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Halloween Extravaganza: Steven Wynne: STORY: God’s Graffiti

Steven Wynne is a very talented guy, and to have the honor of sharing another one of his shorts during my Halloween Extravaganza frivolities makes me happy. I hope you enjoy it as much as I do. And make sure you check out the interview with him.


Man, you must have really fucked up to get yourself down here. Like, really fucked up, as in ‘I’ve been down here a long, long time, and I’ve never seen ’em bring anyone else down here’ kinda fucked up. You start a riot out in general, or something? Kill a couple guards? I mean, there are protocols and procedures for things like that, but those guys usually just go to solitary. I would love to hear what the hell you did to get yourself next to me.

Don’t worry, the guards are gone. Once they drop you off, they wait around about 15 minutes before they head back off to wherever. I like to think they stick around because they like my singing. I got this great little number for when they drop off my food. You wanna hear it? No? Ah, don’t worry. Chances are you’ll be here for a while. You’ll get to hear it soon enough. I’m a great singer. You gotta keep yourself occupied in here, you know that. You can lose your mind if you don’t have something to fill the time and keep you thinking. I’ve seen it happen. It ain’t pretty. Believe me, I’ve been here a long goddamn time, and I’ve seen my share of psychotic and schizophrenic breaks among you younger guys. You’d better start singing, or get a rock or paperclip and start etching the walls or something. Get your mind working, son, or it will unravel.

I know I don’t look old at all, fella. Shit, they ain’t talking about me up there anymore? Jesus, did all the lifers I knew back in the day die already? What year is it? 2015? God damn, that means I’m how old? Shit. . .

Well, sorry for whatever brought you down here. If you’re anything like me, it wasn’t entirely your fault. Sure, you might have fucked up, and fucked up pretty badly, but circumstances just happened to let the absolute worst people to see it saw it. Lo and behold, you find yourself in the Chokey.

No, that ain’t what this place is really called. Just a nickname, can’t remember where it came from. Actually, now that I think about it, I don’t think this place has a real name. Maybe it did, at one point, when confinement like this didn’t fit the definition of ‘cruel and unusual punishment’. I guess it is really called the Chokey now, seeing as we’re the only people here who call it anything.

So, tell me. What’d you do? How’d you wind up down here with little old me? Hmm. Quiet type, I see. Well, no worries. I can do the talking until you’re ready. You’ll talk. Everyone talks. You may have lost your mind by that point, but you’ll start spilling some kinda beans. For both our sake, please try to find it in yourself to talk before then. You’ll be glad you did.

Shit man, you ain’t that old at all. Young, snotty, arrogant, all full of yourself, thinking you can throw yourself at the world and make it flinch. I got that right? Well, bang-up job so far, kid. And, if what brought me down here is any indicator, you’re down here because you’re never getting out of this fucking place, either. Lifer, right? At your age, too. Bad luck, man.

I can already tell, looking at you now, you’re gonna be an ugly one. You’re gonna keep them walls up, keep them emotions and feelings locked in. Hell, you might even be able to keep ’em up until the end, but they’ll crumble with you like a failed state. And man, it’s gonna hurt, knowing you could have just avoided some goddamn pain and opened up, told someone about who you were. You’ll die, and the last thing you’ll hear is me, sitting here, counting down your last breaths, and I’ll just tell you, ‘We could have had something, you and I’.

Oh, shit, where are my manners? This is no way to make an introduction. Please accept my humble apology, my dear young murdering neighbor. I hope I’m wrong about you, and you come to treasure my company as I’m already enjoying yours. My bed’s actually a lot nicer than the ones were out in general, when I was still out there. By the looks of it, yours is the same make. If it weren’t for this fucking light they’ve got on 24/7, you could actually get some decent sleep. C’est la vie.

You a praying man, newbie? Religious at all? I used to be. Don’t do a whole lot of good in here, I don’t mind saying. I don’t mind that my folks took me to church when I was kid, though I hated it. Every fucking Sunday, waking up to go to some goddamn stuffy building with shitty organ music and some dick in a robe telling me how I’d be going to hell for not giving him my money, and then Satan would buttfuck me for jerking off.

Oh, that reminds me: you can jerk off if you want. Just let me know when the urge hits. I can look away, if that makes it easier. No judgment. We all got our needs, and ain’t one of us higher than the other.

Don’t look at me like that. Just being honest, man. Look, all I’m saying is I wanna be as respectful as possible, but you’re gonna see me jerking off. I ain’t gonna stop that on account of you being here, but I just want you to know that it’s completely normal, and we’re both adults who can take care of ourselves. You ain’t gonna go to hell for it.

Where was I? Oh, the preacher, right. Well, he talked a good game. Getting people over to his side, scaring em all with that hell talk. Satan wants to torture you, God’s all love, and he loves you and wants your love too, he made you just the way you are and set everything in motion, yadda yadda, hell, thou, sin, torture, love, heaven, paradise, all that jazz. You’ve heard that all before, right?

Well, lemme learn you something, kid. It ain’t all bullshit. There is a God, don’t let anyone tell you otherwise. He’s the whole reason I’m in this place. Well, I guess he’s the reason everyone’s in here, that whole ‘plan’ of his. Well, whatever good that whole ‘plan’ is worth, anymore.

See, they say God is omniscient, omnipotent, and omnipresent. Shit, God himself says that, but I can tell you something right now; one of those is a lie, another is impossible, and I can’t figure on the last. I don’t know about him being in all places, but I think there’s something else going on with that one. However, I can tell you that God doesn’t know everything about everything and everyone all the time. He might have some ways of finding that shit out, but at best, he’s just good at sniffing out lies and looking around.

