Halloween Extravaganza: INTERVIEW: Joanna Koch

Meghan: Hi, Joanna! Welcome back to my annual Halloween Extravaganza! Itโ€™s been awhile since we sat down together. Whatโ€™s been going on since we last spoke?

Joanna Koch: Hi Meghan! Thank you for having me back. Since we talked about Doorbells At Dusk last Halloween, Iโ€™ve had about a dozen stories published in journals and anthologies. A project Iโ€™m especially thrilled to be part of is Not All Monsters, edited by Brahm Stoker award winner Sara Tantlinger! Itโ€™s a privilege to work with her. My story โ€œThe Revenge of Madeline Usherโ€ will be included along with so many amazing female authors. Iโ€™m still a bit speechless. There will be a deluxe hardcover version with gorgeous illustrations by Don Noble (Twitter), and the images Iโ€™ve seen released on social media are fierce.

Meghan: Who are you outside of writing?

Joanna Koch: Addicted to privacy, a lover of silence. I work a day job dealing with financial and quality control matters in a hectic environment; lawful evil surrounded by chaotic good. Iโ€™m a former counselor. Iโ€™m an artist, too, although most of my energy goes into writing now.

Meghan: How do you feel about friends and close relatives reading your work?

Joanna Koch: I try not to think about it. My inner critic is loud enough.

Meghan: Is being a writer a gift or a curse?

Joanna Koch: You know, itโ€™s a drive to create or make a mark, the same as any other drive. I donโ€™t like perpetuating the myth of talent and gifts and all that. You follow your drive and make something, or you donโ€™t. Instead of a gift or a curse, letโ€™s call it a choice, a way to direct energy.

Meghan: How has your environment and upbringing colored your writing?

Joanna Koch: Iโ€™ve moved around the US and experimented with a variety of lifestyles. I feel like Iโ€™ve lived enough different lives to give me a good pool of material to draw upon, and heard a plethora of stories and secrets as a counselor.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Joanna Koch: How to make compost out of dead bodies in outer space.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Joanna Koch: The middle. Until recently I exclusively wrote short stories without bulk in the middle. Moving on to pieces where I want more character change, I find I need more time to get through the arc while staying true to the character. But itโ€™s challenging to linger. My natural tendency is to get in, stir some shit, and get out quick.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

Joanna Koch: I go with something that hooks me. It might be a character, an event, a feeling, an abstract idea, a memory or impression from my life. Or someone elseโ€™s. I trust thereโ€™s a pattern to what captures my interest, start running with it, and apply logic and orderliness along the way.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

Joanna Koch: I try to get to know them better.

Meghan: What do you do to motivate yourself to sit down and write?

Joanna Koch: I sit down and write. Iโ€™m too impatient for writerโ€™s block. Besides, Iโ€™m getting old. Iโ€™ll be dead soon. I donโ€™t have time to waste.

Meghan: Are you an avid reader?

Joanna Koch: There are so many books I want to read! I canโ€™t keep up. Yes, I love reading and always have, even long before I tried to write.

Meghan: What kind of books do you absolutely love to read?

Joanna Koch: I like writing that is both intellectual and shocking, realistic and poetic. beautiful and ugly, that takes me to an unexpected place. I want it all!

Meghan: How do you feel about movies based on books?

Joanna Koch: They are separate mediums. One cannot replace the other.

Meghan: Have you ever killed a main character?

Joanna Koch: This is difficult to answer. Iโ€™ve been playing with boundaries and ambiguities surrounding identity, existence, and physical integrity lately with my main characters. I have definitely killed villains and libidinal objects. My work is not always wholesome.

Meghan: Do you enjoy making your characters suffer?

Joanna Koch: Not exactly. Iโ€™m interested in testing characters and exploring how they fail, because I think we all do that. Iโ€™m interested in what we do with suffering and how it changes us. I want to get more into that in the future.

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

Joanna Koch: My current main character is three characters that will be a single entity by the end of the story. One of their current forms is that of a hemimetabolous insect.

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received?

Joanna Koch: โ€œReaders are smart; you donโ€™t have to tell them everything.โ€ This sounds obvious, but itโ€™s what I needed to hear at the time to move forward.

Meghan: Whatโ€™s the worst?

Joanna Koch: The critique that a female character whoโ€™s my own age is โ€œout of characterโ€ or โ€œnot believableโ€ if she swears or makes racy remarks. Apparently Iโ€™m a badly written human.

Meghan: What do your fans mean to you?

Joanna Koch: Do I have fans? Thatโ€™s a lovely idea. When someone takes the time to let me know they appreciate a story, it means the world to me. Itโ€™s not only the ego-gratification; itโ€™s about the way I get attached to a story or the characters in them and want them to have a life of their own outside of my head. Readers give them that life!

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Joanna Koch: Uh-oh, I didnโ€™t know I wasnโ€™t allowed to steal! I stole Madeline Usher from Poe because I wanted to give her a voice.

Meghan: What can we expect from you in the future?

