With These Hands
A Story by Michael Bray
5,788 words
Helen was dead.
Brixton felt the scream coming from deep in his core and unleashed it into the warm December Tobago night. He had been thrown clear of the car when it had rolled and escaped with a few cuts to his hands and face. Some might call it a miracle until they saw the pulpy mess that still sat in the passenger seat of the mangled Mercedes. He struggled to believe that the lifeless pulped meat was once his wife. A woman he had loved, a woman who he had shown his innermost self, the one normally hidden away from people he knew. He sat in the road, vaguely aware of the growing crowds, locals mostly, their rusty, old-fashioned cars abandoned as they surveyed the scene. It was a clear night, and glass shimmered on the ground, miniature diamonds of artificial light surrounding his dead wife and the remains of their hire car. He stood up, unable to believe the contrast in their fortunes and hating the bitter cruelty of the trick God had played on them. Christmas abroad, a way to repair the fractured foundations of the relationship. He looked into the car, blonde hair split, brains exposed to the humid night, and was dimly aware there would be none of that. No bickering, no compromises to find common ground. She was now a shell, a lifeless thing made of flesh. A puppet without strings, a marionette without its master. Everything that she had been was now gone. He clenched his fists, looked up into the cloudless star littered sky and screamed again.
โWhat happened?โ
Brixton looked across the table, locking eyes with the police officer. His name was Peters, and he was a large man, narrow sloping shoulders giving him an apish appearance. His skin was dark, eyes curious and unsympathetic. Brixton glanced at the man’s hands and the gold wedding ring on his finger. He, at least, would go home to someone at the end of his shift. For him, it would be business as usual.
โMr Brixton?โ Peters repeated
He blinked, and tried to focus his attention on the officer and his questions. There was a noise, an annoying buzzing irritating him. He glanced at the strip light overhead, the foggy ghosts of long dead flies inhabiting its outer casing. โWe were on holiday,โ he croaked, forcing his attention back to the officer. โChristmas in the sun. We thought it would be good to leave the cold of home behind.โ
โWe recovered your passports from the car. Youโre English?โ
Brixton nodded.
โMr Brixton, I need you to verbally respond for the benefit of the recording.โ
He glanced at the tape recorder on the table, then at the Peters, who was unreadable. โYes, sorry. We โ Iโm from England. Both of us are. Were. This is so hard.โ
โI understand how difficult this is, but I need to know what happened, Mr Brixton.โ
โI know you do. Iโm trying.โ
It wasnโt the answer expected of him, but it was the best he could manage. He knew that he would have to discuss it, and as much as he was desperate to put it off, knew it would only work for a while.
“We were arguing,” he said, placing his hands flat on the table, marvelling again that the few grazes and scratches were his only injuries from the crash.
“Go on,โ Peters said, shifting position.
“We’d been out for a meal on the other side of the island. We’d been having problems at home, and this was supposed to be us getting back on track. Funny thing is, she didn’t even want to come here. She wanted to stay closer to home, go to the coast maybe. It’s all-“
โMr Brixton.โ
Brixton stopped speaking and stared at Peters, trying to make him understand how difficult it was for him. โSorry, Iโm getting side-tracked.โ
โI understand. Please, tell me what happened with the accident.โ
Brixton cleared his throat, and then stared at his hands. Unable to handle looking at how little pain he suffered from the crash, he moved them under the table out of sight. โWe were arguing. I get jealous, paranoid sometimes. Anyway, I thought she had been having an affair with a guy she knows at work. That was why we came out here. A last ditch attempt to fix things. Anyway, I was sure she had been looking at this guy in the restaurant. I lost it and we were asked to leave.โ
โWhich restaurant?โ
โI canโt remember the name. Does it matter?โ
โWe need to know. For the investigation.โ
โI wasnโt drinking if thatโs what you wanted to check. I didnโt have a drop.โ
โWe know. We tested you at the crash site. Do you not remember?โ
Brixton frowned and looked at the table top. โOf course. Sorry, I forgot.โ
โWe can get the details of the location later. What I want to know is what happened that caused you to crash.โ The officer said, still calm and patient.
