with retaining elastic string) and a silk-screened jumpsuit of flame-retardant polyester. These costumes came in colorful boxes with a window in the front, usually with the hollow-eyed masks staring creepily at you from the other side. You could be anyone wanted to be; cartoon characters, astronauts, superheroes, ballerinas, or your favorite monsters, be they generic (witches, ghosts, black cats) or of the Universal kind (Frankenstein’s Monster, the Wolfman, the Creature). The majority of them were released by Ben Cooper, Inc., an American corporation based in Brooklyn, NY which manufactured Halloween costumes from the late 1930s to the late 1980s. I remember my favorite Costume in a Box at age 6 was Batman. The funny thing was, because of the wild success of the Batman TV series, the stores were selling Caped Crusader costumes to Batman-crazy boys months in advance. So, mine was well worn by the time Halloween rolled around (and to emulate Adam West – and to breathe a little easier – I had Mom cut away the lower half of the mask with her sewing scissors, leaving only the upper cowl to cover my youthful face.

Halloween Music

If you grew up in the 60s and 70s, more than likely you listened to 78 rpm vinyl albums or 45 rpm singles on a little portable record player or your Dad’s grown-up stereo in the living room. Our source of musical entertainment was the latter – a Sears Silvertone Console Stereo of Spanish design with burgundy-walled speakers on each side. Customarily, Dad played Merle Haggard, George Jones, or Buck Owens (as a child I remember lying in my bunkbed and hearing Johnny Cash walk the line on the opposite side of the bedroom wall). But around Halloween, Dad let us listen to our Halloween albums. Some were old classic radio show broadcasts like The Shadow or Orson Welles’ The War of the Worlds, while others were spooky sound effects and goofy monster-themed songs like The Monster Mash and Purple People Eater. Our personal favorite was Disney’s The Haunted Mansion album (sporting the fold-out dust jacket with the full-color story booklet stapled inside). I recall me, my brother, and my cousins lying in pitch darkness on the shag carpeting of the living room floor, giggling and shivering to the story of two children trapped within the mansion inhabited by 999 Happy Haunts (incidentally, one of the kids was voiced by a pre-teen Ronnie Howard).

Monster Movies

When I was a kid, we didn’t have DVDs or digital streaming like Netflix or Hulu. If you wanted to watch a monster movie – outside of going to the movie theater – you had two ways of doing it. You either stayed up late and watched the local creature feature (in the area I grew up in it was Sir Cecil Creepe on Nashville’s Channel 4) or you begged your folks to buy you a cheap 8mm or Super 8 movie projector. I indulged in both, but buying your own little slices of horror cinema and manually threading them through the spools from reel to reel made it feel like big deal to a kid of nine or ten. You pretty much had two ways to watch them; the small reels (3 and a half minutes) and big reels (15 minutes). Never mind that they were only snippets of the best scenes and had no sound whatsoever, they were just fun to own and watch. When we wanted our monster fix, we’d throw a blanket over the bedroom window and watch Godzilla stomp Tokyo or Frankenstein’s Monster and the Wolfman battle it out on the bedroom wall.

Rubber Monster Masks

When you reached your preteen years, you normally wanted to ditch the Costumes in a Box and enter the big leagues. And that meant over-the-head rubber monster masks. There was just something about slipping the gaudy, gruesome second skins over your youthful head and breathing in that heady odor of latex rubber that told you that you had entered a higher realm of Halloween indulgence. Yes, you couldn’t half see through the off-kilter eyeholes and you sweated like a sinner in church after only a few minutes, but to wear the leering visage of a hairy werewolf or a rotting zombie gave you a thrill that the children’s hard-shell masks never could. Most of us hardcore monster enthusiasts yearned to own the big daddy of all horror disguises; the Don Post latex monster masks. We would gawk at that full-page advertisement in the back of Famous Monsters magazine and dream of owning a full-head mask of the Creature of the Black Lagoon or the Wolfman or Mr. Hyde. And, of course, if we ever managed to get the face masks, we would have to have the matching hands as well. Sadly, very few of us ever reached that level of monster mask ownership. At $39.99 per mask, it was a bit steep for a twelve-year-old’s piddling allowance.