Joanna Koch: My first stand alone work – a novella called โ€œThe Couvadeโ€ – is in the editing phase and will be published soon. Iโ€™ve been invited to create a longer serialized piece that Iโ€™m working on now with an editor I trust. Itโ€™s the biggest challenge Iโ€™ve ever taken on, and Iโ€™m filled with fear that I wonโ€™t be able to pull it off. Iโ€™ll keep faking confidence and let you know next year if it works out!

Meghan: Where can we find you?

Joanna Koch:

Website ** Twitter ** Amazon

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Joanna Koch: Thank you, Meghan, for inviting me back; thank you to readers who indulge me while going through this process of becoming a writer. Iโ€™ve delved into variations in style and content over the past year that range from fairy tale to splatter. I think I will always be a work in progress and I hope you enjoy the ride!

Author Joanna Koch writes literary horror and surrealist trash. Her short fiction has been published in journals and anthologies such as Synth, Honey & Sulphur, and In Darkness Delight: Masters of Midnight. Look for her novella, The Couvade, coming soon. Consumer her monstrous musings at Horrorsong.

In Darkness Delight: Masters of Midnight

Midnight strikes like an invocation, clock hands joining in prayer to the darkness. After the twelfth chime, thereโ€™s no escaping the nightmare.

Fear reigns supreme.

In Darkness, Delight is an original anthology series revealing the many facets of modern horrorโ€”shocking and quiet, pulp and literary, cold-hearted and heart-felt, weird tales of spiraling madness alongside full-throttle thrillers. Open these pages and unleash all-new terrors that consume from without and within.

Midnight is here. Itโ€™s now time to find . . . In Darkness, Delight.

Featuring stories by:
Josh MalermanOne Thousand Words on a Tombstone – Delores Ray
William MeikleRefuge
Jason ParentViolet
Ryan C. ThomasWho Are You?
Mark MatthewsTattooed All in Black
Evans LightOne Million Hits
Lisa LepovetskyKruze Nite
Israel FinnThe Pipe
Patrick LaceyIn the Ground John McNee: Dogsh*t Gauntlet
Michael BrayLetters
Monique YouzwaRules of Leap Year
Billy ChizmarMirrors
Espi KvltPulsate
Paul MichaelsAngel Wings
Andrew LennonRun Rabbit Run
Joanna KochEvery Lucky Penny is Another Drop of Blood

Halloween Extravaganza: INTERVIEW: Jon M. Jefferson

Meghan: So, youโ€™ve made it back for round three, Jon, where the questions get more and more difficult.

What are your go-to horror films?

Jon M. Jefferson: This is where things get a little weird. I am not strictly a horror writer. I donโ€™t have a list of horror films that I could consider a go-to. Now there are some tropes in movies that really get me though. Monsters in their various forms or super cheesy over the top gore. Stuff like that hits me in my giggle places.

Meghan: What makes the horror genre so special?

Jon M. Jefferson: And this is still a tough one to define. My forte is within the realm of speculative fiction. Horror has a place in there but it isnโ€™t the only thing for me. Now with that said, we can step into a deeper thought of horror. Itโ€™s one of those things that can hit us on a primal level. Iโ€™m talking about more than just jump scares or slasher stuff. Itโ€™s the truly horrific that digs deep into our psyche.

Weโ€™ve been watching the show Goliath on Amazon. In the first season there is this scene. Billy Bob Thornton is walking next to his current love interest when she is run down by a van. Itโ€™s a fast moment where the realization of what just happened takes a moment to settle into your brain. But you feel it on this deeper level and the reality of it stays with you.

Meghan: Have any new authors grasped your interest recently?

Jon M. Jefferson: Iโ€™m horrible at this. Iโ€™ve actually been catching up on some older stuff, especially in comics. The more recent books Iโ€™ve read have been from series that I have been reading for years. I dare say I am probably about two years behind the times right now.

Meghan: How big of a part does music play in creating your โ€œzoneโ€? What do you listen to while writing?

Jon M. Jefferson: Music is life. I listen to probably more than most sane people should. And it falls into quite a few categories.

Right now I am listening to mindless self indulgence. You just get these moments where you need to sing the words mother fucker with abandon.

I have this thing thoughโ€ฆ Iโ€™m big into specific female vocalists. And itโ€™s something you wouldnโ€™t expect of me. Iโ€™m talking, Diana Krall, Vanessa Carlton, even Sade. Their voices and music brings to mind smoke filled beer halls. Maybe a rocks glass with whiskey and a single cube of ice. Itโ€™s a mood, a place outside of time where ideas congregate.

Meghan: How active are you on social media? How do you think it affects the way you write?

Jon M. Jefferson: Depends on how you mean active. I mean, Iโ€™m a troll and take pleasure with shit posting memes that offend. Iโ€™m not sure this has anything to do with writing.

Meghan: What is your writing Kryptonite?

Jon M. Jefferson: Iโ€™m not sure I understand the question. My writing is nothing like green rocks from an alien planet.

Meghan: If you were making a movie of your latest story/book, who would you cast?

