Halloween Extravaganza: Brian Martinez: STORY: The Basement Stares

When Brian asked if he could share a story he wrote during my Halloween Extravaganza, I could hardly say no. Especially after reading it. Get comfortable and enjoy…


Warren hated that old house.

It was coming up on two years since he’d bought it. Everything in it creaked and leaked, from the basement to the roof, and everything between. It had bare, wooden floors that warped and leaned at crooked angles. Bathrooms wallpapered in heavy mildew and old cigarette smoke. Lights that blinked whenever he walked down the hallway.

And it was cold. Starting in the first months of fall, all the way through the dead of winter, the house was filled with a dampness that cut to the bone. Wind whistled through the old window frames, no matter how much he tried to block them up with blankets. Even when he could manage to stop a draft from coming in through one window, another would just take its place. The whistling unnerved Warren, like distant crying in the woods. He woke up shivering sometimes from the cold air pressing down on his chest. He’d started wearing thick socks and shoes around the house most of the time just to keep the feeling in his toes.

The real estate agent had called it a fixer-upper, but that was just a nice way of saying it was a money pit. A place where dreams went to slowly die.

Then there was the sound.

It didn’t happen every night, but sometimes, just after six-thirty, after he’d eaten whatever he picked up for dinner, it would start. Warren would be on the couch, trying to watch the news, when it would start somewhere deep down in the basement.

Ka-thump. Ka-thump. Ka-thump.

It was a thick sound, like footsteps but heavier. The basement door, which he always kept closed, was between the living room and the kitchen, where he rarely went. As he sat watching television, he would hear it move slowly up the basement stairs, one agonizing step at a time.

Ka-thump. Ka-thump. Ka-thump.

For an entire year he’d been trying to ignore it. Pretend it didn’t exist. But each day the sound grew harder to block out. Tonight, as he tried to watch a movie for a change, he was just getting comfortable, thinking that perhaps he’d been left alone for the night, when the familiar sound started at the bottom of the basement stairs.

Ka-thump. Ka-thump. Ka-thump.

Moving slowly. Climbing the stairs, one at a time. Warren turned up the volume and leaned in closer to the television, straining to hear the movie he could already barely follow, but the sound only seemed to grow louder. It was a hammer on his skull. He closed his eyes and counted to ten, praying it would go away, but each count was accompanied by the sound echoing up from the basement, like the heartbeat in his own chest.

Ka-thump. Ka-thump. Ka-thump.

It mocked him. Teased him. Attacked him until he thought for the thousandth time about moving out. But he had no money left after what the house had eaten up, and he had his pride to think about as well. What would the neighbors think of him if he packed up, tucked his tail and ran off in the night? What would they say about him when he was gone?

And still, the sound came through the basement door.

Ka-thump. Ka-thump. Ka-thump.

When he couldn’t take it anymore, Warren turned off the television, jumped up from the couch and turned to face the basement. “Stop it!” he shouted, his voice echoing off bare walls and a sagging ceiling. โ€œJust stop!โ€

He knew the sound wasn’t real. It couldn’t be. There was nothing down there but a long set of wooden stairs ending in a hard, concrete floor. If anyone could see him now, yelling at the air, they would think he was crazy. But Warren lived alone those days, and there was no one to think anything about him. He glared at the unpainted basement door, drawing up his strength. Willing it to be silent. But still it came, louder and louder, slowly rising up the basement stairs.

Ka-thump. Ka-thump. Ka-thump.

A laugh bubbled up in his throat. He was being ridiculous, of course. Scared of a door. He walked to it, still not believing, still not letting the possibility of it into his head. Step-by-step, foot-by-foot, he crossed the living room, feet dragging slightly on the warped floor, until he reached the basement door.

Ka-thump. Ka-thump. Ka-thump.

With the breath caught in his throat like a fish, Warren stared at the unpainted door. It hadn’t been opened in a year. Even through all those nights of listening to the sound move up the stairs again and again, of holding his pillow over his ears and praying for sleep, he’d refused to entertain the idea. But it was time that changed. This twisted game had gone on long enough. He had to end it while he still had one last nerve left to do it with.

Tonight was the night Warren took his house back.

But then, he noticed something. In the minute he’d been standing in front of the door, willing his hand to reach up and touch the handle, the sound from the basement had stopped. Except for the house’s frame creaking under the wind outside, the night was silent.

Warren reached up, heart booming in his chest like a man trying to escape his jail cell, and slowly touched the handle. It was cold and solid. Real. He almost laughed again. The idea that he’d been expecting anything else was ridiculous. That he thought his hand might pass through it like a hook through a jellyfish. With a deep breath he turned the handle and slowly, very slowly, opened the door, the long creak of an un-oiled hinge overtaking the throbbing in his ears.

The darkness of the basement seeped through the crack between the door and the frame. One sliver at a time, the basement stairs he hadn’t seen in a year were revealed to him. That long path beneath the ground. Old, uneven slats of wood dipping down into a pool of black thicker than paint.

Ka-thump-ka-thump-ka-thump!

The sound suddenly rose up the basement stairs faster than ever before. It came at him. Excited to see him. As if it was about to crash through the door and leap out at him.

Warren slammed the door shut and ran, ran to the front of the house, ready to escape into the night and never come back so long as he lived. His body was electric. His heart felt like it was clawing its way up his neck so it could crawl out his mouth. He’d never been so terrified in his life, never so sure of the danger that came for him.

With his hand on the front door, he stopped.

He took a moment to think about what he was doing. Where would he go? What would he say when he got there? With nothing but a crazy story in his pocket, who would take him in? Who would even believe what he had to say?

Knock knock knock!

The door came alive under his hand. He stumbled back, almost falling. Warren stared at the front door, horrified that he had not one but two doors to be scared of. But even in his panic, he knew something about the knocking on the door was different. It was a normal sound. Nothing like the one he’d lived with for the past year. With shaking hands he approached the front door again, close enough to put his eye to the peephole.

A worried face. And red hair. He sighed. It was the neighbor next door, the young woman who liked to garden. She lived on her own, he remembered, something about her parents leaving her the house. She looked like she was unsure of being on his doorstep, her body language saying she was about to leave. Warren considered staying quiet and letting her go, but something in him needed to speak to someone. Anyone. Even a woman he’d barely said a dozen words to in two years.

He opened the door. She looked back at him with concerned eyes, waiting for him to say something, but he didn’t know what to say. What could he say?

โ€œHello,โ€ he managed.

โ€œSorry to knock on your door so late,โ€ she said, โ€œbutโ€ฆare you alright? I thought I heard someone shouting.โ€

He stared at her a moment. โ€œOh,โ€ he finally said. He thought of his outburst a few minutes earlier. Yelling at a door. He was embarrassed to think anyone had heard that. โ€œIโ€ฆI was just watching a movie. I probably I had the volume too high.โ€ He motioned to the living room. She glanced over, the living room visible from the front door, and saw the television turned off. โ€œI was,โ€ he added. To be fair it was true, just not what she’d actually heard.

Her face relaxed. โ€œI’m really sorry, I shouldn’t have interrupted.โ€

โ€œNo, I’m glad you did,โ€ he replied. It was the most honest thing Warren had said in a long time. She smiled, and for a second he forgot all about the sound in the basement.

โ€œWhat was it?โ€ she asked.