โWe had argued in the restaurant about her looking at this guy. We were asked to leave, and the argument continued in the car on the way back to the hotel. It got heated. She was screaming at me, I was screaming at her. I suppose I must have been speeding. Maybe because I was angry. Anyway, I lost control of the car on a bend. It happened too fast for me to react. I felt it start to flip over, thenโฆnothing. Next thing I remember I was lying in the dirt surrounded by people.โ
โIs there anything else you can tell me?โ
โI donโt know what else Iโm expected to say,” Brixton muttered. “Will I go to jail?”
Peters shook his head. โNo. You were sober, of sound mind to drive. This looks like nothing but a tragic accident. You are free to go Mr Brixton.โ
Brixton made no effort to move. He stared at Peters, trying to force out the words.
โWas there something else?โ
โCan I see her?โ
For the first time, Peters looked uncomfortable. He shifted position and looked at the clock on the wall. “I don’t think that’s a good idea, Mr Brixton.”
โPlease, I just… I need to see her.โ
โDonโt put yourself through it. Perhaps it would be better to remember your wife the way she was?โ
โI canโt,โ he choked on the words, and felt the hot sting of tears. โWhenever I think about her, all I can see is her sitting the wreck, all broken. Thatโs not her.โ
โMr Brixton-โ
โI canโt remember her. Donโt you understand what Iโm saying? I donโt remember what she looks like.โ He wiped the palms of his hands under his eyes and stared at Peters.
โI understand, Mr Brixton. But trust me when I tell you Iโve been doing this a long time. Itโs better for you to remember your wife as she was in life, not in death.โ
โAre you saying I canโt see her?โ
โLegally I canโt stop you, Mr Brixton. All I can do is offer advice. Will you please get some rest first? Go to the mortuary tomorrow? Much better to do such things with a clear head.โ
Brixton considered for a moment, turning his attention inward. He was exhausted. The problem was, he couldnโt imagine where sleep might come from. โOkay,โ he said, slumping in his seat. โIโll go tomorrow.โ
โGood idea. Would you like me to have someone take you to your hotel?โ
Brixton shook his head. โNo, Iโll walk for a while then get a taxi.โ
โAre you certain?โ
“Yes. I’m sure. Can I go now?” Brixton said. He couldn’t breathe, was too hot, and didn’t enjoy being so close to Peters. He hated the shifty way his eyes moved like he was always looking for a lie.
โGo ahead, Mr Brixton. We will need to speak with you again before you leave. Are you happy for me to hold on to your passport until we speak again?โ
Brixton was hardly listening. He was only concerned with getting out of that tiny room. โThatโs fine. Iโm here for another two weeks anyway, or at least, I was supposed to be. I donโt know what will happen now, or where Iโll go.โ
โIt takes time, Mr Brixton. Horrible things like this do get better. I know itโs a clichรฉ, but it is true. Go get some rest.โ
Brixton was hardly aware of anything as he was led out of the police station. He stood outside on the pavement, the harsh white glow of the lights inside at his back throwing his shadow into a waif-like skeleton across the road ahead of him. It was a warm sticky night, and even though it was late, people still went about their business. People whose lives hadn’t been destroyed in one crazy incident. He started to walk, aimless and without purpose. Staring at his feet and trying to untangle the knots in his brain. He didn’t return to his hotel but found himself on the beach staring at the pale white moon and listening to the gentle lap of the ocean on sand. It should have been beautiful, but for him, such things would always be associated with horror.
He didn’t remember moving, but when he next became aware of his surroundings he was standing outside a low yellow building with cracked and peeling paint. A tired door with a grubby window pane between him and the dark and shadow-shrouded space beyond. He stared at it, the ghost of his reflection staring back at him with just as little idea about what to do or where he was.
โAre you all right?โ
Brixton blinked and looked at the boy beside him. He was in his mid-teens, dark skinned and skinny. He had kind eyes and an old faded scar on his right cheek.
โIโm fine,” Brixton said or thought. He still wasn’t sure.
โThe mortuary is closed, sir.โ
โI know.โ
Brixton sensed the boy’s confusion and felt obliged to elaborate. “My wife is in there.โ
โFrom the crash earlier?โ
Brixton looked at the boy. His gaze was met without fear.