Now, as for being all-powerful, that’s a wrench in the spokes of an already shitty argument. See, you can’t be ‘all-powerful’; it ain’t possible. I heard some apologists and bible bangers stopped saying ‘all-powerful’, and started saying ‘maximally powerful’, because I guess someone called ’em on their shit, and they realized they had to move the goal posts. That ain’t right, though; God ain’t maximally powerful. They had it right the first time, when it was a contradiction.

Get this: If God is all-powerful, can he make a rock so big he can’t move it? If the answer is yes, he ain’t all powerful because, well, he can’t move it. If the answer is no, well, shit. You get the idea.

Now, get this: the answer to that question? Can God make a rock so big, even he can’t move it?

Yes.

You go on, pacing like that, acting like you don’t hear me. As long as I keep talking, it’ll give your mind something to work on, and you’ll stay sane. If I stop talking, and if we just sit in silence like kids at a Pentecostal dinner, then you’ll lose your shit. So, keep listening.

See, the whole reason I’m here is I fucked up God’s plan. He’d been building that big-ass rock up for so long, and he was just so in love with the fucking thing, he didn’t even notice what he was building it on top of was totally unstable. So, when the ground got ripped out from under it, and he couldn’t do anything about it. And all because of little old. Just some eighteen year old kid taking his Dad’s Tucker out for a drive.

Oh, that get your attention, did it? And no, don’t look at me like that, I ain’t a spoiled little brat. This was years ago. You weren’t even born yet, I guarantee. Shit, your parents might not have been born. Tuckers were still rare then, but not entirely out of place with the time.

All this took place on May 16th, 1956. Eisenhower and Nixon were in office, and I destroyed a plan set in motion at the dawn of time by just being a stupid fucking kid.

Yeah, I told you I was older than I looked. No, I ain’t crazy.

I was out with some friends at a party. Just about to graduate high school, and we were letting loose and kicking back some drinks, having a good old time, thinking about where we’d go to college and plans for the future. We were good kids, for the most part. Wish I knew what happened to any of those guys, Brian and Mike, but they kinda steered clear of me after everything went down.

So, it’s well after midnight, and I’m trying to keep this bastard on the road. Tied one on pretty good with the guys, and the road’s crawling everywhere under the tires. I start drifting in and out, the coffee I had before I left isn’t helping one bit. Maybe I take a couple turns too sharp, maybe I run a stop sign or two. I don’t remember what happened or what I did, but suddenly everything explodes. The steering wheel tries to pull my spine through my chest, the windows turn into snow and fall all over me, and the world stops spinning so fast, vertigo rips everything from my stomach and throws it onto the dash.

For a few seconds, I’m frozen. Somewhere, metal is crumbling and crashing, then stops. Blood, bile, gasoline, steam, and smoke kick me in the nose and jerk me back into consciousness. In the blink of an eye, I’m sober as a judge. There’s a full moon, and it’s giving enough light to see the Tucker’s fucked like it spent the night with Fatty Arbuckle. I can’t open the door, so I knock out the rest of the glass that’s still hanging on and climb out the window. My chest and ribs hurt, my head’s bleeding, but that’s about all that’s wrong with me. I’m looking around, trying to see what the fuck I hit when all of a sudden, the Sun comes out.

It comes from behind the moon, some impostor satellite that gives no daylight, and it starts speeding down to Earth, and I swear, I can tell this thing is heading right for me. Lights start dancing ahead of me, a little off to the left. There’s a bridge just ahead, and as the lights intensify, they reveal skid marks that shoot off the road and become torn earth.

A sound, a wailing, screaming din I’ve never felt before rumbles through my entire body as the missile keeps falling from above. I’m walking, following the skid marks into the grass, even though I don’t want to see what’s there. The tracks stop at a harsh drop, about twenty feet down into a rocky creek bed where a car is upside down and torn completely to shreds. Something’s sizzling and hissing from the exposed undercarriage.

This voice comes from above, and it’s screaming at me, ‘What have you done? What have you done?’ I’m already asking myself, What the fuck did I do? So, me and the big man are in agreement on this one.

And then, I find myself in the presence of God, hisownself. He’s staring me down, and lemme tell you, he is fucking pissed. Funny thing, though, he looks like a regular person, apart from all the glowing and floating bullshit. Anthropomorphic. Guess we were made in his image, after all. He looks at me, and then he looks down at the car I just smashed up, and for a while, he doesn’t move or speak or anything, just leaves me to piss myself in silence and confusion. I mean, picture it. You just wrecked your dad’s car and killed some other fella in the process, and all of a sudden, you learn God is real and you’ve pissed him off enough to reveal himself to you.

. . . I think I pissed myself before he finally spoke to me, but I’m not sure, I can’t remember exactly when that happened. But, he’s looking down at the wreck when he finally says, ‘You killed them all. They’re all dead.’

He turns his head and snarls, ‘You have ruined everything! Two thousand years of planning, of waiting for the right moment! Everything you know, everything you’ve seen, all of it wasted! You have doomed the entire human race!’

So, after I add a considerable helping of shit to my already soggy pants, I say to God, ‘What?’

So then, God screams at me and, holy shit, you have no clue how painful it is to hear God scream, but he screams, ‘The Antichrist was in that car!’

So, you know much about the Antichrist, end times, all that bullshit? Yeah, I didn’t either around then, just that the Antichrist was supposed to be some bad guy who brings about Armageddon and the Rapture and all that. So, I keep staring at God, because I’m completely following everything that’s happening and am not standing mute in awestruck terrified confused in twice soiled britches.

God goes on. ‘The Antichrist is dead! Now, there is no one to bring about the end times! No one to unite the world for seven years, no one to lead following the Rapture! His coming was foretold, the world was ripe for his leadership, and you cut him down before he was old enough to walk!’