He blinked. โ€œWhat?โ€

โ€œThe movie.โ€

โ€œOh.โ€ He glanced sideways. โ€œYou know I already forgot?โ€

She put her hand to mouth and laughed. The friendly sound of it brightened his doorstep, and the night beyond. Was this what it was like to be normal? It had been so long since he’d spoken with someone, he’d forgotten what it felt like. To talk to a person. To make them laugh. โ€œDoesn’t sound like a very good movie,โ€ she said.

โ€œNo, I guess not.โ€

She nodded, brushing her hair over her ear. โ€œWell, as long as you’re okay. I overreact sometimes, but honestly I’d hate myself if I didn’t do something and someone ended up hurt. I hear about this stuff all the time.โ€

โ€œNo problem at all. I’m glad someone’s looking out for me.โ€

She smiled, saying goodnight and apologizing once again for the intrusion. Before she left, she turned back to Warren, looking a bit unsure of what she was about to say. โ€œListenโ€ฆI know you haven’t gone out much sinceโ€ฆyou know.โ€ She shifted uncomfortably, as did he. โ€œIf you ever need an ear, I’m right next door. I know how lonely it gets in these big houses.โ€

โ€œIt does, I guess,โ€ Warren said. Not knowing what else to say, he added, โ€œThank you.โ€

โ€œNo problem.” She paused again. “I never talked to her, but she seemed nice.โ€ She smiled sheepishly, then gave a small nod and headed back to her house. Warren watched her go, then closed the door and locked it.

It was coming up on two years since he and Mary Lynn bought the house. Mary Lynn, with her black hair like a raven’s feathers, had been as nice as the red-haired neighbor when they first met. But the house had changed her. It changed both of them. Their fixer-upper consumed them until it was all they could talk about. All they fought about. When he thought of their last argument, his face still went red at the memory. That day he’d seen a side of both of them that still shook him.

The basement had fallen silent since he’d left. He went to it, feeling the deep embarrassment of a man who’d woken up from a screaming nightmare he’d sworn was real while he was in it. It was a completely normal, unpainted door, and he had to face the fact that what he’d been hearing, what he’d been experiencing in the last year, was the result of a man unprepared to move on.

He opened the door, not slowly this time, not with the reverence of fear, but like he would any other door. The squeak of its dry, brass hinges was brief, like the tiny yelp of a surprised mouse. Without flinching, Warren forced himself to look directly at the basement stairs, to see them for what they were. Earthly things of wood and nails, and nothing more.

As he looked down at the stairs, Warren felt a chill run through him. It started on his back, a cold spot like someone had pressed an ice cube to his spine, and it moved through his blood like a shadow over open ground. The tiny hairs at the back of his neck stood up as he felt the unmistakable presence of someone standing behind him, just over his shoulder. His nose picked up the hint of a familiar perfume. And yet he didn’t dare turn around. Didn’t dare look.

As he stood there, frozen in fear, Warren’s mind drifted to that day more than a year earlier.


โ€œCan you please paint this today?โ€ Mary Lynn stood in front of the basement door, her small hands on her waist. โ€œPlease?โ€

Warren put down the black garbage bag he was carrying, stuffed to the gills with broken glass, moth-eaten pillowcases and old wires he’d pulled out of the spare bedroom, the one they’d never quite gotten to. โ€œThe whole house is falling apart, why are you so obsessed with one door?โ€

โ€œBecause it creeps me out.โ€

โ€œAnd painting it will change that.โ€

She frowned at him. โ€œWe won’t find out unless we try.โ€

He wiped the dusty sweat from his brow with his forearm, leaving the garbage bag behind. “You can paint it, too, you know.โ€

โ€œMaybe I would if I wasn’t busy cooking dinner.โ€

โ€œI didn’t ask you to cook dinner.โ€

โ€œWell, I don’t see you doing it.โ€

โ€œThat’s right, because I’m not doing anything at all. Right?โ€

It went on like that for almost an hour. The two of them argued louder and louder, forgetting all about the dinner burning on the stove, an expensive piece of fish gone black. They’d fought so many times already, but this time was different. This time the fight grew bitter and petty. Warren and Mary Lynn, standing in front of the basement door, screamed at each other about every dripping faucet and rusty nail in the house, all because he hadn’t gotten around to painting one door. They came to the point where Warren was flinging the basement door open, shouting that he would just take it off the hinges and remove it if it bothered her so much. Each time he did Mary Lynn slammed it shut, screaming all kinds of nasty things at him, things he never thought he’d hear from the lips of the sweet girl he’d married.

And then, in the heat of the moment, he did something he’d never done before.

He grabbed her arm.

She looked up at him, shocked by his behavior. Before she could pull away, he wrenched her over in front of the open door so she could look at the stupid basement stairs for herself. When she had a good, hard look at them, he leaned in close to her ear, so she didn’t miss a word.

โ€œYou’re so scared of the basement?โ€ he hissed. โ€œLook at it!โ€ He didn’t recognize his own voice coming out of him. It didn’t even feel like him saying it. But before he could stop himself, before the little voice in the back of his mind could ask him what he was doing, Warren gave Mary Lynn a hard shove toward the stairs that bothered her so much.


Warren shook, unable to move. A pressure overcame him, and his eardrums felt about to pop. Whatever it was behind him, whoever it was, he could feel the hatred coming off them in waves, pulsing like blacktop in summer. Unseen lips drew closer. Close enough they could kiss him. With cold breath drifting across his neck, the shadow behind him whispered into his ear.

“Look at it.”

And then he felt it on his back.

A single push.

Warren tipped over the precipice of the basement door. Either the fear or something else kept his arms from working, kept his hands from stopping his fall. His head was first to hit the basement stairs. He heard a loud crack as his neck bent sideways, and a deep, sharp pain shot through his body, followed by a messy tumble down the stairs. He felt every broken arm, every dislocated leg as he flopped and rolled down the long set of steps, ending in a hard stop on cold concrete.

Warren couldn’t move his legs. His body was shattered, his breath shallow. His eyes rolled in his skull to look back up the distance he’d fallen, up the stairs that looked a mile long from where he lay, all the way to the basement door.

It was coming up on two years since he and Mary Lynn bought the house, and one year since she’d died. Yet there she stood, black hair like a raven’s feathers, blowing softly in the draft that never left. She was pale and beautiful and cold, her eyes diamonds cut from pressure and pain.

โ€œPlease,โ€ Warren whispered. It was all he could manage to pull from weakened lungs.

With a light touch of her small hand, she closed the still unpainted door. The dry hinge creaked like a dead tree in the winter wind. Then all light cut out, plunging both Warren and the basement into pure darkness. The black encompassed him, surrounded him, drawing the precious heat from his shattered body. Finally, the old house, the house he hated so much, was finishing the job of bleeding him dry. He could no longer feel his feet, or really much else beyond the slowing of his own heart.

Gasping like a fish, Warren summoned whatever he had left and focused on reaching the stairs. They were somewhere in front of him, in the dark. By some miracle he got his arms to work, and he began pulling himself along the frigid basement floor, useless legs dragging behind him.

Barely able to lift his head, he clutched the bottom step and pulled himself up it. The strain on his broken neck was too much to hold. His head slumped, pounding against the wood. Yet still he didn’t stop. He couldn’t, not until he reached the top. Maybe there he could call for help loud enough that someone would hear him. Maybe the nice neighbor with the red hair. There wasn’t anyone else close enough to hear. No one else who cared.

One step at a time he dragged his cold body up the stairs and toward the door, hoping to be saved, praying to be forgiven, and one step at a time, his heavy head fell and struck the wood. A thick sound, like footsteps but heavier.

Ka-thump. Ka-thump. Ka-thump.