Jon M. Jefferson: Is this a trick question? I would cast me as the lead, duhโ€ฆ Iโ€™m pretty and have personality coming out my hinie.

Meghan: If you had the choice to rewrite any of your books, which one would it be and why?

Jon M. Jefferson: Not a one. Iโ€™m a different person than I was when I wrote them. I donโ€™t reject who I was. That person helped me get to the person I am now.

Meghan: What would the main character in your latest story/book have to say about you?

Jon M. Jefferson: โ€œThat fucker? What the fuck do you want to talk about him forโ€

Meghan: Did you hide any secrets in your books that only a few people will find?

Jon M. Jefferson: Hell, I hide shit in there that even I canโ€™t find. You make it sound like I might know what Iโ€™m doing.

Meghan: How much of yourself do you put in your books?

Jon M. Jefferson: Depends on the story and the characters.

Meghan: Have you ever incorporated something that happened to you in real life into your novels?

Jon M. Jefferson: I have stolen the lives of others to put into stories. That stuff just does what it wants to do.

Meghan: Are your characters based off real people, or did they all come entirely from your imagination?

Jon M. Jefferson: I am haunted by dumbasses.

Meghan: How do you think youโ€™ve evolved creatively?

Jon M. Jefferson: The older I get the more I identify with red foreman.

Meghan: What is the most difficult part of your artistic process?

Jon M. Jefferson: Currently, finding a moment when I can keep my eyes open long enough to do something.

Meghan: Does writing energize or exhaust you?

Jon M. Jefferson: Life exhausts me. Telling stories is one of those things you can do for fun. Itโ€™s less draining on paper than in real life.

Meghan: Do you read your book reviews? How do you deal with the bad ones? Have you ever learned something from a negative review and incorporated it into your writing?

Jon M. Jefferson: What other people think about me is none of my business.

Meghan: What are your ambitions for your writing career? What does โ€œliterary successโ€ look like to you?

Jon M. Jefferson: The ultimate goal is always going to be making enough money from this bit of professional lying to go full time pro. Sadly, it isnโ€™t always as easy as it looks. There are things you have to do as a professional liar that seems so counter revolutionary to the process. I mean, sometimes you actually have to do stuff. And no one wants to be a part of that.

Jon Jefferson writes Speculative fiction with forays into Noir and Bizarro. His stories have appeared in the 2013 Indies Unlimited Flash Fiction Anthology, and the Weird Tales Magazine web site. His work can also be found on Amazon and Smashwords. Flash fiction stories can be found at his site Misadventures in Strange Places or his anthologies, short stories, and Novellas can be found at his Amazon Author page. 

A longtime fan of Science Fiction and Fantasy stories in all their forms, he has spent most of his life looking for magic in the everyday moments of life.  He hails from the tundra of Southwest Michigan. The monsters in his life include his wife, two daughters and grand babies.

Website ** Books2Read

The Nothing’s Child

Zack, Zack Goldman, pleased to meet you. I’m a runner. I know you don’t know what that is. It’s better if I just show you. 

See this wire? Yeah, this one here coming out of my arm. This is my connection to the net. You probably don’t know that one either. I’ll get to that. 

There was a time when wireless was the way to go. Everything connected in what they used to call clouds. The world was easier then. 

Then we found true virtual reality. Jammed that shit straight into our brains. Wireless wasn’t fast enough. We’re talking full on change in perception of worlds here. The MMOs that people used to play were immersive, you were part of their world. Kid’s play. 

The net changed all that. World Dynamics created the first neural net. A virtual world built in the user’s mind. Sure, it was electronic, and computers were a key component. Hell, you have to have a deck as part of your interface. But when you are logged into the net, the physical world is the world your programming creates. 

Sure, it’s all still data, nothing but 1s and 0s. It’s your user interface that sets the stage and builds the world you see. Like I said, I’m a runner. In the old world they might have called me a hacker. I specialize in data retrieval.

And I’m late. So, if you will excuse me, I have work to do.

Halloween Extravaganza: INTERVIEW: Steven Wynne

Meghan: Hi, Steven! Welcome back to my annual Halloween Extravaganza. I hope you’re liking the new blog. It’s been awhile since we sat down together. What’s been going on since we last spoke?

Steven Wynne: It has indeed been a while! Unfortunately, my entire life twisted into complete shit right around the beginning of last year. I got divorced, and two weeks after that cluster bomb detonated, my dad entered hospice after a three year fight with stage four brain cancer, which led to six months of awfulness and heartbreak until he finally passed in late October 2018. On top of that carnival of giggles and mirth, my job turned into an absolute nightmare that persisted until I finally left and found a better job earlier this year.

In the midst of all that, I stopped being able to write. After the initial one-two punch of the divorce and hospice, there was a two week period where I couldnโ€™t even read. As the year wore on, I slowly regained my focus and made a few tentative stabs at writing. There were a few other things that have happened (see answers below), but what Iโ€™m really excited for is that Iโ€™ve just finished writing a new story for the first time in over a year. Itโ€™s made the rounds of beta readers, had its due edits, and is ready to be subbed out to soak up the rejections.