Hell of a way to learn you killed a baby, man. I mean, the baby was gonna grow up to be a pretty bad dude, but still. Now, I don’t know what it was that got my head and tongue free enough to start talking, but talk back, I did. I think maybe, it was just trauma after trauma, shock after shock until some verbal bat hit me upside the brain stem and got me back in the moment. So, I say to God, ‘Can’t you just make another one?’

God turns red, all burning bright and angry, and screams again. ‘It has been foretold! Prophesied! You dare question, you dare challenge the Lord, Your God?!’

Me, I look back at God, and I say, ‘You’re God! Can’t you do anything? You can’t bring them back to life?’ They say he did that, you know.

He grows to double the size, right in front of me, and screams again, ‘It was a divine plan! A perfect plan! It cannot be altered in any way! It must be fulfilled exactly as it was foretold when Man first fell!’

And suddenly, he gets right in my face, and man, God sure can be a scary motherfucker. He says to me, ‘And you have doomed mankind, until the prophecy can be fulfilled once more!’

I say to God, ‘What?’ I’m pistol quick, bud. Believe me.

God tells me that the end times were gonna come about in my lifetime. Some shit with the Cold War, Russians and Communists and what all, and he would finally be able to wage war on Satan and reclaim his kingdom, bring all his children home, all the shit in the Bible. He tells me it has to happen this one specific way, exactly as it was laid out, and now, he’s gotta do it all over again. I mean, everything from the New Testament on, can’t do any of that old time Leviticus shit, nobody could get away with that now, man. .

Anyway, he tells me that everything’s going to happen again, and it’s going to take time. It’s gonna be a couple thousand years before another Antichrist can be born, and maybe this time, the divine plan won’t get fucked up by some stupid kid who apparently has the power to fuck up the pillars of Western Monotheism.

And, get this: the kicker is, he says, I’m gonna be around to see it. God says to me, ‘In my creation you shall remain until the divine plan is seen through, and my children return to me. Not a day shall you age; you shall languish in the lowest places. I shall mark you as Cain; no man shall harm you as you serve my sentence. As I have said, so it shall come to pass.’

Then, poof: God disappears. And that’s how the cop out on patrol found me; alone in the road, reeking of booze right next to two wrecked cars and three dead people. I get booked. It’s an open and shut case, and boom. Granted immortality just in time to get life in prison. How do ya like that?

I’m 87 years old, and I still have zits. They threw me down here, what, in the nineties? Guess the state didn’t want to waste time figuring out my shit. Budget cuts, can’t afford scientists to come and do tests on me. Can’t erase the graffiti on the rock God made so goddamn big he couldn’t fucking move.

So, pal, that’s my story. Out of curiosity, on the outside, has the messiah come back yet? He should have been here by now. Is he American? Something else? Come on, man, you heard anything?

Oh, shit, where the hell did you go? God damn, did you. . . huh. Guards must have dragged him off while I was monologuing. How the hell did I miss that? Jesus. Ain’t right to have a man locked away with nobody to talk to, or introduce a guy and yank him away just 10 minutes later. Up and vanished, just like that. Hey, guard! Bring back my neighbor! Guard!

I need someone to talk to. You could lose your mind, not having anyone to talk to.

Steven Wynne writes dark fiction. His short fiction has appeared here and there, online and elsewhere. His metabolism is slowing down, and he looks bad. Like, have you seen him recently? Someone should call someone. He resides in Central Pennsylvania with his pain in the ass cat.

Reaper Black Book 1: Death’s Garden

The Lycan Valley Reaper has a new hobby — Gardening. He tends to each plant’s every need from seed to harvest. The black seeds bloom in the shadows, petals unfolding as the twisted vines take root in your mind. These 13 stories and 12 poems are planted, germinated and ready for the harvest. Souls collected from Edward Ahern * Shaun Avery * Ross Baxter * R Bratten Weiss * Jonah Buck * O.R. Dalby * JG Faherty * Dale W Glaser * Jill Hand * Michael H Hanson * Liam Hogan * Mathias Jansson * Jordan King-Lacroix * Chad Lutzke * A.M. Nestler * Kurt Newton * Gregory L Norris * Allan Rozinski * Susan A Sheppard * David F Shultz * Claire Smith * Max D Stanton * John McCallum Swain * Sara Tantlinger * Steven Wynne

I also have a short story, Escape Velocity, in the December 2016 edition of Sirens Call Ezine. (The link will redirect you to the .pdf that you can download.)

You can also find my short story, Fireflies, as part of a previous Halloween Extravaganza here, as well as my short Hallowen story, The Yellow Line, last year’s contribution, here.

Halloween Extravaganza: INTERVIEW: Steven Wynne

Meghan: Hi, Steven! Welcome back to my annual Halloween Extravaganza. I hope you’re liking the new blog. It’s been awhile since we sat down together. What’s been going on since we last spoke?

Steven Wynne: It has indeed been a while! Unfortunately, my entire life twisted into complete shit right around the beginning of last year. I got divorced, and two weeks after that cluster bomb detonated, my dad entered hospice after a three year fight with stage four brain cancer, which led to six months of awfulness and heartbreak until he finally passed in late October 2018. On top of that carnival of giggles and mirth, my job turned into an absolute nightmare that persisted until I finally left and found a better job earlier this year.

In the midst of all that, I stopped being able to write. After the initial one-two punch of the divorce and hospice, there was a two week period where I couldnโ€™t even read. As the year wore on, I slowly regained my focus and made a few tentative stabs at writing. There were a few other things that have happened (see answers below), but what Iโ€™m really excited for is that Iโ€™ve just finished writing a new story for the first time in over a year. Itโ€™s made the rounds of beta readers, had its due edits, and is ready to be subbed out to soak up the rejections.