Brian Martinez is a science fiction and horror writer. He studied Film at Long Island University, and has been known to watch a John Carpenter flick on repeat until people grow concerned. He lives in New York with his wife Natalia and their pack of dogs. 

Martinez is known for numerous apocalyptic works, including A Chemical Fire, The Mountain and The City, and the Bleeders series. He also writes The Vessel, a Space Horror podcast on all major platforms. His works have appeared on screen and in print, as well as on Youtube and in audiobook. He is currently working on The Unseen, a major, multi-character Supernatural Thriller series.

The Unseen 1: Shallow Graves

He drinks too much. He can’t hold a marriage together. And he’s our only hope against the monster that just came to town.

Franklin Butcher is a young cop with a few rough years behind him. Freshly divorced, he decides to make a new start in the small town of Shallow Creek. What better place to coast until retirement than a town where nothing happens?

His plan doesn’t work. Soon people start disappearing, and Butcher is the only one who seems to want to solve the case. He believes a new couple in town are to blame for the vanishings, but the truth is even darker than he thinks.

Before he knows it, Butcher is drawn into an unseen world of supernatural creatures that has existed in secret for centuries. It’s also a world he has more connection to than he ever imagined. Because, like Shallow Creek, Franklin Butcher has a few secrets of his own.

The Unseen is a bold new take on familiar myths, from doppelgangers to vampires, to demons, monsters and more. This is a series that can’t be missed. But be careful- once seen, this world can’t be unseen…


Bleeders 1: The Read Death

Can the world’s biggest smart-ass survive the apocalypse?

All the news channels can talk about is the Red Flu, a nasty strain that came out of nowhere to wreak havoc on the population. There’s also something the government isn’t telling the public about the Red Flu- both the secret of its true effects, and exactly how it spreads. 

Brody Tate doesn’t care. He’s a young smart-ass living in New York City, locked in a dead-end job. His only concern is telling his boss where he can shove it. Besides, the news only exists to scare people, right? 

But something is wrong. There’s blood in his boss’s office. A woman is dead on the floor. 

His boss is eating the cleaning lady. 

He kills the man in self-defense- not that the cops believe him- and gets carted away for murder. As if his day wasn’t bad enough, his boss managed to bite him during the struggle. With the Red Flu tearing up his insides, Brody finds himself in a self-destructing New York, lost in the horrors of a crumbling city while fighting to stay alive. 

The question now is, if the Red Flu doesn’t kill him, and someone with it doesn’t, what will be left of him? What will he become?


The Mountain & the City

An epidemic has killed off most humans, turning the rest into beasts with sharp nails, keen senses and an insatiable hunger. Now, years later, a solitary survivor hides in a trailer above a dead city. This is life with the door and windows taped shut, where survival comes down to two, simple rules: stay quiet, and protect the air. 

One day, a visitor comes up the mountain. It’s a meeting that leads to a fateful decision, and a sacrifice that will change everything. 

Collected here for the first time, The Mountain and The City is a post-apocalyptic serial that has kept its faithful readers on the edge of their seats time and time again.

Halloween Extravaganza: INTERVIEW: Brian Martinez

Meghan: Hi, Brian. Welcome to Meghan’s House of Books. Tell us a little bit about yourself.

Brian Martinez: Alright, well my name is Brian Martinez and I hail from Long Island, New York. I’ve written something like ten books at last count. Most of them are horror stories, or if they’re not horror they at least contain ingredients of horror. I love the dark stuff, although when I write it myself it tends to come out with a twist of humor.

Meghan: What are five things most people donโ€™t know about you?

Brian Martinez: Five? Alright, let’s seeโ€ฆ

1) I’m a huge music fan, and by that I mean I listen to music almost constantly. For me streaming music is one of the greatest inventions of the last ten years or so. I mainly listen to Alternative and Electronic, but I mix in some other things as well. Lots of synth.
2) Nine Inch Nails is my favorite band of all time. I’ve been obsessed since the first moment I heard Trent Reznor’s music, so starting around ’92 or so. He’s one of my biggest artistic heroes in how he’s changed so much over the years, yet stayed true to exactly who he is.
3) I love animals, especially dogs. Sometimes more than people. In fact, if you see a dog in one of my books, that’s probably the safest character in the story.
4) I wake up at 4:30 every morning, almost on the dot, whether I want to or not. It started happening a few years ago, completely by accident. At first it was annoying and I tried to fight it, but I’ve come to embrace it. Now I get my best writing done before most people are awake.
5) I was on Sesame Street as a child, and I have proof.

Meghan: What is the first book you remember reading?

Brian Martinez: Harold and the Purple Crayon. It’s a children’s book about a four year-old who makes his own world with a single crayon. So that obviously goes back pretty far. It sounds silly, but Harold was the first person who taught me I could create my own reality. It’s still one of the most powerful lessons I’ve ever learned. Like most kids I was then totally scarred by the Scary Stories to Tell in the Dark books, and a few ghost story books that gave me really bad nightmares. I think later on Dean Koontz was my introduction to more adult books, which always inevitably leads to Stephen King.

Meghan: What are you reading now?

Brian Martinez: Tomie, by Junji Ito. He’s a master of Japanese horror manga who you absolutely must experience for yourself. His most famous work is Uzumaki, and it’s seriously a masterpiece of surreal horror. He has this way of making you feel uncomfortable, yet at the same time unable to look away. Japanese horror at its best.

Meghan: Whatโ€™s a book you really enjoyed that others wouldnโ€™t expect you to have liked?

Brian Martinez: I don’t usually read straight thrillers, but I picked up Killing Floor, the first Jack Reacher book by Lee Child, and was stunned by how well-written it was. Not that I thought it would be bad, I sort of expected the good action and fast pace, but I didn’t see the expert prose coming. Lee Child has a way with words and dialogue that makes the story sing. Other than that I do read bits and pieces of genres you wouldn’t think. I expect you’ll find that’s true of a lot of writers- we like to pop the hood and check out how the engine runs.

Meghan: What made you decide you want to write? When did you begin writing?

Brian Martinez: I started writing sometime in elementary school, for the simple reason that one day I asked my older brother what he thought I was good at, and he said writing stories. At the time I didn’t know what he meant, because I didn’t recall writing anything. Looking back I’ve found some old school papers in my parents’ attic and realized I had the habit of turning homework assignments into short stories, and usually bloody ones. I think it was inevitable from the start.

Meghan: Do you have a special place you like to write?

Brian Martinez: I have an office in my house that I do most of my writing in, although I do bits and pieces just about everywhere. To find the time to write you really have to be flexible. Five minutes here and there adds up to an hour pretty quickly if you keep at it. But at the same time having a routine is incredibly important.

Meghan: Do you have any quirks or processes that you go through when you write?

Brian Martinez: I listen to music, all instrumental, so I don’t get distracted by lyrics. Mainly eighties horror soundtracks. Other than that, a lot of staring at the wall until it talks.

Meghan: Is there anything about writing you find most challenging?

Brian Martinez: The whole thing is challenging. That’s probably why I keep doing it. The arts are weird in that every time you start a project, you’re essentially starting from scratch. You have the experience and the skills in place to create something, but you’ve never created THAT PARTICULAR something, so you never know how it’s going to go and where it might fall apart. If it was too easy everyone would do it, and it would probably lose its luster.

Meghan: Whatโ€™s the most satisfying thing youโ€™ve written so far?