Meghan: Who are you outside of writing?

Steven Wynne: Iโ€™m quiet as hell and pretty reclusive, more often than not. When Iโ€™m not working absurd hours, Iโ€™m usually the type to relax and read, and slowly make my way through my massive TBR pile. Iโ€™ve been playing a lot more guitar in the last year and doing some recording here and there, but by and large, Iโ€™m a solitary kinda guy.

Meghan: How do you feel about friends and close relatives reading your work?

Steven Wynne: Iโ€™m cool with it? The few friends/acquaintances of mine who have showed up in my stories are the kind of folk who can roll with it. Except the one guy. Fuck that one guy.

Meghan: Is being a writer a gift or a curse?

Steven Wynne: I donโ€™t know that itโ€™s so much a gift as it is a skill that needs to be honed. I mean, I donโ€™t think Iโ€™m all that dazzling a writer, but I can recognize Iโ€™m way better now than when I started submitting years ago. It takes commitment, years of nothing but rejections, and seeking out input from others about what youโ€™re doing wrong and what you could be doing better. No different from any other creative hobby one might pursue, I suppose?

Meghan: How has your environment and upbringing colored your writing?

Steven Wynne: Everything is sad, thereโ€™s not much hope for anything, the world has an all-encompassing incomprehensible terror to it, youโ€™re all alone, and Dadโ€™s drunk.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Steven Wynne: Iโ€™m currently working on a story with a lot of crime and murder elements to it, so there have been things like, โ€˜How long does it take for the eyes to cloud over postmortemโ€™ and all the processes that go into that, and things of that nature. But then again, Iโ€™m a true crime hound and was already interested and fascinated by that kinda stuff, anyway. Not exactly โ€˜strangeโ€™ compared to some of my friends and other writers I know, but itโ€™s what comes to mind.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Steven Wynne: Starting is always rocky terrain for me. Itโ€™s where Iโ€™m most likely to get distracted and abandon ship. If Iโ€™m in something and Iโ€™m cooking on it, things seem to click. That test is usually passed if I wake up on time and am able to devote forty five to ninety minutes to the thing before work, and Iโ€™m able to do that for, say, three days, thatโ€™s a good sign. The middle and end are more fun for me. Seeing how it all plays out is usually a big surprise for me as well. That opening, though, thatโ€™s fucking treacherous.

Meghan: Do you outline?  Do you start with characters or plot?  Do you just sit down and start writing?  What works best for you?

Steven Wynne: Iโ€™m a pantser, through and through. Outlines arenโ€™t fun at all for me. Usually, I need two ideas handcuffed to each other to work. They can be a character and a situation, a setting and situation, a character and another character, whatever they are, I usually canโ€™t run with just one. I kinda view my process as one idea is the driver, the other is the vehicle. Sometimes, the goodies floating around in the ideaspace coalesce into one weird hybrid that (I think) makes for a good story. When I write, I pretty much just sit down and go. There can sometimes be a long time between ideas merging, but the more I write, the quicker pieces tend to fall together.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

Steven Wynne: Listen to them, usually. A lot of times, the story greatly benefits from a little tangent here or there. If that doesnโ€™t work, kill โ€˜em.

Meghan: What do you do to motivate yourself to sit down and write?  

Steven Wynne: Remember how good it feels to accomplish something. Also remember how much it sucks to have my days consist of coffee, food, work, one good/meh shit, more food, and sleep. Remind myself that Scares is coming up next year, and how great would it be to have something to bring to share with my friends.

Meghan: Are you an avid reader?

Steven Wynne: I do my best.

Meghan: What kind of books do you absolutely love to read?

Steven Wynne: Sad, dark yarns that back up my preconceived notions of the world without making me do any intellectual heavy lifting and realizing I might be wrong about stuff.

I keed. Kinda.

I absolutely love short story collections, and Iโ€™m very much loving everything weird and melancholy I can get my hands on. Currently, Iโ€™m reading Cry Your Way Home by Damien Angelica Walters, and itโ€™s fantastic in every goddamn way.

Meghan: How do you feel about movies based on books?

Steven Wynne: I donโ€™t have a problem with โ€˜em?

Meghan: Have you ever killed a main character?

Steven Wynne: Every time, it seems.

Meghan: Do you enjoy making your characters suffer?

Steven Wynne: Not really. I hate seeing people suffer in any capacity, even if Iโ€™m the person creating the whole scenario, people included. If the characters are suffering, itโ€™s to serve a purpose and to serve the forward momentum of the story. I donโ€™t enjoy it at all, but sometimes the stories I spit out canโ€™t help but be born in those environments.

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

Steven Wynne: A time/dimension traveling woman who *could have been* a main characterโ€™s aunt, who carries around a tiny living puppet of the main characterโ€™s father in a glass bottle.

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received?  Whatโ€™s the worst?

Steven Wynne: I will always defer to Russell Coyโ€™s wisdom when it comes to editing and pointing out what works and doesnโ€™t in stories. I think I still have the first things he beta read for me saved in my google drive with their miles of red strikethrough and explanations of why things donโ€™t work, and when Iโ€™m being overly wordy, how *this* whole paragraph is redundant because everything substantive in it is hinted at subtly in one sentence three paragraphs before. John Boden has also been fantastic about pointing out things that are hacky.