Meghan: Who are you outside of writing?

Steven Wynne: Iโ€™m quiet as hell and pretty reclusive, more often than not. When Iโ€™m not working absurd hours, Iโ€™m usually the type to relax and read, and slowly make my way through my massive TBR pile. Iโ€™ve been playing a lot more guitar in the last year and doing some recording here and there, but by and large, Iโ€™m a solitary kinda guy.

Meghan: How do you feel about friends and close relatives reading your work?

Steven Wynne: Iโ€™m cool with it? The few friends/acquaintances of mine who have showed up in my stories are the kind of folk who can roll with it. Except the one guy. Fuck that one guy.

Meghan: Is being a writer a gift or a curse?

Steven Wynne: I donโ€™t know that itโ€™s so much a gift as it is a skill that needs to be honed. I mean, I donโ€™t think Iโ€™m all that dazzling a writer, but I can recognize Iโ€™m way better now than when I started submitting years ago. It takes commitment, years of nothing but rejections, and seeking out input from others about what youโ€™re doing wrong and what you could be doing better. No different from any other creative hobby one might pursue, I suppose?

Meghan: How has your environment and upbringing colored your writing?

Steven Wynne: Everything is sad, thereโ€™s not much hope for anything, the world has an all-encompassing incomprehensible terror to it, youโ€™re all alone, and Dadโ€™s drunk.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

Steven Wynne: Iโ€™m currently working on a story with a lot of crime and murder elements to it, so there have been things like, โ€˜How long does it take for the eyes to cloud over postmortemโ€™ and all the processes that go into that, and things of that nature. But then again, Iโ€™m a true crime hound and was already interested and fascinated by that kinda stuff, anyway. Not exactly โ€˜strangeโ€™ compared to some of my friends and other writers I know, but itโ€™s what comes to mind.

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

Steven Wynne: Starting is always rocky terrain for me. Itโ€™s where Iโ€™m most likely to get distracted and abandon ship. If Iโ€™m in something and Iโ€™m cooking on it, things seem to click. That test is usually passed if I wake up on time and am able to devote forty five to ninety minutes to the thing before work, and Iโ€™m able to do that for, say, three days, thatโ€™s a good sign. The middle and end are more fun for me. Seeing how it all plays out is usually a big surprise for me as well. That opening, though, thatโ€™s fucking treacherous.

Meghan: Do you outline?  Do you start with characters or plot?  Do you just sit down and start writing?  What works best for you?

Steven Wynne: Iโ€™m a pantser, through and through. Outlines arenโ€™t fun at all for me. Usually, I need two ideas handcuffed to each other to work. They can be a character and a situation, a setting and situation, a character and another character, whatever they are, I usually canโ€™t run with just one. I kinda view my process as one idea is the driver, the other is the vehicle. Sometimes, the goodies floating around in the ideaspace coalesce into one weird hybrid that (I think) makes for a good story. When I write, I pretty much just sit down and go. There can sometimes be a long time between ideas merging, but the more I write, the quicker pieces tend to fall together.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

Steven Wynne: Listen to them, usually. A lot of times, the story greatly benefits from a little tangent here or there. If that doesnโ€™t work, kill โ€˜em.

Meghan: What do you do to motivate yourself to sit down and write?  

Steven Wynne: Remember how good it feels to accomplish something. Also remember how much it sucks to have my days consist of coffee, food, work, one good/meh shit, more food, and sleep. Remind myself that Scares is coming up next year, and how great would it be to have something to bring to share with my friends.

Meghan: Are you an avid reader?

Steven Wynne: I do my best.

Meghan: What kind of books do you absolutely love to read?

Steven Wynne: Sad, dark yarns that back up my preconceived notions of the world without making me do any intellectual heavy lifting and realizing I might be wrong about stuff.

I keed. Kinda.

I absolutely love short story collections, and Iโ€™m very much loving everything weird and melancholy I can get my hands on. Currently, Iโ€™m reading Cry Your Way Home by Damien Angelica Walters, and itโ€™s fantastic in every goddamn way.

Meghan: How do you feel about movies based on books?

Steven Wynne: I donโ€™t have a problem with โ€˜em?

Meghan: Have you ever killed a main character?

Steven Wynne: Every time, it seems.

Meghan: Do you enjoy making your characters suffer?

Steven Wynne: Not really. I hate seeing people suffer in any capacity, even if Iโ€™m the person creating the whole scenario, people included. If the characters are suffering, itโ€™s to serve a purpose and to serve the forward momentum of the story. I donโ€™t enjoy it at all, but sometimes the stories I spit out canโ€™t help but be born in those environments.

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

Steven Wynne: A time/dimension traveling woman who *could have been* a main characterโ€™s aunt, who carries around a tiny living puppet of the main characterโ€™s father in a glass bottle.

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received?  Whatโ€™s the worst?

Steven Wynne: I will always defer to Russell Coyโ€™s wisdom when it comes to editing and pointing out what works and doesnโ€™t in stories. I think I still have the first things he beta read for me saved in my google drive with their miles of red strikethrough and explanations of why things donโ€™t work, and when Iโ€™m being overly wordy, how *this* whole paragraph is redundant because everything substantive in it is hinted at subtly in one sentence three paragraphs before. John Boden has also been fantastic about pointing out things that are hacky.

Worst feedback was from a friend who clearly misinterpreted everything about a story I sent him. Character motivations, denouement, attribution, just. . . everything. Donโ€™t want to go too into specifics with that, but it was the first time I heard someone being critical of something I wrote and made a fart sound and jerk-off motion. Havenโ€™t sent that dude anything else Iโ€™ve done since. 