Brian Martinez: Usually it’s the short stories. There’s a certain purity to a really focused short story. Less words means less chances to screw it up. Short stories are almost like songs to me. Get in, do the damage, get out. I have a short story called โ€œThe Depthsโ€ that felt particularly good at the time.

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Brian Martinez: House of Leaves by Mark Z. Danielewski comes to mind, because it’s a work of art and completely opened my eyes to what a book could be. Hunter Thompson and his ability to make something as meaningful as it is hilarious. As far as my writing style, he’s not an author, but I very often find myself trying to capture the feeling I get from John Carpenter movies. Whether you’re supposed to laugh or be scared, you just love that atmosphere he puts you in.

Meghan: What do you think makes a good story?

Brian Martinez: It can be so many things. Usually it’s a great character. In the end, though, it just has to deliver on what the tin says. I don’t watch Hot Fuzz for the same reasons I watch Saving Private Ryan or Alien, and yet all three are successful at giving you exactly the movie you wanted. They promise a certain ride and deliver it. Sometimes, though, what makes a story go from good to great is when it over-delivers. You expected to laugh, you did, but you cried somewhere in the middle as well. That’s a good ride. You still got what you wanted, and then some.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Brian Martinez: Being funny helps. Also they should do things, and not just think about doing things. And they definitely shouldn’t complain about doing things. Unless the complaining is funny. I don’t know exactly how I create characters other than letting them talk for a while and hearing what they have to say. From there I decide whether or not I want to keep hearing them talk. Characters are really interesting to me, you start off with an idea of who they’re going to be, a pre-judgment, but so many times they surprise you about who they actually are. That probably sounds full of crap but it’s completely true. As a writer, if you’re forcing a character to be who you think they should be, you’re doing something wrong. Part of the process is letting go of a certain amount of control.

Meghan: Which, of all your characters, do you think is the most like you?

Brian Martinez: Find the one who copes with life through humor, and that’s usually where you’ll find me.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Brian Martinez: I am most definitely turned off by a bad cover. It should at least be an okay cover, and then it better have a killer description. I just can’t imagine spending the kind of time it takes to write a book, to then turn around and slap a terrible picture on the front of it. Of course people should judge the story on the story itself, that’s obvious, but if you have an awful cover people will never get to read it in the first place.

For a while I did my covers with my own decent amount of Photoshop skills, but in the last few years I’ve come to see the importance of hiring professionals to do them. Not only are they better than you at it, they don’t have the emotional attachment clouding their vision. I still give my cover designer lots of ideas to draw from, and then give feedback for how to tweak the final image, so I’m definitely still involved. If you find the right person it’s a satisfying give-and-take process that makes everyone happy. A good cover draws people in, and it tells them you’re serious about this thing you’ve made.

Meghan: What have you learned creating your books?

Brian Martinez: How good it feels to finish a project. Writing any book, good, bad, mediocre, is a kind of marathon. People like to criticize certain authors or books, and I do it sometimes, too, but if you’ve ever actually written one, there’s always going to be a part of you that says, โ€œWell, yeah, but at least they finished it.โ€ I have a stack of books on my bookshelf that I wrote. That’s a great feeling. I think everyone needs that feeling in their lives in some form or another.

Meghan: What has been the hardest scene for you to write so far?

Brian Martinez: None of them have been emotionally difficult for me, if that’s what you mean. The first few scenes of any book are tough in that it takes a little while to find the voice of the story. Almost like warming up an engine. Once I do I usually have to rewrite those first scenes anyway, to match the feel. More and more I don’t sweat those first pages because I know how much they’ll end up changing. Editing is really freeing in that way. Nothing is permanent.

Meghan: What makes your books different from others out there in this genre?

Brian Martinez: I tend to mix genres a lot. The Unseen, the series I’m writing now, is primarily a supernatural thriller, and yet it includes heavy amounts of horror, martial arts, noir, and even Lovecraftian elements. It’s selfish in a way, because I do it largely to keep things interesting for me, but I hope that translates to an interesting story that isn’t written how someone else would write it. The downside is it’s harder to market, but I have to accept that. I just hope that like-minded people will love it that much more.

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Brian Martinez: Titles are extremely important. A friend pointed out once that titles are the one bit of your writing that everyone reads, and I agree with that whole-heartedly. That said, don’t sweat it too much. You usually know the right title when you see it. If not, write down as many as you can and try them out on people. You’ll figure out pretty quickly which one people respond to.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Brian Martinez: Novels by a huge margin. Short stories are great for those small bursts of accomplishment, which makes them great to write either between novels or when you’re feeling the drag in the middle. But like I said before, novels are marathons, and nothing makes you feel better about yourself than running a marathon. Or so I’m told.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Brian Martinez: I think what my books all have in common is that they dance in the place where genres meet. My biggest influence by far is growing up crazy about movies, and the ones I liked the most were always in a gray area genre-wise. Star Wars is science fiction but it’s kind of a western, too. Aliens is science fiction but it’s also horror. Predator is a monster movie but it’s a military action flick. Even Little Shop of Horrors, which I watched so many times I think I still know most of the songs, is a horror movie and a comedy and a musical and a romance all at once.

When I first started out, I was trying to write literary, post-modern stuff like Palahniuk or Clevenger, but I could never finish anything. It wasn’t until I embraced my love for genre fiction that my writing really took off. I realized pretty quicky that I could still say the things I wanted to say. My first book, A Chemical Fire, takes place in a kind of zombie apocalypse, but it’s also about a man destroying his world with drugs. The Mountain and The City is about post-pandemic life, but it’s also about how powerful mothers can be. And then there’s the Bleeders books, which are basically dark comedies about a major smart-ass dealing with the end of the world. And so on. The kind of people I write books for are people like me, who are unashamedly in love with the scope of what genre fiction can be. I just hope to give people a little escape, maybe a few laughs, and the sense that there are other people like them out there, either writing the books they’re reading, or running around in the books themselves.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Brian Martinez: I can’t think of any major deleted scenes of the stuff I’ve published. I do have a bunch of false-starts filed away, books I’ve gotten a few chapters into and decided the idea wasn’t quite cooked yet. That happened recently when I started writing a supernatural thriller set in the eighties called Passenger. It took me a little while to realize that what I was actually writing was a prequel to my series The Unseen. Once I understood that, I put it down and got back to work on The Unseen. But it did help me set up a bunch of backstory. Maybe at some point I’ll go back and finish it.

Meghan: What is in your โ€œtrunkโ€?

Brian Martinez: I actually do have a trunk novel. It’s one of those false-starts I mentioned, but it’s one I would still love to write. All I can tell you is it takes place in the future, and that I did a lot of research about parasites. Also it has one of the better titles I’ve come up with: Monstermouth Death Switch.

Meghan: What can we expect from you in the future?

Brian Martinez: Right now I’m all in on The Unseen. It’s the most elaborate world I’ve created so far, with four major characters, each with a primary home town, crossing paths with creatures from something like ten different worlds. It’s been a complicated but interesting ride, and I want to see it through to the end. Somewhere along the way I have a few other series that have to be wrapped up, but beyond those I’m always looking for whatever comes. I’ve learned to keep an open mind when opportunities present themselves, and to say yes as much as possible when they do.

Meghan: Where can we find you?

Brian Martinez: The main place is my website ** Twitter ** Instagram ** Facebook

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview?

Brian Martinez: Just keep reading what you love to read, watch what you love to watch, listen to what you love to listen to, draw what you love to draw and write what you love to write. People who try to step on what you care about just wish they had something to care about as much as you. You’re allowed to be happy. You’re allowed to love things and be excited about them. Some people don’t want to admit when they like something, like it’s a sign of weakness, and maybe it is in a way, but it’s the best kind. It’s proof that you’re alive and you can be hurt. Wear your heart on your sleeve. Hold your favorite book up like a torch.