โYes. How did you know about that?โ
โEveryone knows, sir. This is a small island. Also, my father owns this business. He attended the accident earlier.โ
โWhatโs your name kid?โ
โMy name is Kendon, sir. Can I ask you why you are standing out here at night? I thought you were a robber, not that there is anything to steal inside.โ
โDonโt worry, Iโm not here to rob anything. It’s justโฆ This is the only place I feel close to her. I just wish I could tell her how sorry I am. How much I regret being so paranoid and causing the crash.โ
โGuilt is not an easy thing to live with.โ
Brixton looked at the boy. He seemed too young to deliver such a statement. โNot much I can do about it now.โ
โWhat if I said I could help you?โ
Despite the stifling heat, a chill swelled inside Brixton. He stared at Kendon, who was looking right back at him.
โWhat do you mean?โ
โDo you have money?โ
โWhat kind of question is that?โ
“Just answer,” Kendon said.
โI do.โ
Kendon nodded. โBring five hundred American dollars here tomorrow night. Midnight.โ
โNow it sounds like youโre trying to rob me.โ
Kendon shrugged. โIโm not. Iโm trying to help you.โ
โFive hundred American is what, three grand over here?โ
โThatโs the price. If you want my help, thatโs what it will cost.โ Kenyon was flat and calm as he said it.
โTo do what?โ Brixton said, wondering why he was still even having the conversation.
โYou will find out if you come back. Itโs up to you.โ
โMidnight tomorrow?โ
“Yes,” Kendon repeated. “Bring the money and I will help you.”
There were questions that Brixton wanted to ask, but before he could, Kendon slinked away into the night, gone like some kind of apparition.
There was no sleep. He had sat in his hotel room, surrounded by Helenโs things, constant reminders that she was gone. The lipstick on the dresser would never be used again. The new clothes she had bought for the holiday which were still in her suitcase would never be worn. Brixton had sat on the bed, watching night fade into day, and then back to night. He made the decision that he would meet Kendon sometime before dawn. The money didnโt matter to him, nothing mattered to him. Already Helen was fading from his memory, she was becoming distant, a ghost from his past. Whenever he tried to think of her, all he could see was the bloody mop of blonde hair slumped in the passenger seat of their mangled rental car. He reached the mortuary just before midnight. As it had been the previous night, it was shrouded in darkness. A flicker of something in his belly, nervousness, or maybe even fear almost deterred him and caused him to turn back when Kendon appeared from the side of the building.
โDid you bring the money?โ he asked, looking beyond Brixton towards the street. Unlike the previous calm demeanour, Kendon was tense and appeared nervous.
โI did.โ Brixton pulled the bundle of notes from the oversized pocket of his shorts and handed them over. Kendon counted it, then shoved the notes into his own pocket.
“Wait here,” He said, then moved back into the shadows behind the building.
Brixton waited, dimly aware that if this had been some kind of scam, he had fallen for it. He was psyching himself up to follow Kendon into the shadowy darkness beyond the building when he reappeared.
โCome on. This way,โ he said, then retreated into the dark. Brixton looked back at the streets, and then followed Kendon into the dark. He followed the teenager down the alleyway, past dumpsters piled high with garbage. They came to a recessed door at the rear of the building. Kendon knocked on it and waited. The door opened, spilling a dim yellow light out into the alley. A man came out, tall and slender, and obviously some kind of relation to Kendon.
โThis is my brother, Richard,” Kendon said.
Brixton held out a hand, but Richard kept his own in his pockets. He looked at the offered appendage then turned to his brother. โCome on, inside.โ
Brixton followed the two brothers into the back door of the mortuary. As it was closed and locked behind him, he wondered if he had just made a huge mistake.
The back of the mortuary was a workspace office. A dull yellow lamp cast an eerie glow around the room. In one corner, an old wood desk, its surface pitted and stained from years of use, held a computer, its screen dark. In the opposite corner, a Christmas tree laden with lights and tinsel which seemed out of place in such a building devoted to death. Separated from the front of the building by a heavy cloth curtain, the back office was also the functional area of the mortuary. A row of rectangular drawers was set against one wall, a familiar sight to anyone who has ever watched a police television drama. In the middle of the room sat a stainless steel table, its bed recessed, a drainage hole at its foot leading down into the floor. Brixton stared at it, then at the two men.