Meghan: What do your fans mean to you?

Steven Wynne: My mom means the world to me.

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

Steven Wynne: That is a damn good question. I might have to say Tiny, from John Bodenโ€™s Spungunion. Heโ€™s turned up in a few of the Knucklebucket Thang books that Boden has cranked out. I absolutely love his character and how he remains a compassionate and empathetic figure despite the solitary, moribund, morose nature of his work.

Meghan: If you could write the next book in a series, which one would it be, and what would you make the book about?

Steven Wynne: Gotta double down on the aforementioned Knucklebucket Thang series, by John Boden/Bob Ford. As much as Iโ€™d love to take a crack at a story exclusively about Tiny, I doubt sincerely I could do him anywhere near the justice he would deserve for his own standalone story. Iโ€™d want him in there, though.

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

Steven Wynne: Haha! Iโ€™m currently collaborating with my friend and fellow author Justin Lutz. actually, and Iโ€™m so goddamn happy to be doing so. Without going into too terribly much detail, itโ€™s about a serial killer operating in Central Pennsylvania and using the Opioid epidemic as a means of trapping victims and covering up his crimes, while a reclusive clairvoyant coroner is slowly gaining clues as to not only who the killer is, but the identities of the Jane Does in her morgue who can talk to her but canโ€™t remember who they are.

Meghan: What can we expect from you in the future?

Steven Wynne: Hopefully? Iโ€™ll get some more short fiction published, get one of the few novellas I have sitting around published as well, and this still unnamed collaborative novel between Justin Lutz and I. I have a feeling that when thatโ€™s done, folks might really enjoy it.

Apart from that? Expect to see me at Scares that Care 2020, probably drunk and trying to give Wile E. Young my phone number again for the third year in a row.

Meghan: Where can we find you?

Steven Wynne: Oh, Iโ€™m on the usual haunts. Track me down on Facebook, and Iโ€™m on Twitter.

Meghan: Do you have any closing words for your fans or anything youโ€™d like to say that we didnโ€™t get to cover in this interview or the last?

Steven Wynne: Read Gwendolyn Kiste. Come to Scares that Care. Buy me a shot.

Steven Wynne writes dark fiction. His short fiction has appeared here and there, online and elsewhere. His metabolism is slowing down, and he looks bad. Like, have you seen him recently? Someone should call someone. He resides in Central Pennsylvania with his pain in the ass cat.

Reaper Black Book 1: Death’s Garden

The Lycan Valley Reaper has a new hobby — Gardening. He tends to each plant’s every need from seed to harvest. The black seeds bloom in the shadows, petals unfolding as the twisted vines take root in your mind. These 13 stories and 12 poems are planted, germinated and ready for the harvest. Souls collected from Edward Ahern * Shaun Avery * Ross Baxter * R Bratten Weiss * Jonah Buck * O.R. Dalby * JG Faherty * Dale W Glaser * Jill Hand * Michael H Hanson * Liam Hogan * Mathias Jansson * Jordan King-Lacroix * Chad Lutzke * A.M. Nestler * Kurt Newton * Gregory L Norris * Allan Rozinski * Susan A Sheppard * David F Shultz * Claire Smith * Max D Stanton * John McCallum Swain * Sara Tantlinger * Steven Wynne

I also have a short story, Escape Velocity, in the December 2016 edition of Sirens Call Ezine. (The link will redirect you to the .pdf that you can download.)

You can also find my short story, Fireflies, as part of a previous Halloween Extravaganza here, as well as my short Hallowen story, The Yellow Line, last year’s contribution, here.

REVIEW: The Captivating Flames of Madness

Author: Jeff Parsons
Publication Company: HellBound Books
Publication Date: 2 April 2018
Pages: 298
Genre: Horror, Short Stories

This book’s title comes from the reality that – like a moth to the flame – we’re all just one event, mishap, or decision away from things that could change our lives forever. 

What would you do if fate led you astray into a grim world where you encountered vengeful ghosts, homicidal maniacs, ancient gods, apocalyptic nightmares, dark magic, deadly space aliens, and more?

If you dare, why not find out? 

Read for yourself the twenty-two gloriously provocative tales that dwell within this book – but be warned, some of my dear readers have experienced lasting nightmares…


When it comes to reading a new author, I like to start with their short stories or short story collections. It allows me a chance to really see the range of story they have in them, as well as see their writing style and how much they put into their characters, which, to me, are a very important part of the story.

At the same time, short story collections are difficult. It’s hard for authors to hit a middle-ground with them, so they’re either total perfection or completely terrible, and I go in with that thought in my head every time. Especially after reading ones that were just so disappointing to me. I can’t be the only reader that expects a theme to be utilized in every story included or all of the stories selected for the collection to be strong stories, but for some reason, I read a lot of collections that just don’t hit either of those marks.

I agreed to read this one knowing that HellBound Books was the publisher, which gave me a little more faith in the collection than I usually have going into these. They’re a publisher that has not failed me yet when it comes to their books.

The cover itself was not a complete win for me, but the title… captivated my attention. (I know, I know… worst “dad” joke ever haha.)

I was hooked with story number one – Lost Souls. It’s not often that a collection by one author is begun with such a strong story. World War II. German military on a submarine. One member of the crew who questions whether what they are doing is right or wrong. And things that happen on this U-boat that lead to a conclusion I did not expect.