Horror Comics

When I was around ten or eleven, I started collecting comics. I always had a thing for Batman and the Flash and, when I got into Marvel, the Hulk and Spiderman was my favs. But from the beginning, I always bought the horror comics. I reckon it was my natural inclination toward the weird and macabre that drew me to comic books like DC’s House of Mystery, The Unexpected, and Swamp Thing, as well as Marvel’s Werewolf by Night, Tomb of Dracula, and Man Thing. I was too young to have enjoyed the ultra-bizarre (and “gasp” potentially immoral) tales of the EC Comics of the 50s, but, in a strange way, I still did. While my mom was pregnant with me in 1959, she came across a large stack of EC comics in the dusty attic of a house she was renting (while my Dad was serving in Korea and Germany). Throughout her pregnancy, she read horrifying tales of decaying corpses and flesh-eating monsters from such comics as Tales from the Crypt and Vault of Horror; feeding me a steady diet of tantalizing terror as I floated in the darkness of the womb. You may say that had nothing to do with my inherent love of horror, but I beg to differ.

Aurora Monster Models

One of my favorite hobbies (around Halloween or otherwise) was assembling and painting Aurora monster models. It was always fun to head to the toy section of Sears (we bought everything at Sears back then), find your favorite monster in a box, then head back home and start bringing that plastic kit to life with airplane glue and those little glass jars of Testors model paint. I started my model-building in the early 70s, around the time Aurora released their glow-in-the dark line. I was always a stickler for detail, so I never used the glow heads or hands for the actual models, saving them for those little midget monsters you could build with the surplus parts you had left over. My favorites of the Aurora models were the Creature, King Kong, and Dr. Jekyll and Mr. Hyde (although the latter was of a much smaller scale than the others, along with the Witch). Aurora also put out Monster Scenes, which you could use to build your own mad scientist lab and torture chamber, featuring Dr. Deadly, the Frankenstein Monster, the Victim, and the scantily clad Vampirella.

Glow Fangs, Vampire Blood, & Scar Stuff

Eventually, there would come the Halloween when you wanted to do some experimentation with your costume for that year. With me it was Count Dracula (I read the novel while in middle school and was completely obsessed with it!). Mirroring the dread Count (pun intended!) required some improvisation that a mere rubber mask couldn’t pull off. So, I sojourned to the local Walgreens and acquired the traditional pair of glow-in-the-dark vampire fangs, as well as a tube of Vampire Blood and, for good measure, a tiny jar of Scar Stuff. Vampire Blood and Scar Stuff came out in the early 70s and, although they produced authentic appearing trickles of blood from the corners of your mouth and ghoulish scars and abrasions, they were a Mom’s nightmare around the Halloween season. It was nearly impossible to get Vampire Blood out of clothing and Scar Stuff (which basically had the consistency of flesh-colored snot) contained enough grease to stain clothes and furniture upholstery equally well. I didn’t have a proper Dracula cape for my Halloween ensemble, but my Dad have an old black overcoat that worked quite nicely. I also wore my Sunday go-to-church shirt and tie to give my Count a little class, although my clip-on did bear a weirdly-colored burgundy & olive green paisley pattern in the 1970s mod style of that period.

Monster Magazines

My #1 source for a solid monster fix was undoubtedly Famous Monsters of Filmland magazine, edited by Forrest J. Ackerman (or simply “Uncle Forry” to us creature-loving kids). Uncle Forry possessed a tremendous love and appreciation for horror and science fiction cinema; one that extended from the silent era of The Phantom of the Opera and Metropolis, through the 30s, 40s, and 50s heyday of the Universal Monster movies, and on into the 60s and 70s era of the Hammer horror films, the Planet of the Apes phenomena , and even Star Wars. I had the pleasure of actually meeting Uncle Forry at the first World Horror Convention (he was hanging out in the monster model room with none other than Robert “Psycho” Bloch) and found my childhood hero to be both congenial and humble. Other Warren Publishing magazines like Creepy, Eerie, and Vampirella where on the newsstands for the taking, but unfortunately my Mom prohibited me from partaking of them, claiming that they were much too “adult” compared to my monthly purchase of the latest Famous Monsters.