โTake a seat,โ Richard said, pointing to the desk in the corner.
Brixton did as he was told, his legs feeling heavy. Richard took a small stool and set it in front of him. Brixton noticed that he was wearing gloves, which he found strange considering the heat.
Richard sat down, his face a flickering mass of shadows in the dim light. โMy brother tells me you recently lost your wife.โ
โYes,” Brixton said.
โHe also said you had certain regrets. Things you wished to communicate to the deceased but were unable to in life.โ
Brixton nodded, his eyes drawn to the gloves on Richards’ hands. Everything else in the room seemed to fit apart from those. They had no place there.
โI can help you achieve this. I can pass on those messages.โ
Brixton sighed. โLook, no offence, but if youโre some kind of spiritualist, you can forget it and give me my money back. This isnโt what I had in mind.โ
โNo this is nothing like that.โ
There was a calm assurance about Richard that made him willing to listen for a little longer.
โSo what is it?โ
Richard leaned closer, banishing some of the shadows from his face. โI have a gift. A real gift. Something that has been passed down through my family.โ
โWhat kind of gift?โ Brixton asked, unable to ignore the change in atmosphere within the room.
Richard said nothing. He removed his gloves and held his palms up to Brixton. โI can communicate with the dead by touch.โ
Brixton stood. “I’ve heard enough. People like you should know better than to prey on people who are grieving. It’s sick.”
Richard seemed unaffected. He didnโt argue or try to fight. โPlease, sit down. I understand belief isnโt something you can take on faith. A demonstration perhaps.โ
Brixton sat down, still angry but also curious. โWhat kind of demonstration?โ
โA question. Something specific. Something only your wife would know the answer to. If I could get the answer to such a question, perhaps then you would believe in my gift.โ
“All right, I’ll play along,” Brixton said.
There were a lot of things he wanted to ask her. Things that still nibbled away at him. Questions like if she had really had an affair if she had been unfaithful to him. For the purpose of this, he wanted to think of something trivial. Something minor. He knew all about mediums and the way they would cold read their targets. Although he wasnโt certain it was the same scam, he wanted to be sure. Something came to him, something that nobody else in that room other than him could know.
โAll right,โ Brixton said. โAs a test. During our flight over here, something happened on the plane. What was it?โ
Richard nodded and got off the stool. He seemed different somehow. Taller, longer. He walked to the drawers at the back wall. Brixton knew what they contained. He knew his wife was in one of them. Richard stopped beside one of them and stood, hands folded in front of him. “Come closer please,” he said.
Suddenly he wanted no part of it. He wanted nothing to do with whatever Richardsโs gift may be, however, he was still curious enough to go along with things for now. He stood and crossed the room, his legs heavy yet feeling like they would give out at any time. He stood in front of Richard, the steel drawer between them.
โTo do what I have to do, I need to put my hands on the body of the deceased. It will not be intrusive; I need only touch an arm. I need your permission to do so.โ
“Why, I don’t understand what you’re saying to me.”
Richard spoke patiently, like a man who has had to explain this same procedure countless times before. โTo connect the world of the living with the dead, it becomes necessary to form a physical bond. I am a conduit, a bridge between the two worlds. I channel this through my hands.โ
โAnd you can ask them anything?โ Brixton asked, unsure why he was so willing to believe such craziness.
“There are different levels. It depends on how willing the person is to divulge the information. A question such as yours can be answered by a simple touch. Some questions require a deeper reading, which is something, as a rule, I do not do. For your purposes, none of that will be necessary. I just need your permission to proceed.”
Brixton looked at the steel drawer in the wall that stood between them, then at Richard. His throat was dry. He glanced at the Christmas tree in the corner of the office, then looked away. He couldnโt bear to think about it just yet.