I’ll admit, after that story I was worried – “Don’t tell me that he began the collection with the best!” – but that was so far from the truth. Every single story was better than good. Every single story was strong. Every single story was different, but all stuck to the same theme that I had assumed was there with the title. In fact, there was not a single story in the collection that I either didn’t like or thought should not have been included. I mean, I was impressed. So impressed that it was actually really hard for me to choose a favorite, but I finally was able to decide on two, which, interestingly enough, are the first two stories in the collection:

Lost Souls
The New Law

If you’re looking for a new author to read and haven’t read anything by Jeff Parsons yet, I recommend you read this collection. It was well worth the time that I put into reading it, and I’ll definitely read more of his work in the future.

Halloween Extravaganza: INTERVIEW: John Everson

Meghan: Hey, John! Itโ€™s been awhile since we sat down together. Whatโ€™s been going on since we last spoke?

John Everson: Hmmmโ€ฆ. Well, letโ€™s seeโ€ฆ I bought a classic 1980 Galaxy pinball game by Stern for my basement last winter. Over the spring I read maybe the first autobiography Iโ€™ve ever read (John Fogerty. Heโ€™s amazing). Iโ€™ve spent some time in San Diego, Las Vegas and New Orleans travelling for my day job. Ohโ€ฆ and I finished a new book for Flame Tree Press called The Devilโ€™s Equinox, that came out at the end of June!

Meghan: Who are you outside of writing?

John Everson: I am a lot of things, I suppose, but most importantly I hold the titles of husband, father, and โ€œflock-leaderโ€ (I have a cockatoo, cockatiel and parakeet). Iโ€™m an obsessive music lover, pinball hobbyist, and baseball (Chicago Cubs!) fan. Iโ€™m also a hot pepper nut and beer aficionado (some say โ€œbeer snobโ€). I love discovering new breweries and finding great IPAs. I am at the core an incessant creative โ€“ aside from writing fiction, I love to garden, cook, write music, create digital art, do occasional woodwork projectsโ€ฆ as long as Iโ€™m making something, Iโ€™m happy.

Meghan: How do you feel about friends and close relatives reading your work?

John Everson: We all make choices. I let them make theirs!

Meghan: Is being a writer a gift or a curse?

John Everson: Itโ€™s absolutely a gift. The ability to put yourself in the shoes of all sorts of characters helps develop a level of patience, empathy and understanding for the people around you. Itโ€™s increasingly easy in todayโ€™s obsessively Me-Me-Me Society to swim in a self-reflective shallow pond. Writing tends to force one to see and try to understand other viewpoints, other ponds. Writing also offers an escape from a world that is increasingly problematic to stomach with the endless political bickering and my-cause-is-more-righteous-than-yours posturing. A writer can disappear into his or her own world and characters and shut out the unwanted noise of the real one.

Meghan: How has your environment and upbringing colored your writing?

John Everson: I grew up in an ultra-conservative Catholic home and went to parochial school for 13 years. My mother was a flag-waver for anti-abortion and religious causes and forced the family to march along with her. The end result of those years was a divorce, a couple of house and school moves, and an estrangement from my dad for many years. Not surprisingly, thanks to those repressive years, as an adult I am a skeptic, support no overt โ€œcausesโ€ and believe that virtually nothing is black and white, but rather shades of grey. I donโ€™t believe in absolutes or heaven and hell. I believe we make our own fate and the best possible world-view is to โ€œlive and let die.โ€ At one point in time, I was considered a liberal, but based on the painfully โ€œpolitically correctโ€ rhetoric I hear from liberals these days, I donโ€™t suppose Iโ€™d be called that anymore by many. In any event, certainly the destructive effects of divorce, narrow-minded religious โ€œcultismโ€ and other obsessive mindsets have impacted who I am and how and what I write.

Meghan: Whatโ€™s the strangest thing you have ever had to research for your books?

John Everson: If you were stretched out on a rack and one of your arms was ripped off at the shoulder from the force, is there a possibility of survival or would you bleed out before it was possible to staunch the flow?

Meghan: Which do you find the hardest to write: the beginning, the middle, or the end?

John Everson: Beginnings are hardest for me. The first chapter or two is easyโ€ฆ but then you have to build the characters and set all of the plot issues in motion. You have to introduce people and round them out with things the reader can identify with, while trying to keep some energy moving in the story. To me itโ€™s like a rollercoaster. Ratcheting everything up to that first big peak is hard, slow and often frustrating. But once the cars tip down that peak and begin to careen towards the first big dip and flip โ€“ well, thatโ€™s the fun part. At times during those rollercoaster plot twists, the book really just writes itself if youโ€™ve set things up right.

Meghan: Do you outline? Do you start with characters or plot? Do you just sit down and start writing? What works best for you?

John Everson: I have to outline โ€“ because thatโ€™s how I sell my next book to my publisher (hereโ€™s what Iโ€™d like to write, what do you think? Will you contract it?). Itโ€™s not my favorite way to write, because it pushes you into a bit of a paint-by-numbers feeling, and the fun of writing for me is to tell myself a story. But usually my outlines have lots of room for unpredicted plot twists and changes, so itโ€™s all good. And it does help to have a general roadmap to help ensure that youโ€™re moving toward the right destination and not detouring into a dead end. As far as how it happens? Usually I brainstorm a few different story ideas at a time. Later I decide what I want to develop and will sit down and spend a few hours trying to plot out how the story might work. So I generally start with a situation/conflict and spin the story out from there.

Meghan: What do you do when characters donโ€™t follow the outline/plan?

John Everson: Well, thatโ€™s a conscious choice that you as the writer make. I typically donโ€™t make that choice, though I also leave my outlines open enough that there are various ways certain situations could go. I know some writers say โ€œwell, my characters decided they didnโ€™t want thatโ€ and it always makes me laugh. Unless youโ€™re schizophrenic, you control the characters and every action they make. Hopefully you write the characters so that they seem alive to your readers, butโ€ฆ theyโ€™re not. They canโ€™t make choices themselves. You may decide you donโ€™t like what you originally outlined and skip itโ€ฆ but the characters arenโ€™t making those decisions โ€“ you are!