Worst feedback was from a friend who clearly misinterpreted everything about a story I sent him. Character motivations, denouement, attribution, just. . . everything. Donโ€™t want to go too into specifics with that, but it was the first time I heard someone being critical of something I wrote and made a fart sound and jerk-off motion. Havenโ€™t sent that dude anything else Iโ€™ve done since. 

Meghan: What do your fans mean to you?

Steven Wynne: My mom means the world to me.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Steven Wynne: That is a damn good question. I might have to say Tiny, from John Bodenโ€™s Spungunion. Heโ€™s turned up in a few of the Knucklebucket Thang books that Boden has cranked out. I absolutely love his character and how he remains a compassionate and empathetic figure despite the solitary, moribund, morose nature of his work.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

Steven Wynne: Gotta double down on the aforementioned Knucklebucket Thang series, by John Boden/Bob Ford. As much as Iโ€™d love to take a crack at a story exclusively about Tiny, I doubt sincerely I could do him anywhere near the justice he would deserve for his own standalone story. Iโ€™d want him in there, though.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

Steven Wynne: Haha! Iโ€™m currently collaborating with my friend and fellow author Justin Lutz. actually, and Iโ€™m so goddamn happy to be doing so. Without going into too terribly much detail, itโ€™s about a serial killer operating in Central Pennsylvania and using the Opioid epidemic as a means of trapping victims and covering up his crimes, while a reclusive clairvoyant coroner is slowly gaining clues as to not only who the killer is, but the identities of the Jane Does in her morgue who can talk to her but canโ€™t remember who they are.

Meghan: What can we expect from you in the future?

Steven Wynne: Hopefully? Iโ€™ll get some more short fiction published, get one of the few novellas I have sitting around published as well, and this still unnamed collaborative novel between Justin Lutz and I. I have a feeling that when thatโ€™s done, folks might really enjoy it.

Apart from that? Expect to see me at Scares that Care 2020, probably drunk and trying to give Wile E. Young my phone number again for the third year in a row.

Meghan: Where can we find you?

Steven Wynne: Oh, Iโ€™m on the usual haunts. Track me down on Facebook, and Iโ€™m on Twitter.

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Steven Wynne: Read Gwendolyn Kiste. Come to Scares that Care. Buy me a shot.

Steven Wynne writes dark fiction. His short fiction has appeared here and there, online and elsewhere. His metabolism is slowing down, and he looks bad. Like, have you seen him recently? Someone should call someone. He resides in Central Pennsylvania with his pain in the ass cat.

Reaper Black Book 1: Death’s Garden

The Lycan Valley Reaper has a new hobby — Gardening. He tends to each plant’s every need from seed to harvest. The black seeds bloom in the shadows, petals unfolding as the twisted vines take root in your mind. These 13 stories and 12 poems are planted, germinated and ready for the harvest. Souls collected from Edward Ahern * Shaun Avery * Ross Baxter * R Bratten Weiss * Jonah Buck * O.R. Dalby * JG Faherty * Dale W Glaser * Jill Hand * Michael H Hanson * Liam Hogan * Mathias Jansson * Jordan King-Lacroix * Chad Lutzke * A.M. Nestler * Kurt Newton * Gregory L Norris * Allan Rozinski * Susan A Sheppard * David F Shultz * Claire Smith * Max D Stanton * John McCallum Swain * Sara Tantlinger * Steven Wynne

I also have a short story, Escape Velocity, in the December 2016 edition of Sirens Call Ezine. (The link will redirect you to the .pdf that you can download.)

You can also find my short story, Fireflies, as part of a previous Halloween Extravaganza here, as well as my short Hallowen story, The Yellow Line, last year’s contribution, here.

Halloween Extravaganza: INTERVIEW Part 2: Halloween Edition: Jeff Parsons

Jeff Parsons was really interested in taking part in all of this year’s Halloween Extravaganza, but he just could not think of a guest post topic, so, joking around, I gave him some suggestions, in question form, and he answered all three. He has some interesting answers…


Meghan: What do you think is the worst Halloween candy ever created?

Jeff Parsons: Wax Bottle candy. Nip the top off, get wax on your lips, tongue, and teeth, spit it out in a slimy gob, and suck down the eyedropper squirt of bland sugar water. I think the sugar offsets the gag reflex, for undoubtedly, the liquid is some type of industrial waste discharge. Also, not part of any known food group is the related Candy Corn apostacy. Is it wax or non-fructose opioid? All I want to know is how to stop eating themโ€ฆ

Meghan: What was the best Halloween costume you wore as a kid?