โOkay, you have my permission.โ
Richard nodded. โIโm going to open the drawer now. Please do not be alarmed. I did the best I could to fix her after the crash.โ
Brixton didnโt reply. He was staring at the drawer, dull steel reflecting the hazy reds and greens of the lights of the Christmas tree. Every sense was alive, every emotion fighting for dominance. He watched as Richard slid the drawer open, revealing the purple body bag beneath. Brixton drew breath. He couldnโt see her yet, but to know he was in such proximity to his dead wife made him feel nauseous. He closed his eyes and saw flashes of her bloody mangled face, which forced him to open them again. Richard had stepped away from the drawer. He was holding his hands up, palms out. It made Brixton think of a surgeon washing up before going to the operating theatre. Kendon moved in front of his brother and unzipped the top of the bag.
โAre you sure you are ready to see?โ he asked, looking across at Brixton, who could muster up only enough energy to nod.
Kendon returned his attention back to the bag and pulled it back, resting the cloth just above the chest area of the body.
Brixton inhaled, then forgot to breathe out. He stared as the reality of the situation hit him. There were no mistakes, no confusion. His wife was dead.
Despite the horrors he had pictured in his head from the last time he had seen her in the wreck, Kendon and Richard had done an incredible job of presenting her as she was in life. She looked almost peaceful, eyes closed, skin pale. They had even managed to repair the ugly crack in her skull, and although it was still misshaped, she was still recognisable. The only major difference was her hair. It was brushed back away from her face and looked different. He was about to ask why then realised it was because they had washed it. Probably to get rid of the blood and brains.
โAre you ready to proceed?โ
Brixton looked at Richard. Something in him had changed. He was physically the same, yet somehow seemed bigger, more intimidating. Brixton nodded.
Kendon moved out of his brotherโs way and took his place beside Brixton. โDonโt worry, he knows what heโs doing.โ
Brixton couldnโt answer even if he wanted to. He was both mesmerised and appalled, horrified and intrigued. The yin-yang of emotions screamed around his brain looking for an outlet he could not provide.
Richard stepped forward, hands still held out in front of him. โTell me again your question.โ
Brixton tried to speak, his dead tongue and dry mouth making such a simple thing difficult. โWhen we were flying out here to start our holiday, something happened on the plane. What was it?โ
Richard stepped to the edge of the table. He put one hand on Helenโs forehead, the other on her shoulder, the contrast between the two skin tones something Brixton knew would never leave his memory. He watched as Richard closed his eyes and began to mouth words, his lips moving silently. Brixton looked at his wife. She was a shell, a thing on a table. As he looked at her, he found more new reasons to hate himself. He was about to call the whole thing off when Richard spoke.
โThere was a man on the plane in the seats in front of you. He was a large man and was snoring. She says you were both laughing at him as it reminded you of her uncle.โ
Until that point, Brixton didnโt believe any of it could be true, but as Richard said the words, he felt his body weaken from the feet up. His legs buckled, and he would have fallen if not for Kendon grabbing his arm and leading him to the office chair.
โItโs okay,โ Kendon said as he helped him to sit. โThis happens all the time. When people realise this isnโt a game.โ
Brixton looked at Richard, then at his wife and finally at Kendon. โWhat do I do now?โ
โMy brother has made the connection. Now you speak. She will hear your words through him.โ
He looked at the table again. His pale wifeโs body unmoving, Richard with his hands on her, eyes closed and waiting. Now that the time had come, he couldnโt think of anything to say.
โYou must do it quickly,โ Kendon said. โThe connection canโt be held for long. To do so will cause the spirit to return to the body permanently and be trapped forever.โ
โIโฆ I donโt know what to say.โ
โYes you do, or you wouldnโt be here. Tell her now what it was you wanted to say in death.โ
Brixton cleared his throat, and then looked at her, pale face in profile from where he sat. โIโm sorry,โ he said, eyes stinging. โIโm sorry for doubting you, Iโm sorry for saying those things I said. Iโm sorry for not telling you I loved you before you died. Iโm sorry for being a bad husband. I want you to know I didnโt mean any of it.โ
He waited and watched. Richard opened his eyes and looked at Brixton. โShe says you shouldnโt feel bad about the accident. She says you are to go on with your life and remember how things were before everything changed. She says she is also sorry. She says there are things she should have told you. Things you ought to have known she wished she had said.โ
โWhat things, what kind of things?โ Brixton said.