Meghan: What do you do to motivate yourself to sit down and write?

John Everson: I sell an idea and get a contract โ€“ with a hard deadline date on it! When I was younger, I didnโ€™t have a lot of responsibilities and writing was just an enjoyable pastime that I did on weekends to pass the time. Fast forward 30 years and just finding an hour or two at night to do this interview is challenging. So, to make sure that I actually DO still write, I try to get each project contracted, with a deadline. Iโ€™m a former journalist, so Iโ€™m used to the motivation that real deadlines drive. Without a real deadline, I could let weeks or even months go by and never sit down at the computer to really work.

Meghan: Are you an avid reader?

John Everson: I used to beโ€ฆ itโ€™s why I became a writer. Sadly, the past few years, Iโ€™ve only managed to read a handful of books a year. Iโ€™m always working on one thing or another, and having the time to just sit in a chair for an hour or two and read just never happens. Iโ€™m looking forward to conquering the ginormous TBR pile in my bedroom once I retire (though thatโ€™s another decade away!)

Meghan: What kind of books do you absolutely love to read?

John Everson: Fast, fun stories that yank you out of this world and take you on a crazy ride somewhere else. Growing up, I was a sucker for golden age science fiction. As an adult, my tastes skewed more to horror and dark fantasy. Nina Kiriki Hoffmanโ€™s novels about a family/community of people who can harness magic kept me enthralled. Iโ€™ve read a many Edward Lee horror novels that sucked me in and didnโ€™t let me go until the book was over. Itโ€™s incredibly rare for me to have the time or interest to read an entire book in a day, but things like his City Infernal and Succubi or Incubi are literally the blueprint for how to write a book that keeps you entranced page-after-page. Heโ€™s one of the few authors whose books Iโ€™ve read start-to-finish in a day.

Meghan: How do you feel about movies based on books?

John Everson: There should be more of them! Hollywood keeps recycling the same movies, and yet there are thousands of novels โ€“ fresh, unfilmed stories! — published every year. While usually you will feel that a movie version doesnโ€™t do justice to your favorite books, I think they do provide a different look at the storyโ€ฆ and there are millions of people who will never read the book version, but would watch the story if it was to unfold on the screen.

Meghan: Have you ever killed a main character?

John Everson: Maybe?

Meghan: Do you enjoy making your characters suffer?

John Everson: Noโ€ฆ and thatโ€™s why you have to ask yourself during โ€œdifficultโ€ scenes if youโ€™re โ€œpulling punchesโ€? Are you being too easy on them because you like them and donโ€™t want the situation youโ€™ve set up to really impact them like it should?

Meghan: Whatโ€™s the weirdest character concept that youโ€™ve ever come up with?

John Everson: I once wrote a story about a lesbian relationship between an alien described as a cross between โ€œa horse and a centipedeโ€ and a human woman who she meets as part of a human โ€œsex circus.โ€

Meghan: Whatโ€™s the best piece of feedback youโ€™ve ever received? Whatโ€™s the worst?

John Everson: Donโ€™t quit your day job. Don’t quit your day job.

Meghan: What do your fans mean to you?

John Everson: Everything! Theyโ€™re why I write. Without readersโ€ฆ whatโ€™s the point of telling a story?

Meghan: If you could steal one character from another author and make them yours, who would it be and why?

John Everson: This is digging back a ways, but one of my favorite characters growing up was Poul Andersonโ€™s Dominic Flandry. He wrote several books about Flandry: Agent of the Terran Empire, a kind of intergalactic 007. One of Flandryโ€™s favorite sayings was, “What is the point of living in a decadent age if you don’t know how to enjoy the decadence?”

Meghan: If you could write a collaboration with another author, who would it be and what would you write about?

John Everson: I actually started an apocalyptic collaboration with W.D. Gagliani and David Benton a few years ago and Iโ€™d love to finish itโ€ฆ because I want to know what happens! One of these days weโ€™ll all dig in and make it happen!

Meghan: What can we expect from you in the future?

John Everson: Iโ€™m currently working on a book called Voodoo Heart, set for release in October 2020. Itโ€™s a book Iโ€™ve wanted to write for 15 years because itโ€™s set in the world of the title story from my 2nd fiction collection Vigilantes of Love. When I wrote the original โ€œVigilantes of Loveโ€ pastiche, it was a very slight โ€œflash fictionโ€ scene about a particular voodoo curse in New Orleans. My editor convinced me to expand it to more of a real story for that bookโ€ฆ and ever since, Iโ€™ve thought that it could really expand into a novel-length story. I outlined it a decade ago and finally started working on actually writing it while I was in New Orleans for business in the spring. I am hoping to finish it by the end of the year.

Meghan: Where can we find you?