Brian Martinez is a science fiction and horror writer. He studied Film at Long Island University, and has been known to watch a John Carpenter flick on repeat until people grow concerned. He lives in New York with his wife Natalia and their pack of dogs. 

Martinez is known for numerous apocalyptic works, including A Chemical Fire, The Mountain and The City, and the Bleeders series. He also writes The Vessel, a Space Horror podcast on all major platforms. His works have appeared on screen and in print, as well as on Youtube and in audiobook. He is currently working on The Unseen, a major, multi-character Supernatural Thriller series.

The Unseen 1: Shallow Graves

He drinks too much. He can’t hold a marriage together. And he’s our only hope against the monster that just came to town.

Franklin Butcher is a young cop with a few rough years behind him. Freshly divorced, he decides to make a new start in the small town of Shallow Creek. What better place to coast until retirement than a town where nothing happens?

His plan doesn’t work. Soon people start disappearing, and Butcher is the only one who seems to want to solve the case. He believes a new couple in town are to blame for the vanishings, but the truth is even darker than he thinks.

Before he knows it, Butcher is drawn into an unseen world of supernatural creatures that has existed in secret for centuries. It’s also a world he has more connection to than he ever imagined. Because, like Shallow Creek, Franklin Butcher has a few secrets of his own.

The Unseen is a bold new take on familiar myths, from doppelgangers to vampires, to demons, monsters and more. This is a series that can’t be missed. But be careful- once seen, this world can’t be unseen…


Bleeders 1: The Read Death

Can the world’s biggest smart-ass survive the apocalypse?

All the news channels can talk about is the Red Flu, a nasty strain that came out of nowhere to wreak havoc on the population. There’s also something the government isn’t telling the public about the Red Flu- both the secret of its true effects, and exactly how it spreads. 

Brody Tate doesn’t care. He’s a young smart-ass living in New York City, locked in a dead-end job. His only concern is telling his boss where he can shove it. Besides, the news only exists to scare people, right? 

But something is wrong. There’s blood in his boss’s office. A woman is dead on the floor. 

His boss is eating the cleaning lady. 

He kills the man in self-defense- not that the cops believe him- and gets carted away for murder. As if his day wasn’t bad enough, his boss managed to bite him during the struggle. With the Red Flu tearing up his insides, Brody finds himself in a self-destructing New York, lost in the horrors of a crumbling city while fighting to stay alive. 

The question now is, if the Red Flu doesn’t kill him, and someone with it doesn’t, what will be left of him? What will he become?


The Mountain & the City

An epidemic has killed off most humans, turning the rest into beasts with sharp nails, keen senses and an insatiable hunger. Now, years later, a solitary survivor hides in a trailer above a dead city. This is life with the door and windows taped shut, where survival comes down to two, simple rules: stay quiet, and protect the air. 

One day, a visitor comes up the mountain. It’s a meeting that leads to a fateful decision, and a sacrifice that will change everything. 

Collected here for the first time, The Mountain and The City is a post-apocalyptic serial that has kept its faithful readers on the edge of their seats time and time again.

Halloween Extravaganza: Peter Meredith: My Review of Twilight

When Peter asked me if he could write a review on Twilight by Stephanie Meyer, there was no chance of me saying no. I love hearing people’s opinion on not just these books, but these movies.

Twilight is my sister’s favorite series – something she’s read at least ten times, watched the movies so many times she has them memorized – but something that I could not get into, no matter how much I tried for her sake. But that’s the way it is with this one, isn’t it? There’s the people that loved, it, the people that hated it, and the people who didn’t bother because they had no interest at all.


Is it possible for someone to truly like both Twilight and Pride and Prejudice? I ask because I feel as though I’m about to get kicked in the literary nards again. The last time I stepped on a chick-lit favorite, Jane Austen‘s dull, but well written โ€œromance,โ€ I was described as โ€œsomeone who lacks the will to understand,โ€ and that was one of the more flattering comments! So you can see why I’m a little hesitant reviewing Twilight.

Here’s my problem with Stephenie Meyer’s debut novel: Twilight reads like a novel written by an average pre-teen, only without any evidence of editing or talent. Tenses are mixed, the plot is paper thin, and the characters are so shallow that they are little more than speaking cardboard cutouts.

The book can best be described as choppy and that’s being nice. Half the time the emotional state of Bella is completely incongruent with the scene she is in. It’s as if Meyer kept a hat near her computer and pulled from it scraps of paper with the words: mopey, or angry, or depressed, written on them. It’s rainy, let’s see what the hat says Bella should feelโ€ฆ hmmโ€ฆ hate. “I hate anything that’s wet.” Yes, that a line from the book and what a great line it is. How long did it take her to think up that one?

Sadly, there are more lines that are even worse. Hereโ€™s one that I treasure: “The room was familiar; it had been belonged to me since I was born.”

Been belonged? What the hell is that? And familiar? The room youโ€™ve had since you were born you describe as familiar?

Here’s another line that I just had to read over and over wondering how it made it into the book: “Through their noses, all their features, were straight, perfect, angular.โ€ Through their noses???? I’m clueless what that’s supposed to mean. And, what’s, with, all, the, commas,?
If you can get past all this, you then have to swallow the endless repetitious ‘perfect’ descriptions of Edward: His perfect golden eyes smoldered heatedly out from his flawless and perfect brow so that the ocher perfectly singed me with their perfection and heat–I exaggerate, but only barely.

It makes me wonder how this became a New York Times Editor’s Choice. Or how on earth it could be described as “The best book of the Year” by Publisher’s Weekly? I can only surmise that there weren’t any other books written that year.

I just don’t get it. It is a complete mystery how someone can become a millionaire writing like this. Maybe I should not start stopping, practicing to write weller than I does.

I could be famous too.

PS Can anyone tell me why girls fall for Edward when it’s obvious he’s gay. Let’s look at the facts as presented by the book: He’s a smart dresser. He’s neat and trim. He sparkles, smells fruity, and has a musical voiceโ€ฆla, la, la, la. Clearly he’s not just gay, but flaming, feather boa wearing, “I’m a dancer” gay. (Not that there’s anything wrong with that–it’s just an observation.)

PPS Even more of a question is how anyone can like Bella? She can’t walk to the bathroom without fear of falling in the toilet–trust me when I say it’s not an endearing trait. She’s annoyingly condescending to everyone. To call her moody is a joke. She’s bi-polar with a side-order of vanilla flavored mania. In the space of a minute she can be laughing, glaring angrily and crying. Yet all the boys want her. I get that Edward is using her as coverโ€”โ€œI swear thatโ€™s not my feather boa. It must be Bellaโ€™s.โ€ But the rest of them? It stretches the limits of fiction.

Peter Meredith is the multi-genre author of thirty-six novels including: The Undead World, a 10 book series, Generation Z Series, The Trilogy of Void, The Hidden Lands Series, The Sacrificial Daughter, A Perfect America, and Sprite.

Peter has written drama, horror, fantasy, apocalypse, and post apocalypse novel.

He is proud to have served in the U.S. Army for four years, serving in the 82nd airborne division and as a medic during Gulf War 1. Also having tried his hand in real estate, and a CEO of a national lighting company, he has come to find that his true addiction is in writing and been blessed to make it his full-time career.