He frowned, and shifted position, now placing a hand on each of her shoulders. โShe said it doesnโt matter now. She loves you and thatโs all that matters.โ
โI want to know. Tell me what it is.โ Brixton said, unable to control his anger. He watched as Richard moved again, this time pulling one of her arms out of the side of the bag. He lifted it to his face, smelling it, pressing his cheek against it. Brixton tried to stand, but Kendon put a hand on his shoulder and shook his head. Both of them watched, waiting for the answer. Richard lowered her arm, opened his eyes and took his hands off her.
โIt is done. Finished.โ
“What do you mean finished? She didn’t answer my question?”
Richard went to the sink and started to wash his hands. โTrust me, Mr Brixton. Some things are better left unsaid. Sometimes, the secrets of the dead are better left that way.โ
โWhat secrets? What did she tell you?โ he was angry and upset as half-forgotten suspicions and accusations started to creep back into his mind.
Richard finished washing, and squirted some antibacterial gel on his hands, rubbing it into the skin. โOur time here is done Mr Brixton. I agreed to let you speak to your wife and tell her how you feel. It is not my place to get involved with other matters of your life.โ
โBut you know donโt you? You know?โ
Richard once again pulled on his gloves. โI can relay only what they tell me. The dead bury their secrets deep. I am not one to go digging for them.โ
โBut you could?โ Brixton said as Kendon returned to the body and sealed it back into its bag then closed the drawer.
โPlease, say no more about it. We are done here.โ
“She was hiding something. I’ve known it for a while, she denied it butโฆ she wants me to know.”
โAnything your wife wanted you to know would have been said.โ
โIโll pay you. I have more money. Lots of it.โ
โI donโt want your money. I just want you to leave.โ
โYou have no right to hold this back from me. She was my wife. I deserve to know. I-โ
โMr Brixton!โ
The room fell silent as Richard approached. He crouched beside the office chair, eyes locked on Brixton, voice a low rumble. โYou do not understand how this works. No idea what youโre talking about. Find out you say. You demand to know, you say. Do you know what that would entail?โ
Brixton shook his head.
“I’ll tell you what it would entail. For many years, I worked for the government. They would bring me people, bad people, and it was my job to extract from them what they knew. They were unwilling to divulge this information even in death, so I would have to dig deep and extract that information. Do you want me to have to do that to your wife? To tear her apart and find out what you want to know? Do you want her to suffer again even in death?โ
โNo, of course not, I just…โ
โThen let this go, Mr Brixton. There has already been enough pain and suffering. The past should remain so. You now need to concentrate on moving forward with your life. The gift I have with my hands can also be a curse. Sometimes not knowing is better.โ
โI was just-โ
โPlease just go.โ
Kendon put a hand on Brixtonโs shoulder. โCome on, Iโll show you out.โ
Brixton let himself be led out of the same door he came in, too dazed and confused to fight it.
Christmas didnโt apply to those in the death trade. For Kendon and his family, it meant working every day, including Christmas day. Kendon unlocked the door to the low yellow building and flicked on the lights. Rows of display coffins lined each wall, priced according to how luxurious they were. Kendon walked through the silent room of death beds and went through the curtain at the back of the building, almost falling over the Christmas tree, which was on its side. He grunted and reached for the light switch, flicking it on and illuminating the room.
The first thing he saw was the bag. It was screwed up in the corner by the back door, which was splintered and ajar. The remains of the woman were on the table, a snake of innards on the floor, chunks of flesh littering the ground around it. Her eyes had been plucked out, leaving just two glaring hollows. Kendon took a step back and bumped into his brother, who was coming in the opposite direction. The two of them stared at the mess in the room, open-mouthed and disbelieving.
โI wanted to know.โ
They both turned towards the noise. Brixton was sitting in the office chair, his arms and clothing covered with blood. There was a three-quarters empty bottle of scotch cradled against his body. His eyes were wild, stubble face pale and gaunt. “You should have just told me. How could I go on and not know who she cheated on me with?”