Halloween Candy

And last – but certainly not least – there was the candy! The decorations, costumes, and activities may have embellished All Hallows Eve, but the hunting and procuring of sugary delights was always the main objective. Whether we took a brown grocery bag Mom brought home from Kroger’s or A&P, or the seasonal Brach’s Candy trick-or-treat bags given away at the big candy counter at – you guessed it – Sears, it was a requirement to have a sturdy-enough receptacle to haul at least five pounds of candy home in. Some kids toted those plastic pumpkins around, but they filled up quickly and, by the time you’d done two or three streets, it was like toting a heavy, orange bowling ball around. When you got home, you would slip into your pajamas and dump that night’s Halloween haul onto the kitchen table or the living room carpet and begin the sorting process. Miniature candy bars went into one pile (Snickers, Baby Ruth, Almond Joys, Reeces’ cups, etc), suckers and hard candy into another, and the novelty items in a third (Razzles, Bottle Caps, and the now politically incorrect candy cigarettes and bubble gum cigars). Oh, and there was always a fourth pile of odd and questionable treats that Mom had to inspect before giving the okay or tossing them in the trash; things like popcorn balls, apples, religious tracts, and even little tubes of toothpaste and tooth brushes. Every now and then, we would be delighted to find some pennies, dimes, or quarters in our bags; tossed there by some unprepared homeowner who had either run out of candy early or completely forgotten it was Halloween in the first place. But, sadly, those monetary treats were few and far between.

So, there you have it: Ol’ Ron’s top Halloween things of the 1960s and 70s. These days I enjoy Halloween and trick-or-treating through my own kids, but I still cherish those fun, carefree days of preparing for and indulging in the most ghoulish holiday of the year.

Born and bred in Tennessee, Ronald Kelly is an author of Southern-fried horror fiction with fifteen novels, eight short story collections, and a Grammy-nominated audio collection to his credit. Influenced by such writers as Stephen King, Robert McCammon, Joe R. Lansdale, and Manly Wade Wellman, Kelly sets his tales of rural darkness in the hills and hollows of his native state. His published works include Undertaker’s Moon, Fear, Blood Kin, Hell Hollow, The Dark’Un, Hindsight, Restless Shadows, After the Burn, Timber Gray, Mr. Glow-Bones & Other Halloween Tales, Dark Dixie, Midnight Grinding & Other Twilight Terrors, The Sick Stuff, More Sick Stuff, and The Buzzard Zone. He lives in a backwoods hollow in Brush Creek, Tennessee with his wife and young’uns.

Fear

It was a legend in Fear County… a hideous, flesh-eating creature – part snake, part earthbound demon – that feasted on the blood of innocent children in the cold black heart of the Tennessee backwoods.

But ten-year-old Jeb Sweeny knows the horrible stories are true. His best friend Mandy just up and disappeared. He also knows that no one has ever had the courage to go after the monster and put an end to its raging, bestial hunger. Until now.

But Evil is well guarded. And for young Jeb Sweeny, who is about to cross over into the forbidden land of Fear County and the lair of the unknown, passage through the gates of Hell comes with a terrible price. Everlasting… FEAR!

Mister Glow-Bones & Other Halloween Tales

Halloween is more than a holiday; more than a fun time of candy and costumes for the young. It is inoculated into our very being at an early age and there it remains. As we grow old, it grows dormant… but it is still there. For the lucky ones, such as us, it emerges every year, like a reanimated corpse digging its way out of graveyard earth to shamble across our souls. And we rejoice… oh, if we are the fortunate ones, we most certainly rejoice.

So turn these pages and celebrate our heritage. Blow the dust off the rubber mask in the attic and hang the glow-in-the-dark skeleton upon the door. Light the hollowed head of the butchered pumpkin and string the faux cobweb from every corner and eave.

It’s Halloween once again. Shed your adult skin with serpentine glee and walk the blustery, October streets of long years past. And, most of all, watch out for misplaced steps in the darkness and the things that lurk, unseen, in the shadows in-between.

Stories included in this collection:
Mister Glow-Bones
The Outhouse
Billy’s Mask
Pins & Needles
Black Harvest
Pelingrad’s Pit
Mister Mack & the Monster Mobile
The Halloween Train
The Candy in the Ditch Gang
Halloweens: Past & Present
Monsters in a Box

The Buzzard Zone

When the buzzards took flight, Levi Hobbs knew his family’s only hope of survival was to escape. They were coming, the Biters, the dead, risen as zombies, infested by parasites and transformed into shambling, ravenous monsters. As the family flees their home in the Smoky Mountains, they head eastward to the Carolinas in search of refuge. As the buzzards on their trail grow thicker, the Zone widens, and the Biters become hungrier and more hostile. The Hobbs family realizes there is only one place left to go, one place to make a final stand… and time is running out.

Undertaker’s Moon

As the residents of Old Hickory, as well as the local police, begin to fall victim to an unknown evil, four individuals—the town nerd, a high school jock, a widowed gunsith, and a mysterious transient from a distant shore—find themselves facing what could possibly be a hellish lycanthrope from ancient Ireland… the legendary Arget Bethir… the Silver Beast.