Peter resides in Colorado with his wife, Stacy, of 27 years. They have two grown children and a a grandchild who also live in Colorado.

May you find an unforgettable adventure among my writings!

The Undead World 1: The Apocalypse

Money, terrorism, and simple bad luck conspire to bring mankind to its knees as a viral infection spreads out of control, reducing those infected to undead horrors that feed upon the rest. 

It’s a time of misery and death for most, however there are some who are lucky, some who are fast, and some who are just too damned tough to go down without a fight. This is their story.

The Undead World 2: The Apocalypse Survivors
The Undead World 3: The Apocalypse Outcasts
The Undead World 4: The Apocalypse Fugitives
The Undead World 5: The Apocalypse Renegades
The Undead World 6: The Apocalypse Exile
The Undead World 7: The Apocalypse War
The Undead World 8: The Apocalypse Executioner
The Undead World 9: The Apocalypse Revenge
The Undead World 10: The Apocalypse Sacrifice
The Undead World 10.1: Jillybean’s First Adventure
The Undead World 10.2: Jillybean & the First Giants


Generation Z 1: Generation Z

Itโ€™s been twelve years since the undead hordes swept over the earth forcing mankind to the brink of extinction. We now live like rats, scavenging in the ruins of our fallen civilization as the dead hunt us night and day. 

There is little left to scavenge, however. Grocery stores were emptied ages ago, gas tanks have long been dry and bullets are so precious that a man is lucky to have two to his name. 

Still, we survive. 

But for how much longer? Instinct and love have combined to turn Darwinโ€™s theory on its head. The strongest didnโ€™t survive in this world. They were the first to die, leaving behind a generation of orphans. 

Itโ€™s a generation thatโ€™s never had a full belly. Itโ€™s a generation that has no idea what an Xbox did, or what algebra is for. Itโ€™s a generation of children who never laugh out loud, and who have learned to cry softly because the dead are always near and the dead are always so very, very hungry.

Generation Z 2: The Queen of the Dead
Generation Z 3: The Queen of War
Generation Z 4: The Queen Unthroned
Generation Z 5: The Queen Enslaved
Generation Z 6: The Queen Unchained


Trilogy of the Void 1: The Horror of the Shade

When Commander William Jern and his wife Gayle are given an opportunity to move into one of the spacious Colonial homes on the Village Green, they jump at the chance. But the Jern’s new dream home quickly becomes an icy nightmare, as death stalks them relentlessly. It comes unheralded out of the night, and like all of us, they are dreadfully unprepared. But regardless, William Jern must face terrors beyond imagination in order to save his daughter whose body had become a frozen vessel for The Horror Of The Shade. With the help of his son Will, a boy struggling to find the courage to be a man, and an old woman, who has foreseen the terrifying manner in which she will die, William undergoes the ultimate test to see how far a man will go to save his child.

Trilogy of the Void 2: An Illusion of Hell
Trilogy of the Void 3: Hell Blade

Halloween Extravaganza: INTERVIEW: Peter Meredith

I’m honored to have Peter Meredith back on this year’s Halloween Extravaganza, his second appearance. If you haven’t read any of his work, you should definitely pick something up. He is a truly talented guy, and one of the nicest authors I’ve met.


Meghan: Hi, Peter. Welcome back to my Halloween Extravaganza, and at the same time, welcome to the new blog. Itโ€™s been awhile since we sat down together. Whatโ€™s been going on since we last spoke?

Peter Meredith: Mostly just knocking out the books. Iโ€™ve been to Vietnam a couple of times, found my wifeโ€™s birth family, escaped terrorists bent on changing my autograph to something legible, but mostly a lot of writing.

Meghan: Who are you outside of writing?

Peter Meredith: Husband, father and grandfatherโ€ฆ mostly grandfather now that my five-year-old grandson has moved in. Tired grandfather, that is.

Meghan: How do you feel about friends and close relatives reading your work?

Peter Meredith: Iโ€™m all for it, but after doing this for eight years, I never expect it. The same friends always say: โ€œI have to read your book!โ€ I just smile now, knowing it probably wonโ€™t happen. When one does thatโ€™s great, but I donโ€™t nag or follow up with what did you think? If they liked it, theyโ€™ll tell you.

Meghan: Is being a writer a gift or a curse?

Peter Meredith: Itโ€™s completely, totally a gift, except when I donโ€™t hit my word count for the day, then the curse strikes, which involves night sweats, a racing heart beat and it hurts when I pee. I am sort of addicted. On the plus side I write four books a year and make a good living. I tell people I could go anywhere and write, but I donโ€™t. I stay locked away in my cave.

Meghan: How has your environment and upbringing colored your writing?

Peter Meredith: I was the middle child of seven kids, in a military family that moved around every couple years. Saying it makes it sound torturous but in retrospect, it was a great childhood that allowed me to see a great variety of people and places.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Peter Meredith: Thatโ€™ll be up to the prosecutor to decide. Iโ€™ve looked up how to make so many improvised explosives that Iโ€™m sure the FBI is reading this as I type. Hi fellas. Maybe lay off the doughnuts.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Peter Meredith: Always the beginning. Since I donโ€™t plot, I generally donโ€™t know what my book is going to be about at first. I just keep writing until it starts to gel around me, but those first few days I walk around sort of muttering to myself.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

Peter Meredith: Usually I start with an ideaโ€”what would happen ifโ€” sometimes the idea comes with an ending that I shoot for and sometimes not.

Meghan: What do you do when characters donโ€™t follow the outline/plan? Usually I can feel when they start to come off the rails and I gently nudge them over. Sometimes I like the evolved state better than the original and so I keep it.

Peter Meredith: What do you do to motivate yourself to sit down and write? I look at my credit card bills. Since I donโ€™t have another job, money has to be a prime consideration. Also I am addicted. I donโ€™t know what stopping would be like.

Meghan: Are you an avid reader? I used to be. Before I started writing I read all the time. Now I write all the time.

Peter Meredith: What kind of books do you absolutely love to read? I love well written fantasy, but if thereโ€™s a sparkly vampire I will burn the book.

Meghan: How do you feel about movies based on books?

Peter Meredith: Theyโ€™re getting better. It used to be I hated them, but now theyโ€™re trying hard to stay true to the story. And sometimes theyโ€™re straight up better. World War Z is a fine example. Hollywood liked the title and the fact that there were zombies in it but threw out the rest and for that I thank them.

Meghan: Have you ever killed a main character?

Peter Meredith: Why isnโ€™t the question: Have you not a killed a main character? Yes, is the answer. A hero can only hang from the edge of a cliff so many times before readers yawn and think โ€œHeโ€™ll escape from those dragons and the machine guns wielding guards, even if he is surrounded by a lake of lava.โ€ A death here and there keeps the readers on their toes.

Meghan: Thanks, Peter. I’ll have to take that question change under advisement. Do you enjoy making your characters suffer?

Peter Meredith: Yes because I want my readers to feel the pain of the characters. I want them emotionally attached. I want them to cry. And that wonโ€™t happen if there ainโ€™t no ants at the picnic.

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

Peter Meredith: Jillybeanโ€”a 6 year old in a 16 book zombie series. Normally a child in a zombie book is there only to do something stupid to drive the plot along. Jillybean is different in that sheโ€™s insane. Sheโ€™s spent the first year of the apocalypse utterly alone. Her mom is a decaying corpse upstairs in the master bedroom and all her neighbors are eaten one by one outside her living room window. Sheโ€™s cracked and yet she develops into a latent genius as way of a survival mechanism. I describe her genius this way: If you threw a million children into the middle of the Pacific Ocean, theyโ€™d all drown. All except one. One would figure out how to make a raft out of the corpses of the rest. Perhaps she might even skin a few for sails. Who knows?