Richard put a hand on his brotherโs shoulder and stepped into the room. Kendon went the other way, back into the front office to call the police.
“I told you to let it go, Mr Brixton,” Richard said, calm despite the destruction.
โI thought I might be able to do what you did. I remember you saying you had to look deep. I tried and nothing happened.โ
Richard showed Brixton his gloved hands. โLike I told you, these are sometimes a curse. Not all gifts are ones which are wanted, Mr Brixton. Sometimes they can cause more damage.โ
Brixton took a swig from his bottle, then glared at Richard. โYou should have just told me. None of this would have happened if you had just confirmed what I already knew. Sheโd been acting odd for weeks. I needed this for closure.โ
โYour wife wasn’t being unfaithful to you, Mr Brixton. She told me that willingly. She had done nothing to go against the vows of your marriage.โ
โLies. Everyone lies.โ
โThe dead cannot lie, not to me at least. I see through it. Everything I see is the truth.โ
โYou didnโt know her. She was up to something, I know it. Itโs like an itch, one that wonโt go away no matter how much you scratch it. Donโt you stand there and tell me she wasnโt lying. You have no right to protect her. Look at what you made me do.โ He began to weep and took another drink.
Richard looked around the room and the parts of Helen which were scattered within it. He turned back to Brixton. โYour wife wasnโt being unfaithful to you, Mr Brixton. She was acting strangely because she was pregnant and wasnโt sure how to tell you.โ
Brixton couldnโt breathe. He blinked and stared at Richard. โWhat did you just say?โ
โShe was carrying your child. That was why she suggested the holiday. She was going to tell you here.โ
โBut… I didnโt know. If Iโd known sooner… Iโd have been different.โ
Voices filtered through from the front of the mortuary. Peters with his voice loud and booming as he came closer.
Richard crouched by the chair and laid a gloved hand on top of Brixtonโs bloody one. โYou see now when I tell you that some secrets are better left with the dead? There are some things that knowledge makes worse. I wish you had listened to me, Mr Brixton. I truly do.โ
Richard stood and let Peters and his men into the room. Brixton didnโt fight as he was handcuffed and led away. He deserved it. He glanced over his shoulder as he was taken through the curtain. He saw Richard, gloved hands clasped in front of him, Kendon at his side. Behind them, the remains of his wife ravaged and violated at his own hand. It came to him then that somewhere in the room, was also likely the tiny nugget that was his unborn child which he had discarded in his frenzy and quest for answers.
He stepped on something that crunched underfoot, snapping his attention back to the present. He stared at the plastic star which had fallen from the Christmas tree, its glitter-covered surface now in broken pieces. He knew this time of the year would never again be one for celebration or joy. It would always be the day the man he had been had died along with his wife. Something in his mind snapped. He felt it break. It was then that he started to scream. He didnโt think he would ever be able to stop.

Michael Bray is a bestselling author/screenwriter of more than twelve novels and numerous short stories. Influenced from an early age by the suspense horror of authors such as Stephen King, Richard Laymon, Shaun Hutson, James Herbert, and Brian Lumley, along with TV shows like Tales from the Crypt and The Twilight Zone. His work touches on the psychological side of horror, teasing the readerโs nerves and willing them to keep turning the pages. Several of his titles have been translated into multiple languages including a major bookstore distribution deal in Japan and his biggest selling title, Whisper, has, on numerous occasions topped the overall horror charts for Amazon titles in both the UK and US with thousands of copies sold.
His work has been featured in anthologies alongside such horror greats as Clive Barker, Adam Nevill, Shaun Hutson, Brian Lumley, Paul Tremblay, Ramsay Campbell, Ray Bradbury and many others and he continues to be an active and popular member of the horror/suspense genre.
A feature film written by Bray based on his co-written novel MONSTER starring Tracy Shaw (Coronation Street), Daniele Harold (EastEnders), and Rod Glenn (American Assassin/World War Z) was shot in January 2018 whilst another of his titles, MEAT is currently with a leading Los Angeles based production company with a view to production in 2019.