Jeff Parsons: This will date me, but there was only one type of costume available. Store bought. The outfit came in a box that showed the costume through a clear cellophane window. The outfit was a plastic strap-on mask of Frankenstein, King Kong, Superman, etc. and a faux-silk matching tunic. The mask had two nose hole openings and a slit for a mouth. You couldnโ€™t breathe. Sweat fogged up my glasses, further complicating the tunnel vision view. The maskโ€™s rubber band bit into my head and broke too soon with a zinging snap to my ears. So, Iโ€™d have to hold the mask up to my face. After a while, I got tired of that. Iโ€™d just show the mask when the door opened to prove I was legit. By then, I was already exhausted by the marathon of getting as much candy as possible before the 6PM-get-your-butt-back-home curfew.

Meghan: Do you think it sucks for kids these days to not know the awesomeness of Halloween when we were kids?

Jeff Parsons: We were less jaded in the olden days. A good scary story really worked us over. Witches and goblins seemed to be a lot more believable back thenโ€ฆ When I was young, seeing bizarre costumed people walking about on the street was like seeing a sign of civilizations sudden collapse into insanity. Nowadays, weird is normal and normal is weird. And, around late October, winter was on its way. When it got colder and darker, the leaves fell off the trees โ€“ my parents said not to worry, spring will return, but couldnโ€™t it be they were protecting me from the awful truthโ€ฆ it may not return? Nowadays, everything can be Googledโ€ฆ no mystery.

Jeff is a professional engineer enjoying life in sunny California, USA. He has a long history of technical writing, which oddly enough, often reads like pure fiction. He was inspired to write by two wonderful teachers: William Forstchen and Gary Braver. In addition to his two books, The Captivating Flames of Madness and Algorithm of Nightmares, he is published in SNM Horror Magazine, Bonded by Blood IV/ V, The Horror Zine, Dark Gothic Resurrected Magazine, Chilling Ghost Short Stories, Dystopia Utopia Short Stories, Wax & Wane: A Coven of Witch Tales, Thinking Through Our Fingers, The Moving Finger Writes, Golden Prose & Poetry, Our Dance With Words, The Voices Within, Fireburst: The Inner Circle Writersโ€™ Group, Second Flash Fiction Anthology 2018, and Year’s Best Hardcore Horror Volume 4. For more details, visit his Facebook Author Page.

The Captivating Flames of Madness

This book’s title comes from the reality that – like a moth to the flame – we’re all just one event, mishap, or decision away from things that could change our lives forever. 

What would you do if fate led you astray into a grim world where you encountered vengeful ghosts, homicidal maniacs, ancient gods, apocalyptic nightmares, dark magic, deadly space aliens, and more?

If you dare, why not find out? 

Read for yourself the twenty-two gloriously provocative tales that dwell within this book – but be warned, some of my dear readers have experienced lasting nightmares…

Halloween Extravaganza: INTERVIEW: Jeff Parsons

Meghan: Hi, Jeff. Welcome to Meghan’s House of Books. Tell us a little bit about yourself.

Jeff Parsons: Iโ€™m married with 3 children. Iโ€™m a Mechanical Engineer with Nuclear Engineering experience working in a Civil Engineering position doing IT work (well lately, thatโ€™s mostly true). So, my thoughts are more than a few standard deviations away from familiar territory, a mindset thatโ€™s perfect for writing, btw. Iโ€™ve been toying with the idea of getting back into pen & pencil artwork for my upcoming book. Over 20 of my short stories have been published as well as two books of short story collections. I am a servant to 2 cats named Buddy and Holly. They are benevolent overlords.

Meghan: What are five things most people don’t know about you?

Jeff Parsons:

  • I collect ancient coins. My oldest coin is from Sicily 5th Century B.C.
  • I volunteer medical services for the fire department’s Community Emergency Response Team.
  • I’ve co-authored four classified scientific papers. Luckily, I’ve forgotten everything relevant about them so I’m no longer a target for kidnapping by disgruntled nations (and I’m sure the gruntled ones never cared either).
  • I used to fly airplanes solo as a student pilot. My longest solo flight visited two airports for about 500 miles total. Yeah, that was scary, especially flying through an unexpected thunderstorm.
  • I love computer games that are in an open immersive world setting like Assassin’s Creed Olympos. I feel like I’m living in the past except there’s no fear of dying (I only fear boredom).

Meghan: What is the first book you remember reading?

Jeff Parsons: I first read a lot of horror comics and Mad Magazine.

My first book was Fire-Hunter by Jim Kjelgaard. Itโ€™s about living in prehistoric times. It had a simple plot but was fun to read.

My first serious book was The Hobbit by J.R.R. Tolkien. It had beautiful woodblock drawings in it. The plot had an enormous amount of depth to it โ€“ something quite new to me. I got hooked on books after that.

Meghan: What are you reading now?

Jeff Parsons: Day by Day Armageddon by J.L. Bourne. He knows his military tech and the book is written with an extraordinary sense of realism to it.

Meghan: What’s a book you really enjoyed that others wouldn’t expect you to have liked?

Jeff Parsons: The Princess Bride by William Goldman. It was hilarious, even funnier than the movie.

Meghan: What made you decide you want to write? When did you begin writing?