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received? What’s the worst?

Peter Meredith: My mom thinks that I am AWE-some.

My dad is like: Ehh. Why have anyone guarding a lake of lava?

Meghan: What do your fans mean to you?

Peter Meredith: Cha-ching! A-hemโ€ฆ I mean they are my every thing. My sun and stars. Also I like it when they say I rite gud.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Peter Meredith: This is the toughest question so far. Iโ€™m going with Stephen Kingโ€™s Barlow from Salemโ€™s Lot. To me, the perfect vampire. I would love to explore that unhappy business.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

Peter Meredith: I am doing that currently. The story is set 150 years in the future after every nuclear weapon in the worldโ€™s arsenal had been lit off in an attempt to stop a zombie apocalypse that exploded out of no where. Half the world is a desert and the other half has to contend with fallout storms, technological regression, famine, and an interesting catch-all disease called slag that eats the flesh from its victims. And BTW, not all the zombies were killed. Theyโ€™re hiding among the slags and its up to nothing-left-to-lose bounty hunters to root them out. Fun.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

Peter Meredith: I hear that is a horror. The answer is Stephen King. One book and Iโ€™d be set for life. Iโ€™d be able to write sheet music for crickets like Iโ€™ve always wanted. Thereโ€™s more than two notes people, er insects.

Meghan: What can we expect from you in the future?

Peter Meredith: Dead-eye Hunt should be completed by mid October. I shall rest up for half a day and begin Dead-eye Hunt book 2.

Meghan: Where can we find you?

Peter Meredith: Website ** Patreon ** Facebook ** Twitter ** Instagram

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Peter Meredith: Just thank you for having me, Meghan, and thank you to my fans for inviting me into your heads. Eventually, you come to realize what a mistake that was, but youโ€™re smiling now and that what counts.

Peter Meredith is the multi-genre author of thirty-six novels including: The Undead World, a 10 book series, Generation Z Series, The Trilogy of Void, The Hidden Lands Series, The Sacrificial Daughter, A Perfect America, and Sprite.

Peter has written drama, horror, fantasy, apocalypse, and post apocalypse novel.

He is proud to have served in the U.S. Army for four years, serving in the 82nd airborne division and as a medic during Gulf War 1. Also having tried his hand in real estate, and a CEO of a national lighting company, he has come to find that his true addiction is in writing and been blessed to make it his full-time career.

Peter resides in Colorado with his wife, Stacy, of 27 years. They have two grown children and a a grandchild who also live in Colorado.

May you find an unforgettable adventure among my writings!

The Undead World 1: The Apocalypse

Money, terrorism, and simple bad luck conspire to bring mankind to its knees as a viral infection spreads out of control, reducing those infected to undead horrors that feed upon the rest. 

It’s a time of misery and death for most, however there are some who are lucky, some who are fast, and some who are just too damned tough to go down without a fight. This is their story.

The Undead World 2: The Apocalypse Survivors
The Undead World 3: The Apocalypse Outcasts
The Undead World 4: The Apocalypse Fugitives
The Undead World 5: The Apocalypse Renegades
The Undead World 6: The Apocalypse Exile
The Undead World 7: The Apocalypse War
The Undead World 8: The Apocalypse Executioner
The Undead World 9: The Apocalypse Revenge
The Undead World 10: The Apocalypse Sacrifice
The Undead World 10.1: Jillybean’s First Adventure
The Undead World 10.2: Jillybean & the First Giants


Generation Z 1: Generation Z

Itโ€™s been twelve years since the undead hordes swept over the earth forcing mankind to the brink of extinction. We now live like rats, scavenging in the ruins of our fallen civilization as the dead hunt us night and day. 

There is little left to scavenge, however. Grocery stores were emptied ages ago, gas tanks have long been dry and bullets are so precious that a man is lucky to have two to his name. 

Still, we survive. 

But for how much longer? Instinct and love have combined to turn Darwinโ€™s theory on its head. The strongest didnโ€™t survive in this world. They were the first to die, leaving behind a generation of orphans. 

Itโ€™s a generation thatโ€™s never had a full belly. Itโ€™s a generation that has no idea what an Xbox did, or what algebra is for. Itโ€™s a generation of children who never laugh out loud, and who have learned to cry softly because the dead are always near and the dead are always so very, very hungry.

Generation Z 2: The Queen of the Dead
Generation Z 3: The Queen of War
Generation Z 4: The Queen Unthroned
Generation Z 5: The Queen Enslaved
Generation Z 6: The Queen Unchained


Trilogy of the Void 1: The Horror of the Shade

When Commander William Jern and his wife Gayle are given an opportunity to move into one of the spacious Colonial homes on the Village Green, they jump at the chance. But the Jern’s new dream home quickly becomes an icy nightmare, as death stalks them relentlessly. It comes unheralded out of the night, and like all of us, they are dreadfully unprepared. But regardless, William Jern must face terrors beyond imagination in order to save his daughter whose body had become a frozen vessel for The Horror Of The Shade. With the help of his son Will, a boy struggling to find the courage to be a man, and an old woman, who has foreseen the terrifying manner in which she will die, William undergoes the ultimate test to see how far a man will go to save his child.

Trilogy of the Void 2: An Illusion of Hell
Trilogy of the Void 3: Hell Blade

Halloween Extravaganza: Tim Waggoner: Once Upon a Halloween

As a writer, one thing that really irritates me is when a movie or TV show features a blocked writer having some kind of adventure or an out-of-the-ordinary experience in real-life which provides the inspiration for his or her next magnum opus. I find this trope insulting. Itโ€™s like saying writers arenโ€™t creative enough to imagine our stories and weโ€™re only capable of writing thinly disguised nonfiction. But I did have a weird experience on Halloween some years back, and I did eventually use it in a horror story, so for me, the trope became real โ€“ at least once.

It began on Halloween in the year 2000. My oldest daughter was five, and my youngest hadnโ€™t had her first birthday yet. The previous fall Iโ€™d accepted a full-time job teaching creative writing and composition at Sinclair College in Dayton, Ohio, and at the time, the neighborhood weโ€™d moved into seemed okay, but as the months went on, we began to realize that it had a kind of . . . I guess negative atmosphere is the best way to put it. Everyone seemed to watch everyone else with suspicion, and there was a sense that something bad might happen at any moment, like the build-up of energy in the air before a huge thunderstorm breaks loose. We were determined to make the best of it, though, and when Halloween rolled around, I volunteered to take our oldest daughter โ€“ Devon โ€“ trick-or-treating, while my wife Cindy stayed at home with our not-quite-a-toddler Leigh.

Devon dressed as a witch that year. She had a black witchโ€™s robe, and a conical witchโ€™s hat with black fuzz around the edge of the brim. She was very excited to go trick-or-treating, and while I was a little worried about how the night might go, I loved taking Devon out for Halloween, and I hoped weโ€™d both have a good time. Plus, we didnโ€™t know most of our neighbors, and this would be the first time Iโ€™d get a sense of what the area was really like. I told myself that once I had the chance to meet the people who lived in the neighborhood, Iโ€™d see that this place wasnโ€™t so bad after all.