John Everson:

Website
BookBub ** Goodreads ** Amazon
Facebook ** Twitter ** Instagram
Newsletter

John Everson is a staunch advocate for the culinary joys of the jalapeno and an unabashed fan of 1970s European horror, giallo and poliziotteschi cinema. He is also the Bram Stoker Award-winning author of eleven novels, including his latest occult thriller, The Devilโ€™s Equinox, and last yearโ€™s The House By The Cemetery, which takes place at a real haunted cemetery — Bachelorโ€™s Grove — in the south suburbs of Chicago. His first novel Covenant, was a winner of the Bram Stoker Award and his sixth, NightWhere, was a finalist for the award. Other novels include Redemption, the conclusion to the trilogy begun in Covenant, as well as Sacrifice, Violet Eyes, The Pumpkin Man, The Family Tree, Siren, and The 13th. Over the past 25 years, his short stories have appeared in more than 75 magazines and anthologies. He is the founder of the independent press Dark Arts Books and has written novelettes for The Vampire Diaries and Jonathan Maberryโ€™s V-Wars universe (Books 1 and 3), which will appear as a 10-episode series on NetFlix in 2019. Heโ€™s also written stories for The Green Hornet and Kolchak, The Night Stalker anthologies. He has had several short fiction collections, including Needles & Sins, Vigilantes of Love, Cage of Bones & Other Deadly Obsessions, and most recently, Sacrificing Virgins. For more on his obsession with jalapenos and 1970s European horror cinema, as well as information on his fiction, art and music, visit his website.

The Devil’s Equinox

Austin secretly wishes his wife would drop dead. He even says so one boozy midnight at the bar to a sultry stranger with a mysterious tattoo. When his wife later introduces that stranger as Regina, their new neighbor, Austin hopes she will be a good influence on his wife. Instead, one night he comes home to find his wife dead. Soon he’s entranced with Regina, who introduces him to a strange world of bloodletting, rituals and magic. A world that puts everything he loves in peril. Can Austin save his daughter, and himself, before the planets align for the Devil’s Equinox? FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

The House by the Cemetery

Rumor has it that the abandoned house by the cemetery is haunted by the ghost of a witch. But rumors wonโ€™t stop carpenter Mike Kostner from rehabbing the place as a haunted house attraction. Soon heโ€™ll learn that fresh wood and nails canโ€™t keep decades of rumors down. There are noises in the walls, and fresh blood on the floor: secrets that would be better not to discover. And behind the rumors is a real ghost who will do whatever it takes to ensure the house reopens. She needs people to fill her house on Halloween. Thereโ€™s a dark, horrible ritual to fulfill. Because while the witch may have been dead… she doesnโ€™t intend to stay that way.

Halloween Extravaganza: INTERVIEW Part 2: Halloween Edition: Jeff Parsons

Jeff Parsons was really interested in taking part in all of this year’s Halloween Extravaganza, but he just could not think of a guest post topic, so, joking around, I gave him some suggestions, in question form, and he answered all three. He has some interesting answers…


Meghan: What do you think is the worst Halloween candy ever created?

Jeff Parsons: Wax Bottle candy. Nip the top off, get wax on your lips, tongue, and teeth, spit it out in a slimy gob, and suck down the eyedropper squirt of bland sugar water. I think the sugar offsets the gag reflex, for undoubtedly, the liquid is some type of industrial waste discharge. Also, not part of any known food group is the related Candy Corn apostacy. Is it wax or non-fructose opioid? All I want to know is how to stop eating themโ€ฆ

Meghan: What was the best Halloween costume you wore as a kid?

Jeff Parsons: This will date me, but there was only one type of costume available. Store bought. The outfit came in a box that showed the costume through a clear cellophane window. The outfit was a plastic strap-on mask of Frankenstein, King Kong, Superman, etc. and a faux-silk matching tunic. The mask had two nose hole openings and a slit for a mouth. You couldnโ€™t breathe. Sweat fogged up my glasses, further complicating the tunnel vision view. The maskโ€™s rubber band bit into my head and broke too soon with a zinging snap to my ears. So, Iโ€™d have to hold the mask up to my face. After a while, I got tired of that. Iโ€™d just show the mask when the door opened to prove I was legit. By then, I was already exhausted by the marathon of getting as much candy as possible before the 6PM-get-your-butt-back-home curfew.

Meghan: Do you think it sucks for kids these days to not know the awesomeness of Halloween when we were kids?

Jeff Parsons: We were less jaded in the olden days. A good scary story really worked us over. Witches and goblins seemed to be a lot more believable back thenโ€ฆ When I was young, seeing bizarre costumed people walking about on the street was like seeing a sign of civilizations sudden collapse into insanity. Nowadays, weird is normal and normal is weird. And, around late October, winter was on its way. When it got colder and darker, the leaves fell off the trees โ€“ my parents said not to worry, spring will return, but couldnโ€™t it be they were protecting me from the awful truthโ€ฆ it may not return? Nowadays, everything can be Googledโ€ฆ no mystery.

Jeff is a professional engineer enjoying life in sunny California, USA. He has a long history of technical writing, which oddly enough, often reads like pure fiction. He was inspired to write by two wonderful teachers: William Forstchen and Gary Braver. In addition to his two books, The Captivating Flames of Madness and Algorithm of Nightmares, he is published in SNM Horror Magazine, Bonded by Blood IV/ V, The Horror Zine, Dark Gothic Resurrected Magazine, Chilling Ghost Short Stories, Dystopia Utopia Short Stories, Wax & Wane: A Coven of Witch Tales, Thinking Through Our Fingers, The Moving Finger Writes, Golden Prose & Poetry, Our Dance With Words, The Voices Within, Fireburst: The Inner Circle Writersโ€™ Group, Second Flash Fiction Anthology 2018, and Year’s Best Hardcore Horror Volume 4. For more details, visit his Facebook Author Page.

The Captivating Flames of Madness

This book’s title comes from the reality that – like a moth to the flame – we’re all just one event, mishap, or decision away from things that could change our lives forever. 

What would you do if fate led you astray into a grim world where you encountered vengeful ghosts, homicidal maniacs, ancient gods, apocalyptic nightmares, dark magic, deadly space aliens, and more?

If you dare, why not find out? 

Read for yourself the twenty-two gloriously provocative tales that dwell within this book – but be warned, some of my dear readers have experienced lasting nightmares…