Jeff Parsons: For the longest time, Iโ€™ve done technical and marketing writing at work. I knew that fictional writing was fun and it was a great way to feel creative. I felt I could make a contribution due to my background and life experiences (actually, I think many people can do the same if they want to). I always wondered what it would take to get published. I searched on the internet for the best way to get started. The simplest way was to submit short stories to small press magazines that accept new authors. From there, be persistent, keep on getting published, building up a resume of accomplishments that shows your commitment (street cred). In my early writing years, about a decade ago, I received excellent feedback from some editors. I used that constructive criticism to sharpen my skills while holding onto my own ideas about what I wanted to write. Since then, as painful as the process can be, I treasure objective critical evaluations from editors and my writersโ€™ group.

Meghan: Do you have a special place you like to write?

Jeff Parsons: I often write while watching tv. I think itโ€™s because my thoughts become more spontaneous if Iโ€™m a little bit distracted. I used to study while listening to music, so I think the theory works for me. Sometimes, to get a different point of view, I go to a noisy coffee shop to write.

Meghan: Do you have any quirks or processes that you go through when you write?

Jeff Parsons: I donโ€™t write a story immediately. I let an idea simmer. I let it gather along with other ideas to form a plot. For me, I need the plot to be solid before I start writing in the details. Itโ€™s like building a house โ€“ you need the foundation and framework up first before you do everything else (excluding utilities). Nothing is worse than writing something contradictory that makes no sense. Speaking of making no sense, sometimes the characters write the story for me and I just sit back and get all the credit.

Meghan: Is there anything about writing you find most challenging?

Jeff Parsons: I write first drafts on paper. Itโ€™s more flexible for me and I can do it practically anywhere, but eventually the mad scribbling needs to go into the software. I hate typing my edits into my computer. Itโ€™s agony. I mean, have you seen my handwriting? Seriously.

Meghan: What’s the most satisfying thing you’ve written so far?

Jeff Parsons: A recent sci-fi story about how a post-apocalyptic human fights back against titan invaders with the help of some aliens. The story absolutely resounds with rah-rah courage in the face of overwhelming odds.

Meghan: What books have most inspired you? Who are some authors that have inspired your writing style?

Jeff Parsons: City Infernal by Edward Lee. Pompeii by Robert Harris. Childhood’s End by Arthur C. Clarke. Armor by John Steakley. The Hobbit by J.R.R Tolkien. The Conan the Barbarian series by Robert E. Howard. Short story โ€“ A Sound of Thunder by Ray Bradbury. And everything H.P. Lovecraft.

Meghan: What do you think makes a good story?

Jeff Parsons: A good story affects you on a personal level. Itโ€™s relatable. The scenes are real. It provokes emotions. It makes you think. You can apply it to your life. You learn something useful to you. Also, it has to flow seamlessly like water when you read it. Using too much description distracts away from the story. From my Toastmaster years, Iโ€™ve learned that reading a story aloud can help you detect any awkward parts.

Meghan: What does it take for you to love a character? How do you utilize that when creating your characters?

Jeff Parsons: The characters must be real. No perfect people are allowed. There are many sides to everyone; no one is completely good or evil. Also, everyone has their own personality but strangely, we often share common life experiences. This is really scary when you consider that even the worst people can occasionally do good deeds โ€“ perhaps in some aspects of our lives, weโ€™re not as unique as we think we are.

Meghan: Which, of all your characters, do you think is the most like you?

Jeff Parsons: Recently, I wrote a story about a Maine State Detective. He had an intuitive knack for solving cases. In a similar way, I think Iโ€™m clever simply because I think differently than most people. Despite unverified anecdotes to the contrary, Iโ€™m only mildly afflicted with the ravages of intelligence.

Meghan: Are you turned off by a bad cover? To what degree were you involved in creating your book covers?

Jeff Parsons: Iโ€™m definitely turned off by a bad cover. Like most people, I make an initial visual judgement based on the cover, then if itโ€™s interesting, Iโ€™d scan the book summary. Itโ€™s not fair, but itโ€™s an effective way to quickly choose what youโ€™d think about buying. Also, if they took the time to make a decent cover, it makes me think that the rest of the book will also have the same level of attention. My current book was a collaboration between me and my fabulous publisher Hellbound Books. (Shout out to HBB – woot woot)

Meghan: What have you learned creating your books?

Jeff Parsons: An outline is essential. Your first draft should just capture the framework of your ideas, not be anything remotely perfect. It should be extremely drafty (like at hurricane level F5). Also, take some time off from writing if youโ€™re starting to feel burnt out. You have to find a way to make this fun. I often listen to music or a movie while doing the various aspects of writing (outlining, wordsmithing, editing, editing, editing, weeping bitter tears, staring into the abyss, wallowing in willful ignorance, more editing, etc.). Overall, whatโ€™s the point of writing if you donโ€™t want to? And why choose writing? There are far easier ways to accomplish goals, make money, or get attention.

Meghan: What has been the hardest scene for you to write so far?

Jeff Parsons: I wrote a story about an android saying goodbye to his dying cat. I drew from my own experience at the vet with my cat Princess. Heart-breaking but happy in a way. Iโ€™m glad her pain was taken away quickly and that I was there for her in her last moments.