And at first, thatโ€™s exactly what happened. We went from door to door, along with other kids and their parents, ringing doorbells and shouting โ€œTrick or treat!โ€ when someone answered. Because Devon was so young and didnโ€™t have any friends in the neighborhood to trick or treat with, I went up to the houses with her, smiling at the adults who answered the door, and giving them a wave as we departed. Everyone seemed pleasant and quite normal . . . and then we went to what Iโ€™ve come to think of as The Street. I canโ€™t remember its name, but it was dark there. There werenโ€™t many streetlights in the neighborhood, and those that were there didnโ€™t seem to put out much illumination. Not many kids were trick or treating there, and while I didnโ€™t feel the street was dangerous, I was reluctant to take Devon to the houses there. I told myself that I shouldnโ€™t prejudge this neighborhood and the people that lived there, and I led Devon to the first house on the street, and we continued our rounds.

We soon came to a house that had a large chain-link enclosure in the side yard. It was a cage, complete with a roof, and inside were three very big, very shaggy creatures who looked like wolves. I was certain they were wolves, and they paced back and forth looking out at us and growling softly. The house itself was dark. The porchlight wasnโ€™t on, and no light shone from inside. I had no idea what the hell someone was doing keeping wolves in a suburban neighborhood, and I didnโ€™t want to know. I decided we could give this house a pass, and we continued on down the sidewalk.

This was almost twenty years ago, so I donโ€™t remember if it was the very next house we visited after the Wolf House or not, but we soon came to house where, when Devon rang the doorbell, a man inside called out, โ€œCome in!โ€ After the Wolf House, I was hesitant to enter, but it wasnโ€™t uncommon for people in the area to invite kids inside to give them candy, and besides, I was with Devon. If figured it would be all right.

We went inside and saw a living room that was empty โ€“ no furniture, only blinds over the windows. In the center of a room a heavy-set middle-aged man sat on a wooden stool, talking on a cell phone. He wore a white tank top undershirt, the kind some people call a wife-beater, and boxer shorts. No shoes or socks. Scattered on the floor all round him were newspaper pages, almost as if heโ€™d hurled a newspaper up in the air and let the pages remain wherever they landed. Or as if he were putting down paper for a pet to do its business on. Except there was no pet visible.

A bowl of candy sat on the floor next to the stool, and he gestured toward it, not really looking at us. Not knowing what else to do, I led Devon to the bowl, told her to take a piece of candy, and then we got the hell out of there. The man never spoke, either to us or to whoever he was on the phone with. I donโ€™t remember if I let Devon keep the candy she got from the Man on the Stool, but I wouldnโ€™t be surprised if I confiscated it and threw it away once we got home.

That was the night I decided we needed to move to a different neighborhood.

A few years later, I was sitting at the dining table in our new house โ€“ this one situated directly next to a lovely small park โ€“ laptop in front of me, thinking about what I should write next. I decided to write a short story, and I remembered that night trick-or-treating with Devon in our old neighborhood. The story I wrote was called โ€œPortrait of a Horror Writer,โ€ a metafictional story about where horror writers get their ideas, and among other things, I included the Man on the Stool. I submitted the story to Cemetery Dance magazine, and it was published in their 48th issue in 2004. If youโ€™d like to read the story, you can find it on my website here.

So I guess I shouldnโ€™t complain about the โ€œwriter gets an idea for a story from a real-life adventureโ€ trope since I lived it, at least in a small way, and not only did I get a story out of it that was published in a great magazine โ€“ and for which I got paid โ€“ but Iโ€™ve kept the story on my website for years. Thatโ€™s a lot of mileage to get out of one strange experience, but Iโ€™m thankful for that little big of dark magic that occurred that Halloween night.

Iโ€™m even more thankful that we moved, though.

Tim Waggoner’s first novel came out in 2001, and since then he’s published over forty novels and five collections of short stories. He writes original dark fantasy and horror, as well as media tie-ins. His novels include Like Death, considered a modern classic in the genre, and the popular Nekropolis series of urban fantasy novels. He’s written tie-in fiction based on Supernatural, Grimm, The X-Files, Alien, Doctor Who, A Nightmare on Elm Street, and Transformers, among others, and he’s written novelizations for films such as Kingsman: the Golden Circle and Resident Evil: the Final Chapter. His articles on writing have appeared in Writer’s Digest, Writer’s Journal, Writer’s Workshop of Horror, Horror 101, and Where Nightmares Come From. In 2017 he received the Bram Stoker Award for Superior Achievement in Long Fiction, and he’s been a finalist multiple times for both the Shirley Jackson Award and the Scribe Award. His fiction has received numerous Honorable Mentions in volumes of Best Horror of the Year, and heโ€™s had several stories selected for inclusion in volumes of Yearโ€™s Best Hardcore Horror. In addition to writing, he’s also a full-time tenured professor who teaches creative writing and composition at Sinclair College in Dayton, Ohio.

Alien: Prototype

When an industrial spy steals a Xenomorph egg, former Colonial Marine Zula Hendricks must prevent an alien from killing everyone on an isolated colony planet.

Venture, a direct rival to the Weyland-Yutani corporation, will accept any risk to crush the competition. Thus, when a corporate spy “acquires” a bizarre, leathery egg from a hijacked vessel, she takes it directly to the Venture testing facility on Jericho 3.

Though unaware of the danger it poses, the scientists there recognize their prize’s immeasurable value. Early tests reveal little, however, and they come to an inevitable conclusion. They need a human test subject…

Enter Zula Hendricks.

A member of the Jericho 3 security staff, Colonial Marines veteran Zula Hendricks has been tasked with training personnel to deal with anything the treacherous planet can throw their way. Yet nothing can prepare them for the horror that appears–a creature more hideous than any Zula has encountered before.

Unless stopped, it will kill every human being on the planet.

Supernatural: Children of Anubis

A brand new Supernatural novel inspired by the record-breaking show starring Jared Padalecki and Jensen Ackles.

A brand-new Supernatural novel that reveals a previously unseen adventure for the Winchester brothers, from the hit TV series!

Sam and Dean travel to Indiana, to investigate a murder that could be the work of a werewolf. But they soon discover that werewolves aren’t the only things going bump in the night. The town is also home to a pack of jakkals who worship the god Anubis: carrion-eating scavengers who hate werewolves. With the help of Garth, the Winchester brothers must stop the werewolf-jakkal turf war before it engulfs the town – and before the god Anubis is awakened…

The Mouth of the Dark

Jayceโ€™s twenty-year-old daughter Emory is missing, lost in a dark, dangerous realm called Shadow that exists alongside our own reality. An enigmatic woman named Nicola guides Jayce through this bizarre world, and together they search for Emory, facing deadly dog-eaters, crazed killers, homicidal sex toys, and โ€“ worst of all โ€“ a monstrous being known as the Harvest Man. But no matter what Shadow throws at him, Jayce wonโ€™t stop. Heโ€™ll do whatever it takes to find his daughter, even if it means becoming a worse monster than the things that are trying to stop him.

They Kill

What are you willing to do, what are you willing to become, to save someone you love?

Sierra Sowellโ€™s dead brother Jeffrey is resurrected by a mysterious man known only as Corliss. Corliss also transforms four people in Sierraโ€™s life into inhuman monsters determined to kill her. Sierra and Jeffreyโ€™s boyfriend Marc work to discover the reason for her brotherโ€™s return to life while struggling to survive attacks by this monstrous quartet.

Corliss gives Sierra a chance to make Jeffreyโ€™s resurrection permanent โ€“ if she makes a dreadful bargain. Can she do what it will take to save her brother, no matter how much blood is shed along the way?