Meghan: What makes your books different from others out there in this genre?

Jeff Parsons: Bold, daring, and unique is what Iโ€™ve heard about my writing, at least on the up side. I shall not utter the words of the dark side (they come from Mordor, bad juju). When I write using technical jargon, I often know what Iโ€™m talking about. If I writing about feelings or romance, itโ€™s a good idea for me to reach out for anotherโ€™s perspective. (e.g. Jeff, are you daft? A woman would never say thatโ€ฆ ahhh, I say)

Meghan: How important is the book title, how hard is it to choose the best one, and how did you choose yours (of course, with no spoilers)?

Jeff Parsons: Lately Iโ€™ve been shopping online. The title is what I see after the book cover. If the title is silly or something that doesnโ€™t interest me, I move on, leaving my brief emotional commitment behind. Coming up with a thought-provoking title is difficult. For my latest book, I thought about what the meaning of horror to me: life is unpredictable, like a moth to the flame โ€“ weโ€™re all just one event, mishap, of decision away from things that could change our lives forever. Thus, my book was named, The Captivating Flames of Madness. The Victorian goth cover shows a pair of hands carefully holding a candle and in the flame is a deathโ€™s head.

Meghan: What makes you feel more fulfilled: Writing a novel or writing a short story?

Jeff Parsons: My two published books are collections of my short stories. Iโ€™m working on a novel now and itโ€™s quite the long-term learning experience. I know so much more now than I ever did, but itโ€™s difficult at times to keep at it. Taking a break from writing helps from time to time. In contrast, short stories give me almost immediate gratification and since Iโ€™m easily distracted by shiny objects and chocolate, the Pavlovian write story/ get reward dynamic works well for me.

Meghan: Tell us a little bit about your books, your target audience, and what you would like readers to take away from your stories.

Jeff Parsons: I usually write about real people in the world around us. Then, I ease in the unusual or supernatural into the story. Iโ€™d like for people to think thereโ€™s a greater world out there we donโ€™t know anything about. Iโ€™m also curious about what the past was like. Not all fictional tales have to be sunshine, rainbows, and puppiesโ€ฆ Horror is like the safety in riding a roller coaster, being close to danger but not in actually in danger. I like stories that make us think outside our comfort zone.

Meghan: Can you tell us about some of the deleted scenes/stuff that got left out of your work?

Jeff Parsons: Not much to say. I often delete parts that interrupt the flow of the story. Usually, theyโ€™re small snippets because I keep the plot line snug and tight. Itโ€™s difficult to let an interesting description goโ€ฆ the decision process is about as easy as doing algebra in a foreign language. A good writerโ€™s critique group is helpful for trimming away the fluff.

Meghan: What is in your “trunk”?

Jeff Parsons: Iโ€™ve been working on an alternative history Lovecraftian book for the last three years. In maybe another year, Iโ€™ll be ready to set it loose on the world.

Meghan: What can we expect from you in the future?

Jeff Parsons: More short stories books. Iโ€™m also getting interested in sci-fi horror. I think Iโ€™ll be flexing my technical muscles more and reaching out more for critical help. Iโ€™d like to receive some gratis art work for my book, from those whoโ€™d wish to get known by PRโ€ฆ

Meghan: Where can we find you?

Jeff Parsons: Facebook

Meghan: Do you have any closing words for your fans or anything you’d like to say that we didn’t get to cover in this interview?

Jeff Parsons: If youโ€™re writing, make sure itโ€™s fun. Pay attention to how people behave – go watch themโ€ฆ Write about what interests you, not what you think others want to read.

Thank you for your kindly invite to share.

Jeff is a professional engineer enjoying life in sunny California, USA. He has a long history of technical writing, which oddly enough, often reads like pure fiction. He was inspired to write by two wonderful teachers: William Forstchen and Gary Braver. In addition to his two books, The Captivating Flames of Madness and Algorithm of Nightmares, he is published in SNM Horror Magazine, Bonded by Blood IV/ V, The Horror Zine, Dark Gothic Resurrected Magazine, Chilling Ghost Short Stories, Dystopia Utopia Short Stories, Wax & Wane: A Coven of Witch Tales, Thinking Through Our Fingers, The Moving Finger Writes, Golden Prose & Poetry, Our Dance With Words, The Voices Within, Fireburst: The Inner Circle Writersโ€™ Group, Second Flash Fiction Anthology 2018, and Year’s Best Hardcore Horror Volume 4. For more details, visit his Facebook Author Page.

This book’s title comes from the reality that – like a moth to the flame – we’re all just one event, mishap, or decision away from things that could change our lives forever. 

What would you do if fate led you astray into a grim world where you encountered vengeful ghosts, homicidal maniacs, ancient gods, apocalyptic nightmares, dark magic, deadly space aliens, and more?

If you dare, why not find out? 

Read for yourself the twenty-two gloriously provocative tales that dwell within this book – but be warned, some of my dear readers have experienced lasting nightmares…